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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 156 134 it is the complementary color RGB 106 99 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 156 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 156 134 shade: RGB 154 156 129, RGB 171 174 148, RGB 188 192 167, RGB 205 210 186 and RGB 222 228 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 156 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 156 134 shade: RGB 149 156 134, RGB 132 138 115, RGB 115 120 96, RGB 98 102 77 and RGB 81 84 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 156 134 shade: RGB 149 156 134, RGB 155 156 134, RGB 156 151 134, RGB 156 145 134 and RGB 156 139 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 156 134 shade: RGB 149 156 134, RGB 143 156 134, RGB 137 156 134, RGB 134 156 137 and RGB 134 156 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 156 134 shade matches the following richer shades: RGB 149 156 134, RGB 155 174 116, RGB 162 191 98, RGB 168 209 81 and RGB 175 227 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 156 134 shade: RGB 149 156 134, RGB 142 138 152, RGB 136 120 169, RGB 129 103 187 and RGB 123 85 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 156 134 shade: RGB 156 151 134, RGB 155 156 134, RGB 149 156 134, RGB 143 156 134 and RGB 137 156 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 156 134 shade: RGB 107 114 93, RGB 129 137 112, RGB 149 156 134, RGB 169 174 157 and RGB 189 193 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 156 134 shade: RGB 149 156 134, RGB 134 156 145 and RGB 154 134 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 156 134 shade: RGB 149 156 134, RGB 134 149 156 and RGB 156 134 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 156 134 shade: RGB 149 156 134, RGB 134 156 145, RGB 141 134 156 and RGB 156 134 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 156 134 shade: RGB 149 156 134, RGB 134 156 152, RGB 141 134 156 and RGB 156 134 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

Complementary color

CMYK 12 / 18 / 0 / 53

HEX #6A6379

RGB 106 99 121

HSL 259.09, 0.1%, 0.43%

LAB 43.31, 7.5, -11.31

 

CMYK 1 / 0 / 17 / 39

HEX #9A9C81

RGB 154 156 129

HSL 64.44, 0.12%, 0.56%

LAB 63.53, -5.53, 13.93

 

CMYK 2 / 0 / 15 / 32

HEX #ABAE94

RGB 171 174 148

HSL 66.92, 0.14%, 0.63%

LAB 70.22, -5.67, 13

 

CMYK 2 / 0 / 13 / 25

HEX #BCC0A7

RGB 188 192 167

HSL 69.6, 0.17%, 0.7%

LAB 76.79, -5.79, 12.13

 

CMYK 2 / 0 / 11 / 18

HEX #CDD2BA

RGB 205 210 186

HSL 72.5, 0.21%, 0.78%

LAB 83.24, -5.9, 11.31

 

CMYK 3 / 0 / 10 / 11

HEX #DEE4CD

RGB 222 228 205

HSL 75.65, 0.3%, 0.85%

LAB 89.59, -6.01, 10.53

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 4 / 0 / 17 / 46

HEX #848A73

RGB 132 138 115

HSL 75.65, 0.09%, 0.5%

LAB 56.41, -6.51, 11.59

 

CMYK 4 / 0 / 20 / 53

HEX #737860

RGB 115 120 96

HSL 72.5, 0.11%, 0.42%

LAB 49.4, -6.41, 12.57

 

CMYK 4 / 0 / 25 / 60

HEX #62664D

RGB 98 102 77

HSL 69.6, 0.14%, 0.35%

LAB 42.21, -6.3, 13.65

 

CMYK 4 / 0 / 31 / 67

HEX #51543A

RGB 81 84 58

HSL 66.92, 0.18%, 0.28%

LAB 34.79, -6.14, 14.84

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 1 / 0 / 14 / 39

HEX #9B9C86

RGB 155 156 134

HSL 62.73, 0.1%, 0.57%

LAB 63.73, -4.32, 11.41

 

CMYK 0 / 3 / 14 / 39

HEX #9C9786

RGB 156 151 134

HSL 46.36, 0.1%, 0.57%

LAB 62.44, -1.2, 9.61

 

CMYK 0 / 7 / 14 / 39

HEX #9C9186

RGB 156 145 134

HSL 30, 0.1%, 0.57%

LAB 60.82, 2.13, 7.3

 

CMYK 0 / 11 / 14 / 39

HEX #9C8B86

RGB 156 139 134

HSL 13.64, 0.1%, 0.57%

LAB 59.21, 5.5, 4.99

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 8 / 0 / 14 / 39

HEX #8F9C86

RGB 143 156 134

HSL 95.45, 0.1%, 0.57%

LAB 62.79, -8.84, 9.96

 

CMYK 12 / 0 / 14 / 39

HEX #899C86

RGB 137 156 134

HSL 111.82, 0.1%, 0.57%

LAB 62.35, -11.05, 9.28

 

CMYK 14 / 0 / 12 / 39

HEX #869C89

RGB 134 156 137

HSL 128.18, 0.1%, 0.57%

LAB 62.21, -11.57, 7.36

 

CMYK 14 / 0 / 8 / 39

HEX #869C8F

RGB 134 156 143

HSL 144.55, 0.1%, 0.57%

LAB 62.36, -10.4, 4.2

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 11 / 0 / 33 / 32

HEX #9BAE74

RGB 155 174 116

HSL 79.66, 0.26%, 0.57%

LAB 68.39, -16.61, 27.65

 

CMYK 15 / 0 / 49 / 25

HEX #A2BF62

RGB 162 191 98

HSL 78.71, 0.42%, 0.57%

LAB 73.43, -24.61, 43.39

 

CMYK 20 / 0 / 61 / 18

HEX #A8D151

RGB 168 209 81

HSL 79.22, 0.58%, 0.57%

LAB 78.76, -32.42, 57.46

 

CMYK 23 / 0 / 72 / 11

HEX #AFE33F

RGB 175 227 63

HSL 79.02, 0.75%, 0.57%

LAB 84.18, -39.11, 70.1

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 7 / 9 / 0 / 40

HEX #8E8A98

RGB 142 138 152

HSL 257.14, 0.06%, 0.57%

LAB 58.22, 4.29, -6.91

 

CMYK 20 / 29 / 0 / 34

HEX #8878A9

RGB 136 120 169

HSL 259.59, 0.22%, 0.57%

LAB 53.53, 16.48, -23.87

 

CMYK 31 / 45 / 0 / 27

HEX #8167BB

RGB 129 103 187

HSL 258.57, 0.38%, 0.57%

LAB 49.44, 28.93, -40.72

 

CMYK 40 / 59 / 0 / 20

HEX #7B55CD

RGB 123 85 205

HSL 259, 0.55%, 0.57%

LAB 45.79, 42.67, -56.97

 

CMYK 0 / 3 / 14 / 39

HEX #9C9786

RGB 156 151 134

HSL 46.36, 0.1%, 0.57%

LAB 62.44, -1.2, 9.61

 

CMYK 1 / 0 / 14 / 39

HEX #9B9C86

RGB 155 156 134

HSL 62.73, 0.1%, 0.57%

LAB 63.73, -4.32, 11.41

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 8 / 0 / 14 / 39

HEX #8F9C86

RGB 143 156 134

HSL 95.45, 0.1%, 0.57%

LAB 62.79, -8.84, 9.96

 

CMYK 12 / 0 / 14 / 39

HEX #899C86

RGB 137 156 134

HSL 111.82, 0.1%, 0.57%

LAB 62.35, -11.05, 9.28

 

CMYK 6 / 0 / 18 / 55

HEX #6B725D

RGB 107 114 93

HSL 80, 0.1%, 0.41%

LAB 46.91, -6.75, 10.76

 

CMYK 6 / 0 / 18 / 46

HEX #818970

RGB 129 137 112

HSL 79.2, 0.1%, 0.49%

LAB 55.81, -7.64, 12.44

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 3 / 0 / 10 / 32

HEX #A9AE9D

RGB 169 174 157

HSL 77.65, 0.09%, 0.65%

LAB 70.27, -4.88, 8.11

 

CMYK 2 / 0 / 7 / 24

HEX #BDC1B3

RGB 189 193 179

HSL 77.14, 0.1%, 0.73%

LAB 77.41, -3.92, 6.56

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 14 / 0 / 7 / 39

HEX #869C91

RGB 134 156 145

HSL 150, 0.1%, 0.57%

LAB 62.41, -10, 3.15

 

CMYK 1 / 14 / 0 / 39

HEX #9A869C

RGB 154 134 156

HSL 294.55, 0.1%, 0.57%

LAB 58.34, 11.68, -8.92

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 14 / 4 / 0 / 39

HEX #86959C

RGB 134 149 156

HSL 199.09, 0.1%, 0.57%

LAB 60.75, -3.85, -5.51

 

CMYK 0 / 14 / 4 / 39

HEX #9C8695

RGB 156 134 149

HSL 319.09, 0.1%, 0.57%

LAB 58.31, 11.04, -4.92

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 14 / 0 / 7 / 39

HEX #869C91

RGB 134 156 145

HSL 150, 0.1%, 0.57%

LAB 62.41, -10, 3.15

 

CMYK 10 / 14 / 0 / 39

HEX #8D869C

RGB 141 134 156

HSL 259.09, 0.1%, 0.57%

LAB 57.19, 7.07, -10.76

 

CMYK 0 / 14 / 8 / 39

HEX #9C8690

RGB 156 134 144

HSL 332.73, 0.1%, 0.57%

LAB 58.16, 10.11, -2.27

 

CMYK 4 / 0 / 14 / 39

HEX #959C86

RGB 149 156 134

HSL 79.09, 0.1%, 0.57%

LAB 63.25, -6.6, 10.67

 

CMYK 14 / 0 / 3 / 39

HEX #869C98

RGB 134 156 152

HSL 169.09, 0.1%, 0.57%

LAB 62.6, -8.55, -0.52

 

CMYK 10 / 14 / 0 / 39

HEX #8D869C

RGB 141 134 156

HSL 259.09, 0.1%, 0.57%

LAB 57.19, 7.07, -10.76

 

CMYK 0 / 14 / 12 / 39

HEX #9C868A

RGB 156 134 138

HSL 349.09, 0.1%, 0.57%

LAB 57.99, 9.03, 0.94

 

Description

Color code: RGB 149 156 134 | qconv.com Color code: RGB 149 156 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 156 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 156 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 14 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 14% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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