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Color name
RGB 149 60 219

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 60 219 it is the complementary color RGB 106 195 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 60 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 60 219 shade: RGB 154 60 214, RGB 171 78 233, RGB 188 96 252, RGB 205 114 255 and RGB 222 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 60 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 60 219 shade: RGB 149 60 219, RGB 132 42 200, RGB 115 24 181, RGB 98 6 162 and RGB 81 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 60 219 shade: RGB 149 61 219, RGB 192 61 219, RGB 219 61 203, RGB 219 61 161 and RGB 219 61 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 60 219 shade: RGB 149 61 219, RGB 106 61 219, RGB 64 61 219 and RGB 61 61 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 60 219 shade matches the following richer shades: RGB 149 61 219 and RGB 151 42 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 60 219 shade: RGB 149 61 219, RGB 147 79 200, RGB 145 98 182, RGB 143 116 163 and RGB 140 135 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 60 219 shade: RGB 63 61 219, RGB 105 61 219, RGB 148 61 219, RGB 190 61 219 and RGB 219 61 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 60 219 shade: RGB 107 30 167, RGB 129 37 202, RGB 149 61 219, RGB 168 95 225 and RGB 187 130 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 60 219 shade: RGB 149 60 219, RGB 219 61 100 and RGB 61 219 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 60 219 shade: RGB 149 60 219, RGB 219 148 61 and RGB 61 219 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 60 219 shade: RGB 149 60 219, RGB 219 61 100, RGB 132 219 61 and RGB 61 219 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 60 219 shade: RGB 149 60 219, RGB 219 68 61, RGB 132 219 61 and RGB 61 211 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 73 / 0 / 14

HEX #953CDB

RGB 149 60 219

HSL 273.58, 0.69%, 0.55%

LAB 45.27, 63.76, -65.69

 

Complementary color

CMYK 46 / 0 / 82 / 24

HEX #6AC324

RGB 106 195 36

HSL 93.58, 0.69%, 0.45%

LAB 71.02, -51.46, 64.7

 

CMYK 28 / 72 / 0 / 16

HEX #9A3CD6

RGB 154 60 214

HSL 276.62, 0.65%, 0.54%

LAB 45.57, 63.6, -62.31

 

CMYK 27 / 67 / 0 / 9

HEX #AB4EE9

RGB 171 78 233

HSL 276, 0.78%, 0.61%

LAB 51.83, 63.37, -62.88

 

CMYK 25 / 62 / 0 / 1

HEX #BC60FC

RGB 188 96 252

HSL 275.38, 0.96%, 0.68%

LAB 58.12, 62.85, -63.25

 

CMYK 20 / 55 / 0 / 0

HEX #CD72FF

RGB 205 114 255

HSL 278.72, 1%, 0.72%

LAB 63.54, 58.76, -56.12

 

CMYK 13 / 48 / 0 / 0

HEX #DE84FF

RGB 222 132 255

HSL 283.9, 1%, 0.76%

LAB 68.93, 54.13, -47.46

 

CMYK 32 / 73 / 0 / 14

HEX #953CDB

RGB 149 60 219

HSL 273.58, 0.69%, 0.55%

LAB 45.27, 63.76, -65.69

 

CMYK 34 / 79 / 0 / 22

HEX #842AC8

RGB 132 42 200

HSL 274.18, 0.65%, 0.47%

LAB 39.12, 63.55, -64.84

 

CMYK 36 / 87 / 0 / 29

HEX #7318B5

RGB 115 24 181

HSL 274.78, 0.77%, 0.4%

LAB 33.21, 62.45, -63.42

 

CMYK 40 / 96 / 0 / 36

HEX #6206A2

RGB 98 6 162

HSL 275.38, 0.93%, 0.33%

LAB 27.67, 59.95, -61.19

 

CMYK 43 / 100 / 0 / 44

HEX #51008F

RGB 81 0 143

HSL 273.99, 1%, 0.28%

LAB 22.77, 55.19, -57.66

 

CMYK 32 / 72 / 0 / 14

HEX #953DDB

RGB 149 61 219

HSL 273.42, 0.69%, 0.55%

LAB 45.42, 63.35, -65.45

 

CMYK 12 / 72 / 0 / 14

HEX #C03DDB

RGB 192 61 219

HSL 289.75, 0.69%, 0.55%

LAB 51.45, 71.68, -55.42

 

CMYK 0 / 72 / 7 / 14

HEX #DB3DCB

RGB 219 61 203

HSL 306.08, 0.69%, 0.55%

LAB 54.77, 74.76, -40.74

 

CMYK 0 / 72 / 26 / 14

HEX #DB3DA1

RGB 219 61 161

HSL 322.03, 0.69%, 0.55%

LAB 52.92, 69.06, -19.22

 

CMYK 0 / 72 / 46 / 14

HEX #DB3D76

RGB 219 61 118

HSL 338.35, 0.69%, 0.55%

LAB 51.5, 64.51, 4.34

 

CMYK 32 / 72 / 0 / 14

HEX #953DDB

RGB 149 61 219

HSL 273.42, 0.69%, 0.55%

LAB 45.42, 63.35, -65.45

 

CMYK 52 / 72 / 0 / 14

HEX #6A3DDB

RGB 106 61 219

HSL 257.09, 0.69%, 0.55%

LAB 40.44, 56.1, -73.79

 

CMYK 71 / 72 / 0 / 14

HEX #403DDB

RGB 64 61 219

HSL 241.14, 0.69%, 0.55%

LAB 37.01, 50.83, -79.55

 

CMYK 72 / 72 / 0 / 14

HEX #3D3DDB

RGB 61 61 219

HSL 240, 0.69%, 0.55%

LAB 36.83, 50.55, -79.86

 

CMYK 32 / 72 / 0 / 14

HEX #953DDB

RGB 149 61 219

HSL 273.42, 0.69%, 0.55%

LAB 45.42, 63.35, -65.45

 

CMYK 36 / 82 / 0 / 7

HEX #972AED

RGB 151 42 237

HSL 273.54, 0.84%, 0.55%

LAB 44.73, 74.36, -76.79

 

CMYK 32 / 72 / 0 / 14

HEX #953DDB

RGB 149 61 219

HSL 273.42, 0.69%, 0.55%

LAB 45.42, 63.35, -65.45

 

CMYK 27 / 61 / 0 / 22

HEX #934FC8

RGB 147 79 200

HSL 273.72, 0.52%, 0.55%

LAB 46.93, 50.2, -52.12

 

CMYK 20 / 46 / 0 / 29

HEX #9162B6

RGB 145 98 182

HSL 273.57, 0.37%, 0.55%

LAB 49.66, 35.16, -37.37

 

CMYK 12 / 29 / 0 / 36

HEX #8F74A3

RGB 143 116 163

HSL 274.47, 0.2%, 0.55%

LAB 52.92, 19.76, -21.27

 

CMYK 3 / 7 / 0 / 43

HEX #8C8791

RGB 140 135 145

HSL 270, 0.04%, 0.55%

LAB 57.02, 3.84, -4.68

 

CMYK 71 / 72 / 0 / 14

HEX #3F3DDB

RGB 63 61 219

HSL 240.76, 0.69%, 0.55%

LAB 36.95, 50.74, -79.65

 

CMYK 52 / 72 / 0 / 14

HEX #693DDB

RGB 105 61 219

HSL 256.71, 0.69%, 0.55%

LAB 40.34, 55.95, -73.96

 

CMYK 32 / 72 / 0 / 14

HEX #943DDB

RGB 148 61 219

HSL 273.04, 0.69%, 0.55%

LAB 45.29, 63.16, -65.67

 

CMYK 13 / 72 / 0 / 14

HEX #BE3DDB

RGB 190 61 219

HSL 288.99, 0.69%, 0.55%

LAB 51.15, 71.28, -55.91

 

CMYK 0 / 72 / 6 / 14

HEX #DB3DCE

RGB 219 61 206

HSL 304.94, 0.69%, 0.55%

LAB 54.92, 75.21, -42.22

 

CMYK 36 / 82 / 0 / 35

HEX #6B1EA7

RGB 107 30 167

HSL 273.72, 0.7%, 0.39%

LAB 31.45, 56.37, -57.97

 

CMYK 36 / 82 / 0 / 21

HEX #8125CA

RGB 129 37 202

HSL 273.45, 0.69%, 0.47%

LAB 38.3, 65.21, -67.37

 

CMYK 32 / 72 / 0 / 14

HEX #953DDB

RGB 149 61 219

HSL 273.42, 0.69%, 0.55%

LAB 45.42, 63.35, -65.45

 

CMYK 25 / 58 / 0 / 12

HEX #A85FE1

RGB 168 95 225

HSL 273.69, 0.68%, 0.63%

LAB 53.97, 52.76, -54.96

 

CMYK 19 / 44 / 0 / 9

HEX #BB82E8

RGB 187 130 232

HSL 273.53, 0.69%, 0.71%

LAB 63.64, 40.7, -43.41

 

CMYK 32 / 73 / 0 / 14

HEX #953CDB

RGB 149 60 219

HSL 273.58, 0.69%, 0.55%

LAB 45.27, 63.76, -65.69

 

CMYK 0 / 72 / 54 / 14

HEX #DB3D64

RGB 219 61 100

HSL 345.19, 0.69%, 0.55%

LAB 51.06, 63.03, 14.58

 

CMYK 72 / 0 / 62 / 14

HEX #3DDB54

RGB 61 219 84

HSL 128.73, 0.69%, 0.55%

LAB 77.46, -66.78, 53.52

 

CMYK 32 / 73 / 0 / 14

HEX #953CDB

RGB 149 60 219

HSL 273.58, 0.69%, 0.55%

LAB 45.27, 63.76, -65.69

 

CMYK 0 / 32 / 72 / 14

HEX #DB943D

RGB 219 148 61

HSL 33.04, 0.69%, 0.55%

LAB 66.96, 19.12, 54.85

 

CMYK 72 / 0 / 32 / 14

HEX #3DDB94

RGB 61 219 148

HSL 153.04, 0.69%, 0.55%

LAB 78.34, -56.64, 23.49

 

CMYK 32 / 73 / 0 / 14

HEX #953CDB

RGB 149 60 219

HSL 273.58, 0.69%, 0.55%

LAB 45.27, 63.76, -65.69

 

CMYK 0 / 72 / 54 / 14

HEX #DB3D64

RGB 219 61 100

HSL 345.19, 0.69%, 0.55%

LAB 51.06, 63.03, 14.58

 

CMYK 40 / 0 / 72 / 14

HEX #84DB3D

RGB 132 219 61

HSL 93.04, 0.69%, 0.55%

LAB 79.56, -51.18, 65.46

 

CMYK 72 / 0 / 18 / 14

HEX #3DDBB3

RGB 61 219 179

HSL 164.81, 0.69%, 0.55%

LAB 78.99, -49.72, 8.07

 

CMYK 32 / 73 / 0 / 14

HEX #953CDB

RGB 149 60 219

HSL 273.58, 0.69%, 0.55%

LAB 45.27, 63.76, -65.69

 

CMYK 0 / 69 / 72 / 14

HEX #DB443D

RGB 219 68 61

HSL 2.66, 0.69%, 0.55%

LAB 51.3, 58.18, 37.91

 

CMYK 40 / 0 / 72 / 14

HEX #84DB3D

RGB 132 219 61

HSL 93.04, 0.69%, 0.55%

LAB 79.56, -51.18, 65.46

 

CMYK 72 / 4 / 0 / 14

HEX #3DD3DB

RGB 61 211 219

HSL 183.04, 0.69%, 0.55%

LAB 77.69, -35.5, -15.23

 

Description

Color code: RGB 149 60 219 | qconv.com Color code: RGB 149 60 219 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 60 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 60 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 73 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 73% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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