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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 183 129 it is the complementary color RGB 241 72 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 183 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 183 129 shade: RGB 19 183 124, RGB 36 201 143, RGB 53 219 162, RGB 70 237 181 and RGB 87 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 183 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 183 129 shade: RGB 14 183 129, RGB 0 165 110, RGB 0 147 91, RGB 0 129 72 and RGB 0 111 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 183 129 shade: RGB 13 184 130, RGB 13 184 84, RGB 13 184 38, RGB 35 184 13 and RGB 82 184 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 183 129 shade: RGB 13 184 130, RGB 13 184 176, RGB 13 147 184, RGB 13 101 184 and RGB 13 55 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 183 129 shade matches the following richer shades: RGB 13 184 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 183 129 shade: RGB 13 184 130, RGB 30 168 124, RGB 46 152 118, RGB 62 136 112 and RGB 78 120 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 183 129 shade: RGB 13 184 36, RGB 13 184 82, RGB 13 184 127, RGB 13 184 173 and RGB 13 150 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 183 129 shade: RGB 8 108 76, RGB 11 146 103, RGB 13 184 130, RGB 16 223 157 and RGB 42 238 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 183 129 shade: RGB 14 183 129, RGB 13 36 184 and RGB 184 59 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 183 129 shade: RGB 14 183 129, RGB 127 13 184 and RGB 184 127 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 183 129 shade: RGB 14 183 129, RGB 13 36 184, RGB 184 13 70 and RGB 184 162 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 183 129 shade: RGB 14 183 129, RGB 42 13 184, RGB 184 13 70 and RGB 156 184 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 30 / 28

HEX #0EB781

RGB 14 183 129

HSL 160.83, 0.86%, 0.39%

LAB 66.17, -51.55, 16.77

 

Complementary color

CMYK 0 / 70 / 48 / 5

HEX #F1487E

RGB 241 72 126

HSL 340.83, 0.86%, 0.61%

LAB 56.92, 67.6, 7.83

 

CMYK 90 / 0 / 32 / 28

HEX #13B77C

RGB 19 183 124

HSL 158.41, 0.81%, 0.4%

LAB 66.11, -52.4, 19.4

 

CMYK 82 / 0 / 29 / 21

HEX #24C98F

RGB 36 201 143

HSL 158.91, 0.7%, 0.46%

LAB 72.32, -53.74, 17.79

 

CMYK 76 / 0 / 26 / 14

HEX #35DBA2

RGB 53 219 162

HSL 159.4, 0.7%, 0.53%

LAB 78.48, -54.68, 16.32

 

CMYK 70 / 0 / 24 / 7

HEX #46EDB5

RGB 70 237 181

HSL 159.88, 0.82%, 0.6%

LAB 84.59, -55.33, 14.99

 

CMYK 66 / 0 / 22 / 0

HEX #57FFC8

RGB 87 255 200

HSL 160.36, 1%, 0.67%

LAB 90.65, -55.76, 13.77

 

CMYK 92 / 0 / 30 / 28

HEX #0EB781

RGB 14 183 129

HSL 160.83, 0.86%, 0.39%

LAB 66.17, -51.55, 16.77

 

CMYK 100 / 0 / 33 / 35

HEX #00A56E

RGB 0 165 110

HSL 160, 1%, 0.32%

LAB 59.92, -49.63, 18.54

 

CMYK 100 / 0 / 38 / 42

HEX #00935B

RGB 0 147 91

HSL 157.14, 1%, 0.29%

LAB 53.62, -47.05, 20.51

 

CMYK 100 / 0 / 44 / 49

HEX #008148

RGB 0 129 72

HSL 153.49, 1%, 0.25%

LAB 47.19, -44.33, 22.56

 

CMYK 100 / 0 / 52 / 56

HEX #006F35

RGB 0 111 53

HSL 148.65, 1%, 0.22%

LAB 40.62, -41.39, 24.69

 

CMYK 93 / 0 / 29 / 28

HEX #0DB882

RGB 13 184 130

HSL 161.05, 0.87%, 0.39%

LAB 66.5, -51.74, 16.69

 

CMYK 93 / 0 / 54 / 28

HEX #0DB854

RGB 13 184 84

HSL 144.91, 0.87%, 0.39%

LAB 65.75, -60.51, 39.66

 

CMYK 93 / 0 / 79 / 28

HEX #0DB826

RGB 13 184 38

HSL 128.77, 0.87%, 0.39%

LAB 65.36, -65.41, 58.07

 

CMYK 81 / 0 / 93 / 28

HEX #23B80D

RGB 35 184 13

HSL 112.28, 0.87%, 0.39%

LAB 65.49, -64.61, 63.85

 

CMYK 55 / 0 / 93 / 28

HEX #52B80D

RGB 82 184 13

HSL 95.79, 0.87%, 0.39%

LAB 66.6, -55.24, 65.23

 

CMYK 93 / 0 / 29 / 28

HEX #0DB882

RGB 13 184 130

HSL 161.05, 0.87%, 0.39%

LAB 66.5, -51.74, 16.69

 

CMYK 93 / 0 / 4 / 28

HEX #0DB8B0

RGB 13 184 176

HSL 177.19, 0.87%, 0.39%

LAB 67.65, -39.6, -6.91

 

CMYK 93 / 20 / 0 / 28

HEX #0D93B8

RGB 13 147 184

HSL 192.98, 0.87%, 0.39%

LAB 56.5, -18.86, -28.31

 

CMYK 93 / 45 / 0 / 28

HEX #0D65B8

RGB 13 101 184

HSL 209.12, 0.87%, 0.39%

LAB 42.54, 8.36, -50.34

 

CMYK 93 / 70 / 0 / 28

HEX #0D37B8

RGB 13 55 184

HSL 225.26, 0.87%, 0.39%

LAB 30.1, 38.75, -70.6

 

CMYK 93 / 0 / 29 / 28

HEX #0DB882

RGB 13 184 130

HSL 161.05, 0.87%, 0.39%

LAB 66.5, -51.74, 16.69

 

CMYK 93 / 0 / 29 / 28

HEX #0DB882

RGB 13 184 130

HSL 161.05, 0.87%, 0.39%

LAB 66.5, -51.74, 16.69

 

CMYK 82 / 0 / 26 / 34

HEX #1EA87C

RGB 30 168 124

HSL 160.87, 0.7%, 0.39%

LAB 61.43, -45.67, 12.93

 

CMYK 70 / 0 / 22 / 40

HEX #2E9876

RGB 46 152 118

HSL 160.75, 0.54%, 0.39%

LAB 56.43, -38.3, 9.3

 

CMYK 54 / 0 / 18 / 47

HEX #3E8870

RGB 62 136 112

HSL 160.54, 0.37%, 0.39%

LAB 51.61, -29.18, 5.94

 

CMYK 35 / 0 / 11 / 53

HEX #4E786B

RGB 78 120 107

HSL 161.43, 0.21%, 0.39%

LAB 47.12, -17.73, 2.51

 

CMYK 93 / 0 / 80 / 28

HEX #0DB824

RGB 13 184 36

HSL 128.07, 0.87%, 0.39%

LAB 65.35, -65.53, 58.65

 

CMYK 93 / 0 / 55 / 28

HEX #0DB852

RGB 13 184 82

HSL 144.21, 0.87%, 0.39%

LAB 65.73, -60.81, 40.59

 

CMYK 93 / 0 / 31 / 28

HEX #0DB87F

RGB 13 184 127

HSL 160, 0.87%, 0.39%

LAB 66.44, -52.43, 18.23

 

CMYK 93 / 0 / 6 / 28

HEX #0DB8AD

RGB 13 184 173

HSL 176.14, 0.87%, 0.39%

LAB 67.56, -40.48, -5.38

 

CMYK 93 / 18 / 0 / 28

HEX #0D96B8

RGB 13 150 184

HSL 191.93, 0.87%, 0.39%

LAB 57.42, -20.46, -26.88

 

CMYK 93 / 0 / 30 / 58

HEX #086C4C

RGB 8 108 76

HSL 160.8, 0.86%, 0.23%

LAB 40.08, -34.49, 10.67

 

CMYK 92 / 0 / 29 / 43

HEX #0B9267

RGB 11 146 103

HSL 160.89, 0.86%, 0.31%

LAB 53.61, -43.32, 13.77

 

CMYK 93 / 0 / 29 / 28

HEX #0DB882

RGB 13 184 130

HSL 161.05, 0.87%, 0.39%

LAB 66.5, -51.74, 16.69

 

CMYK 93 / 0 / 30 / 13

HEX #10DF9D

RGB 16 223 157

HSL 160.87, 0.87%, 0.47%

LAB 79.23, -60.15, 19.93

 

CMYK 82 / 0 / 26 / 7

HEX #2AEEB0

RGB 42 238 176

HSL 161.02, 0.85%, 0.55%

LAB 84.37, -59.92, 17.22

 

CMYK 92 / 0 / 30 / 28

HEX #0EB781

RGB 14 183 129

HSL 160.83, 0.86%, 0.39%

LAB 66.17, -51.55, 16.77

 

CMYK 93 / 80 / 0 / 28

HEX #0D24B8

RGB 13 36 184

HSL 231.93, 0.87%, 0.39%

LAB 26.18, 49.81, -77.1

 

CMYK 0 / 68 / 93 / 28

HEX #B83B0D

RGB 184 59 13

HSL 16.14, 0.87%, 0.39%

LAB 43.28, 48.67, 50.99

 

CMYK 92 / 0 / 30 / 28

HEX #0EB781

RGB 14 183 129

HSL 160.83, 0.86%, 0.39%

LAB 66.17, -51.55, 16.77

 

CMYK 31 / 93 / 0 / 28

HEX #7F0DB8

RGB 127 13 184

HSL 280, 0.87%, 0.39%

LAB 34.52, 66.95, -62.99

 

CMYK 0 / 31 / 93 / 28

HEX #B87F0D

RGB 184 127 13

HSL 40, 0.87%, 0.39%

LAB 57.46, 13.77, 61.08

 

CMYK 92 / 0 / 30 / 28

HEX #0EB781

RGB 14 183 129

HSL 160.83, 0.86%, 0.39%

LAB 66.17, -51.55, 16.77

 

CMYK 93 / 80 / 0 / 28

HEX #0D24B8

RGB 13 36 184

HSL 231.93, 0.87%, 0.39%

LAB 26.18, 49.81, -77.1

 

CMYK 0 / 93 / 62 / 28

HEX #B80D46

RGB 184 13 70

HSL 340, 0.87%, 0.39%

LAB 39.45, 63.36, 16.27

 

CMYK 0 / 12 / 93 / 28

HEX #B8A20D

RGB 184 162 13

HSL 52.28, 0.87%, 0.39%

LAB 66.57, -5.32, 67.91

 

CMYK 92 / 0 / 30 / 28

HEX #0EB781

RGB 14 183 129

HSL 160.83, 0.86%, 0.39%

LAB 66.17, -51.55, 16.77

 

CMYK 77 / 93 / 0 / 28

HEX #2A0DB8

RGB 42 13 184

HSL 250.18, 0.87%, 0.39%

LAB 24.45, 59.7, -79.95

 

CMYK 0 / 93 / 62 / 28

HEX #B80D46

RGB 184 13 70

HSL 340, 0.87%, 0.39%

LAB 39.45, 63.36, 16.27

 

CMYK 15 / 0 / 93 / 28

HEX #9CB80D

RGB 156 184 13

HSL 69.82, 0.87%, 0.39%

LAB 70.44, -28.7, 69.93

 

Description

Color code: RGB 14 183 129 | qconv.com Color code: RGB 14 183 129 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 183 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 183 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 30 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 30% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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