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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 17 142 it is the complementary color RGB 105 238 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 17 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 17 142 shade: RGB 155 17 137, RGB 172 35 156, RGB 189 53 175, RGB 206 71 194 and RGB 223 89 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 17 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 17 142 shade: RGB 150 17 142, RGB 133 0 123, RGB 116 0 104, RGB 99 0 85 and RGB 82 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 17 142 shade: RGB 151 16 143, RGB 151 16 107, RGB 151 16 70, RGB 151 16 34 and RGB 151 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 17 142 shade: RGB 151 16 143, RGB 123 16 151, RGB 86 16 151, RGB 50 16 151 and RGB 16 16 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 17 142 shade matches the following richer shades: RGB 151 16 143 and RGB 165 3 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 17 142 shade: RGB 151 16 143, RGB 137 30 131, RGB 124 44 119, RGB 110 57 107 and RGB 97 71 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 17 142 shade: RGB 86 16 151, RGB 122 16 151, RGB 151 16 144, RGB 151 16 108 and RGB 151 16 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 17 142 shade: RGB 77 8 73, RGB 114 12 108, RGB 151 16 143, RGB 188 20 178 and RGB 225 25 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 17 142 shade: RGB 150 17 142, RGB 151 50 16 and RGB 16 151 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 17 142 shade: RGB 150 17 142, RGB 144 151 16 and RGB 16 144 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 17 142 shade: RGB 150 17 142, RGB 151 50 16, RGB 16 151 23 and RGB 16 117 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 17 142 shade: RGB 150 17 142, RGB 151 90 16, RGB 16 151 23 and RGB 16 77 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 5 / 41

HEX #96118E

RGB 150 17 142

HSL 303.61, 0.8%, 0.33%

LAB 35.67, 62.6, -35.57

 

Complementary color

CMYK 56 / 0 / 53 / 7

HEX #69EE71

RGB 105 238 113

HSL 123.61, 0.8%, 0.67%

LAB 84.66, -61.13, 49.22

 

CMYK 0 / 89 / 12 / 39

HEX #9B1189

RGB 155 17 137

HSL 307.83, 0.8%, 0.34%

LAB 36.32, 62.85, -31.4

 

CMYK 0 / 80 / 9 / 33

HEX #AC239C

RGB 172 35 156

HSL 307.01, 0.66%, 0.41%

LAB 41.8, 65.18, -34.13

 

CMYK 0 / 72 / 7 / 26

HEX #BD35AF

RGB 189 53 175

HSL 306.18, 0.56%, 0.47%

LAB 47.57, 66.4, -36.16

 

CMYK 0 / 66 / 6 / 19

HEX #CE47C2

RGB 206 71 194

HSL 305.33, 0.58%, 0.54%

LAB 53.52, 66.89, -37.69

 

CMYK 0 / 60 / 4 / 13

HEX #DF59D5

RGB 223 89 213

HSL 304.48, 0.68%, 0.61%

LAB 59.56, 66.92, -38.87

 

CMYK 0 / 89 / 5 / 41

HEX #96118E

RGB 150 17 142

HSL 303.61, 0.8%, 0.33%

LAB 35.67, 62.6, -35.57

 

CMYK 0 / 100 / 8 / 48

HEX #85007B

RGB 133 0 123

HSL 304.51, 1%, 0.26%

LAB 30.44, 59.07, -32.24

 

CMYK 0 / 100 / 10 / 55

HEX #740068

RGB 116 0 104

HSL 306.21, 1%, 0.23%

LAB 25.9, 53.07, -27.48

 

CMYK 0 / 100 / 14 / 61

HEX #630055

RGB 99 0 85

HSL 308.48, 1%, 0.19%

LAB 21.24, 46.9, -22.51

 

CMYK 0 / 100 / 20 / 68

HEX #520042

RGB 82 0 66

HSL 311.71, 1%, 0.16%

LAB 16.44, 40.56, -17.28

 

CMYK 0 / 89 / 5 / 41

HEX #97108F

RGB 151 16 143

HSL 303.56, 0.81%, 0.33%

LAB 35.86, 63.12, -35.88

 

CMYK 0 / 89 / 29 / 41

HEX #97106B

RGB 151 16 107

HSL 319.56, 0.81%, 0.33%

LAB 34.01, 58.22, -16.23

 

CMYK 0 / 89 / 54 / 41

HEX #971046

RGB 151 16 70

HSL 336, 0.81%, 0.33%

LAB 32.68, 54.55, 5.85

 

CMYK 0 / 89 / 77 / 41

HEX #971022

RGB 151 16 34

HSL 352, 0.81%, 0.33%

LAB 31.96, 52.46, 28.38

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 0 / 89 / 5 / 41

HEX #97108F

RGB 151 16 143

HSL 303.56, 0.81%, 0.33%

LAB 35.86, 63.12, -35.88

 

CMYK 19 / 89 / 0 / 41

HEX #7B1097

RGB 123 16 151

HSL 287.56, 0.81%, 0.33%

LAB 31.38, 59.44, -48.24

 

CMYK 43 / 89 / 0 / 41

HEX #561097

RGB 86 16 151

HSL 271.11, 0.81%, 0.33%

LAB 25.51, 53.99, -58.07

 

CMYK 67 / 89 / 0 / 41

HEX #321097

RGB 50 16 151

HSL 255.11, 0.81%, 0.33%

LAB 21.14, 50.34, -65.43

 

CMYK 89 / 89 / 0 / 41

HEX #101097

RGB 16 16 151

HSL 240, 0.81%, 0.33%

LAB 18.86, 48.64, -69.28

 

CMYK 0 / 89 / 5 / 41

HEX #97108F

RGB 151 16 143

HSL 303.56, 0.81%, 0.33%

LAB 35.86, 63.12, -35.88

 

CMYK 0 / 98 / 6 / 35

HEX #A5039B

RGB 165 3 155

HSL 303.7, 0.96%, 0.33%

LAB 38.61, 69.12, -38.68

 

CMYK 0 / 89 / 5 / 41

HEX #97108F

RGB 151 16 143

HSL 303.56, 0.81%, 0.33%

LAB 35.86, 63.12, -35.88

 

CMYK 0 / 78 / 4 / 46

HEX #891E83

RGB 137 30 131

HSL 303.36, 0.64%, 0.33%

LAB 33.74, 55.05, -31.97

 

CMYK 0 / 65 / 4 / 51

HEX #7C2C77

RGB 124 44 119

HSL 303.75, 0.48%, 0.33%

LAB 32.74, 44.47, -26.18

 

CMYK 0 / 48 / 3 / 57

HEX #6E396B

RGB 110 57 107

HSL 303.4, 0.32%, 0.33%

LAB 32.49, 31.28, -19.15

 

CMYK 0 / 27 / 2 / 62

HEX #61475F

RGB 97 71 95

HSL 304.62, 0.15%, 0.33%

LAB 33.72, 15.67, -9.79

 

CMYK 43 / 89 / 0 / 41

HEX #561097

RGB 86 16 151

HSL 271.11, 0.81%, 0.33%

LAB 25.51, 53.99, -58.07

 

CMYK 19 / 89 / 0 / 41

HEX #7A1097

RGB 122 16 151

HSL 287.11, 0.81%, 0.33%

LAB 31.21, 59.27, -48.53

 

CMYK 0 / 89 / 5 / 41

HEX #971090

RGB 151 16 144

HSL 303.11, 0.81%, 0.33%

LAB 35.91, 63.27, -36.4

 

CMYK 0 / 89 / 28 / 41

HEX #97106C

RGB 151 16 108

HSL 319.11, 0.81%, 0.33%

LAB 34.05, 58.34, -16.8

 

CMYK 0 / 89 / 52 / 41

HEX #971048

RGB 151 16 72

HSL 335.11, 0.81%, 0.33%

LAB 32.74, 54.71, 4.61

 

CMYK 0 / 90 / 5 / 70

HEX #4D0849

RGB 77 8 73

HSL 303.48, 0.81%, 0.17%

LAB 16.66, 38.06, -21.87

 

CMYK 0 / 89 / 5 / 55

HEX #720C6C

RGB 114 12 108

HSL 303.53, 0.81%, 0.25%

LAB 26.51, 51.03, -29.12

 

CMYK 0 / 89 / 5 / 41

HEX #97108F

RGB 151 16 143

HSL 303.56, 0.81%, 0.33%

LAB 35.86, 63.12, -35.88

 

CMYK 0 / 89 / 5 / 26

HEX #BC14B2

RGB 188 20 178

HSL 303.57, 0.81%, 0.41%

LAB 44.81, 74.59, -42.31

 

CMYK 0 / 89 / 5 / 12

HEX #E119D5

RGB 225 25 213

HSL 303.6, 0.8%, 0.49%

LAB 53.5, 85.48, -48.41

 

CMYK 0 / 89 / 5 / 41

HEX #96118E

RGB 150 17 142

HSL 303.61, 0.8%, 0.33%

LAB 35.67, 62.6, -35.57

 

CMYK 0 / 67 / 89 / 41

HEX #973210

RGB 151 50 16

HSL 15.11, 0.81%, 0.33%

LAB 35.79, 40.82, 41.67

 

CMYK 89 / 0 / 31 / 41

HEX #109768

RGB 16 151 104

HSL 159.11, 0.81%, 0.33%

LAB 55.32, -44.76, 15.58

 

CMYK 0 / 89 / 5 / 41

HEX #96118E

RGB 150 17 142

HSL 303.61, 0.8%, 0.33%

LAB 35.67, 62.6, -35.57

 

CMYK 5 / 0 / 89 / 41

HEX #909710

RGB 144 151 16

HSL 63.11, 0.81%, 0.33%

LAB 59.98, -17.45, 60.74

 

CMYK 89 / 5 / 0 / 41

HEX #109097

RGB 16 144 151

HSL 183.11, 0.81%, 0.33%

LAB 54.33, -28.4, -12.74

 

CMYK 0 / 89 / 5 / 41

HEX #96118E

RGB 150 17 142

HSL 303.61, 0.8%, 0.33%

LAB 35.67, 62.6, -35.57

 

CMYK 0 / 67 / 89 / 41

HEX #973210

RGB 151 50 16

HSL 15.11, 0.81%, 0.33%

LAB 35.79, 40.82, 41.67

 

CMYK 89 / 0 / 85 / 41

HEX #109717

RGB 16 151 23

HSL 123.11, 0.81%, 0.33%

LAB 54.35, -56.4, 52.08

 

CMYK 89 / 23 / 0 / 41

HEX #107597

RGB 16 117 151

HSL 195.11, 0.81%, 0.33%

LAB 45.73, -14.11, -25.92

 

CMYK 0 / 89 / 5 / 41

HEX #96118E

RGB 150 17 142

HSL 303.61, 0.8%, 0.33%

LAB 35.67, 62.6, -35.57

 

CMYK 0 / 40 / 89 / 41

HEX #975A10

RGB 151 90 16

HSL 32.89, 0.81%, 0.33%

LAB 44.13, 19.81, 48.32

 

CMYK 89 / 0 / 85 / 41

HEX #109717

RGB 16 151 23

HSL 123.11, 0.81%, 0.33%

LAB 54.35, -56.4, 52.08

 

CMYK 89 / 49 / 0 / 41

HEX #104D97

RGB 16 77 151

HSL 212.89, 0.81%, 0.33%

LAB 33.25, 10.91, -45.68

 

Description

Color code: RGB 150 17 142 | qconv.com Color code: RGB 150 17 142 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 17 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 17 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 5 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 5% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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