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Color name
RGB 150 120 110

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 120 110 it is the complementary color RGB 105 135 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 120 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 120 110 shade: RGB 155 120 105, RGB 172 138 124, RGB 189 156 143, RGB 206 174 162 and RGB 223 192 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 120 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 120 110 shade: RGB 150 120 110, RGB 133 102 91, RGB 116 84 72, RGB 99 66 53 and RGB 82 48 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 120 110 shade: RGB 150 120 110 and RGB 150 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 120 110 shade: RGB 150 120 110, RGB 150 130 110, RGB 150 141 110, RGB 147 150 110 and RGB 136 150 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 120 110 shade matches the following richer shades: RGB 150 120 110, RGB 170 109 89, RGB 190 99 69, RGB 210 89 49 and RGB 230 79 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 120 110 shade: RGB 150 120 110, RGB 129 130 130, RGB 109 140 150, RGB 89 150 170 and RGB 69 160 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 120 110 shade: RGB 150 110 121, RGB 150 110 110, RGB 150 120 110, RGB 150 130 110 and RGB 150 141 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 120 110 shade: RGB 102 81 74, RGB 126 100 91, RGB 150 120 110, RGB 167 142 133 and RGB 184 164 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 120 110 shade: RGB 150 120 110, RGB 132 150 110 and RGB 110 116 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 120 110 shade: RGB 150 120 110, RGB 110 150 120 and RGB 120 110 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 120 110 shade: RGB 150 120 110, RGB 132 150 110, RGB 110 140 150 and RGB 128 110 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 120 110 shade: RGB 150 120 110, RGB 120 150 110, RGB 110 140 150 and RGB 140 110 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

Complementary color

CMYK 28 / 7 / 0 / 43

HEX #698791

RGB 105 135 145

HSL 195, 0.16%, 0.49%

LAB 54.42, -8.15, -8.83

 

CMYK 0 / 23 / 32 / 39

HEX #9B7869

RGB 155 120 105

HSL 18, 0.2%, 0.51%

LAB 53.41, 11.43, 13.48

 

CMYK 0 / 20 / 28 / 33

HEX #AC8A7C

RGB 172 138 124

HSL 17.5, 0.22%, 0.58%

LAB 60.25, 10.78, 12.38

 

CMYK 0 / 17 / 24 / 26

HEX #BD9C8F

RGB 189 156 143

HSL 16.96, 0.26%, 0.65%

LAB 66.96, 10.22, 11.39

 

CMYK 0 / 16 / 21 / 19

HEX #CEAEA2

RGB 206 174 162

HSL 16.36, 0.31%, 0.72%

LAB 73.55, 9.72, 10.46

 

CMYK 0 / 14 / 19 / 13

HEX #DFC0B5

RGB 223 192 181

HSL 15.71, 0.4%, 0.79%

LAB 80.02, 9.28, 9.6

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 0 / 23 / 32 / 48

HEX #85665B

RGB 133 102 91

HSL 15.71, 0.19%, 0.44%

LAB 45.97, 10.76, 11

 

CMYK 0 / 28 / 38 / 55

HEX #745448

RGB 116 84 72

HSL 16.36, 0.23%, 0.37%

LAB 38.76, 11.56, 12.24

 

CMYK 0 / 33 / 46 / 61

HEX #634235

RGB 99 66 53

HSL 16.96, 0.3%, 0.3%

LAB 31.36, 12.55, 13.69

 

CMYK 0 / 41 / 59 / 68

HEX #523022

RGB 82 48 34

HSL 17.5, 0.41%, 0.23%

LAB 23.75, 13.81, 15.45

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 0 / 27 / 27 / 41

HEX #966E6E

RGB 150 110 110

HSL 0, 0.16%, 0.51%

LAB 50.41, 15.88, 6.24

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 0 / 13 / 27 / 41

HEX #96826E

RGB 150 130 110

HSL 30, 0.16%, 0.51%

LAB 55.66, 4.38, 13.64

 

CMYK 0 / 6 / 27 / 41

HEX #968D6E

RGB 150 141 110

HSL 46.5, 0.16%, 0.51%

LAB 58.66, -1.8, 17.78

 

CMYK 2 / 0 / 27 / 41

HEX #93966E

RGB 147 150 110

HSL 64.5, 0.16%, 0.51%

LAB 60.91, -7.95, 20.8

 

CMYK 9 / 0 / 27 / 41

HEX #88966E

RGB 136 150 110

HSL 81, 0.16%, 0.51%

LAB 60.04, -12.3, 19.48

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 0 / 36 / 48 / 33

HEX #AA6D59

RGB 170 109 89

HSL 14.81, 0.32%, 0.51%

LAB 52.07, 21.97, 21.22

 

CMYK 0 / 48 / 64 / 25

HEX #BE6345

RGB 190 99 69

HSL 14.88, 0.48%, 0.51%

LAB 52.18, 33.89, 33.3

 

CMYK 0 / 58 / 77 / 18

HEX #D25931

RGB 210 89 49

HSL 14.91, 0.64%, 0.51%

LAB 53.02, 45.56, 45.74

 

CMYK 0 / 66 / 87 / 10

HEX #E64F1D

RGB 230 79 29

HSL 14.93, 0.8%, 0.51%

LAB 54.56, 56.46, 57.3

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 1 / 0 / 0 / 49

HEX #818282

RGB 129 130 130

HSL 180, 0%, 0.51%

LAB 54.29, -0.37, -0.14

 

CMYK 27 / 7 / 0 / 41

HEX #6D8C96

RGB 109 140 150

HSL 194.63, 0.16%, 0.51%

LAB 56.3, -8.45, -8.89

 

CMYK 48 / 12 / 0 / 33

HEX #5996AA

RGB 89 150 170

HSL 194.81, 0.32%, 0.51%

LAB 58.82, -14.22, -16.62

 

CMYK 64 / 16 / 0 / 25

HEX #45A0BE

RGB 69 160 190

HSL 194.88, 0.48%, 0.51%

LAB 61.76, -17.75, -23.5

 

CMYK 0 / 27 / 19 / 41

HEX #966E79

RGB 150 110 121

HSL 343.5, 0.16%, 0.51%

LAB 50.71, 17.62, 0.16

 

CMYK 0 / 27 / 27 / 41

HEX #966E6E

RGB 150 110 110

HSL 0, 0.16%, 0.51%

LAB 50.41, 15.88, 6.24

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 0 / 13 / 27 / 41

HEX #96826E

RGB 150 130 110

HSL 30, 0.16%, 0.51%

LAB 55.66, 4.38, 13.64

 

CMYK 0 / 6 / 27 / 41

HEX #968D6E

RGB 150 141 110

HSL 46.5, 0.16%, 0.51%

LAB 58.66, -1.8, 17.78

 

CMYK 0 / 21 / 27 / 60

HEX #66514A

RGB 102 81 74

HSL 15, 0.16%, 0.35%

LAB 36.37, 7.57, 7.43

 

CMYK 0 / 21 / 28 / 51

HEX #7E645B

RGB 126 100 91

HSL 15.43, 0.16%, 0.43%

LAB 44.67, 9, 9.07

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 0 / 15 / 20 / 35

HEX #A78E85

RGB 167 142 133

HSL 15.88, 0.16%, 0.59%

LAB 61.01, 7.92, 8.27

 

CMYK 0 / 11 / 15 / 28

HEX #B8A49D

RGB 184 164 157

HSL 15.56, 0.16%, 0.67%

LAB 68.88, 6.1, 6.28

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 12 / 0 / 27 / 41

HEX #84966E

RGB 132 150 110

HSL 87, 0.16%, 0.51%

LAB 59.75, -13.86, 19.03

 

CMYK 27 / 23 / 0 / 41

HEX #6E7496

RGB 110 116 150

HSL 231, 0.16%, 0.51%

LAB 49.51, 5.74, -19.16

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 27 / 0 / 20 / 41

HEX #6E9678

RGB 110 150 120

HSL 135, 0.16%, 0.51%

LAB 58.49, -20.14, 11.45

 

CMYK 20 / 27 / 0 / 41

HEX #786E96

RGB 120 110 150

HSL 255, 0.16%, 0.51%

LAB 48.69, 12.61, -20.33

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 12 / 0 / 27 / 41

HEX #84966E

RGB 132 150 110

HSL 87, 0.16%, 0.51%

LAB 59.75, -13.86, 19.03

 

CMYK 27 / 7 / 0 / 41

HEX #6E8C96

RGB 110 140 150

HSL 195, 0.16%, 0.51%

LAB 56.36, -8.13, -8.79

 

CMYK 15 / 27 / 0 / 41

HEX #806E96

RGB 128 110 150

HSL 267, 0.16%, 0.51%

LAB 49.43, 15.3, -19.14

 

CMYK 0 / 20 / 27 / 41

HEX #96786E

RGB 150 120 110

HSL 15, 0.16%, 0.51%

LAB 53, 10.1, 9.91

 

CMYK 20 / 0 / 27 / 41

HEX #78966E

RGB 120 150 110

HSL 105, 0.16%, 0.51%

LAB 58.91, -18.4, 17.75

 

CMYK 27 / 7 / 0 / 41

HEX #6E8C96

RGB 110 140 150

HSL 195, 0.16%, 0.51%

LAB 56.36, -8.13, -8.79

 

CMYK 7 / 27 / 0 / 41

HEX #8C6E96

RGB 140 110 150

HSL 285, 0.16%, 0.51%

LAB 50.6, 19.42, -17.24

 

Description

Color code: RGB 150 120 110 | qconv.com Color code: RGB 150 120 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 120 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 120 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 27 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 27% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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