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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 119 2 it is the complementary color RGB 105 136 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 119 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 119 2 shade: RGB 155 119 0, RGB 172 137 16, RGB 189 155 35, RGB 206 173 54 and RGB 223 191 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 119 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 119 2 shade: RGB 150 119 2, RGB 133 101 0, RGB 116 83 0, RGB 99 65 0 and RGB 82 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 119 2 shade: RGB 150 119 2, RGB 150 79 2, RGB 150 39 2 and RGB 150 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 119 2 shade: RGB 150 119 2, RGB 141 150 2, RGB 101 150 2, RGB 61 150 2 and RGB 21 150 2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 119 2 shade matches the following richer shades: RGB 150 119 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 119 2 shade: RGB 150 119 2, RGB 138 112 14, RGB 125 105 27, RGB 113 98 39 and RGB 101 90 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 119 2 shade: RGB 150 39 2, RGB 150 78 2, RGB 150 118 2, RGB 143 150 2 and RGB 103 150 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 119 2 shade: RGB 69 55 1, RGB 110 87 1, RGB 150 119 2, RGB 191 151 2 and RGB 231 184 3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 119 2 shade: RGB 150 119 2, RGB 4 150 2 and RGB 59 2 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 119 2 shade: RGB 150 119 2, RGB 2 150 118 and RGB 118 2 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 119 2 shade: RGB 150 119 2, RGB 4 150 2, RGB 2 34 150 and RGB 148 2 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 119 2 shade: RGB 150 119 2, RGB 2 150 44, RGB 2 34 150 and RGB 150 2 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

Complementary color

CMYK 58 / 46 / 0 / 1

HEX #6988FD

RGB 105 136 253

HSL 227.43, 0.97%, 0.7%

LAB 59.62, 23.19, -61.78

 

CMYK 0 / 23 / 100 / 39

HEX #9B7700

RGB 155 119 0

HSL 46.06, 1%, 0.3%

LAB 52.02, 4.77, 58.02

 

CMYK 0 / 20 / 91 / 33

HEX #AC8910

RGB 172 137 16

HSL 46.54, 0.83%, 0.37%

LAB 58.7, 2.83, 60.83

 

CMYK 0 / 18 / 81 / 26

HEX #BD9B23

RGB 189 155 35

HSL 46.75, 0.69%, 0.44%

LAB 65.27, 1.18, 62

 

CMYK 0 / 16 / 74 / 19

HEX #CEAD36

RGB 206 173 54

HSL 46.97, 0.61%, 0.51%

LAB 71.74, -0.21, 62.02

 

CMYK 0 / 14 / 67 / 13

HEX #DFBF49

RGB 223 191 73

HSL 47.2, 0.7%, 0.58%

LAB 78.13, -1.39, 61.42

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 0 / 24 / 100 / 48

HEX #856500

RGB 133 101 0

HSL 45.56, 1%, 0.26%

LAB 44.65, 4.67, 51.77

 

CMYK 0 / 28 / 100 / 55

HEX #745300

RGB 116 83 0

HSL 42.93, 1%, 0.23%

LAB 37.66, 7.05, 46.02

 

CMYK 0 / 34 / 100 / 61

HEX #634100

RGB 99 65 0

HSL 39.39, 1%, 0.19%

LAB 30.48, 9.6, 40.1

 

CMYK 0 / 43 / 100 / 68

HEX #522F00

RGB 82 47 0

HSL 34.39, 1%, 0.16%

LAB 23.09, 12.34, 32.64

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 0 / 47 / 99 / 41

HEX #964F02

RGB 150 79 2

HSL 31.22, 0.97%, 0.3%

LAB 41.34, 25.32, 50.1

 

CMYK 0 / 74 / 99 / 41

HEX #962702

RGB 150 39 2

HSL 15, 0.97%, 0.3%

LAB 33.86, 44.78, 45.67

 

CMYK 0 / 99 / 99 / 41

HEX #960202

RGB 150 2 2

HSL 0, 0.97%, 0.3%

LAB 30.72, 53.65, 43.61

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 6 / 0 / 99 / 41

HEX #8D9602

RGB 141 150 2

HSL 63.65, 0.97%, 0.3%

LAB 59.42, -18.53, 62.41

 

CMYK 33 / 0 / 99 / 41

HEX #659602

RGB 101 150 2

HSL 79.86, 0.97%, 0.3%

LAB 56.67, -35.52, 59.11

 

CMYK 59 / 0 / 99 / 41

HEX #3D9602

RGB 61 150 2

HSL 96.08, 0.97%, 0.3%

LAB 54.88, -48.93, 56.94

 

CMYK 86 / 0 / 99 / 41

HEX #159602

RGB 21 150 2

HSL 112.3, 0.97%, 0.3%

LAB 54, -56.41, 55.87

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 0 / 19 / 90 / 46

HEX #8A700E

RGB 138 112 14

HSL 47.42, 0.82%, 0.3%

LAB 48.29, 0.99, 51.54

 

CMYK 0 / 16 / 78 / 51

HEX #7D691B

RGB 125 105 27

HSL 47.76, 0.64%, 0.3%

LAB 45, -0.73, 43.96

 

CMYK 0 / 13 / 65 / 56

HEX #716227

RGB 113 98 39

HSL 47.84, 0.49%, 0.3%

LAB 41.83, -1.67, 34.91

 

CMYK 0 / 11 / 50 / 60

HEX #655A33

RGB 101 90 51

HSL 46.8, 0.33%, 0.3%

LAB 38.41, -1.5, 24.07

 

CMYK 0 / 74 / 99 / 41

HEX #962702

RGB 150 39 2

HSL 15, 0.97%, 0.3%

LAB 33.86, 44.78, 45.67

 

CMYK 0 / 48 / 99 / 41

HEX #964E02

RGB 150 78 2

HSL 30.81, 0.97%, 0.3%

LAB 41.12, 25.88, 49.96

 

CMYK 0 / 21 / 99 / 41

HEX #967602

RGB 150 118 2

HSL 47.03, 0.97%, 0.3%

LAB 51.2, 3.02, 56.8

 

CMYK 5 / 0 / 99 / 41

HEX #8F9602

RGB 143 150 2

HSL 62.84, 0.97%, 0.3%

LAB 59.58, -17.63, 62.61

 

CMYK 31 / 0 / 99 / 41

HEX #679602

RGB 103 150 2

HSL 79.05, 0.97%, 0.3%

LAB 56.78, -34.73, 59.25

 

CMYK 0 / 20 / 99 / 73

HEX #453701

RGB 69 55 1

HSL 47.65, 0.97%, 0.14%

LAB 23.67, 0.36, 32.24

 

CMYK 0 / 21 / 99 / 57

HEX #6E5701

RGB 110 87 1

HSL 47.34, 0.98%, 0.22%

LAB 38.08, 1.7, 45.67

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 0 / 21 / 99 / 25

HEX #BF9702

RGB 191 151 2

HSL 47.3, 0.98%, 0.38%

LAB 64.33, 3.6, 68.09

 

CMYK 0 / 20 / 99 / 9

HEX #E7B803

RGB 231 184 3

HSL 47.63, 0.97%, 0.46%

LAB 76.85, 3.73, 78.67

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 97 / 0 / 99 / 41

HEX #049602

RGB 4 150 2

HSL 119.19, 0.97%, 0.3%

LAB 53.86, -57.7, 55.69

 

CMYK 61 / 99 / 0 / 41

HEX #3B0296

RGB 59 2 150

HSL 263.11, 0.97%, 0.3%

LAB 20.73, 54.5, -65.47

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 99 / 0 / 21 / 41

HEX #029676

RGB 2 150 118

HSL 167.03, 0.97%, 0.3%

LAB 55.21, -41.62, 7.49

 

CMYK 21 / 99 / 0 / 41

HEX #760296

RGB 118 2 150

HSL 287.03, 0.97%, 0.3%

LAB 29.66, 60.81, -50.47

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 97 / 0 / 99 / 41

HEX #049602

RGB 4 150 2

HSL 119.19, 0.97%, 0.3%

LAB 53.86, -57.7, 55.69

 

CMYK 99 / 77 / 0 / 41

HEX #022296

RGB 2 34 150

HSL 227.03, 0.97%, 0.3%

LAB 21.43, 38.88, -64.42

 

CMYK 1 / 99 / 0 / 41

HEX #940296

RGB 148 2 150

HSL 299.19, 0.97%, 0.3%

LAB 35.09, 65.54, -41.44

 

CMYK 0 / 21 / 99 / 41

HEX #967702

RGB 150 119 2

HSL 47.43, 0.97%, 0.3%

LAB 51.48, 2.46, 56.99

 

CMYK 99 / 0 / 71 / 41

HEX #02962C

RGB 2 150 44

HSL 137.03, 0.97%, 0.3%

LAB 54.03, -55.39, 44.51

 

CMYK 99 / 77 / 0 / 41

HEX #022296

RGB 2 34 150

HSL 227.03, 0.97%, 0.3%

LAB 21.43, 38.88, -64.42

 

CMYK 0 / 99 / 28 / 41

HEX #96026C

RGB 150 2 108

HSL 317.03, 0.97%, 0.3%

LAB 33.16, 60.14, -18.19

 

Description

Color code: RGB 150 119 2 | qconv.com Color code: RGB 150 119 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 119 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 119 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 99 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 99% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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