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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 45 194 it is the complementary color RGB 106 210 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 45 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 45 194 shade: RGB 154 45 189, RGB 171 63 208, RGB 188 81 227, RGB 205 99 246 and RGB 222 117 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 45 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 45 194 shade: RGB 149 45 194, RGB 132 27 175, RGB 115 9 156, RGB 98 0 137 and RGB 81 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 45 194 shade: RGB 149 45 194, RGB 189 45 194, RGB 194 45 158, RGB 194 45 118 and RGB 194 45 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 45 194 shade: RGB 149 45 194, RGB 109 45 194, RGB 69 45 194 and RGB 45 45 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 45 194 shade matches the following richer shades: RGB 149 45 194, RGB 156 26 213 and RGB 164 6 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 45 194 shade: RGB 149 45 194, RGB 141 64 174, RGB 133 84 155, RGB 126 103 135 and RGB 118 123 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 45 194 shade: RGB 67 45 194, RGB 107 45 194, RGB 147 45 194, RGB 186 45 194 and RGB 194 45 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 45 194 shade: RGB 97 29 127, RGB 123 37 160, RGB 149 45 194, RGB 168 69 211 and RGB 184 102 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 45 194 shade: RGB 149 45 194, RGB 194 45 62 and RGB 45 194 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 45 194 shade: RGB 149 45 194, RGB 194 147 45 and RGB 45 194 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 45 194 shade: RGB 149 45 194, RGB 194 45 62, RGB 92 194 45 and RGB 45 194 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 45 194 shade: RGB 149 45 194, RGB 194 72 45, RGB 92 194 45 and RGB 45 166 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

Complementary color

CMYK 50 / 0 / 71 / 18

HEX #6AD23D

RGB 106 210 61

HSL 101.88, 0.62%, 0.53%

LAB 75.76, -55.71, 61.27

 

CMYK 19 / 76 / 0 / 26

HEX #9A2DBD

RGB 154 45 189

HSL 285.42, 0.62%, 0.46%

LAB 41.88, 64.13, -53.79

 

CMYK 18 / 70 / 0 / 18

HEX #AB3FD0

RGB 171 63 208

HSL 284.69, 0.61%, 0.53%

LAB 47.97, 64.56, -54.89

 

CMYK 17 / 64 / 0 / 11

HEX #BC51E3

RGB 188 81 227

HSL 283.97, 0.72%, 0.6%

LAB 54.16, 64.47, -55.64

 

CMYK 17 / 60 / 0 / 4

HEX #CD63F6

RGB 205 99 246

HSL 283.27, 0.89%, 0.68%

LAB 60.39, 64.08, -56.17

 

CMYK 13 / 54 / 0 / 0

HEX #DE75FF

RGB 222 117 255

HSL 285.65, 1%, 0.73%

LAB 66.11, 61.54, -51.9

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 25 / 85 / 0 / 31

HEX #841BAF

RGB 132 27 175

HSL 282.57, 0.73%, 0.4%

LAB 35.57, 62.97, -55.89

 

CMYK 26 / 94 / 0 / 39

HEX #73099C

RGB 115 9 156

HSL 283.27, 0.89%, 0.32%

LAB 30.01, 60.4, -53.59

 

CMYK 28 / 100 / 0 / 46

HEX #620089

RGB 98 0 137

HSL 282.92, 1%, 0.27%

LAB 24.96, 55.91, -50.21

 

CMYK 31 / 100 / 0 / 54

HEX #510076

RGB 81 0 118

HSL 281.19, 1%, 0.23%

LAB 20.27, 49.82, -45.95

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 3 / 77 / 0 / 24

HEX #BD2DC2

RGB 189 45 194

HSL 297.99, 0.62%, 0.47%

LAB 47.74, 71.87, -47.01

 

CMYK 0 / 77 / 19 / 24

HEX #C22D9E

RGB 194 45 158

HSL 314.5, 0.62%, 0.47%

LAB 46.73, 67.6, -27.33

 

CMYK 0 / 77 / 39 / 24

HEX #C22D76

RGB 194 45 118

HSL 330.6, 0.62%, 0.47%

LAB 45.16, 62.86, -5.48

 

CMYK 0 / 77 / 60 / 24

HEX #C22D4E

RGB 194 45 78

HSL 346.71, 0.62%, 0.47%

LAB 44.08, 59.49, 17.8

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 44 / 77 / 0 / 24

HEX #6D2DC2

RGB 109 45 194

HSL 265.77, 0.62%, 0.47%

LAB 36.03, 57.36, -66.51

 

CMYK 64 / 77 / 0 / 24

HEX #452DC2

RGB 69 45 194

HSL 249.66, 0.62%, 0.47%

LAB 31.89, 52.05, -73.46

 

CMYK 77 / 77 / 0 / 24

HEX #2D2DC2

RGB 45 45 194

HSL 240, 0.62%, 0.47%

LAB 30.23, 49.87, -76.26

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 27 / 88 / 0 / 16

HEX #9C1AD5

RGB 156 26 213

HSL 281.71, 0.78%, 0.47%

LAB 42.17, 74.21, -67.25

 

CMYK 29 / 97 / 0 / 9

HEX #A406E8

RGB 164 6 232

HSL 281.95, 0.95%, 0.47%

LAB 44.02, 81.52, -75.05

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 19 / 63 / 0 / 32

HEX #8D40AE

RGB 141 64 174

HSL 282, 0.46%, 0.47%

LAB 41.82, 50.41, -45.15

 

CMYK 14 / 46 / 0 / 39

HEX #85549B

RGB 133 84 155

HSL 281.41, 0.3%, 0.47%

LAB 43.79, 33.4, -30.8

 

CMYK 7 / 24 / 0 / 47

HEX #7E6787

RGB 126 103 135

HSL 283.13, 0.13%, 0.47%

LAB 46.82, 15.42, -14.23

 

CMYK 4 / 0 / 6 / 52

HEX #767B74

RGB 118 123 116

HSL 102.86, 0.03%, 0.47%

LAB 51.01, -3.28, 3.17

 

CMYK 65 / 77 / 0 / 24

HEX #432DC2

RGB 67 45 194

HSL 248.86, 0.62%, 0.47%

LAB 31.73, 51.83, -73.74

 

CMYK 45 / 77 / 0 / 24

HEX #6B2DC2

RGB 107 45 194

HSL 264.97, 0.62%, 0.47%

LAB 35.79, 57.05, -66.92

 

CMYK 24 / 77 / 0 / 24

HEX #932DC2

RGB 147 45 194

HSL 281.07, 0.62%, 0.47%

LAB 41.18, 63.81, -57.9

 

CMYK 4 / 77 / 0 / 24

HEX #BA2DC2

RGB 186 45 194

HSL 296.78, 0.62%, 0.47%

LAB 47.25, 71.27, -47.82

 

CMYK 0 / 77 / 17 / 24

HEX #C22DA1

RGB 194 45 161

HSL 313.29, 0.62%, 0.47%

LAB 46.87, 68, -28.91

 

CMYK 24 / 77 / 0 / 50

HEX #611D7F

RGB 97 29 127

HSL 281.63, 0.63%, 0.31%

LAB 26.6, 45.96, -41.28

 

CMYK 23 / 77 / 0 / 37

HEX #7B25A0

RGB 123 37 160

HSL 281.95, 0.62%, 0.39%

LAB 34.13, 55.16, -49.27

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 20 / 67 / 0 / 17

HEX #A845D3

RGB 168 69 211

HSL 281.83, 0.62%, 0.55%

LAB 48.62, 62.04, -55.59

 

CMYK 16 / 53 / 0 / 14

HEX #B866DB

RGB 184 102 219

HSL 282.05, 0.62%, 0.63%

LAB 56.89, 51.91, -46.81

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 0 / 77 / 68 / 24

HEX #C22D3E

RGB 194 45 62

HSL 353.15, 0.62%, 0.47%

LAB 43.79, 58.56, 27.27

 

CMYK 77 / 0 / 55 / 24

HEX #2DC257

RGB 45 194 87

HSL 136.91, 0.62%, 0.47%

LAB 69.35, -60.45, 42.63

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 0 / 24 / 77 / 24

HEX #C2932D

RGB 194 147 45

HSL 41.07, 0.62%, 0.47%

LAB 63.78, 8.11, 57.37

 

CMYK 77 / 0 / 24 / 24

HEX #2DC293

RGB 45 194 147

HSL 161.07, 0.62%, 0.47%

LAB 70.35, -49.12, 12.91

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 0 / 77 / 68 / 24

HEX #C22D3E

RGB 194 45 62

HSL 353.15, 0.62%, 0.47%

LAB 43.79, 58.56, 27.27

 

CMYK 53 / 0 / 77 / 24

HEX #5CC22D

RGB 92 194 45

HSL 101.07, 0.62%, 0.47%

LAB 70.21, -54.78, 61.09

 

CMYK 77 / 0 / 9 / 24

HEX #2DC2B0

RGB 45 194 176

HSL 172.75, 0.62%, 0.47%

LAB 71.06, -41.74, -1.84

 

CMYK 23 / 77 / 0 / 24

HEX #952DC2

RGB 149 45 194

HSL 281.88, 0.62%, 0.47%

LAB 41.47, 64.17, -57.41

 

CMYK 0 / 63 / 77 / 24

HEX #C2482D

RGB 194 72 45

HSL 10.87, 0.62%, 0.47%

LAB 47.36, 47.43, 41.09

 

CMYK 53 / 0 / 77 / 24

HEX #5CC22D

RGB 92 194 45

HSL 101.07, 0.62%, 0.47%

LAB 70.21, -54.78, 61.09

 

CMYK 77 / 14 / 0 / 24

HEX #2DA6C2

RGB 45 166 194

HSL 191.28, 0.62%, 0.47%

LAB 63.12, -23, -23.71

 

Description

Color code: RGB 149 45 194 | qconv.com Color code: RGB 149 45 194 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 45 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 45 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 77 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 77% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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