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Color name
RGB 150 14 72

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 14 72 it is the complementary color RGB 105 241 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 14 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 14 72 shade: RGB 155 14 67, RGB 172 32 86, RGB 189 50 105, RGB 206 68 124 and RGB 223 86 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 14 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 14 72 shade: RGB 150 14 72, RGB 133 0 53, RGB 116 0 34, RGB 99 0 15 and RGB 82 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 14 72 shade: RGB 149 13 71, RGB 149 13 35 and RGB 149 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 14 72 shade: RGB 149 13 71, RGB 149 13 108, RGB 149 13 144, RGB 117 13 149 and RGB 80 13 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 14 72 shade matches the following richer shades: RGB 149 13 71 and RGB 162 0 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 14 72 shade: RGB 149 13 71, RGB 136 27 73, RGB 122 40 75, RGB 109 53 77 and RGB 96 66 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 14 72 shade: RGB 149 13 144, RGB 149 13 108, RGB 149 13 72, RGB 149 13 36 and RGB 149 27 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 14 72 shade: RGB 73 6 35, RGB 111 10 53, RGB 149 13 71, RGB 187 17 89 and RGB 224 20 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 14 72 shade: RGB 150 14 72, RGB 149 117 13 and RGB 13 126 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 14 72 shade: RGB 150 14 72, RGB 72 149 13 and RGB 13 72 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 14 72 shade: RGB 150 14 72, RGB 149 117 13, RGB 13 149 90 and RGB 13 45 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 14 72 shade: RGB 150 14 72, RGB 140 149 13, RGB 13 149 90 and RGB 22 13 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 52 / 41

HEX #960E48

RGB 150 14 72

HSL 334.41, 0.83%, 0.32%

LAB 32.4, 54.81, 4.1

 

Complementary color

CMYK 56 / 0 / 24 / 5

HEX #69F1B7

RGB 105 241 183

HSL 154.41, 0.83%, 0.68%

LAB 86.67, -50.46, 17

 

CMYK 0 / 91 / 57 / 39

HEX #9B0E43

RGB 155 14 67

HSL 337.45, 0.83%, 0.33%

LAB 33.32, 55.71, 8.85

 

CMYK 0 / 81 / 50 / 33

HEX #AC2056

RGB 172 32 86

HSL 336.86, 0.69%, 0.4%

LAB 38.68, 57.72, 4.61

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 67 / 40 / 19

HEX #CE447C

RGB 206 68 124

HSL 335.65, 0.58%, 0.54%

LAB 50.35, 58.78, -1.23

 

CMYK 0 / 61 / 36 / 13

HEX #DF568F

RGB 223 86 143

HSL 335.04, 0.68%, 0.61%

LAB 56.41, 58.52, -3.3

 

CMYK 0 / 91 / 52 / 41

HEX #960E48

RGB 150 14 72

HSL 334.41, 0.83%, 0.32%

LAB 32.4, 54.81, 4.1

 

CMYK 0 / 100 / 60 / 48

HEX #850035

RGB 133 0 53

HSL 336.09, 1%, 0.26%

LAB 27.42, 51.35, 9.29

 

CMYK 0 / 100 / 71 / 55

HEX #740022

RGB 116 0 34

HSL 342.41, 1%, 0.23%

LAB 23.1, 45.86, 15.92

 

CMYK 0 / 100 / 85 / 61

HEX #63000F

RGB 99 0 15

HSL 350.91, 1%, 0.19%

LAB 18.74, 40.44, 22.38

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 91 / 52 / 42

HEX #950D47

RGB 149 13 71

HSL 334.41, 0.84%, 0.32%

LAB 32.11, 54.65, 4.31

 

CMYK 0 / 91 / 77 / 42

HEX #950D23

RGB 149 13 35

HSL 350.29, 0.84%, 0.32%

LAB 31.34, 52.5, 26.94

 

CMYK 0 / 91 / 91 / 42

HEX #950D0D

RGB 149 13 13

HSL 0, 0.84%, 0.32%

LAB 31.13, 51.88, 39.23

 

CMYK 0 / 91 / 52 / 42

HEX #950D47

RGB 149 13 71

HSL 334.41, 0.84%, 0.32%

LAB 32.11, 54.65, 4.31

 

CMYK 0 / 91 / 28 / 42

HEX #950D6C

RGB 149 13 108

HSL 318.09, 0.84%, 0.32%

LAB 33.48, 58.4, -17.71

 

CMYK 0 / 91 / 3 / 42

HEX #950D90

RGB 149 13 144

HSL 302.21, 0.84%, 0.32%

LAB 35.38, 63.36, -37.27

 

CMYK 21 / 91 / 0 / 42

HEX #750D95

RGB 117 13 149

HSL 285.88, 0.84%, 0.32%

LAB 30.01, 58.67, -49.29

 

CMYK 46 / 91 / 0 / 42

HEX #500D95

RGB 80 13 149

HSL 269.56, 0.84%, 0.32%

LAB 24.2, 53.56, -59.02

 

CMYK 0 / 91 / 52 / 42

HEX #950D47

RGB 149 13 71

HSL 334.41, 0.84%, 0.32%

LAB 32.11, 54.65, 4.31

 

CMYK 0 / 100 / 57 / 36

HEX #A20045

RGB 162 0 69

HSL 334.44, 1%, 0.32%

LAB 34.21, 59.49, 9

 

CMYK 0 / 91 / 52 / 42

HEX #950D47

RGB 149 13 71

HSL 334.41, 0.84%, 0.32%

LAB 32.11, 54.65, 4.31

 

CMYK 0 / 80 / 46 / 47

HEX #881B49

RGB 136 27 73

HSL 334.68, 0.67%, 0.32%

LAB 30.64, 48.04, 0.53

 

CMYK 0 / 67 / 39 / 52

HEX #7A284B

RGB 122 40 75

HSL 334.39, 0.51%, 0.32%

LAB 29.82, 38.97, -2.31

 

CMYK 0 / 51 / 29 / 57

HEX #6D354D

RGB 109 53 77

HSL 334.29, 0.35%, 0.32%

LAB 30.24, 27.91, -3.25

 

CMYK 0 / 31 / 18 / 62

HEX #60424F

RGB 96 66 79

HSL 334, 0.19%, 0.32%

LAB 31.69, 15.23, -2.6

 

CMYK 0 / 91 / 3 / 42

HEX #950D90

RGB 149 13 144

HSL 302.21, 0.84%, 0.32%

LAB 35.38, 63.36, -37.27

 

CMYK 0 / 91 / 28 / 42

HEX #950D6C

RGB 149 13 108

HSL 318.09, 0.84%, 0.32%

LAB 33.48, 58.4, -17.71

 

CMYK 0 / 91 / 52 / 42

HEX #950D48

RGB 149 13 72

HSL 333.97, 0.84%, 0.32%

LAB 32.14, 54.73, 3.69

 

CMYK 0 / 91 / 76 / 42

HEX #950D24

RGB 149 13 36

HSL 349.85, 0.84%, 0.32%

LAB 31.36, 52.54, 26.33

 

CMYK 0 / 82 / 91 / 42

HEX #951B0D

RGB 149 27 13

HSL 6.18, 0.84%, 0.32%

LAB 32.26, 48.65, 40.07

 

CMYK 0 / 92 / 52 / 71

HEX #490623

RGB 73 6 35

HSL 334.03, 0.85%, 0.15%

LAB 13.64, 32.27, 0.65

 

CMYK 0 / 91 / 52 / 56

HEX #6F0A35

RGB 111 10 53

HSL 334.46, 0.83%, 0.24%

LAB 23.18, 43.71, 2.62

 

CMYK 0 / 91 / 52 / 42

HEX #950D47

RGB 149 13 71

HSL 334.41, 0.84%, 0.32%

LAB 32.11, 54.65, 4.31

 

CMYK 0 / 91 / 52 / 27

HEX #BB1159

RGB 187 17 89

HSL 334.59, 0.83%, 0.4%

LAB 40.71, 64.83, 6.01

 

CMYK 0 / 91 / 52 / 12

HEX #E0146B

RGB 224 20 107

HSL 334.41, 0.84%, 0.48%

LAB 48.77, 74.51, 7.25

 

CMYK 0 / 91 / 52 / 41

HEX #960E48

RGB 150 14 72

HSL 334.41, 0.83%, 0.32%

LAB 32.4, 54.81, 4.1

 

CMYK 0 / 21 / 91 / 42

HEX #95750D

RGB 149 117 13

HSL 45.88, 0.84%, 0.32%

LAB 50.85, 3.32, 54.3

 

CMYK 91 / 15 / 0 / 42

HEX #0D7E95

RGB 13 126 149

HSL 190.15, 0.84%, 0.32%

LAB 48.48, -19.99, -20.48

 

CMYK 0 / 91 / 52 / 41

HEX #960E48

RGB 150 14 72

HSL 334.41, 0.83%, 0.32%

LAB 32.4, 54.81, 4.1

 

CMYK 52 / 0 / 91 / 42

HEX #48950D

RGB 72 149 13

HSL 93.97, 0.84%, 0.32%

LAB 54.97, -45.08, 55.38

 

CMYK 91 / 52 / 0 / 42

HEX #0D4895

RGB 13 72 149

HSL 213.97, 0.84%, 0.32%

LAB 31.56, 13.3, -47.2

 

CMYK 0 / 91 / 52 / 41

HEX #960E48

RGB 150 14 72

HSL 334.41, 0.83%, 0.32%

LAB 32.4, 54.81, 4.1

 

CMYK 0 / 21 / 91 / 42

HEX #95750D

RGB 149 117 13

HSL 45.88, 0.84%, 0.32%

LAB 50.85, 3.32, 54.3

 

CMYK 91 / 0 / 40 / 42

HEX #0D955A

RGB 13 149 90

HSL 153.97, 0.84%, 0.32%

LAB 54.36, -47.28, 22.06

 

CMYK 91 / 70 / 0 / 42

HEX #0D2D95

RGB 13 45 149

HSL 225.88, 0.84%, 0.32%

LAB 24.1, 31.91, -59.37

 

CMYK 0 / 91 / 52 / 41

HEX #960E48

RGB 150 14 72

HSL 334.41, 0.83%, 0.32%

LAB 32.4, 54.81, 4.1

 

CMYK 6 / 0 / 91 / 42

HEX #8C950D

RGB 140 149 13

HSL 63.97, 0.84%, 0.32%

LAB 59.07, -18.27, 60.42

 

CMYK 91 / 0 / 40 / 42

HEX #0D955A

RGB 13 149 90

HSL 153.97, 0.84%, 0.32%

LAB 54.36, -47.28, 22.06

 

CMYK 85 / 91 / 0 / 42

HEX #160D95

RGB 22 13 149

HSL 243.97, 0.84%, 0.32%

LAB 18.49, 49.31, -68.67

 

Description

Color code: RGB 150 14 72 | qconv.com Color code: RGB 150 14 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 14 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 14 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 52 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 52% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - CMS, Strony www, skl...
Link: http://www.solveo.pl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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