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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 139 22 it is the complementary color RGB 105 116 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 139 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 139 22 shade: RGB 155 139 17, RGB 172 157 36, RGB 189 175 55, RGB 206 193 74 and RGB 223 211 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 139 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 139 22 shade: RGB 150 139 22, RGB 133 121 3, RGB 116 103 0, RGB 99 85 0 and RGB 82 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 139 22 shade: RGB 150 139 22, RGB 150 105 22, RGB 150 70 22, RGB 150 36 22 and RGB 150 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 139 22 shade: RGB 150 139 22, RGB 127 150 22, RGB 92 150 22, RGB 58 150 22 and RGB 23 150 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 139 22 shade matches the following richer shades: RGB 150 139 22 and RGB 164 151 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 139 22 shade: RGB 150 139 22, RGB 136 128 36, RGB 122 116 50, RGB 108 104 64 and RGB 94 93 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 139 22 shade: RGB 150 69 22, RGB 150 103 22, RGB 150 138 22, RGB 129 150 22 and RGB 95 150 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 139 22 shade: RGB 79 73 11, RGB 114 106 17, RGB 150 139 22, RGB 186 173 27 and RGB 221 205 33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 139 22 shade: RGB 150 139 22, RGB 22 150 35 and RGB 86 22 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 139 22 shade: RGB 150 139 22, RGB 22 150 138 and RGB 138 22 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 139 22 shade: RGB 150 139 22, RGB 22 150 35, RGB 22 35 150 and RGB 150 22 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 139 22 shade: RGB 150 139 22, RGB 22 150 73, RGB 22 35 150 and RGB 150 22 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

Complementary color

CMYK 55 / 50 / 0 / 9

HEX #6974E9

RGB 105 116 233

HSL 234.84, 0.74%, 0.66%

LAB 53.36, 28.82, -60.74

 

CMYK 0 / 10 / 89 / 39

HEX #9B8B11

RGB 155 139 17

HSL 53.04, 0.8%, 0.34%

LAB 57.53, -6.05, 58.98

 

CMYK 0 / 9 / 79 / 33

HEX #AC9D24

RGB 172 157 36

HSL 53.38, 0.65%, 0.41%

LAB 64.17, -7.46, 60.09

 

CMYK 0 / 7 / 71 / 26

HEX #BDAF37

RGB 189 175 55

HSL 53.73, 0.55%, 0.48%

LAB 70.7, -8.61, 60.09

 

CMYK 0 / 6 / 64 / 19

HEX #CEC14A

RGB 206 193 74

HSL 54.09, 0.57%, 0.55%

LAB 77.13, -9.56, 59.5

 

CMYK 0 / 5 / 58 / 13

HEX #DFD35D

RGB 223 211 93

HSL 54.46, 0.67%, 0.62%

LAB 83.48, -10.36, 58.6

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 0 / 9 / 98 / 48

HEX #857903

RGB 133 121 3

HSL 54.46, 0.96%, 0.27%

LAB 50.3, -6.69, 55.14

 

CMYK 0 / 11 / 100 / 55

HEX #746700

RGB 116 103 0

HSL 53.28, 1%, 0.23%

LAB 43.38, -4.75, 50.02

 

CMYK 0 / 14 / 100 / 61

HEX #635500

RGB 99 85 0

HSL 51.52, 1%, 0.19%

LAB 36.27, -2.64, 44.14

 

CMYK 0 / 18 / 100 / 68

HEX #524300

RGB 82 67 0

HSL 49.02, 1%, 0.16%

LAB 28.92, -0.39, 37.97

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 0 / 30 / 85 / 41

HEX #966916

RGB 150 105 22

HSL 38.91, 0.74%, 0.34%

LAB 47.81, 10.88, 49.38

 

CMYK 0 / 53 / 85 / 41

HEX #964616

RGB 150 70 22

HSL 22.5, 0.74%, 0.34%

LAB 39.45, 30.67, 42.13

 

CMYK 0 / 76 / 85 / 41

HEX #962416

RGB 150 36 22

HSL 6.56, 0.74%, 0.34%

LAB 33.57, 46.26, 36.88

 

CMYK 0 / 85 / 85 / 41

HEX #961616

RGB 150 22 22

HSL 0, 0.74%, 0.34%

LAB 32.07, 50.48, 35.51

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 15 / 0 / 85 / 41

HEX #7F9616

RGB 127 150 22

HSL 70.78, 0.74%, 0.34%

LAB 58.4, -24.26, 57.58

 

CMYK 39 / 0 / 85 / 41

HEX #5C9616

RGB 92 150 22

HSL 87.19, 0.74%, 0.34%

LAB 56.23, -38.39, 54.86

 

CMYK 61 / 0 / 85 / 41

HEX #3A9616

RGB 58 150 22

HSL 103.13, 0.74%, 0.34%

LAB 54.83, -49.06, 53.08

 

CMYK 85 / 0 / 85 / 41

HEX #179616

RGB 23 150 22

HSL 119.53, 0.74%, 0.34%

LAB 54.08, -55.47, 52.12

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 0 / 8 / 95 / 36

HEX #A49708

RGB 164 151 8

HSL 55, 0.91%, 0.34%

LAB 61.69, -8.56, 64.11

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 0 / 6 / 74 / 47

HEX #888024

RGB 136 128 36

HSL 55.2, 0.58%, 0.34%

LAB 52.73, -8.11, 48.22

 

CMYK 0 / 5 / 59 / 52

HEX #7A7432

RGB 122 116 50

HSL 55, 0.42%, 0.34%

LAB 48.08, -6.93, 36.6

 

CMYK 0 / 4 / 41 / 58

HEX #6C6840

RGB 108 104 64

HSL 54.55, 0.26%, 0.34%

LAB 43.45, -4.99, 23.1

 

CMYK 0 / 1 / 17 / 63

HEX #5E5D4E

RGB 94 93 78

HSL 56.25, 0.09%, 0.34%

LAB 39.17, -2.51, 8.77

 

CMYK 0 / 54 / 85 / 41

HEX #964516

RGB 150 69 22

HSL 22.03, 0.74%, 0.34%

LAB 39.24, 31.2, 41.94

 

CMYK 0 / 31 / 85 / 41

HEX #966716

RGB 150 103 22

HSL 37.97, 0.74%, 0.34%

LAB 47.29, 12.04, 48.93

 

CMYK 0 / 8 / 85 / 41

HEX #968A16

RGB 150 138 22

HSL 54.38, 0.74%, 0.34%

LAB 56.8, -7.68, 56.99

 

CMYK 14 / 0 / 85 / 41

HEX #819616

RGB 129 150 22

HSL 69.84, 0.74%, 0.34%

LAB 58.54, -23.4, 57.77

 

CMYK 37 / 0 / 85 / 41

HEX #5F9616

RGB 95 150 22

HSL 85.78, 0.74%, 0.34%

LAB 56.39, -37.28, 55.06

 

CMYK 0 / 8 / 86 / 69

HEX #4F490B

RGB 79 73 11

HSL 54.71, 0.76%, 0.18%

LAB 30.52, -5.2, 34.94

 

CMYK 0 / 7 / 85 / 55

HEX #726A11

RGB 114 106 17

HSL 55.05, 0.74%, 0.26%

LAB 44.13, -6.98, 46.25

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 0 / 7 / 85 / 27

HEX #BAAD1B

RGB 186 173 27

HSL 55.09, 0.75%, 0.42%

LAB 69.76, -9.93, 67.85

 

CMYK 0 / 7 / 85 / 13

HEX #DDCD21

RGB 221 205 33

HSL 54.89, 0.74%, 0.5%

LAB 81.37, -10.96, 77.29

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 85 / 0 / 77 / 41

HEX #169623

RGB 22 150 35

HSL 126.09, 0.74%, 0.34%

LAB 54.14, -54.73, 48.14

 

CMYK 43 / 85 / 0 / 41

HEX #561696

RGB 86 22 150

HSL 270, 0.74%, 0.34%

LAB 26.02, 51.96, -56.62

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 85 / 0 / 8 / 41

HEX #16968A

RGB 22 150 138

HSL 174.38, 0.74%, 0.34%

LAB 55.91, -34.87, -2.92

 

CMYK 8 / 85 / 0 / 41

HEX #8A1696

RGB 138 22 150

HSL 294.38, 0.74%, 0.34%

LAB 34.35, 60.6, -42.71

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 85 / 0 / 77 / 41

HEX #169623

RGB 22 150 35

HSL 126.09, 0.74%, 0.34%

LAB 54.14, -54.73, 48.14

 

CMYK 85 / 77 / 0 / 41

HEX #162396

RGB 22 35 150

HSL 233.91, 0.74%, 0.34%

LAB 22.21, 39.1, -63.1

 

CMYK 0 / 85 / 8 / 41

HEX #96168A

RGB 150 22 138

HSL 305.63, 0.74%, 0.34%

LAB 35.78, 61.01, -32.94

 

CMYK 0 / 7 / 85 / 41

HEX #968B16

RGB 150 139 22

HSL 54.84, 0.74%, 0.34%

LAB 57.08, -8.22, 57.22

 

CMYK 85 / 0 / 51 / 41

HEX #169649

RGB 22 150 73

HSL 143.91, 0.74%, 0.34%

LAB 54.52, -50.09, 31.39

 

CMYK 85 / 77 / 0 / 41

HEX #162396

RGB 22 35 150

HSL 233.91, 0.74%, 0.34%

LAB 22.21, 39.1, -63.1

 

CMYK 0 / 85 / 34 / 41

HEX #961663

RGB 150 22 99

HSL 323.91, 0.74%, 0.34%

LAB 33.9, 55.83, -11.29

 

Description

Color code: RGB 150 139 22 | qconv.com Color code: RGB 150 139 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 139 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 139 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 85 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 85% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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