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Color name
RGB 150 100 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 100 27 it is the complementary color RGB 105 155 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 100 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 100 27 shade: RGB 155 100 22, RGB 172 118 41, RGB 189 136 60, RGB 206 154 79 and RGB 223 172 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 100 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 100 27 shade: RGB 150 100 27, RGB 133 82 8, RGB 116 64 0, RGB 99 46 0 and RGB 82 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 100 27 shade: RGB 150 100 27, RGB 150 67 27, RGB 150 34 27 and RGB 150 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 100 27 shade: RGB 150 100 27, RGB 150 133 27, RGB 134 150 27, RGB 101 150 27 and RGB 68 150 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 100 27 shade matches the following richer shades: RGB 150 100 27 and RGB 165 103 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 100 27 shade: RGB 150 100 27, RGB 136 98 42, RGB 121 95 56, RGB 107 92 70 and RGB 93 89 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 100 27 shade: RGB 150 33 27, RGB 150 66 27, RGB 150 99 27, RGB 150 132 27 and RGB 136 150 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 100 27 shade: RGB 81 54 14, RGB 115 77 21, RGB 150 100 27, RGB 185 124 34 and RGB 216 146 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 100 27 shade: RGB 150 100 27, RGB 54 150 27 and RGB 50 27 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 100 27 shade: RGB 150 100 27, RGB 27 150 99 and RGB 99 27 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 100 27 shade: RGB 150 100 27, RGB 54 150 27, RGB 27 78 150 and RGB 124 27 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 100 27 shade: RGB 150 100 27, RGB 27 150 37, RGB 27 78 150 and RGB 150 27 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

Complementary color

CMYK 54 / 32 / 0 / 11

HEX #699BE4

RGB 105 155 228

HSL 215.61, 0.69%, 0.65%

LAB 63.38, 4.04, -42.03

 

CMYK 0 / 35 / 86 / 39

HEX #9B6416

RGB 155 100 22

HSL 35.19, 0.75%, 0.35%

LAB 47.16, 16.06, 49.07

 

CMYK 0 / 31 / 76 / 33

HEX #AC7629

RGB 172 118 41

HSL 35.27, 0.62%, 0.42%

LAB 53.91, 14.23, 48.61

 

CMYK 0 / 28 / 68 / 26

HEX #BD883C

RGB 189 136 60

HSL 35.35, 0.52%, 0.49%

LAB 60.56, 12.7, 47.51

 

CMYK 0 / 25 / 62 / 19

HEX #CE9A4F

RGB 206 154 79

HSL 35.43, 0.56%, 0.56%

LAB 67.12, 11.4, 46.18

 

CMYK 0 / 23 / 56 / 13

HEX #DFAC62

RGB 223 172 98

HSL 35.52, 0.66%, 0.63%

LAB 73.59, 10.29, 44.81

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 0 / 38 / 94 / 48

HEX #855208

RGB 133 82 8

HSL 35.52, 0.89%, 0.28%

LAB 39.65, 15.99, 46.06

 

CMYK 0 / 45 / 100 / 55

HEX #744000

RGB 116 64 0

HSL 33.1, 1%, 0.23%

LAB 32.66, 18.47, 42.74

 

CMYK 0 / 54 / 100 / 61

HEX #632E00

RGB 99 46 0

HSL 27.88, 1%, 0.19%

LAB 25.58, 21.19, 36.01

 

CMYK 0 / 66 / 100 / 68

HEX #521C00

RGB 82 28 0

HSL 20.49, 1%, 0.16%

LAB 18.47, 23.8, 27.54

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 0 / 55 / 82 / 41

HEX #96431B

RGB 150 67 27

HSL 19.51, 0.69%, 0.35%

LAB 38.86, 32.43, 39.3

 

CMYK 0 / 77 / 82 / 41

HEX #96221B

RGB 150 34 27

HSL 3.41, 0.69%, 0.35%

LAB 33.37, 47.11, 33.97

 

CMYK 0 / 82 / 82 / 41

HEX #961B1B

RGB 150 27 27

HSL 0, 0.69%, 0.35%

LAB 32.58, 49.3, 33.19

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 0 / 11 / 82 / 41

HEX #96851B

RGB 150 133 27

HSL 51.71, 0.69%, 0.35%

LAB 55.42, -4.79, 54.37

 

CMYK 11 / 0 / 82 / 41

HEX #86961B

RGB 134 150 27

HSL 67.8, 0.69%, 0.35%

LAB 58.94, -21.04, 56.93

 

CMYK 33 / 0 / 82 / 41

HEX #65961B

RGB 101 150 27

HSL 83.9, 0.69%, 0.35%

LAB 56.74, -34.78, 54.14

 

CMYK 55 / 0 / 82 / 41

HEX #44961B

RGB 68 150 27

HSL 100, 0.69%, 0.35%

LAB 55.2, -46.08, 52.16

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 0 / 38 / 92 / 35

HEX #A5670D

RGB 165 103 13

HSL 35.53, 0.85%, 0.35%

LAB 49.17, 18.67, 53.85

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 0 / 28 / 69 / 47

HEX #88622A

RGB 136 98 42

HSL 35.74, 0.53%, 0.35%

LAB 44.43, 9.37, 36.98

 

CMYK 0 / 21 / 54 / 53

HEX #795F38

RGB 121 95 56

HSL 36, 0.37%, 0.35%

LAB 42.05, 5.33, 26.2

 

CMYK 0 / 14 / 35 / 58

HEX #6B5C46

RGB 107 92 70

HSL 35.68, 0.21%, 0.35%

LAB 39.95, 2.46, 14.92

 

CMYK 0 / 4 / 9 / 64

HEX #5D5955

RGB 93 89 85

HSL 30, 0.04%, 0.35%

LAB 38.07, 0.81, 2.88

 

CMYK 0 / 78 / 82 / 41

HEX #96211B

RGB 150 33 27

HSL 2.93, 0.69%, 0.35%

LAB 33.24, 47.45, 33.85

 

CMYK 0 / 56 / 82 / 41

HEX #96421B

RGB 150 66 27

HSL 19.02, 0.69%, 0.35%

LAB 38.65, 32.95, 39.11

 

CMYK 0 / 34 / 82 / 41

HEX #96631B

RGB 150 99 27

HSL 35.12, 0.69%, 0.35%

LAB 46.29, 14.51, 46.22

 

CMYK 0 / 12 / 82 / 41

HEX #96841B

RGB 150 132 27

HSL 51.22, 0.69%, 0.35%

LAB 55.14, -4.24, 54.12

 

CMYK 9 / 0 / 82 / 41

HEX #88961B

RGB 136 150 27

HSL 66.83, 0.69%, 0.35%

LAB 59.09, -20.17, 57.13

 

CMYK 0 / 33 / 83 / 68

HEX #51360E

RGB 81 54 14

HSL 35.82, 0.71%, 0.19%

LAB 25.01, 7.93, 28.61

 

CMYK 0 / 33 / 82 / 55

HEX #734D15

RGB 115 77 21

HSL 35.74, 0.69%, 0.27%

LAB 36, 10.81, 37.52

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 0 / 33 / 82 / 27

HEX #B97C22

RGB 185 124 34

HSL 35.76, 0.69%, 0.43%

LAB 56.92, 16.39, 54.79

 

CMYK 0 / 32 / 80 / 15

HEX #D8922C

RGB 216 146 44

HSL 35.58, 0.69%, 0.51%

LAB 66.01, 18.21, 60.73

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 64 / 0 / 82 / 41

HEX #36961B

RGB 54 150 27

HSL 106.83, 0.69%, 0.35%

LAB 54.74, -49.78, 51.56

 

CMYK 67 / 82 / 0 / 41

HEX #321B96

RGB 50 27 150

HSL 251.22, 0.69%, 0.35%

LAB 22.53, 45.61, -62.52

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 82 / 0 / 34 / 41

HEX #1B9663

RGB 27 150 99

HSL 155.12, 0.69%, 0.35%

LAB 55.02, -44.52, 17.98

 

CMYK 34 / 82 / 0 / 41

HEX #631B96

RGB 99 27 150

HSL 275.12, 0.69%, 0.35%

LAB 28.48, 52.25, -52.52

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 64 / 0 / 82 / 41

HEX #36961B

RGB 54 150 27

HSL 106.83, 0.69%, 0.35%

LAB 54.74, -49.78, 51.56

 

CMYK 82 / 48 / 0 / 41

HEX #1B4E96

RGB 27 78 150

HSL 215.12, 0.69%, 0.35%

LAB 33.74, 10.78, -44.27

 

CMYK 17 / 82 / 0 / 41

HEX #7C1B96

RGB 124 27 150

HSL 287.32, 0.69%, 0.35%

LAB 32.42, 56.68, -45.95

 

CMYK 0 / 33 / 82 / 41

HEX #96641B

RGB 150 100 27

HSL 35.61, 0.69%, 0.35%

LAB 46.55, 13.93, 46.45

 

CMYK 82 / 0 / 75 / 41

HEX #1B9625

RGB 27 150 37

HSL 124.88, 0.69%, 0.35%

LAB 54.22, -53.99, 47.51

 

CMYK 82 / 48 / 0 / 41

HEX #1B4E96

RGB 27 78 150

HSL 215.12, 0.69%, 0.35%

LAB 33.74, 10.78, -44.27

 

CMYK 0 / 82 / 7 / 41

HEX #961B8C

RGB 150 27 140

HSL 304.88, 0.69%, 0.35%

LAB 36.29, 60.14, -33.35

 

Description

Color code: RGB 150 100 27 | qconv.com Color code: RGB 150 100 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 100 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 100 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 82 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 82% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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