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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 122 75 it is the complementary color RGB 241 133 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 122 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 122 75 shade: RGB 19 122 70, RGB 36 140 89, RGB 53 158 108, RGB 70 176 127 and RGB 87 194 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 122 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 122 75 shade: RGB 14 122 75, RGB 0 104 56, RGB 0 86 37, RGB 0 68 18 and RGB 0 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 122 75 shade: RGB 14 123 75, RGB 14 123 46, RGB 14 123 17, RGB 41 123 14 and RGB 70 123 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 122 75 shade: RGB 14 123 75, RGB 14 123 105, RGB 14 111 123, RGB 14 82 123 and RGB 14 53 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 122 75 shade matches the following richer shades: RGB 14 123 75 and RGB 3 134 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 122 75 shade: RGB 14 123 75, RGB 25 112 74, RGB 36 100 73, RGB 47 89 71 and RGB 59 78 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 122 75 shade: RGB 14 123 16, RGB 14 123 45, RGB 14 123 74, RGB 14 123 103 and RGB 14 114 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 122 75 shade: RGB 5 49 30, RGB 10 86 53, RGB 14 123 75, RGB 18 160 98 and RGB 23 197 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 122 75 shade: RGB 14 122 75, RGB 14 41 123 and RGB 123 30 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 122 75 shade: RGB 14 122 75, RGB 74 14 123 and RGB 123 74 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 122 75 shade: RGB 14 122 75, RGB 14 41 123, RGB 123 14 63 and RGB 123 96 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 122 75 shade: RGB 14 122 75, RGB 19 14 123, RGB 123 14 63 and RGB 117 123 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 39 / 52

HEX #0E7A4B

RGB 14 122 75

HSL 153.89, 0.79%, 0.27%

LAB 44.97, -39.99, 17.95

 

Complementary color

CMYK 0 / 45 / 25 / 5

HEX #F185B4

RGB 241 133 180

HSL 333.89, 0.79%, 0.73%

LAB 68.59, 46.7, -6.25

 

CMYK 84 / 0 / 43 / 52

HEX #137A46

RGB 19 122 70

HSL 149.71, 0.73%, 0.28%

LAB 44.94, -40.55, 20.77

 

CMYK 74 / 0 / 36 / 45

HEX #248C59

RGB 36 140 89

HSL 150.58, 0.59%, 0.35%

LAB 51.67, -41.49, 19.07

 

CMYK 66 / 0 / 32 / 38

HEX #359E6C

RGB 53 158 108

HSL 151.43, 0.5%, 0.41%

LAB 58.31, -41.95, 17.56

 

CMYK 60 / 0 / 28 / 31

HEX #46B07F

RGB 70 176 127

HSL 152.26, 0.43%, 0.48%

LAB 64.87, -42.14, 16.21

 

CMYK 55 / 0 / 25 / 24

HEX #57C292

RGB 87 194 146

HSL 153.08, 0.47%, 0.55%

LAB 71.34, -42.16, 14.99

 

CMYK 89 / 0 / 39 / 52

HEX #0E7A4B

RGB 14 122 75

HSL 153.89, 0.79%, 0.27%

LAB 44.97, -39.99, 17.95

 

CMYK 100 / 0 / 46 / 59

HEX #006838

RGB 0 104 56

HSL 152.31, 1%, 0.2%

LAB 38.17, -38.21, 19.88

 

CMYK 100 / 0 / 57 / 66

HEX #005625

RGB 0 86 37

HSL 145.81, 1%, 0.17%

LAB 31.32, -35.1, 22.08

 

CMYK 100 / 0 / 74 / 73

HEX #004412

RGB 0 68 18

HSL 135.88, 1%, 0.13%

LAB 24.25, -31.52, 24.11

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 89 / 0 / 39 / 52

HEX #0E7B4B

RGB 14 123 75

HSL 153.58, 0.8%, 0.27%

LAB 45.31, -40.39, 18.41

 

CMYK 89 / 0 / 63 / 52

HEX #0E7B2E

RGB 14 123 46

HSL 137.61, 0.8%, 0.27%

LAB 44.88, -45.53, 33.51

 

CMYK 89 / 0 / 86 / 52

HEX #0E7B11

RGB 14 123 17

HSL 121.65, 0.8%, 0.27%

LAB 44.66, -48.3, 44.84

 

CMYK 67 / 0 / 89 / 52

HEX #297B0E

RGB 41 123 14

HSL 105.14, 0.8%, 0.27%

LAB 45.18, -43.88, 46.3

 

CMYK 43 / 0 / 89 / 52

HEX #467B0E

RGB 70 123 14

HSL 89.17, 0.8%, 0.27%

LAB 46.31, -35.02, 47.73

 

CMYK 89 / 0 / 39 / 52

HEX #0E7B4B

RGB 14 123 75

HSL 153.58, 0.8%, 0.27%

LAB 45.31, -40.39, 18.41

 

CMYK 89 / 0 / 15 / 52

HEX #0E7B69

RGB 14 123 105

HSL 170.09, 0.8%, 0.27%

LAB 46.01, -32.73, 1.83

 

CMYK 89 / 10 / 0 / 52

HEX #0E6F7B

RGB 14 111 123

HSL 186.61, 0.8%, 0.27%

LAB 42.6, -21.03, -14.02

 

CMYK 89 / 33 / 0 / 52

HEX #0E527B

RGB 14 82 123

HSL 202.57, 0.8%, 0.27%

LAB 33.04, -4.1, -28.83

 

CMYK 89 / 57 / 0 / 52

HEX #0E357B

RGB 14 53 123

HSL 218.53, 0.8%, 0.27%

LAB 23.9, 15.73, -43.47

 

CMYK 89 / 0 / 39 / 52

HEX #0E7B4B

RGB 14 123 75

HSL 153.58, 0.8%, 0.27%

LAB 45.31, -40.39, 18.41

 

CMYK 98 / 0 / 43 / 47

HEX #03864D

RGB 3 134 77

HSL 153.89, 0.96%, 0.27%

LAB 49.01, -44.96, 22.17

 

CMYK 89 / 0 / 39 / 52

HEX #0E7B4B

RGB 14 123 75

HSL 153.58, 0.8%, 0.27%

LAB 45.31, -40.39, 18.41

 

CMYK 78 / 0 / 34 / 56

HEX #19704A

RGB 25 112 74

HSL 153.79, 0.64%, 0.27%

LAB 41.67, -34.79, 14.1

 

CMYK 64 / 0 / 27 / 61

HEX #246449

RGB 36 100 73

HSL 154.69, 0.47%, 0.27%

LAB 37.79, -27.51, 9.37

 

CMYK 47 / 0 / 20 / 65

HEX #2F5947

RGB 47 89 71

HSL 154.29, 0.31%, 0.27%

LAB 34.4, -19.49, 5.9

 

CMYK 24 / 0 / 10 / 69

HEX #3B4E46

RGB 59 78 70

HSL 154.74, 0.14%, 0.27%

LAB 31.4, -9.34, 2.31

 

CMYK 89 / 0 / 87 / 52

HEX #0E7B10

RGB 14 123 16

HSL 121.1, 0.8%, 0.27%

LAB 44.66, -48.35, 45.11

 

CMYK 89 / 0 / 63 / 52

HEX #0E7B2D

RGB 14 123 45

HSL 137.06, 0.8%, 0.27%

LAB 44.87, -45.67, 33.98

 

CMYK 89 / 0 / 40 / 52

HEX #0E7B4A

RGB 14 123 74

HSL 153.03, 0.8%, 0.27%

LAB 45.29, -40.61, 18.95

 

CMYK 89 / 0 / 16 / 52

HEX #0E7B67

RGB 14 123 103

HSL 168.99, 0.8%, 0.27%

LAB 45.96, -33.31, 2.94

 

CMYK 89 / 7 / 0 / 52

HEX #0E727B

RGB 14 114 123

HSL 184.95, 0.8%, 0.27%

LAB 43.59, -22.62, -12.52

 

CMYK 90 / 0 / 39 / 81

HEX #05311E

RGB 5 49 30

HSL 154.09, 0.81%, 0.11%

LAB 17.1, -20.23, 8.04

 

CMYK 88 / 0 / 38 / 66

HEX #0A5635

RGB 10 86 53

HSL 153.95, 0.79%, 0.19%

LAB 31.75, -30.55, 13.19

 

CMYK 89 / 0 / 39 / 52

HEX #0E7B4B

RGB 14 123 75

HSL 153.58, 0.8%, 0.27%

LAB 45.31, -40.39, 18.41

 

CMYK 89 / 0 / 39 / 37

HEX #12A062

RGB 18 160 98

HSL 153.8, 0.8%, 0.35%

LAB 58.18, -49.4, 22.78

 

CMYK 88 / 0 / 39 / 23

HEX #17C579

RGB 23 197 121

HSL 153.79, 0.79%, 0.43%

LAB 70.52, -57.92, 26.96

 

CMYK 89 / 0 / 39 / 52

HEX #0E7A4B

RGB 14 122 75

HSL 153.89, 0.79%, 0.27%

LAB 44.97, -39.99, 17.95

 

CMYK 89 / 67 / 0 / 52

HEX #0E297B

RGB 14 41 123

HSL 225.14, 0.8%, 0.27%

LAB 20.48, 24.31, -49.07

 

CMYK 0 / 76 / 89 / 52

HEX #7B1E0E

RGB 123 30 14

HSL 8.81, 0.8%, 0.27%

LAB 27.22, 39.16, 33.27

 

CMYK 89 / 0 / 39 / 52

HEX #0E7A4B

RGB 14 122 75

HSL 153.89, 0.79%, 0.27%

LAB 44.97, -39.99, 17.95

 

CMYK 40 / 89 / 0 / 52

HEX #4A0E7B

RGB 74 14 123

HSL 273.03, 0.8%, 0.27%

LAB 20.83, 46.32, -48.29

 

CMYK 0 / 40 / 89 / 52

HEX #7B4A0E

RGB 123 74 14

HSL 33.03, 0.8%, 0.27%

LAB 36.25, 16.17, 40.94

 

CMYK 89 / 0 / 39 / 52

HEX #0E7A4B

RGB 14 122 75

HSL 153.89, 0.79%, 0.27%

LAB 44.97, -39.99, 17.95

 

CMYK 89 / 67 / 0 / 52

HEX #0E297B

RGB 14 41 123

HSL 225.14, 0.8%, 0.27%

LAB 20.48, 24.31, -49.07

 

CMYK 0 / 89 / 49 / 52

HEX #7B0E3F

RGB 123 14 63

HSL 333.03, 0.8%, 0.27%

LAB 26.4, 47, 0.73

 

CMYK 0 / 22 / 89 / 52

HEX #7B600E

RGB 123 96 14

HSL 45.14, 0.8%, 0.27%

LAB 42.17, 3.08, 45.86

 

CMYK 89 / 0 / 39 / 52

HEX #0E7A4B

RGB 14 122 75

HSL 153.89, 0.79%, 0.27%

LAB 44.97, -39.99, 17.95

 

CMYK 85 / 89 / 0 / 52

HEX #130E7B

RGB 19 14 123

HSL 242.75, 0.8%, 0.27%

LAB 14.86, 40.92, -58.34

 

CMYK 0 / 89 / 49 / 52

HEX #7B0E3F

RGB 123 14 63

HSL 333.03, 0.8%, 0.27%

LAB 26.4, 47, 0.73

 

CMYK 5 / 0 / 89 / 52

HEX #757B0E

RGB 117 123 14

HSL 63.3, 0.8%, 0.27%

LAB 49.47, -15.05, 51.67

 

Description

Color code: RGB 14 122 75 | qconv.com Color code: RGB 14 122 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 122 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 122 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 39 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 39% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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