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Color name
RGB 150 152 14

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 152 14 it is the complementary color RGB 105 103 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 152 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 152 14 shade: RGB 155 152 9, RGB 172 170 28, RGB 189 188 47, RGB 206 206 66 and RGB 223 224 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 152 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 152 14 shade: RGB 150 152 14, RGB 133 134 0, RGB 116 116 0, RGB 99 98 0 and RGB 82 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 152 14 shade: RGB 151 153 14, RGB 153 118 14, RGB 153 80 14, RGB 153 43 14 and RGB 153 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 152 14 shade: RGB 151 153 14, RGB 114 153 14, RGB 76 153 14, RGB 38 153 14 and RGB 14 153 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 152 14 shade matches the following richer shades: RGB 151 153 14 and RGB 165 167 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 152 14 shade: RGB 151 153 14, RGB 138 140 27, RGB 125 126 41, RGB 112 113 55 and RGB 99 99 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 152 14 shade: RGB 153 79 14, RGB 153 116 14, RGB 153 153 14, RGB 116 153 14 and RGB 79 153 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 152 14 shade: RGB 77 78 7, RGB 114 116 10, RGB 151 153 14, RGB 189 191 17 and RGB 226 229 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 152 14 shade: RGB 150 152 14, RGB 14 153 42 and RGB 98 14 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 152 14 shade: RGB 150 152 14, RGB 14 153 153 and RGB 153 14 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 152 14 shade: RGB 150 152 14, RGB 14 153 42, RGB 14 14 153 and RGB 153 14 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 152 14 shade: RGB 150 152 14, RGB 14 153 84, RGB 14 14 153 and RGB 153 14 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 91 / 40

HEX #96980E

RGB 150 152 14

HSL 60.87, 0.83%, 0.33%

LAB 60.76, -15.32, 61.94

 

Complementary color

CMYK 56 / 57 / 0 / 5

HEX #6967F1

RGB 105 103 241

HSL 240.87, 0.83%, 0.67%

LAB 50.75, 39.14, -69.43

 

CMYK 0 / 2 / 94 / 39

HEX #9B9809

RGB 155 152 9

HSL 58.77, 0.89%, 0.32%

LAB 61.17, -13.16, 63.22

 

CMYK 0 / 1 / 84 / 33

HEX #ACAA1C

RGB 172 170 28

HSL 59.17, 0.72%, 0.39%

LAB 67.73, -14.52, 65.43

 

CMYK 0 / 1 / 75 / 26

HEX #BDBC2F

RGB 189 188 47

HSL 59.58, 0.6%, 0.46%

LAB 74.18, -15.65, 66.23

 

CMYK 0 / 0 / 68 / 19

HEX #CECE42

RGB 206 206 66

HSL 60, 0.59%, 0.53%

LAB 80.55, -16.58, 66.18

 

CMYK 0 / 0 / 62 / 12

HEX #DFE055

RGB 223 224 85

HSL 60.43, 0.69%, 0.61%

LAB 86.83, -17.36, 65.64

 

CMYK 1 / 0 / 91 / 40

HEX #96980E

RGB 150 152 14

HSL 60.87, 0.83%, 0.33%

LAB 60.76, -15.32, 61.94

 

CMYK 1 / 0 / 100 / 47

HEX #858600

RGB 133 134 0

HSL 60.45, 1%, 0.26%

LAB 54.07, -13.83, 58.48

 

CMYK 0 / 0 / 100 / 55

HEX #747400

RGB 116 116 0

HSL 60, 1%, 0.23%

LAB 47.24, -12.05, 52.81

 

CMYK 0 / 1 / 100 / 61

HEX #636200

RGB 99 98 0

HSL 59.39, 1%, 0.19%

LAB 40.23, -10.21, 46.99

 

CMYK 0 / 2 / 100 / 68

HEX #525000

RGB 82 80 0

HSL 58.54, 1%, 0.16%

LAB 32.99, -8.28, 40.98

 

CMYK 1 / 0 / 91 / 40

HEX #97990E

RGB 151 153 14

HSL 60.86, 0.83%, 0.33%

LAB 61.13, -15.4, 62.27

 

CMYK 0 / 23 / 91 / 40

HEX #99760E

RGB 153 118 14

HSL 44.89, 0.83%, 0.33%

LAB 51.57, 4.64, 54.83

 

CMYK 0 / 48 / 91 / 40

HEX #99500E

RGB 153 80 14

HSL 28.49, 0.83%, 0.33%

LAB 42.06, 26.29, 47.44

 

CMYK 0 / 72 / 91 / 40

HEX #992B0E

RGB 153 43 14

HSL 12.52, 0.83%, 0.33%

LAB 35.07, 44.45, 42.1

 

CMYK 0 / 91 / 91 / 40

HEX #990E0E

RGB 153 14 14

HSL 0, 0.83%, 0.33%

LAB 32.07, 52.84, 39.85

 

CMYK 1 / 0 / 91 / 40

HEX #97990E

RGB 151 153 14

HSL 60.86, 0.83%, 0.33%

LAB 61.13, -15.4, 62.27

 

CMYK 25 / 0 / 91 / 40

HEX #72990E

RGB 114 153 14

HSL 76.83, 0.83%, 0.33%

LAB 58.41, -31.42, 58.94

 

CMYK 50 / 0 / 91 / 40

HEX #4C990E

RGB 76 153 14

HSL 93.24, 0.83%, 0.33%

LAB 56.44, -45.37, 56.5

 

CMYK 75 / 0 / 91 / 40

HEX #26990E

RGB 38 153 14

HSL 109.64, 0.83%, 0.33%

LAB 55.3, -54.65, 55.09

 

CMYK 91 / 0 / 82 / 40

HEX #0E991B

RGB 14 153 27

HSL 125.61, 0.83%, 0.33%

LAB 55.03, -56.93, 51.58

 

CMYK 1 / 0 / 91 / 40

HEX #97990E

RGB 151 153 14

HSL 60.86, 0.83%, 0.33%

LAB 61.13, -15.4, 62.27

 

CMYK 1 / 0 / 100 / 35

HEX #A5A700

RGB 165 167 0

HSL 60.72, 1%, 0.33%

LAB 66.24, -16.59, 68.62

 

CMYK 1 / 0 / 91 / 40

HEX #97990E

RGB 151 153 14

HSL 60.86, 0.83%, 0.33%

LAB 61.13, -15.4, 62.27

 

CMYK 1 / 0 / 81 / 45

HEX #8A8C1B

RGB 138 140 27

HSL 61.06, 0.68%, 0.33%

LAB 56.33, -14.07, 54.75

 

CMYK 1 / 0 / 67 / 51

HEX #7D7E29

RGB 125 126 41

HSL 60.71, 0.51%, 0.33%

LAB 51.2, -11.76, 44.29

 

CMYK 1 / 0 / 51 / 56

HEX #707137

RGB 112 113 55

HSL 61.03, 0.35%, 0.33%

LAB 46.35, -9.33, 31.77

 

CMYK 0 / 0 / 31 / 61

HEX #636344

RGB 99 99 68

HSL 60, 0.19%, 0.33%

LAB 41.21, -5.52, 17.67

 

CMYK 0 / 48 / 91 / 40

HEX #994F0E

RGB 153 79 14

HSL 28.06, 0.83%, 0.33%

LAB 41.84, 26.84, 47.27

 

CMYK 0 / 24 / 91 / 40

HEX #99740E

RGB 153 116 14

HSL 44.03, 0.83%, 0.33%

LAB 51.03, 5.78, 54.41

 

CMYK 0 / 0 / 91 / 40

HEX #99990E

RGB 153 153 14

HSL 60, 0.83%, 0.33%

LAB 61.3, -14.5, 62.47

 

CMYK 24 / 0 / 91 / 40

HEX #74990E

RGB 116 153 14

HSL 75.97, 0.83%, 0.33%

LAB 58.53, -30.6, 59.1

 

CMYK 48 / 0 / 91 / 40

HEX #4F990E

RGB 79 153 14

HSL 91.94, 0.83%, 0.33%

LAB 56.56, -44.41, 56.65

 

CMYK 1 / 0 / 91 / 69

HEX #4D4E07

RGB 77 78 7

HSL 60.85, 0.84%, 0.17%

LAB 31.9, -9.36, 37.43

 

CMYK 2 / 0 / 91 / 55

HEX #72740A

RGB 114 116 10

HSL 61.13, 0.84%, 0.25%

LAB 47.09, -12.76, 50.49

 

CMYK 1 / 0 / 91 / 40

HEX #97990E

RGB 151 153 14

HSL 60.86, 0.83%, 0.33%

LAB 61.13, -15.4, 62.27

 

CMYK 1 / 0 / 91 / 25

HEX #BDBF11

RGB 189 191 17

HSL 60.69, 0.84%, 0.41%

LAB 74.9, -18, 73.93

 

CMYK 1 / 0 / 91 / 10

HEX #E2E515

RGB 226 229 21

HSL 60.87, 0.83%, 0.49%

LAB 88.09, -20.91, 84.88

 

CMYK 1 / 0 / 91 / 40

HEX #96980E

RGB 150 152 14

HSL 60.87, 0.83%, 0.33%

LAB 60.76, -15.32, 61.94

 

CMYK 91 / 0 / 73 / 40

HEX #0E992A

RGB 14 153 42

HSL 132.09, 0.83%, 0.33%

LAB 55.12, -55.77, 46.48

 

CMYK 36 / 91 / 0 / 40

HEX #620E99

RGB 98 14 153

HSL 276.26, 0.83%, 0.33%

LAB 27.33, 56.49, -56.25

 

CMYK 1 / 0 / 91 / 40

HEX #96980E

RGB 150 152 14

HSL 60.87, 0.83%, 0.33%

LAB 60.76, -15.32, 61.94

 

CMYK 91 / 0 / 0 / 40

HEX #0E9999

RGB 14 153 153

HSL 180, 0.83%, 0.33%

LAB 57.25, -32.24, -9.51

 

CMYK 0 / 91 / 0 / 40

HEX #990E99

RGB 153 14 153

HSL 300, 0.83%, 0.33%

LAB 36.72, 65.35, -40.6

 

CMYK 1 / 0 / 91 / 40

HEX #96980E

RGB 150 152 14

HSL 60.87, 0.83%, 0.33%

LAB 60.76, -15.32, 61.94

 

CMYK 91 / 0 / 73 / 40

HEX #0E992A

RGB 14 153 42

HSL 132.09, 0.83%, 0.33%

LAB 55.12, -55.77, 46.48

 

CMYK 91 / 91 / 0 / 40

HEX #0E0E99

RGB 14 14 153

HSL 240, 0.83%, 0.33%

LAB 18.83, 49.92, -70.58

 

CMYK 0 / 91 / 18 / 40

HEX #990E7E

RGB 153 14 126

HSL 311.65, 0.83%, 0.33%

LAB 35.19, 61.4, -26.37

 

CMYK 1 / 0 / 91 / 40

HEX #96980E

RGB 150 152 14

HSL 60.87, 0.83%, 0.33%

LAB 60.76, -15.32, 61.94

 

CMYK 91 / 0 / 45 / 40

HEX #0E9954

RGB 14 153 84

HSL 150.22, 0.83%, 0.33%

LAB 55.6, -49.87, 26.94

 

CMYK 91 / 91 / 0 / 40

HEX #0E0E99

RGB 14 14 153

HSL 240, 0.83%, 0.33%

LAB 18.83, 49.92, -70.58

 

CMYK 0 / 91 / 45 / 40

HEX #990E54

RGB 153 14 84

HSL 329.78, 0.83%, 0.33%

LAB 33.41, 56.6, -2.24

 

Description

Color code: RGB 150 152 14 | qconv.com Color code: RGB 150 152 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 152 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 152 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 91 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 91% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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