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Color name
RGB 14 241 32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 241 32 it is the complementary color RGB 241 14 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 241 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 241 32 shade: RGB 19 241 27, RGB 36 255 46, RGB 53 255 65, RGB 70 255 84 and RGB 87 255 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 241 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 241 32 shade: RGB 14 241 32, RGB 0 223 13, RGB 0 205 0, RGB 0 187 0 and RGB 0 169 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 241 32 shade: RGB 14 240 32, RGB 57 240 14, RGB 118 240 14, RGB 179 240 14 and RGB 240 240 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 241 32 shade: RGB 14 240 32, RGB 14 240 93, RGB 14 240 154, RGB 14 240 215 and RGB 14 205 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 241 32 shade matches the following richer shades: RGB 14 240 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 241 32 shade: RGB 14 240 32, RGB 34 220 49, RGB 55 199 66, RGB 75 179 84 and RGB 96 158 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 241 32 shade: RGB 119 240 14, RGB 59 240 14, RGB 14 240 29, RGB 14 240 89 and RGB 14 240 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 241 32 shade: RGB 9 162 21, RGB 11 201 26, RGB 14 240 32, RGB 53 243 68 and RGB 92 245 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 241 32 shade: RGB 14 241 32, RGB 14 180 240 and RGB 240 14 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 241 32 shade: RGB 14 241 32, RGB 29 14 240 and RGB 240 29 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 241 32 shade: RGB 14 241 32, RGB 14 180 240, RGB 240 14 225 and RGB 240 74 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 241 32 shade: RGB 14 241 32, RGB 14 112 240, RGB 240 14 225 and RGB 240 142 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 87 / 5

HEX #0EF120

RGB 14 241 32

HSL 124.76, 0.89%, 0.5%

LAB 83.5, -81.41, 76.02

 

Complementary color

CMYK 0 / 94 / 7 / 5

HEX #F10EDF

RGB 241 14 223

HSL 304.76, 0.89%, 0.5%

LAB 56.43, 90.76, -49.27

 

CMYK 92 / 0 / 89 / 5

HEX #13F11B

RGB 19 241 27

HSL 122.16, 0.89%, 0.51%

LAB 83.51, -81.37, 76.92

 

CMYK 86 / 0 / 82 / 0

HEX #24FF2E

RGB 36 255 46

HSL 122.74, 1%, 0.57%

LAB 88.01, -83.31, 77.08

 

CMYK 79 / 0 / 75 / 0

HEX #35FF41

RGB 53 255 65

HSL 123.56, 1%, 0.6%

LAB 88.28, -80.57, 72.08

 

CMYK 73 / 0 / 67 / 0

HEX #46FF54

RGB 70 255 84

HSL 124.54, 1%, 0.64%

LAB 88.67, -76.82, 65.9

 

CMYK 66 / 0 / 60 / 0

HEX #57FF67

RGB 87 255 103

HSL 125.71, 1%, 0.67%

LAB 89.17, -72.06, 58.87

 

CMYK 94 / 0 / 87 / 5

HEX #0EF120

RGB 14 241 32

HSL 124.76, 0.89%, 0.5%

LAB 83.5, -81.41, 76.02

 

CMYK 100 / 0 / 94 / 13

HEX #00DF0D

RGB 0 223 13

HSL 123.5, 1%, 0.44%

LAB 77.76, -77.66, 73.96

 

CMYK 100 / 0 / 100 / 20

HEX #00CD00

RGB 0 205 0

HSL 120, 1%, 0.4%

LAB 72, -73.11, 70.56

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 94 / 0 / 87 / 6

HEX #0EF020

RGB 14 240 32

HSL 124.78, 0.89%, 0.5%

LAB 83.19, -81.15, 75.75

 

CMYK 76 / 0 / 94 / 6

HEX #39F00E

RGB 57 240 14

HSL 108.58, 0.89%, 0.5%

LAB 83.56, -77.97, 78.84

 

CMYK 51 / 0 / 94 / 6

HEX #76F00E

RGB 118 240 14

HSL 92.39, 0.89%, 0.5%

LAB 85.1, -65.15, 80.73

 

CMYK 25 / 0 / 94 / 6

HEX #B3F00E

RGB 179 240 14

HSL 76.19, 0.89%, 0.5%

LAB 87.94, -44.84, 84.19

 

CMYK 0 / 0 / 94 / 6

HEX #F0F00E

RGB 240 240 14

HSL 60, 0.89%, 0.5%

LAB 92.08, -20.47, 89.17

 

CMYK 94 / 0 / 87 / 6

HEX #0EF020

RGB 14 240 32

HSL 124.78, 0.89%, 0.5%

LAB 83.19, -81.15, 75.75

 

CMYK 94 / 0 / 61 / 6

HEX #0EF05D

RGB 14 240 93

HSL 140.97, 0.89%, 0.5%

LAB 83.55, -76.55, 56.45

 

CMYK 94 / 0 / 36 / 6

HEX #0EF09A

RGB 14 240 154

HSL 157.17, 0.89%, 0.5%

LAB 84.35, -66.9, 28.47

 

CMYK 94 / 0 / 10 / 6

HEX #0EF0D7

RGB 14 240 215

HSL 173.36, 0.89%, 0.5%

LAB 85.67, -52.58, -1.33

 

CMYK 94 / 15 / 0 / 6

HEX #0ECDF0

RGB 14 205 240

HSL 189.29, 0.89%, 0.5%

LAB 76.1, -29.47, -28.98

 

CMYK 94 / 0 / 87 / 6

HEX #0EF020

RGB 14 240 32

HSL 124.78, 0.89%, 0.5%

LAB 83.19, -81.15, 75.75

 

CMYK 94 / 0 / 87 / 6

HEX #0EF020

RGB 14 240 32

HSL 124.78, 0.89%, 0.5%

LAB 83.19, -81.15, 75.75

 

CMYK 85 / 0 / 78 / 14

HEX #22DC31

RGB 34 220 49

HSL 124.84, 0.73%, 0.5%

LAB 77.13, -73.52, 66.08

 

CMYK 72 / 0 / 67 / 22

HEX #37C742

RGB 55 199 66

HSL 124.58, 0.57%, 0.5%

LAB 70.91, -63.1, 53.79

 

CMYK 58 / 0 / 53 / 30

HEX #4BB354

RGB 75 179 84

HSL 125.19, 0.41%, 0.5%

LAB 65.26, -49.81, 39.31

 

CMYK 39 / 0 / 36 / 38

HEX #609E65

RGB 96 158 101

HSL 124.84, 0.24%, 0.5%

LAB 59.78, -32.25, 23.66

 

CMYK 50 / 0 / 94 / 6

HEX #77F00E

RGB 119 240 14

HSL 92.12, 0.89%, 0.5%

LAB 85.14, -64.87, 80.77

 

CMYK 75 / 0 / 94 / 6

HEX #3BF00E

RGB 59 240 14

HSL 108.05, 0.89%, 0.5%

LAB 83.59, -77.69, 78.88

 

CMYK 94 / 0 / 88 / 6

HEX #0EF01D

RGB 14 240 29

HSL 123.98, 0.89%, 0.5%

LAB 83.18, -81.25, 76.29

 

CMYK 94 / 0 / 63 / 6

HEX #0EF059

RGB 14 240 89

HSL 139.91, 0.89%, 0.5%

LAB 83.51, -77, 58.09

 

CMYK 94 / 0 / 38 / 6

HEX #0EF096

RGB 14 240 150

HSL 156.11, 0.89%, 0.5%

LAB 84.29, -67.69, 30.4

 

CMYK 94 / 0 / 87 / 36

HEX #09A215

RGB 9 162 21

HSL 124.71, 0.89%, 0.34%

LAB 57.99, -60.21, 55.83

 

CMYK 95 / 0 / 87 / 21

HEX #0BC91A

RGB 11 201 26

HSL 124.74, 0.9%, 0.42%

LAB 70.82, -70.92, 66.09

 

CMYK 94 / 0 / 87 / 6

HEX #0EF020

RGB 14 240 32

HSL 124.78, 0.89%, 0.5%

LAB 83.19, -81.15, 75.75

 

CMYK 78 / 0 / 72 / 5

HEX #35F344

RGB 53 243 68

HSL 124.74, 0.89%, 0.58%

LAB 84.63, -76.85, 67.41

 

CMYK 62 / 0 / 58 / 4

HEX #5CF568

RGB 92 245 104

HSL 124.71, 0.88%, 0.66%

LAB 86.3, -67.6, 55.14

 

CMYK 94 / 0 / 87 / 5

HEX #0EF120

RGB 14 241 32

HSL 124.76, 0.89%, 0.5%

LAB 83.5, -81.41, 76.02

 

CMYK 94 / 25 / 0 / 6

HEX #0EB4F0

RGB 14 180 240

HSL 195.93, 0.89%, 0.5%

LAB 68.77, -16.72, -40.33

 

CMYK 0 / 94 / 63 / 6

HEX #F00E59

RGB 240 14 89

HSL 340.09, 0.89%, 0.5%

LAB 51.34, 77.76, 22.31

 

CMYK 94 / 0 / 87 / 5

HEX #0EF120

RGB 14 241 32

HSL 124.76, 0.89%, 0.5%

LAB 83.5, -81.41, 76.02

 

CMYK 88 / 94 / 0 / 6

HEX #1D0EF0

RGB 29 14 240

HSL 243.98, 0.89%, 0.5%

LAB 31.5, 73.57, -100.73

 

CMYK 0 / 88 / 94 / 6

HEX #F01D0E

RGB 240 29 14

HSL 3.98, 0.89%, 0.5%

LAB 51.19, 73.65, 61

 

CMYK 94 / 0 / 87 / 5

HEX #0EF120

RGB 14 241 32

HSL 124.76, 0.89%, 0.5%

LAB 83.5, -81.41, 76.02

 

CMYK 94 / 25 / 0 / 6

HEX #0EB4F0

RGB 14 180 240

HSL 195.93, 0.89%, 0.5%

LAB 68.77, -16.72, -40.33

 

CMYK 0 / 94 / 6 / 6

HEX #F00EE1

RGB 240 14 225

HSL 303.98, 0.89%, 0.5%

LAB 56.36, 90.86, -50.52

 

CMYK 0 / 69 / 94 / 6

HEX #F04A0E

RGB 240 74 14

HSL 15.93, 0.89%, 0.5%

LAB 55.54, 61.48, 63.51

 

CMYK 94 / 0 / 87 / 5

HEX #0EF120

RGB 14 241 32

HSL 124.76, 0.89%, 0.5%

LAB 83.5, -81.41, 76.02

 

CMYK 94 / 53 / 0 / 6

HEX #0E70F0

RGB 14 112 240

HSL 213.98, 0.89%, 0.5%

LAB 49.46, 23.44, -71.12

 

CMYK 0 / 94 / 6 / 6

HEX #F00EE1

RGB 240 14 225

HSL 303.98, 0.89%, 0.5%

LAB 56.36, 90.86, -50.52

 

CMYK 0 / 41 / 94 / 6

HEX #F08E0E

RGB 240 142 14

HSL 33.98, 0.89%, 0.5%

LAB 67.95, 29.82, 71.61

 

Description

Color code: RGB 14 241 32 | qconv.com Color code: RGB 14 241 32 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 241 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 241 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 87 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 87% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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