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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 23 162 it is the complementary color RGB 106 232 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 23 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 23 162 shade: RGB 154 23 157, RGB 171 41 176, RGB 188 59 195, RGB 205 77 214 and RGB 222 95 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 23 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 23 162 shade: RGB 149 23 162, RGB 132 5 143, RGB 115 0 124, RGB 98 0 105 and RGB 81 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 23 162 shade: RGB 147 22 160, RGB 160 22 136, RGB 160 22 99, RGB 160 22 62 and RGB 160 22 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 23 162 shade: RGB 147 22 160, RGB 110 22 160, RGB 73 22 160, RGB 36 22 160 and RGB 22 22 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 23 162 shade matches the following richer shades: RGB 147 22 160 and RGB 159 8 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 23 162 shade: RGB 147 22 160, RGB 135 37 145, RGB 123 52 130, RGB 111 67 116 and RGB 99 82 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 23 162 shade: RGB 73 22 160, RGB 110 22 160, RGB 146 22 160, RGB 160 22 137 and RGB 160 22 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 23 162 shade: RGB 81 12 88, RGB 114 17 124, RGB 147 22 160, RGB 180 28 196 and RGB 207 41 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 23 162 shade: RGB 149 23 162, RGB 160 36 22 and RGB 22 160 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 23 162 shade: RGB 149 23 162, RGB 160 146 22 and RGB 22 160 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 23 162 shade: RGB 149 23 162, RGB 160 36 22, RGB 36 160 22 and RGB 22 146 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 23 162 shade: RGB 149 23 162, RGB 160 78 22, RGB 36 160 22 and RGB 22 105 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 86 / 0 / 36

HEX #9517A2

RGB 149 23 162

HSL 294.39, 0.75%, 0.36%

LAB 37.13, 64.46, -45.42

 

Complementary color

CMYK 54 / 0 / 60 / 9

HEX #6AE85D

RGB 106 232 93

HSL 114.39, 0.75%, 0.64%

LAB 82.68, -61.01, 55.89

 

CMYK 2 / 85 / 0 / 38

HEX #9A179D

RGB 154 23 157

HSL 298.66, 0.74%, 0.35%

LAB 37.69, 64.56, -41.46

 

CMYK 3 / 77 / 0 / 31

HEX #AB29B0

RGB 171 41 176

HSL 297.78, 0.62%, 0.43%

LAB 43.33, 66.44, -43.66

 

CMYK 4 / 70 / 0 / 24

HEX #BC3BC3

RGB 188 59 195

HSL 296.91, 0.54%, 0.5%

LAB 49.2, 67.34, -45.27

 

CMYK 4 / 64 / 0 / 16

HEX #CD4DD6

RGB 205 77 214

HSL 296.06, 0.63%, 0.57%

LAB 55.22, 67.62, -46.45

 

CMYK 5 / 59 / 0 / 9

HEX #DE5FE9

RGB 222 95 233

HSL 295.22, 0.76%, 0.64%

LAB 61.31, 67.5, -47.36

 

CMYK 8 / 86 / 0 / 36

HEX #9517A2

RGB 149 23 162

HSL 294.39, 0.75%, 0.36%

LAB 37.13, 64.46, -45.42

 

CMYK 8 / 97 / 0 / 44

HEX #84058F

RGB 132 5 143

HSL 295.22, 0.93%, 0.29%

LAB 31.8, 61.3, -42.57

 

CMYK 7 / 100 / 0 / 51

HEX #73007C

RGB 115 0 124

HSL 295.65, 1%, 0.24%

LAB 27.02, 56.07, -38.54

 

CMYK 7 / 100 / 0 / 59

HEX #620069

RGB 98 0 105

HSL 296, 1%, 0.21%

LAB 22.36, 49.93, -33.99

 

CMYK 6 / 100 / 0 / 66

HEX #510056

RGB 81 0 86

HSL 296.51, 1%, 0.17%

LAB 17.56, 43.61, -29.27

 

CMYK 8 / 86 / 0 / 37

HEX #9316A0

RGB 147 22 160

HSL 294.35, 0.76%, 0.36%

LAB 36.58, 63.97, -45.12

 

CMYK 0 / 86 / 15 / 37

HEX #A01688

RGB 160 22 136

HSL 310.43, 0.76%, 0.36%

LAB 37.53, 62.8, -28.82

 

CMYK 0 / 86 / 38 / 37

HEX #A01663

RGB 160 22 99

HSL 326.52, 0.76%, 0.36%

LAB 35.88, 58.27, -8.09

 

CMYK 0 / 86 / 61 / 37

HEX #A0163E

RGB 160 22 62

HSL 342.61, 0.76%, 0.36%

LAB 34.79, 55.14, 14.31

 

CMYK 0 / 86 / 85 / 37

HEX #A01618

RGB 160 22 24

HSL 359.13, 0.76%, 0.36%

LAB 34.22, 53.44, 37.17

 

CMYK 8 / 86 / 0 / 37

HEX #9316A0

RGB 147 22 160

HSL 294.35, 0.76%, 0.36%

LAB 36.58, 63.97, -45.12

 

CMYK 31 / 86 / 0 / 37

HEX #6E16A0

RGB 110 22 160

HSL 278.26, 0.76%, 0.36%

LAB 30.46, 57.75, -55.32

 

CMYK 54 / 86 / 0 / 37

HEX #4916A0

RGB 73 22 160

HSL 262.17, 0.76%, 0.36%

LAB 25.35, 52.84, -63.92

 

CMYK 78 / 86 / 0 / 37

HEX #2416A0

RGB 36 22 160

HSL 246.09, 0.76%, 0.36%

LAB 21.9, 49.76, -69.74

 

CMYK 86 / 86 / 0 / 37

HEX #1616A0

RGB 22 22 160

HSL 240, 0.76%, 0.36%

LAB 21.14, 49.12, -71.01

 

CMYK 8 / 86 / 0 / 37

HEX #9316A0

RGB 147 22 160

HSL 294.35, 0.76%, 0.36%

LAB 36.58, 63.97, -45.12

 

CMYK 9 / 95 / 0 / 31

HEX #9F08AF

RGB 159 8 175

HSL 294.25, 0.91%, 0.36%

LAB 38.97, 70.64, -50.17

 

CMYK 8 / 86 / 0 / 37

HEX #9316A0

RGB 147 22 160

HSL 294.35, 0.76%, 0.36%

LAB 36.58, 63.97, -45.12

 

CMYK 7 / 74 / 0 / 43

HEX #872591

RGB 135 37 145

HSL 294.44, 0.59%, 0.36%

LAB 35.04, 54.71, -38.58

 

CMYK 5 / 60 / 0 / 49

HEX #7B3482

RGB 123 52 130

HSL 294.62, 0.43%, 0.36%

LAB 34.56, 42.48, -30.21

 

CMYK 4 / 42 / 0 / 55

HEX #6F4374

RGB 111 67 116

HSL 293.88, 0.27%, 0.36%

LAB 35.31, 27.66, -20.43

 

CMYK 2 / 19 / 0 / 60

HEX #635265

RGB 99 82 101

HSL 293.68, 0.1%, 0.36%

LAB 37.16, 10.85, -8.35

 

CMYK 54 / 86 / 0 / 37

HEX #4916A0

RGB 73 22 160

HSL 262.17, 0.76%, 0.36%

LAB 25.35, 52.84, -63.92

 

CMYK 31 / 86 / 0 / 37

HEX #6E16A0

RGB 110 22 160

HSL 278.26, 0.76%, 0.36%

LAB 30.46, 57.75, -55.32

 

CMYK 9 / 86 / 0 / 37

HEX #9216A0

RGB 146 22 160

HSL 293.91, 0.76%, 0.36%

LAB 36.41, 63.79, -45.41

 

CMYK 0 / 86 / 14 / 37

HEX #A01689

RGB 160 22 137

HSL 310, 0.76%, 0.36%

LAB 37.58, 62.94, -29.36

 

CMYK 0 / 86 / 38 / 37

HEX #A01664

RGB 160 22 100

HSL 326.09, 0.76%, 0.36%

LAB 35.92, 58.38, -8.68

 

CMYK 8 / 86 / 0 / 65

HEX #510C58

RGB 81 12 88

HSL 294.47, 0.76%, 0.2%

LAB 18.87, 40.54, -28.51

 

CMYK 8 / 86 / 0 / 51

HEX #72117C

RGB 114 17 124

HSL 294.39, 0.76%, 0.28%

LAB 27.94, 52.63, -37.08

 

CMYK 8 / 86 / 0 / 37

HEX #9316A0

RGB 147 22 160

HSL 294.35, 0.76%, 0.36%

LAB 36.58, 63.97, -45.12

 

CMYK 8 / 86 / 0 / 23

HEX #B41CC4

RGB 180 28 196

HSL 294.29, 0.75%, 0.44%

LAB 44.97, 74.59, -52.69

 

CMYK 8 / 82 / 0 / 12

HEX #CF29E0

RGB 207 41 224

HSL 294.43, 0.75%, 0.52%

LAB 52.1, 81.1, -57.09

 

CMYK 8 / 86 / 0 / 36

HEX #9517A2

RGB 149 23 162

HSL 294.39, 0.75%, 0.36%

LAB 37.13, 64.46, -45.42

 

CMYK 0 / 78 / 86 / 37

HEX #A02416

RGB 160 36 22

HSL 6.09, 0.76%, 0.36%

LAB 35.58, 49.49, 39.43

 

CMYK 86 / 0 / 43 / 37

HEX #16A05B

RGB 22 160 91

HSL 150, 0.76%, 0.36%

LAB 58.1, -50.47, 26.46

 

CMYK 8 / 86 / 0 / 36

HEX #9517A2

RGB 149 23 162

HSL 294.39, 0.75%, 0.36%

LAB 37.13, 64.46, -45.42

 

CMYK 0 / 9 / 86 / 37

HEX #A09216

RGB 160 146 22

HSL 53.91, 0.76%, 0.36%

LAB 59.97, -7.43, 60

 

CMYK 86 / 0 / 9 / 37

HEX #16A092

RGB 22 160 146

HSL 173.91, 0.76%, 0.36%

LAB 59.33, -37.09, -2.43

 

CMYK 8 / 86 / 0 / 36

HEX #9517A2

RGB 149 23 162

HSL 294.39, 0.75%, 0.36%

LAB 37.13, 64.46, -45.42

 

CMYK 0 / 78 / 86 / 37

HEX #A02416

RGB 160 36 22

HSL 6.09, 0.76%, 0.36%

LAB 35.58, 49.49, 39.43

 

CMYK 78 / 0 / 86 / 37

HEX #24A016

RGB 36 160 22

HSL 113.91, 0.76%, 0.36%

LAB 57.63, -56.87, 55.39

 

CMYK 86 / 9 / 0 / 37

HEX #1692A0

RGB 22 146 160

HSL 186.09, 0.76%, 0.36%

LAB 55.35, -26.06, -16.37

 

CMYK 8 / 86 / 0 / 36

HEX #9517A2

RGB 149 23 162

HSL 294.39, 0.75%, 0.36%

LAB 37.13, 64.46, -45.42

 

CMYK 0 / 51 / 86 / 37

HEX #A04E16

RGB 160 78 22

HSL 24.35, 0.76%, 0.36%

LAB 42.73, 30.56, 45.59

 

CMYK 78 / 0 / 86 / 37

HEX #24A016

RGB 36 160 22

HSL 113.91, 0.76%, 0.36%

LAB 57.63, -56.87, 55.39

 

CMYK 86 / 34 / 0 / 37

HEX #1669A0

RGB 22 105 160

HSL 203.91, 0.76%, 0.36%

LAB 42.48, -3.14, -36.33

 

Description

Color code: RGB 149 23 162 | qconv.com Color code: RGB 149 23 162 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 23 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 23 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 86 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 86% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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