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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 169 55 it is the complementary color RGB 106 86 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 169 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 169 55 shade: RGB 154 169 50, RGB 171 187 69, RGB 188 205 88, RGB 205 223 107 and RGB 222 241 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 169 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 169 55 shade: RGB 149 169 55, RGB 132 151 36, RGB 115 133 17, RGB 98 115 0 and RGB 81 97 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 169 55 shade: RGB 149 169 54, RGB 169 158 54, RGB 169 127 54, RGB 169 96 54 and RGB 169 66 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 169 55 shade: RGB 149 169 54, RGB 118 169 54, RGB 87 169 54, RGB 56 169 54 and RGB 54 169 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 169 55 shade matches the following richer shades: RGB 149 169 54, RGB 161 187 36, RGB 172 205 18 and RGB 184 223 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 169 55 shade: RGB 149 169 54, RGB 137 151 73, RGB 125 133 91, RGB 113 114 109 and RGB 102 96 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 169 55 shade: RGB 169 127 54, RGB 169 157 54, RGB 150 169 54, RGB 119 169 54 and RGB 89 169 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 169 55 shade: RGB 94 107 34, RGB 121 138 44, RGB 149 169 54, RGB 173 195 70 and RGB 187 205 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 169 55 shade: RGB 149 169 55, RGB 54 169 96 and RGB 142 54 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 169 55 shade: RGB 149 169 55, RGB 54 150 169 and RGB 169 54 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 169 55 shade: RGB 149 169 55, RGB 54 169 96, RGB 74 54 169 and RGB 169 54 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 169 55 shade: RGB 149 169 55, RGB 54 169 131, RGB 74 54 169 and RGB 169 54 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 67 / 34

HEX #95A937

RGB 149 169 55

HSL 70.53, 0.51%, 0.44%

LAB 65.78, -22.72, 54.07

 

Complementary color

CMYK 47 / 57 / 0 / 22

HEX #6A56C8

RGB 106 86 200

HSL 250.53, 0.51%, 0.56%

LAB 44.07, 36.94, -56.94

 

CMYK 9 / 0 / 70 / 34

HEX #9AA932

RGB 154 169 50

HSL 67.56, 0.54%, 0.43%

LAB 66.12, -20.91, 56.49

 

CMYK 9 / 0 / 63 / 27

HEX #ABBB45

RGB 171 187 69

HSL 68.14, 0.46%, 0.5%

LAB 72.65, -21.55, 55.98

 

CMYK 8 / 0 / 57 / 20

HEX #BCCD58

RGB 188 205 88

HSL 68.72, 0.54%, 0.57%

LAB 79.08, -22.05, 55.13

 

CMYK 8 / 0 / 52 / 13

HEX #CDDF6B

RGB 205 223 107

HSL 69.31, 0.64%, 0.65%

LAB 85.41, -22.44, 54.12

 

CMYK 8 / 0 / 48 / 5

HEX #DEF17E

RGB 222 241 126

HSL 69.91, 0.8%, 0.72%

LAB 91.66, -22.76, 53.03

 

CMYK 12 / 0 / 67 / 34

HEX #95A937

RGB 149 169 55

HSL 70.53, 0.51%, 0.44%

LAB 65.78, -22.72, 54.07

 

CMYK 13 / 0 / 76 / 41

HEX #849724

RGB 132 151 36

HSL 69.91, 0.61%, 0.37%

LAB 59.13, -22.03, 54.23

 

CMYK 14 / 0 / 87 / 48

HEX #738511

RGB 115 133 17

HSL 69.31, 0.77%, 0.29%

LAB 52.35, -21.11, 53.31

 

CMYK 15 / 0 / 100 / 55

HEX #627300

RGB 98 115 0

HSL 68.87, 1%, 0.23%

LAB 45.44, -19.93, 50.81

 

CMYK 16 / 0 / 100 / 62

HEX #516100

RGB 81 97 0

HSL 69.9, 1%, 0.19%

LAB 38.37, -18.32, 44.93

 

CMYK 12 / 0 / 68 / 34

HEX #95A936

RGB 149 169 54

HSL 70.43, 0.52%, 0.44%

LAB 65.77, -22.78, 54.47

 

CMYK 0 / 7 / 68 / 34

HEX #A99E36

RGB 169 158 54

HSL 54.26, 0.52%, 0.44%

LAB 64.29, -8.47, 53.46

 

CMYK 0 / 25 / 68 / 34

HEX #A97F36

RGB 169 127 54

HSL 38.09, 0.52%, 0.44%

LAB 55.97, 8.51, 44.72

 

CMYK 0 / 43 / 68 / 34

HEX #A96036

RGB 169 96 54

HSL 21.91, 0.52%, 0.44%

LAB 48.34, 25.93, 36.27

 

CMYK 0 / 61 / 68 / 34

HEX #A94236

RGB 169 66 54

HSL 6.26, 0.52%, 0.44%

LAB 42.15, 41.58, 29.02

 

CMYK 12 / 0 / 68 / 34

HEX #95A936

RGB 149 169 54

HSL 70.43, 0.52%, 0.44%

LAB 65.77, -22.78, 54.47

 

CMYK 30 / 0 / 68 / 34

HEX #76A936

RGB 118 169 54

HSL 86.61, 0.52%, 0.44%

LAB 63.75, -35.25, 51.74

 

CMYK 49 / 0 / 68 / 34

HEX #57A936

RGB 87 169 54

HSL 102.78, 0.52%, 0.44%

LAB 62.23, -45.94, 49.67

 

CMYK 67 / 0 / 68 / 34

HEX #38A936

RGB 56 169 54

HSL 118.96, 0.52%, 0.44%

LAB 61.21, -53.95, 48.27

 

CMYK 68 / 0 / 50 / 34

HEX #36A954

RGB 54 169 84

HSL 135.65, 0.52%, 0.44%

LAB 61.48, -50.56, 34.54

 

CMYK 12 / 0 / 68 / 34

HEX #95A936

RGB 149 169 54

HSL 70.43, 0.52%, 0.44%

LAB 65.77, -22.78, 54.47

 

CMYK 14 / 0 / 81 / 27

HEX #A1BB24

RGB 161 187 36

HSL 70.33, 0.68%, 0.44%

LAB 71.72, -27.44, 66.48

 

CMYK 16 / 0 / 91 / 20

HEX #ACCD12

RGB 172 205 18

HSL 70.59, 0.84%, 0.44%

LAB 77.57, -31.9, 75.35

 

CMYK 17 / 0 / 100 / 13

HEX #B8DF00

RGB 184 223 0

HSL 70.49, 1%, 0.44%

LAB 83.42, -35.55, 82.03

 

CMYK 12 / 0 / 68 / 34

HEX #95A936

RGB 149 169 54

HSL 70.43, 0.52%, 0.44%

LAB 65.77, -22.78, 54.47

 

CMYK 9 / 0 / 52 / 41

HEX #899749

RGB 137 151 73

HSL 70.77, 0.35%, 0.44%

LAB 59.83, -17.15, 39.01

 

CMYK 6 / 0 / 32 / 48

HEX #7D855B

RGB 125 133 91

HSL 71.43, 0.19%, 0.44%

LAB 53.91, -10.36, 21.71

 

CMYK 1 / 0 / 4 / 55

HEX #71726D

RGB 113 114 109

HSL 72, 0.02%, 0.44%

LAB 47.82, -1.38, 2.63

 

CMYK 20 / 24 / 0 / 50

HEX #66607F

RGB 102 96 127

HSL 251.61, 0.14%, 0.44%

LAB 42.34, 9.36, -16.45

 

CMYK 0 / 25 / 68 / 34

HEX #A97F36

RGB 169 127 54

HSL 38.09, 0.52%, 0.44%

LAB 55.97, 8.51, 44.72

 

CMYK 0 / 7 / 68 / 34

HEX #A99D36

RGB 169 157 54

HSL 53.74, 0.52%, 0.44%

LAB 64.01, -7.94, 53.18

 

CMYK 11 / 0 / 68 / 34

HEX #96A936

RGB 150 169 54

HSL 69.91, 0.52%, 0.44%

LAB 65.85, -22.36, 54.56

 

CMYK 30 / 0 / 68 / 34

HEX #77A936

RGB 119 169 54

HSL 86.09, 0.52%, 0.44%

LAB 63.81, -34.87, 51.81

 

CMYK 47 / 0 / 68 / 34

HEX #59A936

RGB 89 169 54

HSL 101.74, 0.52%, 0.44%

LAB 62.31, -45.32, 49.78

 

CMYK 12 / 0 / 68 / 58

HEX #5E6B22

RGB 94 107 34

HSL 70.68, 0.52%, 0.28%

LAB 42.78, -16.04, 37.82

 

CMYK 12 / 0 / 68 / 46

HEX #798A2C

RGB 121 138 44

HSL 70.85, 0.52%, 0.36%

LAB 54.47, -19.71, 46.29

 

CMYK 12 / 0 / 68 / 34

HEX #95A936

RGB 149 169 54

HSL 70.43, 0.52%, 0.44%

LAB 65.77, -22.78, 54.47

 

CMYK 11 / 0 / 64 / 24

HEX #ADC346

RGB 173 195 70

HSL 70.56, 0.51%, 0.52%

LAB 75.05, -24.58, 58.16

 

CMYK 9 / 0 / 51 / 20

HEX #BBCD65

RGB 187 205 101

HSL 70.38, 0.51%, 0.6%

LAB 79.14, -21.32, 49.2

 

CMYK 12 / 0 / 67 / 34

HEX #95A937

RGB 149 169 55

HSL 70.53, 0.51%, 0.44%

LAB 65.78, -22.72, 54.07

 

CMYK 68 / 0 / 43 / 34

HEX #36A960

RGB 54 169 96

HSL 141.91, 0.52%, 0.44%

LAB 61.66, -48.56, 28.53

 

CMYK 16 / 68 / 0 / 34

HEX #8E36A9

RGB 142 54 169

HSL 285.91, 0.52%, 0.44%

LAB 40, 54.18, -45.08

 

CMYK 12 / 0 / 67 / 34

HEX #95A937

RGB 149 169 55

HSL 70.53, 0.51%, 0.44%

LAB 65.78, -22.72, 54.07

 

CMYK 68 / 11 / 0 / 34

HEX #3696A9

RGB 54 150 169

HSL 189.91, 0.52%, 0.44%

LAB 57.52, -21.56, -18.15

 

CMYK 0 / 68 / 11 / 34

HEX #A93696

RGB 169 54 150

HSL 309.91, 0.52%, 0.44%

LAB 43.18, 57.35, -28.4

 

CMYK 12 / 0 / 67 / 34

HEX #95A937

RGB 149 169 55

HSL 70.53, 0.51%, 0.44%

LAB 65.78, -22.72, 54.07

 

CMYK 68 / 0 / 43 / 34

HEX #36A960

RGB 54 169 96

HSL 141.91, 0.52%, 0.44%

LAB 61.66, -48.56, 28.53

 

CMYK 56 / 68 / 0 / 34

HEX #4A36A9

RGB 74 54 169

HSL 250.43, 0.52%, 0.44%

LAB 31.71, 40.23, -58.9

 

CMYK 0 / 68 / 25 / 34

HEX #A9367F

RGB 169 54 127

HSL 321.91, 0.52%, 0.44%

LAB 42.16, 54.01, -15.96

 

CMYK 12 / 0 / 67 / 34

HEX #95A937

RGB 149 169 55

HSL 70.53, 0.51%, 0.44%

LAB 65.78, -22.72, 54.07

 

CMYK 68 / 0 / 22 / 34

HEX #36A983

RGB 54 169 131

HSL 160.17, 0.52%, 0.44%

LAB 62.34, -41.23, 10.39

 

CMYK 56 / 68 / 0 / 34

HEX #4A36A9

RGB 74 54 169

HSL 250.43, 0.52%, 0.44%

LAB 31.71, 40.23, -58.9

 

CMYK 0 / 68 / 45 / 34

HEX #A9365D

RGB 169 54 93

HSL 339.65, 0.52%, 0.44%

LAB 41, 50, 3.43

 

Description

Color code: RGB 149 169 55 | qconv.com Color code: RGB 149 169 55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 169 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 169 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 67 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 67% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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