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Color name
RGB 149 93 174

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 93 174 it is the complementary color RGB 106 162 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 93 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 93 174 shade: RGB 154 93 169, RGB 171 111 188, RGB 188 129 207, RGB 205 147 226 and RGB 222 165 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 93 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 93 174 shade: RGB 149 93 174, RGB 132 75 155, RGB 115 57 136, RGB 98 39 117 and RGB 81 21 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 93 174 shade: RGB 148 92 172, RGB 169 92 172, RGB 172 92 154, RGB 172 92 132 and RGB 172 92 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 93 174 shade: RGB 148 92 172, RGB 126 92 172, RGB 104 92 172 and RGB 92 92 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 93 174 shade matches the following richer shades: RGB 148 92 172, RGB 155 72 192, RGB 163 52 212, RGB 170 32 232 and RGB 178 12 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 93 174 shade: RGB 148 92 172, RGB 140 112 153, RGB 132 131 133, RGB 125 151 113 and RGB 117 171 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 93 174 shade: RGB 104 92 172, RGB 125 92 172, RGB 147 92 172, RGB 168 92 172 and RGB 172 92 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 93 174 shade: RGB 102 61 121, RGB 126 75 148, RGB 148 92 172, RGB 166 119 186 and RGB 184 147 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 93 174 shade: RGB 149 93 174, RGB 172 92 101 and RGB 92 172 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 93 174 shade: RGB 149 93 174, RGB 172 147 92 and RGB 92 172 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 93 174 shade: RGB 149 93 174, RGB 172 92 101, RGB 117 172 92 and RGB 92 172 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 93 174 shade: RGB 149 93 174, RGB 172 107 92, RGB 117 172 92 and RGB 92 158 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 47 / 0 / 32

HEX #955DAE

RGB 149 93 174

HSL 281.48, 0.33%, 0.52%

LAB 48.6, 37.34, -34.34

 

Complementary color

CMYK 35 / 0 / 50 / 36

HEX #6AA251

RGB 106 162 81

HSL 101.48, 0.33%, 0.48%

LAB 61.22, -33.73, 36.18

 

CMYK 9 / 45 / 0 / 34

HEX #9A5DA9

RGB 154 93 169

HSL 288.16, 0.31%, 0.51%

LAB 48.96, 37.78, -30.81

 

CMYK 9 / 41 / 0 / 26

HEX #AB6FBC

RGB 171 111 188

HSL 286.75, 0.36%, 0.59%

LAB 55.74, 36.98, -31.1

 

CMYK 9 / 38 / 0 / 19

HEX #BC81CF

RGB 188 129 207

HSL 285.38, 0.45%, 0.66%

LAB 62.42, 36.21, -31.36

 

CMYK 9 / 35 / 0 / 11

HEX #CD93E2

RGB 205 147 226

HSL 284.05, 0.58%, 0.73%

LAB 69, 35.48, -31.6

 

CMYK 9 / 33 / 0 / 4

HEX #DEA5F5

RGB 222 165 245

HSL 282.75, 0.8%, 0.8%

LAB 75.47, 34.79, -31.84

 

CMYK 14 / 47 / 0 / 32

HEX #955DAE

RGB 149 93 174

HSL 281.48, 0.33%, 0.52%

LAB 48.6, 37.34, -34.34

 

CMYK 15 / 52 / 0 / 39

HEX #844B9B

RGB 132 75 155

HSL 282.75, 0.35%, 0.45%

LAB 41.7, 38.17, -34.1

 

CMYK 15 / 58 / 0 / 47

HEX #733988

RGB 115 57 136

HSL 284.05, 0.41%, 0.38%

LAB 34.7, 38.94, -33.77

 

CMYK 16 / 67 / 0 / 54

HEX #622775

RGB 98 39 117

HSL 285.38, 0.5%, 0.31%

LAB 27.66, 39.48, -33.23

 

CMYK 17 / 79 / 0 / 62

HEX #511562

RGB 81 21 98

HSL 286.75, 0.65%, 0.23%

LAB 20.7, 39.39, -32.23

 

CMYK 14 / 47 / 0 / 33

HEX #945CAC

RGB 148 92 172

HSL 282, 0.33%, 0.52%

LAB 48.17, 37.16, -33.86

 

CMYK 2 / 47 / 0 / 33

HEX #A95CAC

RGB 169 92 172

HSL 297.75, 0.33%, 0.52%

LAB 50.77, 43.46, -29.61

 

CMYK 0 / 47 / 10 / 33

HEX #AC5C9A

RGB 172 92 154

HSL 313.5, 0.33%, 0.52%

LAB 50.4, 41.13, -19.56

 

CMYK 0 / 47 / 23 / 33

HEX #AC5C84

RGB 172 92 132

HSL 330, 0.33%, 0.52%

LAB 49.61, 37.6, -7.71

 

CMYK 0 / 47 / 36 / 33

HEX #AC5C6E

RGB 172 92 110

HSL 346.5, 0.33%, 0.52%

LAB 48.95, 34.57, 4.51

 

CMYK 14 / 47 / 0 / 33

HEX #945CAC

RGB 148 92 172

HSL 282, 0.33%, 0.52%

LAB 48.17, 37.16, -33.86

 

CMYK 27 / 47 / 0 / 33

HEX #7E5CAC

RGB 126 92 172

HSL 265.5, 0.33%, 0.52%

LAB 45.73, 30.72, -37.87

 

CMYK 40 / 47 / 0 / 33

HEX #685CAC

RGB 104 92 172

HSL 249, 0.33%, 0.52%

LAB 43.62, 24.64, -41.34

 

CMYK 47 / 47 / 0 / 33

HEX #5C5CAC

RGB 92 92 172

HSL 240, 0.33%, 0.52%

LAB 42.62, 21.57, -42.99

 

CMYK 14 / 47 / 0 / 33

HEX #945CAC

RGB 148 92 172

HSL 282, 0.33%, 0.52%

LAB 48.17, 37.16, -33.86

 

CMYK 19 / 63 / 0 / 25

HEX #9B48C0

RGB 155 72 192

HSL 281.5, 0.49%, 0.52%

LAB 46.19, 53.79, -48.61

 

CMYK 23 / 75 / 0 / 17

HEX #A334D4

RGB 163 52 212

HSL 281.63, 0.65%, 0.52%

LAB 45.63, 67.9, -61.01

 

CMYK 27 / 86 / 0 / 9

HEX #AA20E8

RGB 170 32 232

HSL 281.4, 0.81%, 0.52%

LAB 46.18, 78.56, -71.47

 

CMYK 29 / 95 / 0 / 1

HEX #B20CFC

RGB 178 12 252

HSL 281.5, 0.98%, 0.52%

LAB 47.95, 86.32, -79.79

 

CMYK 14 / 47 / 0 / 33

HEX #945CAC

RGB 148 92 172

HSL 282, 0.33%, 0.52%

LAB 48.17, 37.16, -33.86

 

CMYK 8 / 27 / 0 / 40

HEX #8C7099

RGB 140 112 153

HSL 280.98, 0.17%, 0.52%

LAB 51.23, 18.89, -18.05

 

CMYK 1 / 2 / 0 / 48

HEX #848385

RGB 132 131 133

HSL 270, 0.01%, 0.52%

LAB 54.9, 0.77, -0.95

 

CMYK 17 / 0 / 25 / 41

HEX #7D9771

RGB 125 151 113

HSL 101.05, 0.15%, 0.52%

LAB 59.6, -16.55, 17.08

 

CMYK 32 / 0 / 46 / 33

HEX #75AB5D

RGB 117 171 93

HSL 101.54, 0.32%, 0.52%

LAB 64.72, -32.46, 34.52

 

CMYK 40 / 47 / 0 / 33

HEX #685CAC

RGB 104 92 172

HSL 249, 0.33%, 0.52%

LAB 43.62, 24.64, -41.34

 

CMYK 27 / 47 / 0 / 33

HEX #7D5CAC

RGB 125 92 172

HSL 264.75, 0.33%, 0.52%

LAB 45.62, 30.43, -38.04

 

CMYK 15 / 47 / 0 / 33

HEX #935CAC

RGB 147 92 172

HSL 281.25, 0.33%, 0.52%

LAB 48.05, 36.87, -34.05

 

CMYK 2 / 47 / 0 / 33

HEX #A85CAC

RGB 168 92 172

HSL 297, 0.33%, 0.52%

LAB 50.64, 43.16, -29.82

 

CMYK 0 / 47 / 10 / 33

HEX #AC5C9B

RGB 172 92 155

HSL 312.75, 0.33%, 0.52%

LAB 50.44, 41.3, -20.09

 

CMYK 16 / 50 / 0 / 53

HEX #663D79

RGB 102 61 121

HSL 281, 0.33%, 0.36%

LAB 33.01, 29.41, -27.23

 

CMYK 15 / 49 / 0 / 42

HEX #7E4B94

RGB 126 75 148

HSL 281.92, 0.33%, 0.44%

LAB 40.58, 34.84, -31.7

 

CMYK 14 / 47 / 0 / 33

HEX #945CAC

RGB 148 92 172

HSL 282, 0.33%, 0.52%

LAB 48.17, 37.16, -33.86

 

CMYK 11 / 36 / 0 / 27

HEX #A677BA

RGB 166 119 186

HSL 282.09, 0.33%, 0.6%

LAB 56.92, 30.53, -28.16

 

CMYK 8 / 27 / 0 / 22

HEX #B893C8

RGB 184 147 200

HSL 281.89, 0.33%, 0.68%

LAB 65.93, 23.51, -22.08

 

CMYK 14 / 47 / 0 / 32

HEX #955DAE

RGB 149 93 174

HSL 281.48, 0.33%, 0.52%

LAB 48.6, 37.34, -34.34

 

CMYK 0 / 47 / 41 / 33

HEX #AC5C65

RGB 172 92 101

HSL 353.25, 0.33%, 0.52%

LAB 48.72, 33.48, 9.58

 

CMYK 47 / 0 / 33 / 33

HEX #5CAC73

RGB 92 172 115

HSL 137.25, 0.33%, 0.52%

LAB 64.18, -37.38, 21.92

 

CMYK 14 / 47 / 0 / 32

HEX #955DAE

RGB 149 93 174

HSL 281.48, 0.33%, 0.52%

LAB 48.6, 37.34, -34.34

 

CMYK 0 / 15 / 47 / 33

HEX #AC935C

RGB 172 147 92

HSL 41.25, 0.33%, 0.52%

LAB 62.01, 1.83, 32.49

 

CMYK 47 / 0 / 15 / 33

HEX #5CAC93

RGB 92 172 147

HSL 161.25, 0.33%, 0.52%

LAB 64.87, -30.67, 5.29

 

CMYK 14 / 47 / 0 / 32

HEX #955DAE

RGB 149 93 174

HSL 281.48, 0.33%, 0.52%

LAB 48.6, 37.34, -34.34

 

CMYK 0 / 47 / 41 / 33

HEX #AC5C65

RGB 172 92 101

HSL 353.25, 0.33%, 0.52%

LAB 48.72, 33.48, 9.58

 

CMYK 32 / 0 / 47 / 33

HEX #75AC5C

RGB 117 172 92

HSL 101.25, 0.33%, 0.52%

LAB 65.01, -33.06, 35.39

 

CMYK 47 / 0 / 5 / 33

HEX #5CACA3

RGB 92 172 163

HSL 173.25, 0.33%, 0.52%

LAB 65.3, -26.78, -2.99

 

CMYK 14 / 47 / 0 / 32

HEX #955DAE

RGB 149 93 174

HSL 281.48, 0.33%, 0.52%

LAB 48.6, 37.34, -34.34

 

CMYK 0 / 38 / 47 / 33

HEX #AC6B5C

RGB 172 107 92

HSL 11.25, 0.33%, 0.52%

LAB 51.9, 24.23, 19.3

 

CMYK 32 / 0 / 47 / 33

HEX #75AC5C

RGB 117 172 92

HSL 101.25, 0.33%, 0.52%

LAB 65.01, -33.06, 35.39

 

CMYK 47 / 8 / 0 / 33

HEX #5C9EAC

RGB 92 158 172

HSL 190.5, 0.33%, 0.52%

LAB 61.4, -17.22, -13.84

 

Description

Color code: RGB 149 93 174 | qconv.com Color code: RGB 149 93 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 93 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 93 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 47 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 47% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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