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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 25 75 it is the complementary color RGB 106 230 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 25 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 25 75 shade: RGB 154 25 70, RGB 171 43 89, RGB 188 61 108, RGB 205 79 127 and RGB 222 97 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 25 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 25 75 shade: RGB 149 25 75, RGB 132 7 56, RGB 115 0 37, RGB 98 0 18 and RGB 81 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 25 75 shade: RGB 148 25 74, RGB 148 25 41 and RGB 148 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 25 75 shade: RGB 148 25 74, RGB 148 25 107, RGB 148 25 141, RGB 122 25 148 and RGB 88 25 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 25 75 shade matches the following richer shades: RGB 148 25 74 and RGB 162 11 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 25 75 shade: RGB 148 25 74, RGB 134 39 77, RGB 120 53 80, RGB 106 67 82 and RGB 92 81 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 25 75 shade: RGB 148 25 142, RGB 148 25 109, RGB 148 25 76, RGB 148 25 43 and RGB 148 39 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 25 75 shade: RGB 77 13 39, RGB 112 19 56, RGB 148 25 74, RGB 183 31 92 and RGB 218 37 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 25 75 shade: RGB 149 25 75, RGB 148 121 25 and RGB 25 125 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 25 75 shade: RGB 149 25 75, RGB 76 148 25 and RGB 25 76 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 25 75 shade: RGB 149 25 75, RGB 148 121 25, RGB 25 148 96 and RGB 25 51 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 25 75 shade: RGB 149 25 75, RGB 137 148 25, RGB 25 148 96 and RGB 35 25 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 50 / 42

HEX #95194B

RGB 149 25 75

HSL 335.81, 0.71%, 0.34%

LAB 33.12, 52.41, 3.13

 

Complementary color

CMYK 54 / 0 / 22 / 10

HEX #6AE6B4

RGB 106 230 180

HSL 155.81, 0.71%, 0.66%

LAB 83.42, -46.24, 13.99

 

CMYK 0 / 84 / 55 / 40

HEX #9A1946

RGB 154 25 70

HSL 339.07, 0.72%, 0.35%

LAB 34, 53.36, 7.8

 

CMYK 0 / 75 / 48 / 33

HEX #AB2B59

RGB 171 43 89

HSL 338.44, 0.6%, 0.42%

LAB 39.76, 54.36, 4.22

 

CMYK 0 / 68 / 43 / 26

HEX #BC3D6C

RGB 188 61 108

HSL 337.8, 0.51%, 0.49%

LAB 45.79, 54.53, 1.47

 

CMYK 0 / 61 / 38 / 20

HEX #CD4F7F

RGB 205 79 127

HSL 337.14, 0.56%, 0.56%

LAB 51.95, 54.22, -0.7

 

CMYK 0 / 56 / 34 / 13

HEX #DE6192

RGB 222 97 146

HSL 336.48, 0.65%, 0.63%

LAB 58.18, 53.65, -2.46

 

CMYK 0 / 83 / 50 / 42

HEX #95194B

RGB 149 25 75

HSL 335.81, 0.71%, 0.34%

LAB 33.12, 52.41, 3.13

 

CMYK 0 / 95 / 58 / 48

HEX #840738

RGB 132 7 56

HSL 336.48, 0.9%, 0.27%

LAB 27.69, 50.1, 7.59

 

CMYK 0 / 100 / 68 / 55

HEX #730025

RGB 115 0 37

HSL 340.7, 1%, 0.23%

LAB 22.92, 45.76, 13.57

 

CMYK 0 / 100 / 82 / 62

HEX #620012

RGB 98 0 18

HSL 348.98, 1%, 0.19%

LAB 18.54, 40.27, 20.37

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 83 / 50 / 42

HEX #94194A

RGB 148 25 74

HSL 336.1, 0.71%, 0.34%

LAB 32.89, 52.05, 3.43

 

CMYK 0 / 83 / 72 / 42

HEX #941929

RGB 148 25 41

HSL 352.2, 0.71%, 0.34%

LAB 32.15, 49.82, 24.02

 

CMYK 0 / 83 / 83 / 42

HEX #941919

RGB 148 25 25

HSL 0, 0.71%, 0.34%

LAB 31.95, 49.19, 33.56

 

CMYK 0 / 83 / 50 / 42

HEX #94194A

RGB 148 25 74

HSL 336.1, 0.71%, 0.34%

LAB 32.89, 52.05, 3.43

 

CMYK 0 / 83 / 28 / 42

HEX #94196B

RGB 148 25 107

HSL 320, 0.71%, 0.34%

LAB 34.09, 55.57, -16.15

 

CMYK 0 / 83 / 5 / 42

HEX #94198D

RGB 148 25 141

HSL 303.41, 0.71%, 0.34%

LAB 35.82, 60.38, -34.74

 

CMYK 18 / 83 / 0 / 42

HEX #7A1994

RGB 122 25 148

HSL 287.32, 0.71%, 0.34%

LAB 31.74, 56.5, -45.83

 

CMYK 41 / 83 / 0 / 42

HEX #581994

RGB 88 25 148

HSL 270.73, 0.71%, 0.34%

LAB 26.47, 50.73, -54.64

 

CMYK 0 / 83 / 50 / 42

HEX #94194A

RGB 148 25 74

HSL 336.1, 0.71%, 0.34%

LAB 32.89, 52.05, 3.43

 

CMYK 0 / 93 / 56 / 36

HEX #A20B48

RGB 162 11 72

HSL 335.76, 0.87%, 0.34%

LAB 34.78, 58.29, 7.83

 

CMYK 0 / 83 / 50 / 42

HEX #94194A

RGB 148 25 74

HSL 336.1, 0.71%, 0.34%

LAB 32.89, 52.05, 3.43

 

CMYK 0 / 71 / 43 / 47

HEX #86274D

RGB 134 39 77

HSL 336, 0.55%, 0.34%

LAB 31.93, 43.51, -0.26

 

CMYK 0 / 56 / 33 / 53

HEX #783550

RGB 120 53 80

HSL 335.82, 0.39%, 0.34%

LAB 32.08, 32.44, -2.29

 

CMYK 0 / 37 / 23 / 58

HEX #6A4352

RGB 106 67 82

HSL 336.92, 0.23%, 0.34%

LAB 33.32, 19.23, -1.97

 

CMYK 0 / 12 / 8 / 64

HEX #5C5155

RGB 92 81 85

HSL 338.18, 0.06%, 0.34%

LAB 35.63, 5.33, -0.68

 

CMYK 0 / 83 / 4 / 42

HEX #94198E

RGB 148 25 142

HSL 302.93, 0.71%, 0.34%

LAB 35.88, 60.53, -35.27

 

CMYK 0 / 83 / 26 / 42

HEX #94196D

RGB 148 25 109

HSL 319.02, 0.71%, 0.34%

LAB 34.18, 55.82, -17.28

 

CMYK 0 / 83 / 49 / 42

HEX #94194C

RGB 148 25 76

HSL 335.12, 0.71%, 0.34%

LAB 32.95, 52.23, 2.2

 

CMYK 0 / 83 / 71 / 42

HEX #94192B

RGB 148 25 43

HSL 351.22, 0.71%, 0.34%

LAB 32.18, 49.92, 22.77

 

CMYK 0 / 74 / 83 / 42

HEX #942719

RGB 148 39 25

HSL 6.83, 0.71%, 0.34%

LAB 33.6, 44.58, 35.16

 

CMYK 0 / 83 / 49 / 70

HEX #4D0D27

RGB 77 13 39

HSL 335.63, 0.71%, 0.18%

LAB 15.55, 31.46, 0.6

 

CMYK 0 / 83 / 50 / 56

HEX #701338

RGB 112 19 56

HSL 336.13, 0.71%, 0.26%

LAB 24.31, 41.93, 2.2

 

CMYK 0 / 83 / 50 / 42

HEX #94194A

RGB 148 25 74

HSL 336.1, 0.71%, 0.34%

LAB 32.89, 52.05, 3.43

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 83 / 50 / 42

HEX #95194B

RGB 149 25 75

HSL 335.81, 0.71%, 0.34%

LAB 33.12, 52.41, 3.13

 

CMYK 0 / 18 / 83 / 42

HEX #947919

RGB 148 121 25

HSL 46.83, 0.71%, 0.34%

LAB 51.88, 0.91, 51.83

 

CMYK 83 / 16 / 0 / 42

HEX #197D94

RGB 25 125 148

HSL 191.22, 0.71%, 0.34%

LAB 48.28, -18.91, -20.2

 

CMYK 0 / 83 / 50 / 42

HEX #95194B

RGB 149 25 75

HSL 335.81, 0.71%, 0.34%

LAB 33.12, 52.41, 3.13

 

CMYK 49 / 0 / 83 / 42

HEX #4C9419

RGB 76 148 25

HSL 95.12, 0.71%, 0.34%

LAB 54.85, -42.94, 52.53

 

CMYK 83 / 49 / 0 / 42

HEX #194C94

RGB 25 76 148

HSL 215.12, 0.71%, 0.34%

LAB 32.95, 11.11, -44.33

 

CMYK 0 / 83 / 50 / 42

HEX #95194B

RGB 149 25 75

HSL 335.81, 0.71%, 0.34%

LAB 33.12, 52.41, 3.13

 

CMYK 0 / 18 / 83 / 42

HEX #947919

RGB 148 121 25

HSL 46.83, 0.71%, 0.34%

LAB 51.88, 0.91, 51.83

 

CMYK 83 / 0 / 35 / 42

HEX #199460

RGB 25 148 96

HSL 154.63, 0.71%, 0.34%

LAB 54.27, -44.61, 18.63

 

CMYK 83 / 66 / 0 / 42

HEX #193394

RGB 25 51 148

HSL 227.32, 0.71%, 0.34%

LAB 25.9, 28.28, -55.79

 

CMYK 0 / 83 / 50 / 42

HEX #95194B

RGB 149 25 75

HSL 335.81, 0.71%, 0.34%

LAB 33.12, 52.41, 3.13

 

CMYK 7 / 0 / 83 / 42

HEX #899419

RGB 137 148 25

HSL 65.37, 0.71%, 0.34%

LAB 58.57, -18.77, 57.26

 

CMYK 83 / 0 / 35 / 42

HEX #199460

RGB 25 148 96

HSL 154.63, 0.71%, 0.34%

LAB 54.27, -44.61, 18.63

 

CMYK 76 / 83 / 0 / 42

HEX #231994

RGB 35 25 148

HSL 244.88, 0.71%, 0.34%

LAB 20.79, 44.68, -64.2

 

Description

Color code: RGB 149 25 75 | qconv.com Color code: RGB 149 25 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 25 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 25 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 50 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 50% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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