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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 105 63 it is the complementary color RGB 105 150 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 105 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 105 63 shade: RGB 155 105 58, RGB 172 123 77, RGB 189 141 96, RGB 206 159 115 and RGB 223 177 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 105 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 105 63 shade: RGB 150 105 63, RGB 133 87 44, RGB 116 69 25, RGB 99 51 6 and RGB 82 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 105 63 shade: RGB 151 105 63, RGB 151 81 63 and RGB 151 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 105 63 shade: RGB 151 105 63, RGB 151 129 63, RGB 149 151 63, RGB 125 151 63 and RGB 101 151 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 105 63 shade matches the following richer shades: RGB 151 105 63, RGB 168 104 45, RGB 185 104 28 and RGB 202 103 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 105 63 shade: RGB 151 105 63, RGB 133 106 80, RGB 116 106 97, RGB 99 107 115 and RGB 81 107 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 105 63 shade: RGB 151 63 69, RGB 151 80 63, RGB 151 104 63, RGB 151 127 63 and RGB 151 151 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 105 63 shade: RGB 92 64 38, RGB 121 85 51, RGB 151 105 63, RGB 179 125 75 and RGB 192 146 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 105 63 shade: RGB 150 105 63, RGB 92 151 63 and RGB 69 63 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 105 63 shade: RGB 150 105 63, RGB 63 151 104 and RGB 104 63 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 105 63 shade: RGB 150 105 63, RGB 92 151 63, RGB 63 110 151 and RGB 121 63 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 105 63 shade: RGB 150 105 63, RGB 66 151 63, RGB 63 110 151 and RGB 148 63 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 58 / 41

HEX #96693F

RGB 150 105 63

HSL 28.97, 0.41%, 0.42%

LAB 48.19, 13.21, 30.57

 

Complementary color

CMYK 45 / 22 / 0 / 25

HEX #6996C0

RGB 105 150 192

HSL 208.97, 0.41%, 0.58%

LAB 60.45, -3.91, -26.52

 

CMYK 0 / 32 / 63 / 39

HEX #9B693A

RGB 155 105 58

HSL 29.07, 0.46%, 0.42%

LAB 48.73, 15.03, 34.1

 

CMYK 0 / 28 / 55 / 33

HEX #AC7B4D

RGB 172 123 77

HSL 29.05, 0.38%, 0.49%

LAB 55.56, 13.78, 32.51

 

CMYK 0 / 25 / 49 / 26

HEX #BD8D60

RGB 189 141 96

HSL 29.03, 0.41%, 0.56%

LAB 62.26, 12.73, 31.02

 

CMYK 0 / 23 / 44 / 19

HEX #CE9F73

RGB 206 159 115

HSL 29.01, 0.48%, 0.63%

LAB 68.86, 11.83, 29.64

 

CMYK 0 / 21 / 40 / 13

HEX #DFB186

RGB 223 177 134

HSL 28.99, 0.58%, 0.7%

LAB 75.36, 11.06, 28.36

 

CMYK 0 / 30 / 58 / 41

HEX #96693F

RGB 150 105 63

HSL 28.97, 0.41%, 0.42%

LAB 48.19, 13.21, 30.57

 

CMYK 0 / 35 / 67 / 48

HEX #85572C

RGB 133 87 44

HSL 28.99, 0.5%, 0.35%

LAB 41.19, 14.59, 32.22

 

CMYK 0 / 41 / 78 / 55

HEX #744519

RGB 116 69 25

HSL 29.01, 0.65%, 0.28%

LAB 34.06, 16.29, 33.81

 

CMYK 0 / 48 / 94 / 61

HEX #633306

RGB 99 51 6

HSL 29.03, 0.89%, 0.21%

LAB 26.83, 18.4, 34.69

 

CMYK 0 / 60 / 100 / 68

HEX #522100

RGB 82 33 0

HSL 24.15, 1%, 0.16%

LAB 19.56, 20.97, 28.81

 

CMYK 0 / 30 / 58 / 41

HEX #97693F

RGB 151 105 63

HSL 28.64, 0.41%, 0.42%

LAB 48.31, 13.66, 30.74

 

CMYK 0 / 46 / 58 / 41

HEX #97513F

RGB 151 81 63

HSL 12.27, 0.41%, 0.42%

LAB 42.5, 27.36, 23.49

 

CMYK 0 / 58 / 58 / 41

HEX #973F3F

RGB 151 63 63

HSL 0, 0.41%, 0.42%

LAB 38.71, 36.97, 18.59

 

CMYK 0 / 30 / 58 / 41

HEX #97693F

RGB 151 105 63

HSL 28.64, 0.41%, 0.42%

LAB 48.31, 13.66, 30.74

 

CMYK 0 / 15 / 58 / 41

HEX #97813F

RGB 151 129 63

HSL 45, 0.41%, 0.42%

LAB 54.7, -0.04, 38.34

 

CMYK 1 / 0 / 58 / 41

HEX #95973F

RGB 149 151 63

HSL 61.36, 0.41%, 0.42%

LAB 60.68, -12.91, 45.1

 

CMYK 17 / 0 / 58 / 41

HEX #7D973F

RGB 125 151 63

HSL 77.73, 0.41%, 0.42%

LAB 58.84, -23.11, 42.53

 

CMYK 33 / 0 / 58 / 41

HEX #65973F

RGB 101 151 63

HSL 94.09, 0.41%, 0.42%

LAB 57.33, -32.54, 40.4

 

CMYK 0 / 30 / 58 / 41

HEX #97693F

RGB 151 105 63

HSL 28.64, 0.41%, 0.42%

LAB 48.31, 13.66, 30.74

 

CMYK 0 / 38 / 73 / 34

HEX #A8682D

RGB 168 104 45

HSL 28.78, 0.58%, 0.42%

LAB 50, 20.53, 42.65

 

CMYK 0 / 44 / 85 / 27

HEX #B9681C

RGB 185 104 28

HSL 29.04, 0.74%, 0.42%

LAB 52.17, 27.22, 52.82

 

CMYK 0 / 49 / 95 / 21

HEX #CA670B

RGB 202 103 11

HSL 28.9, 0.9%, 0.42%

LAB 54.32, 34.52, 60.34

 

CMYK 0 / 30 / 58 / 41

HEX #97693F

RGB 151 105 63

HSL 28.64, 0.41%, 0.42%

LAB 48.31, 13.66, 30.74

 

CMYK 0 / 20 / 40 / 48

HEX #856A50

RGB 133 106 80

HSL 29.43, 0.25%, 0.42%

LAB 46.81, 6.92, 18.67

 

CMYK 0 / 9 / 16 / 55

HEX #746A61

RGB 116 106 97

HSL 28.42, 0.09%, 0.42%

LAB 45.48, 2.27, 6.47

 

CMYK 14 / 7 / 0 / 55

HEX #636B73

RGB 99 107 115

HSL 210, 0.07%, 0.42%

LAB 44.81, -1.25, -5.51

 

CMYK 39 / 19 / 0 / 48

HEX #516B84

RGB 81 107 132

HSL 209.41, 0.24%, 0.42%

LAB 44.13, -2.8, -16.87

 

CMYK 0 / 58 / 54 / 41

HEX #973F45

RGB 151 63 69

HSL 355.91, 0.41%, 0.42%

LAB 38.84, 37.48, 15.02

 

CMYK 0 / 47 / 58 / 41

HEX #97503F

RGB 151 80 63

HSL 11.59, 0.41%, 0.42%

LAB 42.27, 27.92, 23.2

 

CMYK 0 / 31 / 58 / 41

HEX #97683F

RGB 151 104 63

HSL 27.95, 0.41%, 0.42%

LAB 48.06, 14.23, 30.43

 

CMYK 0 / 16 / 58 / 41

HEX #977F3F

RGB 151 127 63

HSL 43.64, 0.41%, 0.42%

LAB 54.15, 1.09, 37.7

 

CMYK 0 / 0 / 58 / 41

HEX #97973F

RGB 151 151 63

HSL 60, 0.41%, 0.42%

LAB 60.84, -12.04, 45.33

 

CMYK 0 / 30 / 59 / 64

HEX #5C4026

RGB 92 64 38

HSL 28.89, 0.42%, 0.25%

LAB 29.62, 8.85, 20.62

 

CMYK 0 / 30 / 58 / 53

HEX #795533

RGB 121 85 51

HSL 29.14, 0.41%, 0.34%

LAB 39.24, 10.83, 25.6

 

CMYK 0 / 30 / 58 / 41

HEX #97693F

RGB 151 105 63

HSL 28.64, 0.41%, 0.42%

LAB 48.31, 13.66, 30.74

 

CMYK 0 / 30 / 58 / 30

HEX #B37D4B

RGB 179 125 75

HSL 28.85, 0.41%, 0.5%

LAB 56.84, 15.5, 35.34

 

CMYK 0 / 24 / 46 / 25

HEX #C09268

RGB 192 146 104

HSL 28.64, 0.41%, 0.58%

LAB 63.97, 12.03, 28.93

 

CMYK 0 / 30 / 58 / 41

HEX #96693F

RGB 150 105 63

HSL 28.97, 0.41%, 0.42%

LAB 48.19, 13.21, 30.57

 

CMYK 39 / 0 / 58 / 41

HEX #5C973F

RGB 92 151 63

HSL 100.23, 0.41%, 0.42%

LAB 56.85, -35.77, 39.72

 

CMYK 54 / 58 / 0 / 41

HEX #453F97

RGB 69 63 151

HSL 244.09, 0.41%, 0.42%

LAB 31.93, 28, -47.68

 

CMYK 0 / 30 / 58 / 41

HEX #96693F

RGB 150 105 63

HSL 28.97, 0.41%, 0.42%

LAB 48.19, 13.21, 30.57

 

CMYK 58 / 0 / 31 / 41

HEX #3F9768

RGB 63 151 104

HSL 147.95, 0.41%, 0.42%

LAB 56.28, -37.69, 17.04

 

CMYK 31 / 58 / 0 / 41

HEX #683F97

RGB 104 63 151

HSL 267.95, 0.41%, 0.42%

LAB 35.46, 36.26, -41.81

 

CMYK 0 / 30 / 58 / 41

HEX #96693F

RGB 150 105 63

HSL 28.97, 0.41%, 0.42%

LAB 48.19, 13.21, 30.57

 

CMYK 39 / 0 / 58 / 41

HEX #5C973F

RGB 92 151 63

HSL 100.23, 0.41%, 0.42%

LAB 56.85, -35.77, 39.72

 

CMYK 58 / 27 / 0 / 41

HEX #3F6E97

RGB 63 110 151

HSL 207.95, 0.41%, 0.42%

LAB 44.86, -3.33, -27.16

 

CMYK 20 / 58 / 0 / 41

HEX #793F97

RGB 121 63 151

HSL 279.55, 0.41%, 0.42%

LAB 37.58, 40.74, -38.31

 

CMYK 0 / 30 / 58 / 41

HEX #96693F

RGB 150 105 63

HSL 28.97, 0.41%, 0.42%

LAB 48.19, 13.21, 30.57

 

CMYK 56 / 0 / 58 / 41

HEX #42973F

RGB 66 151 63

HSL 117.95, 0.41%, 0.42%

LAB 55.74, -43.83, 38.14

 

CMYK 58 / 27 / 0 / 41

HEX #3F6E97

RGB 63 110 151

HSL 207.95, 0.41%, 0.42%

LAB 44.86, -3.33, -27.16

 

CMYK 2 / 58 / 0 / 41

HEX #943F97

RGB 148 63 151

HSL 297.95, 0.41%, 0.42%

LAB 41.35, 48.08, -32.09

 

Description

Color code: RGB 150 105 63 | qconv.com Color code: RGB 150 105 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 105 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 105 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 58 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 58% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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