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Color name
RGB 14 100 127

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 100 127 it is the complementary color RGB 241 155 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 100 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 100 127 shade: RGB 19 100 122, RGB 36 118 141, RGB 53 136 160, RGB 70 154 179 and RGB 87 172 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 100 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 100 127 shade: RGB 14 100 127, RGB 0 82 108, RGB 0 64 89, RGB 0 46 70 and RGB 0 28 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 100 127 shade: RGB 14 101 128, RGB 14 70 128, RGB 14 39 128, RGB 19 14 128 and RGB 50 14 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 100 127 shade: RGB 14 101 128, RGB 14 70 128, RGB 14 39 128 and RGB 14 14 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 100 127 shade matches the following richer shades: RGB 14 101 128 and RGB 2 107 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 100 127 shade: RGB 14 101 128, RGB 25 95 116, RGB 37 89 105, RGB 48 83 93 and RGB 60 77 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 100 127 shade: RGB 14 128 94, RGB 14 128 124, RGB 14 101 128, RGB 14 71 128 and RGB 14 40 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 100 127 shade: RGB 6 42 54, RGB 10 71 91, RGB 14 101 128, RGB 18 130 165 and RGB 22 159 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 100 127 shade: RGB 14 100 127, RGB 63 14 128 and RGB 128 109 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 100 127 shade: RGB 14 100 127, RGB 128 14 101 and RGB 101 128 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 100 127 shade: RGB 14 100 127, RGB 63 14 128, RGB 128 40 14 and RGB 79 128 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 100 127 shade: RGB 14 100 127, RGB 98 14 128, RGB 128 40 14 and RGB 44 128 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 21 / 0 / 50

HEX #0E647F

RGB 14 100 127

HSL 194.34, 0.8%, 0.28%

LAB 39.14, -13.47, -21.76

 

Complementary color

CMYK 0 / 36 / 47 / 5

HEX #F19B80

RGB 241 155 128

HSL 14.34, 0.8%, 0.72%

LAB 72.03, 29.22, 27.5

 

CMYK 84 / 18 / 0 / 52

HEX #13647A

RGB 19 100 122

HSL 192.82, 0.73%, 0.28%

LAB 39, -14.89, -18.92

 

CMYK 74 / 16 / 0 / 45

HEX #24768D

RGB 36 118 141

HSL 193.14, 0.59%, 0.35%

LAB 45.98, -16.23, -19.57

 

CMYK 67 / 15 / 0 / 37

HEX #3588A0

RGB 53 136 160

HSL 193.46, 0.5%, 0.42%

LAB 52.84, -17.15, -20.13

 

CMYK 61 / 14 / 0 / 30

HEX #469AB3

RGB 70 154 179

HSL 193.76, 0.44%, 0.49%

LAB 59.59, -17.8, -20.63

 

CMYK 56 / 13 / 0 / 22

HEX #57ACC6

RGB 87 172 198

HSL 194.05, 0.49%, 0.56%

LAB 66.22, -18.27, -21.09

 

CMYK 89 / 21 / 0 / 50

HEX #0E647F

RGB 14 100 127

HSL 194.34, 0.8%, 0.28%

LAB 39.14, -13.47, -21.76

 

CMYK 100 / 24 / 0 / 58

HEX #00526C

RGB 0 82 108

HSL 194.44, 1%, 0.21%

LAB 32.07, -11.22, -21

 

CMYK 100 / 28 / 0 / 65

HEX #004059

RGB 0 64 89

HSL 196.85, 1%, 0.17%

LAB 24.91, -7.88, -20.01

 

CMYK 100 / 34 / 0 / 73

HEX #002E46

RGB 0 46 70

HSL 200.57, 1%, 0.14%

LAB 17.44, -4.24, -19.06

 

CMYK 100 / 45 / 0 / 80

HEX #001C33

RGB 0 28 51

HSL 207.06, 1%, 0.1%

LAB 9.56, -0.14, -18.2

 

CMYK 89 / 21 / 0 / 50

HEX #0E6580

RGB 14 101 128

HSL 194.21, 0.8%, 0.28%

LAB 39.51, -13.67, -21.79

 

CMYK 89 / 45 / 0 / 50

HEX #0E4680

RGB 14 70 128

HSL 210.53, 0.8%, 0.28%

LAB 29.49, 5.91, -37.58

 

CMYK 89 / 70 / 0 / 50

HEX #0E2780

RGB 14 39 128

HSL 226.84, 0.8%, 0.28%

LAB 20.45, 27.73, -52.28

 

CMYK 85 / 89 / 0 / 50

HEX #130E80

RGB 19 14 128

HSL 242.63, 0.8%, 0.28%

LAB 15.55, 42.49, -60.39

 

CMYK 61 / 89 / 0 / 50

HEX #320E80

RGB 50 14 128

HSL 258.95, 0.8%, 0.28%

LAB 18.15, 44.66, -56

 

CMYK 89 / 21 / 0 / 50

HEX #0E6580

RGB 14 101 128

HSL 194.21, 0.8%, 0.28%

LAB 39.51, -13.67, -21.79

 

CMYK 89 / 45 / 0 / 50

HEX #0E4680

RGB 14 70 128

HSL 210.53, 0.8%, 0.28%

LAB 29.49, 5.91, -37.58

 

CMYK 89 / 70 / 0 / 50

HEX #0E2780

RGB 14 39 128

HSL 226.84, 0.8%, 0.28%

LAB 20.45, 27.73, -52.28

 

CMYK 89 / 89 / 0 / 50

HEX #0E0E80

RGB 14 14 128

HSL 240, 0.8%, 0.28%

LAB 15.31, 42.3, -60.8

 

CMYK 89 / 21 / 0 / 50

HEX #0E6580

RGB 14 101 128

HSL 194.21, 0.8%, 0.28%

LAB 39.51, -13.67, -21.79

 

CMYK 99 / 24 / 0 / 45

HEX #026B8C

RGB 2 107 140

HSL 194.35, 0.97%, 0.28%

LAB 41.88, -13.31, -25.36

 

CMYK 89 / 21 / 0 / 50

HEX #0E6580

RGB 14 101 128

HSL 194.21, 0.8%, 0.28%

LAB 39.51, -13.67, -21.79

 

CMYK 78 / 18 / 0 / 55

HEX #195F74

RGB 25 95 116

HSL 193.85, 0.65%, 0.28%

LAB 37.21, -13.52, -17.99

 

CMYK 65 / 15 / 0 / 59

HEX #255969

RGB 37 89 105

HSL 194.12, 0.48%, 0.28%

LAB 35.12, -11.91, -14.36

 

CMYK 48 / 11 / 0 / 64

HEX #30535D

RGB 48 83 93

HSL 193.33, 0.32%, 0.28%

LAB 33.15, -9.62, -9.78

 

CMYK 27 / 6 / 0 / 68

HEX #3C4D52

RGB 60 77 82

HSL 193.64, 0.15%, 0.28%

LAB 31.53, -5.32, -5.15

 

CMYK 89 / 0 / 27 / 50

HEX #0E805E

RGB 14 128 94

HSL 162.11, 0.8%, 0.28%

LAB 47.42, -37.93, 10.3

 

CMYK 89 / 0 / 3 / 50

HEX #0E807C

RGB 14 128 124

HSL 177.89, 0.8%, 0.28%

LAB 48.24, -29.34, -6.13

 

CMYK 89 / 21 / 0 / 50

HEX #0E6580

RGB 14 101 128

HSL 194.21, 0.8%, 0.28%

LAB 39.51, -13.67, -21.79

 

CMYK 89 / 45 / 0 / 50

HEX #0E4780

RGB 14 71 128

HSL 210, 0.8%, 0.28%

LAB 29.81, 5.23, -37.08

 

CMYK 89 / 69 / 0 / 50

HEX #0E2880

RGB 14 40 128

HSL 226.32, 0.8%, 0.28%

LAB 20.71, 27.04, -51.85

 

CMYK 89 / 22 / 0 / 79

HEX #062A36

RGB 6 42 54

HSL 195, 0.8%, 0.12%

LAB 15.28, -7.52, -11.34

 

CMYK 89 / 22 / 0 / 64

HEX #0A475B

RGB 10 71 91

HSL 194.81, 0.8%, 0.2%

LAB 27.64, -10.42, -17.05

 

CMYK 89 / 21 / 0 / 50

HEX #0E6580

RGB 14 101 128

HSL 194.21, 0.8%, 0.28%

LAB 39.51, -13.67, -21.79

 

CMYK 89 / 21 / 0 / 35

HEX #1282A5

RGB 18 130 165

HSL 194.29, 0.8%, 0.36%

LAB 50.46, -16.14, -26.75

 

CMYK 89 / 21 / 0 / 21

HEX #169FCA

RGB 22 159 202

HSL 194.33, 0.8%, 0.44%

LAB 60.99, -18.5, -31.5

 

CMYK 89 / 21 / 0 / 50

HEX #0E647F

RGB 14 100 127

HSL 194.34, 0.8%, 0.28%

LAB 39.14, -13.47, -21.76

 

CMYK 51 / 89 / 0 / 50

HEX #3F0E80

RGB 63 14 128

HSL 265.79, 0.8%, 0.28%

LAB 19.76, 46.09, -53.28

 

CMYK 0 / 15 / 89 / 50

HEX #806D0E

RGB 128 109 14

HSL 50, 0.8%, 0.28%

LAB 46.39, -2.06, 49.56

 

CMYK 89 / 21 / 0 / 50

HEX #0E647F

RGB 14 100 127

HSL 194.34, 0.8%, 0.28%

LAB 39.14, -13.47, -21.76

 

CMYK 0 / 89 / 21 / 50

HEX #800E65

RGB 128 14 101

HSL 314.21, 0.8%, 0.28%

LAB 29.01, 52.62, -20.46

 

CMYK 21 / 0 / 89 / 50

HEX #65800E

RGB 101 128 14

HSL 74.21, 0.8%, 0.28%

LAB 49.78, -24.84, 51.43

 

CMYK 89 / 21 / 0 / 50

HEX #0E647F

RGB 14 100 127

HSL 194.34, 0.8%, 0.28%

LAB 39.14, -13.47, -21.76

 

CMYK 51 / 89 / 0 / 50

HEX #3F0E80

RGB 63 14 128

HSL 265.79, 0.8%, 0.28%

LAB 19.76, 46.09, -53.28

 

CMYK 0 / 69 / 89 / 50

HEX #80280E

RGB 128 40 14

HSL 13.68, 0.8%, 0.28%

LAB 29.76, 36.74, 35.83

 

CMYK 38 / 0 / 89 / 50

HEX #4F800E

RGB 79 128 14

HSL 85.79, 0.8%, 0.28%

LAB 48.43, -33.87, 49.74

 

CMYK 89 / 21 / 0 / 50

HEX #0E647F

RGB 14 100 127

HSL 194.34, 0.8%, 0.28%

LAB 39.14, -13.47, -21.76

 

CMYK 23 / 89 / 0 / 50

HEX #620E80

RGB 98 14 128

HSL 284.21, 0.8%, 0.28%

LAB 25.17, 51.22, -44.22

 

CMYK 0 / 69 / 89 / 50

HEX #80280E

RGB 128 40 14

HSL 13.68, 0.8%, 0.28%

LAB 29.76, 36.74, 35.83

 

CMYK 66 / 0 / 89 / 50

HEX #2C800E

RGB 44 128 14

HSL 104.21, 0.8%, 0.28%

LAB 46.98, -44.96, 47.92

 

Description

Color code: RGB 14 100 127 | qconv.com Color code: RGB 14 100 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 100 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 100 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 21 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 21% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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