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Color name
RGB 149 173 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 173 19 it is the complementary color RGB 106 82 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 173 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 173 19 shade: RGB 154 173 14, RGB 171 191 33, RGB 188 209 52, RGB 205 227 71 and RGB 222 245 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 173 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 173 19 shade: RGB 149 173 19, RGB 132 155 0, RGB 115 137 0, RGB 98 119 0 and RGB 81 101 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 173 19 shade: RGB 150 174 19, RGB 174 156 19, RGB 174 114 19, RGB 174 73 19 and RGB 174 31 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 173 19 shade: RGB 150 174 19, RGB 108 174 19, RGB 66 174 19, RGB 24 174 19 and RGB 19 174 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 173 19 shade matches the following richer shades: RGB 150 174 19 and RGB 161 190 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 173 19 shade: RGB 150 174 19, RGB 139 158 35, RGB 128 143 50, RGB 117 127 66 and RGB 107 111 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 173 19 shade: RGB 174 114 19, RGB 174 156 19, RGB 151 174 19, RGB 109 174 19 and RGB 68 174 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 173 19 shade: RGB 86 100 11, RGB 118 137 15, RGB 150 174 19, RGB 182 211 23 and RGB 202 231 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 173 19 shade: RGB 149 173 19, RGB 19 174 73 and RGB 135 19 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 173 19 shade: RGB 149 173 19, RGB 19 151 174 and RGB 174 19 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 173 19 shade: RGB 149 173 19, RGB 19 174 73, RGB 42 19 174 and RGB 174 19 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 173 19 shade: RGB 149 173 19, RGB 19 174 120, RGB 42 19 174 and RGB 174 19 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 89 / 32

HEX #95AD13

RGB 149 173 19

HSL 69.35, 0.8%, 0.38%

LAB 66.77, -26.23, 65.84

 

Complementary color

CMYK 55 / 65 / 0 / 7

HEX #6A52EC

RGB 106 82 236

HSL 249.35, 0.8%, 0.62%

LAB 45.85, 49.9, -74.6

 

CMYK 11 / 0 / 92 / 32

HEX #9AAD0E

RGB 154 173 14

HSL 67.17, 0.85%, 0.37%

LAB 67.12, -24.2, 67.11

 

CMYK 10 / 0 / 83 / 25

HEX #ABBF21

RGB 171 191 33

HSL 67.59, 0.71%, 0.44%

LAB 73.56, -25.3, 69.14

 

CMYK 10 / 0 / 75 / 18

HEX #BCD134

RGB 188 209 52

HSL 68.03, 0.63%, 0.51%

LAB 79.92, -26.19, 69.93

 

CMYK 10 / 0 / 69 / 11

HEX #CDE347

RGB 205 227 71

HSL 68.46, 0.74%, 0.58%

LAB 86.19, -26.92, 69.95

 

CMYK 9 / 0 / 63 / 4

HEX #DEF55A

RGB 222 245 90

HSL 68.9, 0.89%, 0.66%

LAB 92.39, -27.52, 69.49

 

CMYK 14 / 0 / 89 / 32

HEX #95AD13

RGB 149 173 19

HSL 69.35, 0.8%, 0.38%

LAB 66.77, -26.23, 65.84

 

CMYK 15 / 0 / 100 / 39

HEX #849B00

RGB 132 155 0

HSL 68.9, 1%, 0.3%

LAB 60.2, -25.05, 63

 

CMYK 16 / 0 / 100 / 46

HEX #738900

RGB 115 137 0

HSL 69.64, 1%, 0.27%

LAB 53.53, -23.54, 57.44

 

CMYK 18 / 0 / 100 / 53

HEX #627700

RGB 98 119 0

HSL 70.59, 1%, 0.23%

LAB 46.7, -22, 51.76

 

CMYK 20 / 0 / 100 / 60

HEX #516500

RGB 81 101 0

HSL 71.88, 1%, 0.2%

LAB 39.68, -20.43, 45.91

 

CMYK 14 / 0 / 89 / 32

HEX #96AE13

RGB 150 174 19

HSL 69.29, 0.8%, 0.38%

LAB 67.13, -26.29, 66.16

 

CMYK 0 / 10 / 89 / 32

HEX #AE9C13

RGB 174 156 19

HSL 53.03, 0.8%, 0.38%

LAB 64.02, -6.52, 64.49

 

CMYK 0 / 34 / 89 / 32

HEX #AE7213

RGB 174 114 19

HSL 36.77, 0.8%, 0.38%

LAB 53.04, 16.65, 55.79

 

CMYK 0 / 58 / 89 / 32

HEX #AE4913

RGB 174 73 19

HSL 20.9, 0.8%, 0.38%

LAB 43.96, 38.73, 48.66

 

CMYK 0 / 82 / 89 / 32

HEX #AE1F13

RGB 174 31 19

HSL 4.65, 0.8%, 0.38%

LAB 37.89, 55.19, 43.93

 

CMYK 14 / 0 / 89 / 32

HEX #96AE13

RGB 150 174 19

HSL 69.29, 0.8%, 0.38%

LAB 67.13, -26.29, 66.16

 

CMYK 38 / 0 / 89 / 32

HEX #6CAE13

RGB 108 174 19

HSL 85.55, 0.8%, 0.38%

LAB 64.57, -42.92, 63

 

CMYK 62 / 0 / 89 / 32

HEX #42AE13

RGB 66 174 19

HSL 101.81, 0.8%, 0.38%

LAB 62.91, -55.67, 60.93

 

CMYK 86 / 0 / 89 / 32

HEX #18AE13

RGB 24 174 19

HSL 118.06, 0.8%, 0.38%

LAB 62.09, -62.68, 59.91

 

CMYK 89 / 0 / 68 / 32

HEX #13AE37

RGB 19 174 55

HSL 133.94, 0.8%, 0.38%

LAB 62.24, -60.63, 48.79

 

CMYK 14 / 0 / 89 / 32

HEX #96AE13

RGB 150 174 19

HSL 69.29, 0.8%, 0.38%

LAB 67.13, -26.29, 66.16

 

CMYK 15 / 0 / 98 / 25

HEX #A1BE03

RGB 161 190 3

HSL 69.3, 0.97%, 0.38%

LAB 72.5, -29.6, 72.81

 

CMYK 14 / 0 / 89 / 32

HEX #96AE13

RGB 150 174 19

HSL 69.29, 0.8%, 0.38%

LAB 67.13, -26.29, 66.16

 

CMYK 12 / 0 / 78 / 38

HEX #8B9E23

RGB 139 158 35

HSL 69.27, 0.64%, 0.38%

LAB 61.71, -22.58, 57.16

 

CMYK 10 / 0 / 65 / 44

HEX #808F32

RGB 128 143 50

HSL 69.68, 0.48%, 0.38%

LAB 56.55, -18.83, 46.04

 

CMYK 8 / 0 / 48 / 50

HEX #757F42

RGB 117 127 66

HSL 69.84, 0.32%, 0.38%

LAB 51.1, -13.67, 31.74

 

CMYK 4 / 0 / 26 / 56

HEX #6B6F52

RGB 107 111 82

HSL 68.28, 0.15%, 0.38%

LAB 45.78, -6.88, 15.68

 

CMYK 0 / 34 / 89 / 32

HEX #AE7213

RGB 174 114 19

HSL 36.77, 0.8%, 0.38%

LAB 53.04, 16.65, 55.79

 

CMYK 0 / 10 / 89 / 32

HEX #AE9C13

RGB 174 156 19

HSL 53.03, 0.8%, 0.38%

LAB 64.02, -6.52, 64.49

 

CMYK 13 / 0 / 89 / 32

HEX #97AE13

RGB 151 174 19

HSL 68.9, 0.8%, 0.38%

LAB 67.2, -25.87, 66.25

 

CMYK 37 / 0 / 89 / 32

HEX #6DAE13

RGB 109 174 19

HSL 85.16, 0.8%, 0.38%

LAB 64.62, -42.56, 63.06

 

CMYK 61 / 0 / 89 / 32

HEX #44AE13

RGB 68 174 19

HSL 101.03, 0.8%, 0.38%

LAB 62.97, -55.19, 61

 

CMYK 14 / 0 / 89 / 61

HEX #56640B

RGB 86 100 11

HSL 69.44, 0.8%, 0.22%

LAB 39.78, -17.21, 43.25

 

CMYK 14 / 0 / 89 / 46

HEX #76890F

RGB 118 137 15

HSL 69.34, 0.8%, 0.3%

LAB 53.79, -21.88, 55.05

 

CMYK 14 / 0 / 89 / 32

HEX #96AE13

RGB 150 174 19

HSL 69.29, 0.8%, 0.38%

LAB 67.13, -26.29, 66.16

 

CMYK 14 / 0 / 89 / 17

HEX #B6D317

RGB 182 211 23

HSL 69.26, 0.8%, 0.46%

LAB 79.95, -30.52, 76.78

 

CMYK 13 / 0 / 81 / 9

HEX #CAE72C

RGB 202 231 44

HSL 69.3, 0.8%, 0.54%

LAB 86.94, -31.18, 78.86

 

CMYK 14 / 0 / 89 / 32

HEX #95AD13

RGB 149 173 19

HSL 69.35, 0.8%, 0.38%

LAB 66.77, -26.23, 65.84

 

CMYK 89 / 0 / 58 / 32

HEX #13AE49

RGB 19 174 73

HSL 140.9, 0.8%, 0.38%

LAB 62.42, -58.47, 40.96

 

CMYK 22 / 89 / 0 / 32

HEX #8713AE

RGB 135 19 174

HSL 284.9, 0.8%, 0.38%

LAB 35.35, 65.09, -55.63

 

CMYK 14 / 0 / 89 / 32

HEX #95AD13

RGB 149 173 19

HSL 69.35, 0.8%, 0.38%

LAB 66.77, -26.23, 65.84

 

CMYK 89 / 13 / 0 / 32

HEX #1397AE

RGB 19 151 174

HSL 188.9, 0.8%, 0.38%

LAB 57.39, -24.12, -21.25

 

CMYK 0 / 89 / 13 / 32

HEX #AE1397

RGB 174 19 151

HSL 308.9, 0.8%, 0.38%

LAB 40.73, 68.27, -32.77

 

CMYK 14 / 0 / 89 / 32

HEX #95AD13

RGB 149 173 19

HSL 69.35, 0.8%, 0.38%

LAB 66.77, -26.23, 65.84

 

CMYK 89 / 0 / 58 / 32

HEX #13AE49

RGB 19 174 73

HSL 140.9, 0.8%, 0.38%

LAB 62.42, -58.47, 40.96

 

CMYK 76 / 89 / 0 / 32

HEX #2A13AE

RGB 42 19 174

HSL 248.9, 0.8%, 0.38%

LAB 23.72, 55.24, -75.18

 

CMYK 0 / 89 / 31 / 32

HEX #AE1378

RGB 174 19 120

HSL 320.9, 0.8%, 0.38%

LAB 39.28, 64.39, -15.96

 

CMYK 14 / 0 / 89 / 32

HEX #95AD13

RGB 149 173 19

HSL 69.35, 0.8%, 0.38%

LAB 66.77, -26.23, 65.84

 

CMYK 89 / 0 / 31 / 32

HEX #13AE78

RGB 19 174 120

HSL 159.1, 0.8%, 0.38%

LAB 63.15, -49.86, 17.51

 

CMYK 76 / 89 / 0 / 32

HEX #2A13AE

RGB 42 19 174

HSL 248.9, 0.8%, 0.38%

LAB 23.72, 55.24, -75.18

 

CMYK 0 / 89 / 58 / 32

HEX #AE1349

RGB 174 19 73

HSL 339.1, 0.8%, 0.38%

LAB 37.74, 60.14, 11.68

 

Description

Color code: RGB 149 173 19 | qconv.com Color code: RGB 149 173 19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 173 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 173 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 89 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 89% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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