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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 164 198 it is the complementary color RGB 106 91 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 164 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 164 198 shade: RGB 154 164 193, RGB 171 182 212, RGB 188 200 231, RGB 205 218 250 and RGB 222 236 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 164 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 164 198 shade: RGB 149 164 198, RGB 132 146 179, RGB 115 128 160, RGB 98 110 141 and RGB 81 92 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 164 198 shade: RGB 148 163 197, RGB 148 150 197, RGB 160 148 197, RGB 173 148 197 and RGB 186 148 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 164 198 shade: RGB 148 163 197, RGB 148 150 197 and RGB 148 148 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 164 198 shade matches the following richer shades: RGB 148 163 197, RGB 135 158 211, RGB 122 153 224, RGB 109 148 237 and RGB 96 143 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 164 198 shade: RGB 148 163 197, RGB 162 169 184, RGB 175 174 171, RGB 188 179 158 and RGB 201 184 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 164 198 shade: RGB 148 190 197, RGB 148 177 197, RGB 148 164 197, RGB 148 151 197 and RGB 159 148 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 164 198 shade: RGB 95 117 168, RGB 122 140 183, RGB 148 163 197, RGB 175 186 212 and RGB 202 209 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 164 198 shade: RGB 149 164 198, RGB 192 148 197 and RGB 184 197 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 164 198 shade: RGB 149 164 198, RGB 197 148 164 and RGB 164 197 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 164 198 shade: RGB 149 164 198, RGB 192 148 197, RGB 197 182 148 and RGB 154 197 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 164 198 shade: RGB 149 164 198, RGB 197 148 188, RGB 197 182 148 and RGB 148 197 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 17 / 0 / 22

HEX #95A4C6

RGB 149 164 198

HSL 221.63, 0.3%, 0.68%

LAB 67.29, 2.29, -19.15

 

Complementary color

CMYK 0 / 14 / 46 / 58

HEX #6A5B39

RGB 106 91 57

HSL 41.63, 0.3%, 0.32%

LAB 39.31, 0.91, 21.82

 

CMYK 20 / 15 / 0 / 24

HEX #9AA4C1

RGB 154 164 193

HSL 224.62, 0.24%, 0.68%

LAB 67.48, 2.7, -16.06

 

CMYK 19 / 14 / 0 / 17

HEX #ABB6D4

RGB 171 182 212

HSL 223.9, 0.32%, 0.75%

LAB 74.1, 2.48, -16.39

 

CMYK 19 / 13 / 0 / 9

HEX #BCC8E7

RGB 188 200 231

HSL 223.26, 0.47%, 0.82%

LAB 80.61, 2.29, -16.72

 

CMYK 18 / 13 / 0 / 2

HEX #CDDAFA

RGB 205 218 250

HSL 222.67, 0.82%, 0.89%

LAB 87.01, 2.1, -17.06

 

CMYK 13 / 7 / 0 / 0

HEX #DEECFF

RGB 222 236 255

HSL 214.55, 1%, 0.94%

LAB 92.9, -0.94, -10.74

 

CMYK 25 / 17 / 0 / 22

HEX #95A4C6

RGB 149 164 198

HSL 221.63, 0.3%, 0.68%

LAB 67.29, 2.29, -19.15

 

CMYK 26 / 18 / 0 / 30

HEX #8492B3

RGB 132 146 179

HSL 222.13, 0.24%, 0.61%

LAB 60.53, 2.54, -18.9

 

CMYK 28 / 20 / 0 / 37

HEX #7380A0

RGB 115 128 160

HSL 222.67, 0.19%, 0.54%

LAB 53.62, 2.82, -18.66

 

CMYK 30 / 22 / 0 / 45

HEX #626E8D

RGB 98 110 141

HSL 223.26, 0.18%, 0.47%

LAB 46.54, 3.13, -18.46

 

CMYK 34 / 25 / 0 / 52

HEX #515C7A

RGB 81 92 122

HSL 223.9, 0.2%, 0.4%

LAB 39.26, 3.5, -18.29

 

CMYK 25 / 17 / 0 / 23

HEX #94A3C5

RGB 148 163 197

HSL 221.63, 0.3%, 0.68%

LAB 66.92, 2.3, -19.17

 

CMYK 25 / 24 / 0 / 23

HEX #9496C5

RGB 148 150 197

HSL 237.55, 0.3%, 0.68%

LAB 63.46, 9.63, -24.45

 

CMYK 19 / 25 / 0 / 23

HEX #A094C5

RGB 160 148 197

HSL 254.69, 0.3%, 0.68%

LAB 63.9, 14.53, -23.68

 

CMYK 12 / 25 / 0 / 23

HEX #AD94C5

RGB 173 148 197

HSL 270.61, 0.3%, 0.68%

LAB 65.04, 18.72, -21.85

 

CMYK 6 / 25 / 0 / 23

HEX #BA94C5

RGB 186 148 197

HSL 286.53, 0.3%, 0.68%

LAB 66.25, 23, -19.89

 

CMYK 25 / 17 / 0 / 23

HEX #94A3C5

RGB 148 163 197

HSL 221.63, 0.3%, 0.68%

LAB 66.92, 2.3, -19.17

 

CMYK 25 / 24 / 0 / 23

HEX #9496C5

RGB 148 150 197

HSL 237.55, 0.3%, 0.68%

LAB 63.46, 9.63, -24.45

 

CMYK 25 / 25 / 0 / 23

HEX #9494C5

RGB 148 148 197

HSL 240, 0.3%, 0.68%

LAB 62.93, 10.77, -25.26

 

CMYK 25 / 17 / 0 / 23

HEX #94A3C5

RGB 148 163 197

HSL 221.63, 0.3%, 0.68%

LAB 66.92, 2.3, -19.17

 

CMYK 36 / 25 / 0 / 17

HEX #879ED3

RGB 135 158 211

HSL 221.84, 0.46%, 0.68%

LAB 65.21, 4.83, -29.64

 

CMYK 46 / 32 / 0 / 12

HEX #7A99E0

RGB 122 153 224

HSL 221.76, 0.62%, 0.68%

LAB 63.59, 7.9, -39.42

 

CMYK 54 / 38 / 0 / 7

HEX #6D94ED

RGB 109 148 237

HSL 221.72, 0.78%, 0.68%

LAB 62.12, 11.76, -48.97

 

CMYK 62 / 43 / 0 / 2

HEX #608FFA

RGB 96 143 250

HSL 221.69, 0.94%, 0.68%

LAB 60.81, 16.39, -58.25

 

CMYK 25 / 17 / 0 / 23

HEX #94A3C5

RGB 148 163 197

HSL 221.63, 0.3%, 0.68%

LAB 66.92, 2.3, -19.17

 

CMYK 12 / 8 / 0 / 28

HEX #A2A9B8

RGB 162 169 184

HSL 220.91, 0.13%, 0.68%

LAB 69.12, 0.58, -8.54

 

CMYK 0 / 1 / 2 / 31

HEX #AFAEAB

RGB 175 174 171

HSL 45, 0.02%, 0.68%

LAB 71.1, -0.2, 1.65

 

CMYK 0 / 5 / 16 / 26

HEX #BCB39E

RGB 188 179 158

HSL 42, 0.18%, 0.68%

LAB 73.15, -0.36, 11.87

 

CMYK 0 / 8 / 28 / 21

HEX #C9B891

RGB 201 184 145

HSL 41.79, 0.34%, 0.68%

LAB 75.29, 0.03, 22.04

 

CMYK 25 / 4 / 0 / 23

HEX #94BEC5

RGB 148 190 197

HSL 188.57, 0.3%, 0.68%

LAB 74.29, -12.29, -8.1

 

CMYK 25 / 10 / 0 / 23

HEX #94B1C5

RGB 148 177 197

HSL 204.49, 0.3%, 0.68%

LAB 70.71, -5.38, -13.44

 

CMYK 25 / 17 / 0 / 23

HEX #94A4C5

RGB 148 164 197

HSL 220.41, 0.3%, 0.68%

LAB 67.19, 1.75, -18.77

 

CMYK 25 / 23 / 0 / 23

HEX #9497C5

RGB 148 151 197

HSL 236.33, 0.3%, 0.68%

LAB 63.72, 9.06, -24.05

 

CMYK 19 / 25 / 0 / 23

HEX #9F94C5

RGB 159 148 197

HSL 253.47, 0.3%, 0.68%

LAB 63.82, 14.21, -23.82

 

CMYK 43 / 30 / 0 / 34

HEX #5F75A8

RGB 95 117 168

HSL 221.92, 0.3%, 0.52%

LAB 49.48, 5.7, -29.82

 

CMYK 33 / 23 / 0 / 28

HEX #7A8CB7

RGB 122 140 183

HSL 222.3, 0.3%, 0.6%

LAB 58.33, 3.97, -24.59

 

CMYK 25 / 17 / 0 / 23

HEX #94A3C5

RGB 148 163 197

HSL 221.63, 0.3%, 0.68%

LAB 66.92, 2.3, -19.17

 

CMYK 17 / 12 / 0 / 17

HEX #AFBAD4

RGB 175 186 212

HSL 222.16, 0.3%, 0.76%

LAB 75.44, 1.58, -14.34

 

CMYK 11 / 8 / 0 / 11

HEX #CAD1E2

RGB 202 209 226

HSL 222.5, 0.29%, 0.84%

LAB 83.78, 0.92, -9.2

 

CMYK 25 / 17 / 0 / 22

HEX #95A4C6

RGB 149 164 198

HSL 221.63, 0.3%, 0.68%

LAB 67.29, 2.29, -19.15

 

CMYK 3 / 25 / 0 / 23

HEX #C094C5

RGB 192 148 197

HSL 293.88, 0.3%, 0.68%

LAB 66.84, 25, -18.95

 

CMYK 7 / 0 / 25 / 23

HEX #B8C594

RGB 184 197 148

HSL 75.92, 0.3%, 0.68%

LAB 77.44, -12.82, 23.15

 

CMYK 25 / 17 / 0 / 22

HEX #95A4C6

RGB 149 164 198

HSL 221.63, 0.3%, 0.68%

LAB 67.29, 2.29, -19.15

 

CMYK 0 / 25 / 17 / 23

HEX #C594A4

RGB 197 148 164

HSL 340.41, 0.3%, 0.68%

LAB 66.31, 20.88, -1.19

 

CMYK 17 / 0 / 25 / 23

HEX #A4C594

RGB 164 197 148

HSL 100.41, 0.3%, 0.68%

LAB 76.05, -20.13, 21.02

 

CMYK 25 / 17 / 0 / 22

HEX #95A4C6

RGB 149 164 198

HSL 221.63, 0.3%, 0.68%

LAB 67.29, 2.29, -19.15

 

CMYK 3 / 25 / 0 / 23

HEX #C094C5

RGB 192 148 197

HSL 293.88, 0.3%, 0.68%

LAB 66.84, 25, -18.95

 

CMYK 0 / 8 / 25 / 23

HEX #C5B694

RGB 197 182 148

HSL 41.63, 0.3%, 0.68%

LAB 74.49, -0.04, 19.27

 

CMYK 22 / 0 / 25 / 23

HEX #9AC594

RGB 154 197 148

HSL 112.65, 0.3%, 0.68%

LAB 75.41, -23.64, 20.05

 

CMYK 25 / 17 / 0 / 22

HEX #95A4C6

RGB 149 164 198

HSL 221.63, 0.3%, 0.68%

LAB 67.29, 2.29, -19.15

 

CMYK 0 / 25 / 5 / 23

HEX #C594BC

RGB 197 148 188

HSL 311.02, 0.3%, 0.68%

LAB 67.04, 25, -13.57

 

CMYK 0 / 8 / 25 / 23

HEX #C5B694

RGB 197 182 148

HSL 41.63, 0.3%, 0.68%

LAB 74.49, -0.04, 19.27

 

CMYK 25 / 0 / 20 / 23

HEX #94C59D

RGB 148 197 157

HSL 131.02, 0.3%, 0.68%

LAB 75.24, -24.08, 14.94

 

Description

Color code: RGB 149 164 198 | qconv.com Color code: RGB 149 164 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 164 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 164 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 17 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 17% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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