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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 151 47 it is the complementary color RGB 105 104 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 151 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 151 47 shade: RGB 155 151 42, RGB 172 169 61, RGB 189 187 80, RGB 206 205 99 and RGB 223 223 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 151 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 151 47 shade: RGB 150 151 47, RGB 133 133 28, RGB 116 115 9, RGB 99 97 0 and RGB 82 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 151 47 shade: RGB 151 152 46, RGB 152 124 46, RGB 152 96 46, RGB 152 67 46 and RGB 152 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 151 47 shade: RGB 151 152 46, RGB 122 152 46, RGB 94 152 46, RGB 65 152 46 and RGB 46 152 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 151 47 shade matches the following richer shades: RGB 151 152 46, RGB 166 168 30 and RGB 182 184 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 151 47 shade: RGB 151 152 46, RGB 135 136 62, RGB 119 119 78, RGB 103 103 95 and RGB 88 87 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 151 47 shade: RGB 152 95 46, RGB 152 124 46, RGB 152 152 46, RGB 124 152 46 and RGB 95 152 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 151 47 shade: RGB 88 89 27, RGB 119 120 37, RGB 151 152 46, RGB 182 183 56 and RGB 200 201 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 151 47 shade: RGB 150 151 47, RGB 46 152 67 and RGB 109 46 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 151 47 shade: RGB 150 151 47, RGB 46 152 152 and RGB 152 46 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 151 47 shade: RGB 150 151 47, RGB 46 152 67, RGB 46 46 152 and RGB 152 46 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 151 47 shade: RGB 150 151 47, RGB 46 152 99, RGB 46 46 152 and RGB 152 46 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 69 / 41

HEX #96972F

RGB 150 151 47

HSL 60.58, 0.53%, 0.39%

LAB 60.62, -13.56, 52.07

 

Complementary color

CMYK 50 / 50 / 0 / 18

HEX #6968D0

RGB 105 104 208

HSL 240.58, 0.53%, 0.61%

LAB 48.83, 28.29, -53.88

 

CMYK 0 / 3 / 73 / 39

HEX #9B972A

RGB 155 151 42

HSL 57.88, 0.57%, 0.39%

LAB 61.02, -11.61, 54.54

 

CMYK 0 / 2 / 65 / 33

HEX #ACA93D

RGB 172 169 61

HSL 58.38, 0.48%, 0.46%

LAB 67.64, -12.52, 54.09

 

CMYK 0 / 1 / 58 / 26

HEX #BDBB50

RGB 189 187 80

HSL 58.9, 0.45%, 0.53%

LAB 74.15, -13.25, 53.23

 

CMYK 0 / 0 / 52 / 19

HEX #CECD63

RGB 206 205 99

HSL 59.44, 0.52%, 0.6%

LAB 80.56, -13.84, 52.18

 

CMYK 0 / 0 / 47 / 13

HEX #DFDF76

RGB 223 223 118

HSL 60, 0.62%, 0.67%

LAB 86.88, -14.34, 51.06

 

CMYK 1 / 0 / 69 / 41

HEX #96972F

RGB 150 151 47

HSL 60.58, 0.53%, 0.39%

LAB 60.62, -13.56, 52.07

 

CMYK 0 / 0 / 79 / 48

HEX #85851C

RGB 133 133 28

HSL 60, 0.65%, 0.32%

LAB 53.86, -12.57, 52.07

 

CMYK 0 / 1 / 92 / 55

HEX #747309

RGB 116 115 9

HSL 59.44, 0.86%, 0.25%

LAB 46.97, -11.29, 50.67

 

CMYK 0 / 2 / 100 / 61

HEX #636100

RGB 99 97 0

HSL 58.79, 1%, 0.19%

LAB 39.92, -9.64, 46.76

 

CMYK 0 / 4 / 100 / 68

HEX #524F00

RGB 82 79 0

HSL 57.8, 1%, 0.16%

LAB 32.67, -7.69, 40.75

 

CMYK 1 / 0 / 70 / 40

HEX #97982E

RGB 151 152 46

HSL 60.57, 0.54%, 0.39%

LAB 60.99, -13.7, 52.86

 

CMYK 0 / 18 / 70 / 40

HEX #987C2E

RGB 152 124 46

HSL 44.15, 0.54%, 0.39%

LAB 53.26, 2.03, 45.02

 

CMYK 0 / 37 / 70 / 40

HEX #98602E

RGB 152 96 46

HSL 28.3, 0.54%, 0.39%

LAB 45.96, 18.06, 37.18

 

CMYK 0 / 56 / 70 / 40

HEX #98432E

RGB 152 67 46

HSL 11.89, 0.54%, 0.39%

LAB 39.39, 34.12, 29.73

 

CMYK 0 / 70 / 70 / 40

HEX #982E2E

RGB 152 46 46

HSL 0, 0.54%, 0.39%

LAB 35.65, 44.04, 25.29

 

CMYK 1 / 0 / 70 / 40

HEX #97982E

RGB 151 152 46

HSL 60.57, 0.54%, 0.39%

LAB 60.99, -13.7, 52.86

 

CMYK 20 / 0 / 70 / 40

HEX #7A982E

RGB 122 152 46

HSL 76.98, 0.54%, 0.39%

LAB 58.78, -26.19, 49.91

 

CMYK 38 / 0 / 70 / 40

HEX #5E982E

RGB 94 152 46

HSL 92.83, 0.54%, 0.39%

LAB 57.11, -37.12, 47.66

 

CMYK 57 / 0 / 70 / 40

HEX #41982E

RGB 65 152 46

HSL 109.25, 0.54%, 0.39%

LAB 55.86, -46.32, 45.97

 

CMYK 70 / 0 / 63 / 40

HEX #2E9838

RGB 46 152 56

HSL 125.66, 0.54%, 0.39%

LAB 55.4, -49.7, 40.93

 

CMYK 1 / 0 / 70 / 40

HEX #97982E

RGB 151 152 46

HSL 60.57, 0.54%, 0.39%

LAB 60.99, -13.7, 52.86

 

CMYK 1 / 0 / 82 / 34

HEX #A6A81E

RGB 166 168 30

HSL 60.87, 0.7%, 0.39%

LAB 66.68, -16.07, 63.83

 

CMYK 1 / 0 / 92 / 28

HEX #B6B80E

RGB 182 184 14

HSL 60.71, 0.86%, 0.39%

LAB 72.4, -17.57, 72.17

 

CMYK 1 / 0 / 70 / 40

HEX #97982E

RGB 151 152 46

HSL 60.57, 0.54%, 0.39%

LAB 60.99, -13.7, 52.86

 

CMYK 1 / 0 / 54 / 47

HEX #87883E

RGB 135 136 62

HSL 60.81, 0.37%, 0.39%

LAB 55.18, -11.09, 39.03

RGB 135 136 62

CMYK 0 / 0 / 34 / 53

HEX #77774E

RGB 119 119 78

HSL 60, 0.21%, 0.39%

LAB 49.09, -6.91, 22.6

RGB 119 119 78

CMYK 0 / 0 / 8 / 60

HEX #67675F

RGB 103 103 95

HSL 60, 0.04%, 0.39%

LAB 43.38, -1.59, 4.51

RGB 103 103 95

CMYK 21 / 22 / 0 / 56

HEX #58576F

RGB 88 87 111

HSL 242.5, 0.12%, 0.39%

LAB 37.91, 6.02, -13.53

RGB 88 87 111

CMYK 0 / 38 / 70 / 40

HEX #985F2E

RGB 152 95 46

HSL 27.74, 0.54%, 0.39%

LAB 45.71, 18.63, 36.91

 

CMYK 0 / 18 / 70 / 40

HEX #987C2E

RGB 152 124 46

HSL 44.15, 0.54%, 0.39%

LAB 53.26, 2.03, 45.02

 

CMYK 0 / 0 / 70 / 40

HEX #98982E

RGB 152 152 46

HSL 60, 0.54%, 0.39%

LAB 61.07, -13.26, 52.97

 

CMYK 18 / 0 / 70 / 40

HEX #7C982E

RGB 124 152 46

HSL 75.85, 0.54%, 0.39%

LAB 58.92, -25.36, 50.1

 

CMYK 38 / 0 / 70 / 40

HEX #5F982E

RGB 95 152 46

HSL 92.26, 0.54%, 0.39%

LAB 57.16, -36.75, 47.73

 

CMYK 1 / 0 / 70 / 65

HEX #58591B

RGB 88 89 27

HSL 60.97, 0.53%, 0.23%

LAB 36.55, -9.29, 34.37

 

CMYK 1 / 0 / 69 / 53

HEX #777825

RGB 119 120 37

HSL 60.72, 0.53%, 0.31%

LAB 48.87, -11.48, 43.46

 

CMYK 1 / 0 / 70 / 40

HEX #97982E

RGB 151 152 46

HSL 60.57, 0.54%, 0.39%

LAB 60.99, -13.7, 52.86

 

CMYK 1 / 0 / 69 / 28

HEX #B6B738

RGB 182 183 56

HSL 60.47, 0.53%, 0.47%

LAB 72.29, -15.7, 61.08

 

CMYK 0 / 0 / 60 / 21

HEX #C8C950

RGB 200 201 80

HSL 60.5, 0.53%, 0.55%

LAB 78.83, -15.74, 58.62

 

CMYK 1 / 0 / 69 / 41

HEX #96972F

RGB 150 151 47

HSL 60.58, 0.53%, 0.39%

LAB 60.62, -13.56, 52.07

 

CMYK 70 / 0 / 56 / 40

HEX #2E9843

RGB 46 152 67

HSL 131.89, 0.54%, 0.39%

LAB 55.53, -48.27, 35.78

 

CMYK 28 / 70 / 0 / 40

HEX #6D2E98

RGB 109 46 152

HSL 275.66, 0.54%, 0.39%

LAB 32.86, 46.7, -46.57

 

CMYK 1 / 0 / 69 / 41

HEX #96972F

RGB 150 151 47

HSL 60.58, 0.53%, 0.39%

LAB 60.62, -13.56, 52.07

 

CMYK 70 / 0 / 0 / 40

HEX #2E9898

RGB 46 152 152

HSL 180, 0.54%, 0.39%

LAB 57.37, -29, -8.7

 

CMYK 0 / 70 / 0 / 40

HEX #982E98

RGB 152 46 152

HSL 300, 0.54%, 0.39%

LAB 39.41, 56.55, -35.73

 

CMYK 1 / 0 / 69 / 41

HEX #96972F

RGB 150 151 47

HSL 60.58, 0.53%, 0.39%

LAB 60.62, -13.56, 52.07

 

CMYK 70 / 0 / 56 / 40

HEX #2E9843

RGB 46 152 67

HSL 131.89, 0.54%, 0.39%

LAB 55.53, -48.27, 35.78

 

CMYK 70 / 70 / 0 / 40

HEX #2E2E98

RGB 46 46 152

HSL 240, 0.54%, 0.39%

LAB 26.16, 35.28, -57.77

 

CMYK 0 / 70 / 14 / 40

HEX #982E83

RGB 152 46 131

HSL 311.89, 0.54%, 0.39%

LAB 38.32, 53.12, -24.6

 

CMYK 1 / 0 / 69 / 41

HEX #96972F

RGB 150 151 47

HSL 60.58, 0.53%, 0.39%

LAB 60.62, -13.56, 52.07

 

CMYK 70 / 0 / 35 / 40

HEX #2E9863

RGB 46 152 99

HSL 150, 0.54%, 0.39%

LAB 56.03, -42.63, 19.41

 

CMYK 70 / 70 / 0 / 40

HEX #2E2E98

RGB 46 46 152

HSL 240, 0.54%, 0.39%

LAB 26.16, 35.28, -57.77

 

CMYK 0 / 70 / 35 / 40

HEX #982E63

RGB 152 46 99

HSL 330, 0.54%, 0.39%

LAB 36.99, 48.71, -6.6

 

Description

Color code: RGB 150 151 47 | qconv.com Color code: RGB 150 151 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 151 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 151 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 69 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 69% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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