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Color name
RGB 14 112 138

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 112 138 it is the complementary color RGB 241 143 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 112 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 112 138 shade: RGB 19 112 133, RGB 36 130 152, RGB 53 148 171, RGB 70 166 190 and RGB 87 184 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 112 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 112 138 shade: RGB 14 112 138, RGB 0 94 119, RGB 0 76 100, RGB 0 58 81 and RGB 0 40 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 112 138 shade: RGB 13 112 139, RGB 13 79 139, RGB 13 45 139, RGB 16 13 139 and RGB 49 13 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 112 138 shade: RGB 13 112 139, RGB 13 79 139, RGB 13 45 139 and RGB 13 13 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 112 138 shade matches the following richer shades: RGB 13 112 139 and RGB 1 120 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 112 138 shade: RGB 13 112 139, RGB 26 105 126, RGB 38 98 114, RGB 50 91 102 and RGB 63 84 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 112 138 shade: RGB 13 139 97, RGB 13 139 130, RGB 13 114 139, RGB 13 80 139 and RGB 13 47 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 112 138 shade: RGB 6 52 64, RGB 10 82 101, RGB 13 112 139, RGB 17 143 176 and RGB 21 173 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 112 138 shade: RGB 14 112 138, RGB 63 13 139 and RGB 139 114 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 112 138 shade: RGB 14 112 138, RGB 139 13 114 and RGB 114 139 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 112 138 shade: RGB 14 112 138, RGB 63 13 139, RGB 139 38 13 and RGB 89 139 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 112 138 shade: RGB 14 112 138, RGB 101 13 139, RGB 139 38 13 and RGB 51 139 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

Complementary color

CMYK 0 / 41 / 51 / 5

HEX #F18F75

RGB 241 143 117

HSL 12.58, 0.82%, 0.7%

LAB 69.21, 34.5, 29.76

 

CMYK 86 / 16 / 0 / 48

HEX #137085

RGB 19 112 133

HSL 191.05, 0.75%, 0.3%

LAB 43.39, -17.64, -18.81

 

CMYK 76 / 14 / 0 / 40

HEX #248298

RGB 36 130 152

HSL 191.38, 0.62%, 0.37%

LAB 50.22, -19.04, -19.53

 

CMYK 69 / 13 / 0 / 33

HEX #3594AB

RGB 53 148 171

HSL 191.69, 0.53%, 0.44%

LAB 56.96, -20.03, -20.16

 

CMYK 63 / 13 / 0 / 25

HEX #46A6BE

RGB 70 166 190

HSL 192, 0.48%, 0.51%

LAB 63.58, -20.74, -20.71

 

CMYK 58 / 12 / 0 / 18

HEX #57B8D1

RGB 87 184 209

HSL 192.3, 0.57%, 0.58%

LAB 70.11, -21.26, -21.22

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 100 / 21 / 0 / 53

HEX #005E77

RGB 0 94 119

HSL 192.61, 1%, 0.23%

LAB 36.63, -13.99, -20.77

 

CMYK 100 / 24 / 0 / 61

HEX #004C64

RGB 0 76 100

HSL 194.4, 1%, 0.2%

LAB 29.64, -10.81, -19.74

 

CMYK 100 / 28 / 0 / 68

HEX #003A51

RGB 0 58 81

HSL 197.04, 1%, 0.16%

LAB 22.37, -7.42, -18.73

 

CMYK 100 / 35 / 0 / 76

HEX #00283E

RGB 0 40 62

HSL 201.29, 1%, 0.12%

LAB 14.76, -3.71, -17.76

 

CMYK 91 / 19 / 0 / 45

HEX #0D708B

RGB 13 112 139

HSL 192.86, 0.83%, 0.3%

LAB 43.56, -15.91, -22.14

 

CMYK 91 / 43 / 0 / 45

HEX #0D4F8B

RGB 13 79 139

HSL 208.57, 0.83%, 0.3%

LAB 33.01, 4.37, -38.75

 

CMYK 91 / 68 / 0 / 45

HEX #0D2D8B

RGB 13 45 139

HSL 224.76, 0.83%, 0.3%

LAB 23.09, 27.96, -54.85

 

CMYK 88 / 91 / 0 / 45

HEX #100D8B

RGB 16 13 139

HSL 241.43, 0.83%, 0.3%

LAB 16.81, 46.16, -65.25

 

CMYK 65 / 91 / 0 / 45

HEX #310D8B

RGB 49 13 139

HSL 257.14, 0.83%, 0.3%

LAB 19.24, 47.95, -61.12

 

CMYK 91 / 19 / 0 / 45

HEX #0D708B

RGB 13 112 139

HSL 192.86, 0.83%, 0.3%

LAB 43.56, -15.91, -22.14

 

CMYK 91 / 43 / 0 / 45

HEX #0D4F8B

RGB 13 79 139

HSL 208.57, 0.83%, 0.3%

LAB 33.01, 4.37, -38.75

 

CMYK 91 / 68 / 0 / 45

HEX #0D2D8B

RGB 13 45 139

HSL 224.76, 0.83%, 0.3%

LAB 23.09, 27.96, -54.85

 

CMYK 91 / 91 / 0 / 45

HEX #0D0D8B

RGB 13 13 139

HSL 240, 0.83%, 0.3%

LAB 16.69, 46.08, -65.45

 

CMYK 91 / 19 / 0 / 45

HEX #0D708B

RGB 13 112 139

HSL 192.86, 0.83%, 0.3%

LAB 43.56, -15.91, -22.14

 

CMYK 99 / 21 / 0 / 41

HEX #017897

RGB 1 120 151

HSL 192.4, 0.99%, 0.3%

LAB 46.54, -16.58, -24.66

 

CMYK 91 / 19 / 0 / 45

HEX #0D708B

RGB 13 112 139

HSL 192.86, 0.83%, 0.3%

LAB 43.56, -15.91, -22.14

 

CMYK 79 / 17 / 0 / 51

HEX #1A697E

RGB 26 105 126

HSL 192.6, 0.66%, 0.3%

LAB 40.94, -15.51, -18.35

 

CMYK 67 / 14 / 0 / 55

HEX #266272

RGB 38 98 114

HSL 192.63, 0.5%, 0.3%

LAB 38.49, -13.88, -14.77

 

CMYK 51 / 11 / 0 / 60

HEX #325B66

RGB 50 91 102

HSL 192.69, 0.34%, 0.3%

LAB 36.21, -11.03, -10.77

 

CMYK 29 / 6 / 0 / 65

HEX #3F5459

RGB 63 84 89

HSL 191.54, 0.17%, 0.3%

LAB 34.23, -6.69, -5.54

 

CMYK 91 / 0 / 30 / 45

HEX #0D8B61

RGB 13 139 97

HSL 160, 0.83%, 0.3%

LAB 51.17, -41.81, 13.8

 

CMYK 91 / 0 / 6 / 45

HEX #0D8B82

RGB 13 139 130

HSL 175.71, 0.83%, 0.3%

LAB 52.02, -32.78, -4.04

 

CMYK 91 / 18 / 0 / 45

HEX #0D728B

RGB 13 114 139

HSL 191.9, 0.83%, 0.3%

LAB 44.21, -17.03, -21.14

 

CMYK 91 / 42 / 0 / 45

HEX #0D508B

RGB 13 80 139

HSL 208.1, 0.83%, 0.3%

LAB 33.32, 3.7, -38.25

 

CMYK 91 / 66 / 0 / 45

HEX #0D2F8B

RGB 13 47 139

HSL 223.81, 0.83%, 0.3%

LAB 23.61, 26.58, -53.98

 

CMYK 91 / 19 / 0 / 75

HEX #063440

RGB 6 52 64

HSL 192.41, 0.83%, 0.14%

LAB 19.49, -9.89, -11.76

 

CMYK 90 / 19 / 0 / 60

HEX #0A5265

RGB 10 82 101

HSL 192.53, 0.82%, 0.22%

LAB 31.89, -13.15, -16.86

 

CMYK 91 / 19 / 0 / 45

HEX #0D708B

RGB 13 112 139

HSL 192.86, 0.83%, 0.3%

LAB 43.56, -15.91, -22.14

 

CMYK 90 / 19 / 0 / 31

HEX #118FB0

RGB 17 143 176

HSL 192.45, 0.82%, 0.38%

LAB 54.97, -19.35, -26.12

 

CMYK 90 / 19 / 0 / 16

HEX #15ADD6

RGB 21 173 214

HSL 192.75, 0.82%, 0.46%

LAB 65.67, -21.77, -30.9

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 55 / 91 / 0 / 45

HEX #3F0D8B

RGB 63 13 139

HSL 263.81, 0.83%, 0.3%

LAB 20.86, 49.23, -58.4

 

CMYK 0 / 18 / 91 / 45

HEX #8B720D

RGB 139 114 13

HSL 48.1, 0.83%, 0.3%

LAB 48.95, 0.3, 52.35

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 0 / 91 / 18 / 45

HEX #8B0D72

RGB 139 13 114

HSL 311.9, 0.83%, 0.3%

LAB 31.79, 56.99, -24.32

 

CMYK 18 / 0 / 91 / 45

HEX #728B0D

RGB 114 139 13

HSL 71.9, 0.83%, 0.3%

LAB 54.1, -24.69, 55.6

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 55 / 91 / 0 / 45

HEX #3F0D8B

RGB 63 13 139

HSL 263.81, 0.83%, 0.3%

LAB 20.86, 49.23, -58.4

 

CMYK 0 / 73 / 91 / 45

HEX #8B260D

RGB 139 38 13

HSL 11.9, 0.83%, 0.3%

LAB 31.59, 41.56, 38.66

 

CMYK 36 / 0 / 91 / 45

HEX #598B0D

RGB 89 139 13

HSL 83.81, 0.83%, 0.3%

LAB 52.53, -34.99, 53.65

 

CMYK 90 / 19 / 0 / 46

HEX #0E708A

RGB 14 112 138

HSL 192.58, 0.82%, 0.3%

LAB 43.53, -16.21, -21.59

 

CMYK 27 / 91 / 0 / 45

HEX #650D8B

RGB 101 13 139

HSL 281.9, 0.83%, 0.3%

LAB 26.5, 54.18, -48.93

 

CMYK 0 / 73 / 91 / 45

HEX #8B260D

RGB 139 38 13

HSL 11.9, 0.83%, 0.3%

LAB 31.59, 41.56, 38.66

 

CMYK 63 / 0 / 91 / 45

HEX #338B0D

RGB 51 139 13

HSL 101.9, 0.83%, 0.3%

LAB 50.92, -47.24, 51.64

 

Description

Color code: RGB 14 112 138 | qconv.com Color code: RGB 14 112 138 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 112 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 112 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 19 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 19% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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