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Color name
RGB 14 240 178

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 240 178 it is the complementary color RGB 241 15 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 240 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 240 178 shade: RGB 19 240 173, RGB 36 255 192, RGB 53 255 211, RGB 70 255 230 and RGB 87 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 240 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 240 178 shade: RGB 14 240 178, RGB 0 222 159, RGB 0 204 140, RGB 0 186 121 and RGB 0 168 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 240 178 shade: RGB 14 240 178, RGB 14 240 117, RGB 14 240 56, RGB 32 240 14 and RGB 94 240 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 240 178 shade: RGB 14 240 178, RGB 14 240 239, RGB 14 180 240, RGB 14 119 240 and RGB 14 58 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 240 178 shade matches the following richer shades: RGB 14 240 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 240 178 shade: RGB 14 240 178, RGB 34 220 169, RGB 55 199 160, RGB 75 179 150 and RGB 96 158 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 240 178 shade: RGB 14 240 55, RGB 14 240 116, RGB 14 240 176, RGB 14 240 237 and RGB 14 184 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 240 178 shade: RGB 9 162 120, RGB 11 201 149, RGB 14 240 178, RGB 53 243 191 and RGB 92 245 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 240 178 shade: RGB 14 240 178, RGB 14 32 240 and RGB 240 85 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 240 178 shade: RGB 14 240 178, RGB 176 14 240 and RGB 240 176 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 240 178 shade: RGB 14 240 178, RGB 14 32 240, RGB 240 14 78 and RGB 240 222 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 240 178 shade: RGB 14 240 178, RGB 63 14 240, RGB 240 14 78 and RGB 191 240 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

Complementary color

CMYK 0 / 94 / 68 / 5

HEX #F10F4D

RGB 241 15 77

HSL 343.54, 0.89%, 0.5%

LAB 51.36, 77.32, 29.63

 

CMYK 92 / 0 / 28 / 6

HEX #13F0AD

RGB 19 240 173

HSL 161.81, 0.88%, 0.51%

LAB 84.73, -62.72, 19.25

 

CMYK 86 / 0 / 25 / 0

HEX #24FFC0

RGB 36 255 192

HSL 162.74, 1%, 0.57%

LAB 89.72, -63.12, 16.46

 

CMYK 79 / 0 / 17 / 0

HEX #35FFD3

RGB 53 255 211

HSL 166.93, 1%, 0.6%

LAB 90.31, -57.36, 7.53

 

CMYK 73 / 0 / 10 / 0

HEX #46FFE6

RGB 70 255 230

HSL 171.89, 1%, 0.64%

LAB 91.02, -50.88, -1.24

 

CMYK 66 / 0 / 2 / 0

HEX #57FFF9

RGB 87 255 249

HSL 177.86, 1%, 0.67%

LAB 91.86, -43.78, -9.83

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 100 / 0 / 28 / 13

HEX #00DE9F

RGB 0 222 159

HSL 162.97, 1%, 0.44%

LAB 78.89, -59.82, 18.42

 

CMYK 100 / 0 / 31 / 20

HEX #00CC8C

RGB 0 204 140

HSL 161.18, 1%, 0.4%

LAB 72.94, -57.45, 20.21

 

CMYK 100 / 0 / 35 / 27

HEX #00BA79

RGB 0 186 121

HSL 159.03, 1%, 0.36%

LAB 66.9, -55, 22.07

 

CMYK 100 / 0 / 39 / 34

HEX #00A866

RGB 0 168 102

HSL 156.43, 1%, 0.33%

LAB 60.75, -52.46, 24.01

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 94 / 0 / 51 / 6

HEX #0EF075

RGB 14 240 117

HSL 147.35, 0.89%, 0.5%

LAB 83.81, -73.36, 45.96

 

CMYK 94 / 0 / 77 / 6

HEX #0EF038

RGB 14 240 56

HSL 131.15, 0.89%, 0.5%

LAB 83.28, -79.91, 69.86

 

CMYK 87 / 0 / 94 / 6

HEX #20F00E

RGB 32 240 14

HSL 115.22, 0.89%, 0.5%

LAB 83.26, -80.62, 78.47

 

CMYK 61 / 0 / 94 / 6

HEX #5EF00E

RGB 94 240 14

HSL 98.76, 0.89%, 0.5%

LAB 84.35, -71.24, 79.8

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 94 / 0 / 0 / 6

HEX #0EF0EF

RGB 14 240 239

HSL 179.73, 0.89%, 0.5%

LAB 86.33, -45.9, -12.95

 

CMYK 94 / 25 / 0 / 6

HEX #0EB4F0

RGB 14 180 240

HSL 195.93, 0.89%, 0.5%

LAB 68.77, -16.72, -40.33

 

CMYK 94 / 50 / 0 / 6

HEX #0E77F0

RGB 14 119 240

HSL 212.12, 0.89%, 0.5%

LAB 51.36, 19, -68.04

 

CMYK 94 / 76 / 0 / 6

HEX #0E3AF0

RGB 14 58 240

HSL 228.32, 0.89%, 0.5%

LAB 36.76, 56.6, -91.97

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 85 / 0 / 23 / 14

HEX #22DCA9

RGB 34 220 169

HSL 163.55, 0.73%, 0.5%

LAB 78.69, -55.26, 12.89

 

CMYK 72 / 0 / 20 / 22

HEX #37C7A0

RGB 55 199 160

HSL 163.75, 0.57%, 0.5%

LAB 72.36, -46.81, 8.75

 

CMYK 58 / 0 / 16 / 30

HEX #4BB396

RGB 75 179 150

HSL 163.27, 0.41%, 0.5%

LAB 66.47, -37.16, 5.85

 

CMYK 39 / 0 / 11 / 38

HEX #609E8D

RGB 96 158 141

HSL 163.55, 0.24%, 0.5%

LAB 60.66, -24.1, 2.59

 

CMYK 94 / 0 / 77 / 6

HEX #0EF037

RGB 14 240 55

HSL 130.88, 0.89%, 0.5%

LAB 83.28, -79.98, 70.16

 

CMYK 94 / 0 / 52 / 6

HEX #0EF074

RGB 14 240 116

HSL 147.08, 0.89%, 0.5%

LAB 83.8, -73.51, 46.42

 

CMYK 94 / 0 / 27 / 6

HEX #0EF0B0

RGB 14 240 176

HSL 163.01, 0.89%, 0.5%

LAB 84.77, -62.22, 17.74

 

CMYK 94 / 0 / 1 / 6

HEX #0EF0ED

RGB 14 240 237

HSL 179.2, 0.89%, 0.5%

LAB 86.27, -46.48, -11.99

 

CMYK 94 / 23 / 0 / 6

HEX #0EB8F0

RGB 14 184 240

HSL 194.87, 0.89%, 0.5%

LAB 69.94, -18.84, -38.51

 

CMYK 94 / 0 / 26 / 36

HEX #09A278

RGB 9 162 120

HSL 163.53, 0.89%, 0.34%

LAB 59.21, -45.69, 12.02

 

CMYK 95 / 0 / 26 / 21

HEX #0BC995

RGB 11 201 149

HSL 163.58, 0.9%, 0.42%

LAB 72.24, -53.9, 14.44

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 78 / 0 / 21 / 5

HEX #35F3BF

RGB 53 243 191

HSL 163.58, 0.89%, 0.58%

LAB 86.32, -57.41, 12.19

 

CMYK 62 / 0 / 17 / 4

HEX #5CF5CB

RGB 92 245 203

HSL 163.53, 0.88%, 0.66%

LAB 87.92, -50.17, 8.33

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 94 / 87 / 0 / 6

HEX #0E20F0

RGB 14 32 240

HSL 235.22, 0.89%, 0.5%

LAB 32.74, 68.42, -98.67

 

CMYK 0 / 65 / 94 / 6

HEX #F0550E

RGB 240 85 14

HSL 18.85, 0.89%, 0.5%

LAB 57.13, 57.17, 64.48

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 27 / 94 / 0 / 6

HEX #B00EF0

RGB 176 14 240

HSL 283.01, 0.89%, 0.5%

LAB 46.76, 83.69, -75.02

 

CMYK 0 / 27 / 94 / 6

HEX #F0B00E

RGB 240 176 14

HSL 43.01, 0.89%, 0.5%

LAB 75.83, 11.92, 77.17

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 94 / 87 / 0 / 6

HEX #0E20F0

RGB 14 32 240

HSL 235.22, 0.89%, 0.5%

LAB 32.74, 68.42, -98.67

 

CMYK 0 / 94 / 68 / 6

HEX #F00E4E

RGB 240 14 78

HSL 343.01, 0.89%, 0.5%

LAB 51.14, 77.22, 28.72

 

CMYK 0 / 8 / 94 / 6

HEX #F0DE0E

RGB 240 222 14

HSL 55.22, 0.89%, 0.5%

LAB 87.39, -11.69, 85.66

 

CMYK 94 / 0 / 26 / 6

HEX #0EF0B2

RGB 14 240 178

HSL 163.54, 0.89%, 0.5%

LAB 84.81, -61.77, 16.76

 

CMYK 74 / 94 / 0 / 6

HEX #3F0EF0

RGB 63 14 240

HSL 253.01, 0.89%, 0.5%

LAB 33.27, 74.42, -97.73

 

CMYK 0 / 94 / 68 / 6

HEX #F00E4E

RGB 240 14 78

HSL 343.01, 0.89%, 0.5%

LAB 51.14, 77.22, 28.72

 

CMYK 20 / 0 / 94 / 6

HEX #BFF00E

RGB 191 240 14

HSL 73.01, 0.89%, 0.5%

LAB 88.65, -40.25, 85.05

 

Description

Color code: RGB 14 240 178 | qconv.com Color code: RGB 14 240 178 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 240 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 240 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 26 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 26% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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