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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 0 176 it is the complementary color RGB 105 255 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 0 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 0 176 shade: RGB 155 0 171, RGB 172 18 190, RGB 189 36 209, RGB 206 54 228 and RGB 223 72 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 0 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 0 176 shade: RGB 150 0 176, RGB 133 0 157, RGB 116 0 138, RGB 99 0 119 and RGB 82 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 0 176 shade: RGB 152 0 178, RGB 178 0 156, RGB 178 0 108, RGB 178 0 60 and RGB 178 0 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 0 176 shade: RGB 152 0 178, RGB 104 0 178, RGB 55 0 178, RGB 7 0 178 and RGB 0 0 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 0 176 shade matches the following richer shades: RGB 152 0 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 0 176 shade: RGB 152 0 178, RGB 141 14 164, RGB 131 28 149, RGB 121 43 135 and RGB 111 57 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 0 176 shade: RGB 56 0 178, RGB 104 0 178, RGB 151 0 178, RGB 178 0 157 and RGB 178 0 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 0 176 shade: RGB 81 0 95, RGB 116 0 137, RGB 152 0 178, RGB 187 0 219 and RGB 218 6 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 0 176 shade: RGB 150 0 176, RGB 178 8 0 and RGB 0 178 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 0 176 shade: RGB 150 0 176, RGB 178 151 0 and RGB 0 178 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 0 176 shade: RGB 150 0 176, RGB 178 8 0, RGB 26 178 0 and RGB 0 169 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 0 176 shade: RGB 150 0 176, RGB 178 62 0, RGB 26 178 0 and RGB 0 116 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 100 / 0 / 31

HEX #9600B0

RGB 150 0 176

HSL 291.14, 1%, 0.35%

LAB 37.15, 70.34, -53.78

 

Complementary color

CMYK 59 / 0 / 69 / 0

HEX #69FF4F

RGB 105 255 79

HSL 111.14, 1%, 0.65%

LAB 89.43, -70.63, 68.81

 

CMYK 9 / 100 / 0 / 33

HEX #9B00AB

RGB 155 0 171

HSL 294.39, 1%, 0.34%

LAB 37.68, 70.27, -49.9

 

CMYK 9 / 91 / 0 / 25

HEX #AC12BE

RGB 172 18 190

HSL 293.72, 0.83%, 0.41%

LAB 42.64, 73.96, -53

 

CMYK 10 / 83 / 0 / 18

HEX #BD24D1

RGB 189 36 209

HSL 293.06, 0.71%, 0.48%

LAB 47.86, 76.61, -55.49

 

CMYK 10 / 76 / 0 / 11

HEX #CE36E4

RGB 206 54 228

HSL 292.41, 0.76%, 0.55%

LAB 53.34, 78.21, -57.37

 

CMYK 10 / 71 / 0 / 3

HEX #DF48F7

RGB 223 72 247

HSL 291.77, 0.92%, 0.63%

LAB 59.01, 79.06, -58.79

 

CMYK 15 / 100 / 0 / 31

HEX #9600B0

RGB 150 0 176

HSL 291.14, 1%, 0.35%

LAB 37.15, 70.34, -53.78

 

CMYK 15 / 100 / 0 / 38

HEX #85009D

RGB 133 0 157

HSL 290.83, 1%, 0.31%

LAB 32.75, 64.57, -49.62

 

CMYK 16 / 100 / 0 / 46

HEX #74008A

RGB 116 0 138

HSL 290.43, 1%, 0.27%

LAB 28.24, 58.66, -45.36

 

CMYK 17 / 100 / 0 / 53

HEX #630077

RGB 99 0 119

HSL 289.92, 1%, 0.23%

LAB 23.62, 52.6, -41

 

CMYK 18 / 100 / 0 / 61

HEX #520064

RGB 82 0 100

HSL 289.2, 1%, 0.2%

LAB 18.86, 46.36, -36.52

 

CMYK 15 / 100 / 0 / 30

HEX #9800B2

RGB 152 0 178

HSL 291.24, 1%, 0.35%

LAB 37.64, 70.97, -54.16

 

CMYK 0 / 100 / 12 / 30

HEX #B2009C

RGB 178 0 156

HSL 307.42, 1%, 0.35%

LAB 41, 71.91, -35.33

 

CMYK 0 / 100 / 39 / 30

HEX #B2006C

RGB 178 0 108

HSL 323.6, 1%, 0.35%

LAB 38.81, 66.35, -9.06

 

CMYK 0 / 100 / 66 / 30

HEX #B2003C

RGB 178 0 60

HSL 339.78, 1%, 0.35%

LAB 37.47, 62.8, 19.83

 

CMYK 0 / 100 / 93 / 30

HEX #B2000C

RGB 178 0 12

HSL 355.96, 1%, 0.35%

LAB 36.91, 61.3, 46.62

 

CMYK 15 / 100 / 0 / 30

HEX #9800B2

RGB 152 0 178

HSL 291.24, 1%, 0.35%

LAB 37.64, 70.97, -54.16

 

CMYK 42 / 100 / 0 / 30

HEX #6800B2

RGB 104 0 178

HSL 275.06, 1%, 0.35%

LAB 29.81, 65, -67.28

 

CMYK 69 / 100 / 0 / 30

HEX #3700B2

RGB 55 0 178

HSL 258.54, 1%, 0.35%

LAB 23.76, 61.57, -77.49

 

CMYK 96 / 100 / 0 / 30

HEX #0700B2

RGB 7 0 178

HSL 242.36, 1%, 0.35%

LAB 21.05, 60.53, -82.07

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 15 / 100 / 0 / 30

HEX #9800B2

RGB 152 0 178

HSL 291.24, 1%, 0.35%

LAB 37.64, 70.97, -54.16

 

CMYK 15 / 100 / 0 / 30

HEX #9800B2

RGB 152 0 178

HSL 291.24, 1%, 0.35%

LAB 37.64, 70.97, -54.16

 

CMYK 14 / 91 / 0 / 36

HEX #8D0EA4

RGB 141 14 164

HSL 290.8, 0.84%, 0.35%

LAB 35.32, 65.1, -49.63

 

CMYK 12 / 81 / 0 / 42

HEX #831C95

RGB 131 28 149

HSL 291.07, 0.68%, 0.35%

LAB 33.62, 57.53, -43.34

 

CMYK 10 / 68 / 0 / 47

HEX #792B87

RGB 121 43 135

HSL 290.87, 0.52%, 0.35%

LAB 33.01, 47.17, -35.78

 

CMYK 8 / 53 / 0 / 53

HEX #6F3978

RGB 111 57 120

HSL 291.43, 0.36%, 0.35%

LAB 33.27, 34.28, -26.12

 

CMYK 69 / 100 / 0 / 30

HEX #3800B2

RGB 56 0 178

HSL 258.88, 1%, 0.35%

LAB 23.85, 61.61, -77.33

 

CMYK 42 / 100 / 0 / 30

HEX #6800B2

RGB 104 0 178

HSL 275.06, 1%, 0.35%

LAB 29.81, 65, -67.28

 

CMYK 15 / 100 / 0 / 30

HEX #9700B2

RGB 151 0 178

HSL 290.9, 1%, 0.35%

LAB 37.47, 70.83, -54.45

 

CMYK 0 / 100 / 12 / 30

HEX #B2009D

RGB 178 0 157

HSL 307.08, 1%, 0.35%

LAB 41.06, 72.05, -35.84

 

CMYK 0 / 100 / 38 / 30

HEX #B2006E

RGB 178 0 110

HSL 322.92, 1%, 0.35%

LAB 38.88, 66.54, -10.21

 

CMYK 15 / 100 / 0 / 63

HEX #51005F

RGB 81 0 95

HSL 291.16, 1%, 0.19%

LAB 18.26, 45.25, -34.19

 

CMYK 15 / 100 / 0 / 46

HEX #740089

RGB 116 0 137

HSL 290.8, 1%, 0.27%

LAB 28.17, 58.48, -44.86

 

CMYK 15 / 100 / 0 / 30

HEX #9800B2

RGB 152 0 178

HSL 291.24, 1%, 0.35%

LAB 37.64, 70.97, -54.16

 

CMYK 15 / 100 / 0 / 14

HEX #BB00DB

RGB 187 0 219

HSL 291.23, 1%, 0.43%

LAB 46.55, 82.8, -63.35

 

CMYK 15 / 98 / 0 / 0

HEX #DA06FF

RGB 218 6 255

HSL 291.08, 1%, 0.51%

LAB 54.3, 92.46, -70.86

 

CMYK 15 / 100 / 0 / 31

HEX #9600B0

RGB 150 0 176

HSL 291.14, 1%, 0.35%

LAB 37.15, 70.34, -53.78

 

CMYK 0 / 96 / 100 / 30

HEX #B20800

RGB 178 8 0

HSL 2.7, 1%, 0.35%

LAB 37.19, 60.24, 51.41

 

CMYK 100 / 0 / 55 / 30

HEX #00B250

RGB 0 178 80

HSL 146.97, 1%, 0.35%

LAB 63.69, -59.75, 39.08

 

CMYK 15 / 100 / 0 / 31

HEX #9600B0

RGB 150 0 176

HSL 291.14, 1%, 0.35%

LAB 37.15, 70.34, -53.78

 

CMYK 0 / 15 / 100 / 30

HEX #B29700

RGB 178 151 0

HSL 50.9, 1%, 0.35%

LAB 63.01, -2.31, 66.83

 

CMYK 100 / 0 / 15 / 30

HEX #00B297

RGB 0 178 151

HSL 170.9, 1%, 0.35%

LAB 65.02, -44.55, 3.05

 

CMYK 15 / 100 / 0 / 31

HEX #9600B0

RGB 150 0 176

HSL 291.14, 1%, 0.35%

LAB 37.15, 70.34, -53.78

 

CMYK 0 / 96 / 100 / 30

HEX #B20800

RGB 178 8 0

HSL 2.7, 1%, 0.35%

LAB 37.19, 60.24, 51.41

 

CMYK 85 / 0 / 100 / 30

HEX #1AB200

RGB 26 178 0

HSL 111.24, 1%, 0.35%

LAB 63.39, -64.15, 63.74

 

CMYK 100 / 5 / 0 / 30

HEX #00A9B2

RGB 0 169 178

HSL 183.03, 1%, 0.35%

LAB 63, -32.5, -14.99

 

CMYK 15 / 100 / 0 / 31

HEX #9600B0

RGB 150 0 176

HSL 291.14, 1%, 0.35%

LAB 37.15, 70.34, -53.78

 

CMYK 0 / 65 / 100 / 30

HEX #B23E00

RGB 178 62 0

HSL 20.9, 1%, 0.35%

LAB 42.63, 45.1, 53.86

 

CMYK 85 / 0 / 100 / 30

HEX #1AB200

RGB 26 178 0

HSL 111.24, 1%, 0.35%

LAB 63.39, -64.15, 63.74

 

CMYK 100 / 35 / 0 / 30

HEX #0074B2

RGB 0 116 178

HSL 200.9, 1%, 0.35%

LAB 46.59, -3.95, -40.4

 

Description

Color code: RGB 150 0 176 | qconv.com Color code: RGB 150 0 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, none green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 0 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 100 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 100% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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