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Color name
RGB 149 14 131

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 14 131 it is the complementary color RGB 106 241 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 14 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 14 131 shade: RGB 154 14 126, RGB 171 32 145, RGB 188 50 164, RGB 205 68 183 and RGB 222 86 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 14 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 14 131 shade: RGB 149 14 131, RGB 132 0 112, RGB 115 0 93, RGB 98 0 74 and RGB 81 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 14 131 shade: RGB 149 13 131, RGB 149 13 94, RGB 149 13 58, RGB 149 13 21 and RGB 149 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 14 131 shade: RGB 149 13 131, RGB 130 13 149, RGB 94 13 149, RGB 57 13 149 and RGB 21 13 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 14 131 shade matches the following richer shades: RGB 149 13 131 and RGB 162 0 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 14 131 shade: RGB 149 13 131, RGB 136 27 121, RGB 122 40 111, RGB 109 53 102 and RGB 96 66 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 14 131 shade: RGB 95 13 149, RGB 131 13 149, RGB 149 13 131, RGB 149 13 95 and RGB 149 13 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 14 131 shade: RGB 73 6 64, RGB 111 10 98, RGB 149 13 131, RGB 187 17 164 and RGB 224 20 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 14 131 shade: RGB 149 14 131, RGB 149 59 13 and RGB 13 149 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 14 131 shade: RGB 149 14 131, RGB 131 149 13 and RGB 13 131 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 14 131 shade: RGB 149 14 131, RGB 149 59 13, RGB 13 149 31 and RGB 13 104 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 14 131 shade: RGB 149 14 131, RGB 149 99 13, RGB 13 149 31 and RGB 13 63 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 12 / 42

HEX #950E83

RGB 149 14 131

HSL 308, 0.83%, 0.32%

LAB 34.69, 61.28, -30.33

 

Complementary color

CMYK 56 / 0 / 49 / 5

HEX #6AF17C

RGB 106 241 124

HSL 128, 0.83%, 0.68%

LAB 85.72, -60.55, 45.35

 

CMYK 0 / 91 / 18 / 40

HEX #9A0E7E

RGB 154 14 126

HSL 312, 0.83%, 0.33%

LAB 35.38, 61.61, -26.05

 

CMYK 0 / 81 / 15 / 33

HEX #AB2091

RGB 171 32 145

HSL 311.22, 0.68%, 0.4%

LAB 40.79, 64.15, -29.07

 

CMYK 0 / 73 / 13 / 26

HEX #BC32A4

RGB 188 50 164

HSL 310.43, 0.58%, 0.47%

LAB 46.52, 65.51, -31.32

 

CMYK 0 / 67 / 11 / 20

HEX #CD44B7

RGB 205 68 183

HSL 309.64, 0.58%, 0.54%

LAB 52.43, 66.09, -33.03

 

CMYK 0 / 61 / 9 / 13

HEX #DE56CA

RGB 222 86 202

HSL 308.82, 0.67%, 0.6%

LAB 58.46, 66.17, -34.35

 

CMYK 0 / 91 / 12 / 42

HEX #950E83

RGB 149 14 131

HSL 308, 0.83%, 0.32%

LAB 34.69, 61.28, -30.33

 

CMYK 0 / 100 / 15 / 48

HEX #840070

RGB 132 0 112

HSL 309.09, 1%, 0.26%

LAB 29.6, 57.3, -26.58

 

CMYK 0 / 100 / 19 / 55

HEX #73005D

RGB 115 0 93

HSL 311.48, 1%, 0.23%

LAB 25.06, 51.3, -21.6

 

CMYK 0 / 100 / 24 / 62

HEX #62004A

RGB 98 0 74

HSL 314.69, 1%, 0.19%

LAB 20.41, 45.14, -16.37

 

CMYK 0 / 100 / 32 / 68

HEX #510037

RGB 81 0 55

HSL 319.26, 1%, 0.16%

LAB 15.62, 38.82, -10.79

 

CMYK 0 / 91 / 12 / 42

HEX #950D83

RGB 149 13 131

HSL 307.94, 0.84%, 0.32%

LAB 34.63, 61.44, -30.42

 

CMYK 0 / 91 / 37 / 42

HEX #950D5E

RGB 149 13 94

HSL 324.26, 0.84%, 0.32%

LAB 32.89, 56.8, -9.61

 

CMYK 0 / 91 / 61 / 42

HEX #950D3A

RGB 149 13 58

HSL 340.15, 0.84%, 0.32%

LAB 31.77, 53.7, 12.45

 

CMYK 0 / 91 / 86 / 42

HEX #950D15

RGB 149 13 21

HSL 356.47, 0.84%, 0.32%

LAB 31.19, 52.05, 35.17

 

CMYK 0 / 91 / 91 / 42

HEX #950D0D

RGB 149 13 13

HSL 0, 0.84%, 0.32%

LAB 31.13, 51.88, 39.23

 

CMYK 0 / 91 / 12 / 42

HEX #950D83

RGB 149 13 131

HSL 307.94, 0.84%, 0.32%

LAB 34.63, 61.44, -30.42

 

CMYK 13 / 91 / 0 / 42

HEX #820D95

RGB 130 13 149

HSL 291.62, 0.84%, 0.32%

LAB 32.27, 60.8, -45.53

 

CMYK 37 / 91 / 0 / 42

HEX #5E0D95

RGB 94 13 149

HSL 275.74, 0.84%, 0.32%

LAB 26.27, 55.3, -55.56

 

CMYK 62 / 91 / 0 / 42

HEX #390D95

RGB 57 13 149

HSL 259.41, 0.84%, 0.32%

LAB 21.31, 51.29, -63.9

 

CMYK 86 / 91 / 0 / 42

HEX #150D95

RGB 21 13 149

HSL 243.53, 0.84%, 0.32%

LAB 18.44, 49.28, -68.75

 

CMYK 0 / 91 / 12 / 42

HEX #950D83

RGB 149 13 131

HSL 307.94, 0.84%, 0.32%

LAB 34.63, 61.44, -30.42

 

CMYK 0 / 100 / 14 / 36

HEX #A2008C

RGB 162 0 140

HSL 308.15, 1%, 0.32%

LAB 37.07, 66.83, -31.98

 

CMYK 0 / 91 / 12 / 42

HEX #950D83

RGB 149 13 131

HSL 307.94, 0.84%, 0.32%

LAB 34.63, 61.44, -30.42

 

CMYK 0 / 80 / 11 / 47

HEX #881B79

RGB 136 27 121

HSL 308.26, 0.67%, 0.32%

LAB 32.7, 54.13, -27.37

 

CMYK 0 / 67 / 9 / 52

HEX #7A286F

RGB 122 40 111

HSL 308.05, 0.51%, 0.32%

LAB 31.35, 44.29, -23.32

 

CMYK 0 / 51 / 6 / 57

HEX #6D3566

RGB 109 53 102

HSL 307.5, 0.35%, 0.32%

LAB 31.25, 32.22, -17.9

 

CMYK 0 / 31 / 4 / 62

HEX #60425C

RGB 96 66 92

HSL 308, 0.19%, 0.32%

LAB 32.16, 17.79, -10.25

 

CMYK 36 / 91 / 0 / 42

HEX #5F0D95

RGB 95 13 149

HSL 276.18, 0.84%, 0.32%

LAB 26.42, 55.44, -55.3

 

CMYK 12 / 91 / 0 / 42

HEX #830D95

RGB 131 13 149

HSL 292.06, 0.84%, 0.32%

LAB 32.44, 60.97, -45.24

 

CMYK 0 / 91 / 12 / 42

HEX #950D83

RGB 149 13 131

HSL 307.94, 0.84%, 0.32%

LAB 34.63, 61.44, -30.42

 

CMYK 0 / 91 / 36 / 42

HEX #950D5F

RGB 149 13 95

HSL 323.82, 0.84%, 0.32%

LAB 32.93, 56.91, -10.2

 

CMYK 0 / 91 / 60 / 42

HEX #950D3B

RGB 149 13 59

HSL 339.71, 0.84%, 0.32%

LAB 31.79, 53.77, 11.82

 

CMYK 0 / 92 / 12 / 71

HEX #490640

RGB 73 6 64

HSL 308.06, 0.85%, 0.15%

LAB 15.04, 36.22, -18.21

 

CMYK 0 / 91 / 12 / 56

HEX #6F0A62

RGB 111 10 98

HSL 307.72, 0.83%, 0.24%

LAB 25.19, 49.22, -24.74

 

CMYK 0 / 91 / 12 / 42

HEX #950D83

RGB 149 13 131

HSL 307.94, 0.84%, 0.32%

LAB 34.63, 61.44, -30.42

 

CMYK 0 / 91 / 12 / 27

HEX #BB11A4

RGB 187 17 164

HSL 308.12, 0.83%, 0.4%

LAB 43.72, 72.86, -35.73

 

CMYK 0 / 91 / 12 / 12

HEX #E014C5

RGB 224 20 197

HSL 307.94, 0.84%, 0.48%

LAB 52.26, 83.77, -41.19

 

CMYK 0 / 91 / 12 / 42

HEX #950E83

RGB 149 14 131

HSL 308, 0.83%, 0.32%

LAB 34.69, 61.28, -30.33

 

CMYK 0 / 60 / 91 / 42

HEX #953B0D

RGB 149 59 13

HSL 20.29, 0.84%, 0.32%

LAB 37.02, 35.74, 43.63

 

CMYK 91 / 0 / 24 / 42

HEX #0D9571

RGB 13 149 113

HSL 164.12, 0.84%, 0.32%

LAB 54.84, -41.94, 9.81

 

CMYK 0 / 91 / 12 / 42

HEX #950E83

RGB 149 14 131

HSL 308, 0.83%, 0.32%

LAB 34.69, 61.28, -30.33

 

CMYK 12 / 0 / 91 / 42

HEX #83950D

RGB 131 149 13

HSL 67.94, 0.84%, 0.32%

LAB 58.37, -22.26, 59.57

 

CMYK 91 / 12 / 0 / 42

HEX #0D8395

RGB 13 131 149

HSL 187.94, 0.84%, 0.32%

LAB 50.08, -22.64, -18.03

 

CMYK 0 / 91 / 12 / 42

HEX #950E83

RGB 149 14 131

HSL 308, 0.83%, 0.32%

LAB 34.69, 61.28, -30.33

 

CMYK 0 / 60 / 91 / 42

HEX #953B0D

RGB 149 59 13

HSL 20.29, 0.84%, 0.32%

LAB 37.02, 35.74, 43.63

 

CMYK 91 / 0 / 79 / 42

HEX #0D951F

RGB 13 149 31

HSL 127.94, 0.84%, 0.32%

LAB 53.69, -55.52, 49.04

 

CMYK 91 / 30 / 0 / 42

HEX #0D6895

RGB 13 104 149

HSL 199.85, 0.84%, 0.32%

LAB 41.46, -7.46, -31.39

 

CMYK 0 / 91 / 12 / 42

HEX #950E83

RGB 149 14 131

HSL 308, 0.83%, 0.32%

LAB 34.69, 61.28, -30.33

 

CMYK 0 / 34 / 91 / 42

HEX #95630D

RGB 149 99 13

HSL 37.94, 0.84%, 0.32%

LAB 46.1, 13.65, 50.61

 

CMYK 91 / 0 / 79 / 42

HEX #0D951F

RGB 13 149 31

HSL 127.94, 0.84%, 0.32%

LAB 53.69, -55.52, 49.04

 

CMYK 91 / 58 / 0 / 42

HEX #0D3F95

RGB 13 63 149

HSL 217.94, 0.84%, 0.32%

LAB 28.93, 19.54, -51.46

 

Description

Color code: RGB 149 14 131 | qconv.com Color code: RGB 149 14 131 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 14 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 14 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 12 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 12% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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