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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 139 129 it is the complementary color RGB 105 116 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 139 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 139 129 shade: RGB 155 139 124, RGB 172 157 143, RGB 189 175 162, RGB 206 193 181 and RGB 223 211 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 139 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 139 129 shade: RGB 150 139 129, RGB 133 121 110, RGB 116 103 91, RGB 99 85 72 and RGB 82 67 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 139 129 shade: RGB 150 139 129, RGB 150 134 129 and RGB 150 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 139 129 shade: RGB 150 139 129, RGB 150 145 129, RGB 150 150 129, RGB 144 150 129 and RGB 139 150 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 139 129 shade matches the following richer shades: RGB 150 139 129, RGB 169 138 111, RGB 187 137 92, RGB 206 137 74 and RGB 224 136 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 139 129 shade: RGB 150 139 129, RGB 132 140 148, RGB 113 141 167, RGB 94 142 185 and RGB 76 143 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 139 129 shade: RGB 150 129 131, RGB 150 134 129, RGB 150 139 129, RGB 150 145 129 and RGB 150 150 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 139 129 shade: RGB 107 98 90, RGB 130 119 108, RGB 150 139 129, RGB 169 160 152 and RGB 188 181 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 139 129 shade: RGB 150 139 129, RGB 136 150 129 and RGB 131 129 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 139 129 shade: RGB 150 139 129, RGB 129 150 139 and RGB 139 129 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 139 129 shade: RGB 150 139 129, RGB 136 150 129, RGB 129 140 150 and RGB 143 129 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 139 129 shade: RGB 150 139 129, RGB 130 150 129, RGB 129 140 150 and RGB 149 129 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

Complementary color

CMYK 17 / 8 / 0 / 51

HEX #69747E

RGB 105 116 126

HSL 208.57, 0.09%, 0.45%

LAB 48.26, -1.85, -6.89

 

CMYK 0 / 10 / 20 / 39

HEX #9B8B7C

RGB 155 139 124

HSL 29.03, 0.13%, 0.55%

LAB 58.87, 3.46, 10.21

 

CMYK 0 / 9 / 17 / 33

HEX #AC9D8F

RGB 172 157 143

HSL 28.97, 0.15%, 0.62%

LAB 65.65, 3.11, 9.3

 

CMYK 0 / 7 / 14 / 26

HEX #BDAFA2

RGB 189 175 162

HSL 28.89, 0.17%, 0.69%

LAB 72.29, 2.81, 8.46

 

CMYK 0 / 6 / 12 / 19

HEX #CEC1B5

RGB 206 193 181

HSL 28.8, 0.2%, 0.76%

LAB 78.81, 2.53, 7.67

 

CMYK 0 / 5 / 10 / 13

HEX #DFD3C8

RGB 223 211 200

HSL 28.7, 0.26%, 0.83%

LAB 85.22, 2.28, 6.91

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 0 / 9 / 17 / 48

HEX #85796E

RGB 133 121 110

HSL 28.7, 0.09%, 0.48%

LAB 51.6, 2.65, 7.7

 

CMYK 0 / 11 / 22 / 55

HEX #74675B

RGB 116 103 91

HSL 28.8, 0.12%, 0.41%

LAB 44.47, 3.02, 8.65

 

CMYK 0 / 14 / 27 / 61

HEX #635548

RGB 99 85 72

HSL 28.89, 0.16%, 0.34%

LAB 37.15, 3.48, 9.71

 

CMYK 0 / 18 / 35 / 68

HEX #524335

RGB 82 67 53

HSL 28.97, 0.21%, 0.26%

LAB 29.58, 4.06, 10.92

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 0 / 11 / 14 / 41

HEX #968681

RGB 150 134 129

HSL 14.29, 0.09%, 0.55%

LAB 57.19, 5.16, 4.88

 

CMYK 0 / 14 / 14 / 41

HEX #968181

RGB 150 129 129

HSL 0, 0.09%, 0.55%

LAB 55.86, 8.01, 2.96

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 0 / 3 / 14 / 41

HEX #969181

RGB 150 145 129

HSL 45.71, 0.09%, 0.55%

LAB 60.18, -1.03, 9.15

 

CMYK 0 / 0 / 14 / 41

HEX #969681

RGB 150 150 129

HSL 60, 0.09%, 0.55%

LAB 61.55, -3.79, 11.1

 

CMYK 4 / 0 / 14 / 41

HEX #909681

RGB 144 150 129

HSL 77.14, 0.09%, 0.55%

LAB 61.07, -6.09, 10.34

 

CMYK 7 / 0 / 14 / 41

HEX #8B9681

RGB 139 150 129

HSL 91.43, 0.09%, 0.55%

LAB 60.68, -7.97, 9.74

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 0 / 18 / 34 / 34

HEX #A98A6F

RGB 169 138 111

HSL 27.93, 0.25%, 0.55%

LAB 59.67, 7.79, 18.89

 

CMYK 0 / 27 / 51 / 27

HEX #BB895C

RGB 187 137 92

HSL 28.42, 0.41%, 0.55%

LAB 60.98, 13.72, 31.51

 

CMYK 0 / 33 / 64 / 19

HEX #CE894A

RGB 206 137 74

HSL 28.64, 0.57%, 0.55%

LAB 62.93, 20.31, 43.85

 

CMYK 0 / 39 / 75 / 12

HEX #E08837

RGB 224 136 55

HSL 28.76, 0.73%, 0.55%

LAB 64.75, 27.37, 55.44

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 11 / 5 / 0 / 42

HEX #848C94

RGB 132 140 148

HSL 210, 0.07%, 0.55%

LAB 57.85, -1.23, -5.26

 

CMYK 32 / 16 / 0 / 35

HEX #718DA7

RGB 113 141 167

HSL 208.89, 0.23%, 0.55%

LAB 57.42, -3.47, -16.93

 

CMYK 49 / 23 / 0 / 27

HEX #5E8EB9

RGB 94 142 185

HSL 208.35, 0.39%, 0.55%

LAB 57.3, -4.15, -27.47

 

CMYK 63 / 30 / 0 / 20

HEX #4C8FCC

RGB 76 143 204

HSL 208.59, 0.56%, 0.55%

LAB 57.6, -2.52, -37.81

 

CMYK 0 / 14 / 13 / 41

HEX #968183

RGB 150 129 131

HSL 354.29, 0.09%, 0.55%

LAB 55.91, 8.36, 1.88

 

CMYK 0 / 11 / 14 / 41

HEX #968681

RGB 150 134 129

HSL 14.29, 0.09%, 0.55%

LAB 57.19, 5.16, 4.88

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 0 / 3 / 14 / 41

HEX #969181

RGB 150 145 129

HSL 45.71, 0.09%, 0.55%

LAB 60.18, -1.03, 9.15

 

CMYK 0 / 0 / 14 / 41

HEX #969681

RGB 150 150 129

HSL 60, 0.09%, 0.55%

LAB 61.55, -3.79, 11.1

 

CMYK 0 / 8 / 16 / 58

HEX #6B625A

RGB 107 98 90

HSL 28.24, 0.09%, 0.39%

LAB 42.15, 2.08, 5.84

 

CMYK 0 / 8 / 17 / 49

HEX #82776C

RGB 130 119 108

HSL 30, 0.09%, 0.47%

LAB 50.71, 2.26, 7.58

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 0 / 5 / 10 / 34

HEX #A9A098

RGB 169 160 152

HSL 28.24, 0.09%, 0.63%

LAB 66.4, 1.84, 5.33

 

CMYK 0 / 4 / 7 / 26

HEX #BCB5AE

RGB 188 181 174

HSL 30, 0.09%, 0.71%

LAB 74.06, 1.23, 4.43

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 9 / 0 / 14 / 41

HEX #889681

RGB 136 150 129

HSL 100, 0.09%, 0.55%

LAB 60.46, -9.1, 9.39

 

CMYK 13 / 14 / 0 / 41

HEX #838196

RGB 131 129 150

HSL 245.71, 0.09%, 0.55%

LAB 54.79, 5.15, -10.98

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 14 / 0 / 7 / 41

HEX #81968B

RGB 129 150 139

HSL 148.57, 0.09%, 0.55%

LAB 60.2, -9.71, 3.29

 

CMYK 7 / 14 / 0 / 41

HEX #8B8196

RGB 139 129 150

HSL 268.57, 0.09%, 0.55%

LAB 55.47, 7.97, -9.89

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 9 / 0 / 14 / 41

HEX #889681

RGB 136 150 129

HSL 100, 0.09%, 0.55%

LAB 60.46, -9.1, 9.39

 

CMYK 14 / 7 / 0 / 41

HEX #818C96

RGB 129 140 150

HSL 208.57, 0.09%, 0.55%

LAB 57.68, -1.83, -6.68

 

CMYK 5 / 14 / 0 / 41

HEX #8F8196

RGB 143 129 150

HSL 280, 0.09%, 0.55%

LAB 55.83, 9.39, -9.32

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 13 / 0 / 14 / 41

HEX #829681

RGB 130 150 129

HSL 117.14, 0.09%, 0.55%

LAB 60.02, -11.31, 8.71

 

CMYK 14 / 7 / 0 / 41

HEX #818C96

RGB 129 140 150

HSL 208.57, 0.09%, 0.55%

LAB 57.68, -1.83, -6.68

 

CMYK 1 / 14 / 0 / 41

HEX #958196

RGB 149 129 150

HSL 297.14, 0.09%, 0.55%

LAB 56.38, 11.55, -8.44

 

Description

Color code: RGB 150 139 129 | qconv.com Color code: RGB 150 139 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 139 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 139 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 14 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 14% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - stars-carousel.jpg (...
Link: http://www.macleans.ca

29% - 0777c1135d4ccea29578...
Link: http://web-colours.production.s3.amazonaws.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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