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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 142 120 it is the complementary color RGB 106 113 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 142 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 142 120 shade: RGB 154 142 115, RGB 171 160 134, RGB 188 178 153, RGB 205 196 172 and RGB 222 214 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 142 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 142 120 shade: RGB 149 142 120, RGB 132 124 101, RGB 115 106 82, RGB 98 88 63 and RGB 81 70 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 142 120 shade: RGB 149 142 120, RGB 149 134 120, RGB 149 127 120 and RGB 149 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 142 120 shade: RGB 149 142 120, RGB 148 149 120, RGB 140 149 120, RGB 133 149 120 and RGB 125 149 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 142 120 shade matches the following richer shades: RGB 149 142 120, RGB 168 152 101, RGB 188 162 81, RGB 207 172 62 and RGB 227 182 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 142 120 shade: RGB 149 142 120, RGB 130 132 140, RGB 110 122 159, RGB 91 112 178 and RGB 71 102 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 142 120 shade: RGB 149 127 120, RGB 149 134 120, RGB 149 142 120, RGB 149 149 120 and RGB 141 149 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 142 120 shade: RGB 105 99 82, RGB 128 121 100, RGB 149 142 120, RGB 167 161 143 and RGB 185 181 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 142 120 shade: RGB 149 142 120, RGB 122 149 120 and RGB 130 120 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 142 120 shade: RGB 149 142 120, RGB 120 149 142 and RGB 142 120 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 142 120 shade: RGB 149 142 120, RGB 122 149 120, RGB 120 127 149 and RGB 148 120 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 142 120 shade: RGB 149 142 120, RGB 120 149 127, RGB 120 127 149 and RGB 149 120 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

Complementary color

CMYK 21 / 16 / 0 / 47

HEX #6A7187

RGB 106 113 135

HSL 225.52, 0.12%, 0.47%

LAB 47.78, 2.43, -12.95

 

CMYK 0 / 8 / 25 / 40

HEX #9A8E73

RGB 154 142 115

HSL 41.54, 0.16%, 0.53%

LAB 59.39, -0, 16.03

 

CMYK 0 / 6 / 22 / 33

HEX #ABA086

RGB 171 160 134

HSL 42.16, 0.18%, 0.6%

LAB 66.15, -0.33, 15.01

 

CMYK 0 / 5 / 19 / 26

HEX #BCB299

RGB 188 178 153

HSL 42.86, 0.21%, 0.67%

LAB 72.78, -0.61, 14.07

 

CMYK 0 / 4 / 16 / 20

HEX #CDC4AC

RGB 205 196 172

HSL 43.64, 0.25%, 0.74%

LAB 79.29, -0.86, 13.18

 

CMYK 0 / 4 / 14 / 13

HEX #DED6BF

RGB 222 214 191

HSL 44.52, 0.32%, 0.81%

LAB 85.7, -1.08, 12.34

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 0 / 6 / 23 / 48

HEX #847C65

RGB 132 124 101

HSL 44.52, 0.13%, 0.46%

LAB 52.13, -0.94, 13.68

 

CMYK 0 / 8 / 29 / 55

HEX #736A52

RGB 115 106 82

HSL 43.64, 0.17%, 0.39%

LAB 45.03, -0.59, 14.78

 

CMYK 0 / 10 / 36 / 62

HEX #62583F

RGB 98 88 63

HSL 42.86, 0.22%, 0.32%

LAB 37.73, -0.16, 16

 

CMYK 0 / 14 / 46 / 68

HEX #51462C

RGB 81 70 44

HSL 42.16, 0.3%, 0.25%

LAB 30.19, 0.43, 17.38

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 0 / 10 / 19 / 42

HEX #958678

RGB 149 134 120

HSL 28.97, 0.12%, 0.53%

LAB 56.88, 3.26, 9.59

 

CMYK 0 / 15 / 19 / 42

HEX #957F78

RGB 149 127 120

HSL 14.48, 0.12%, 0.53%

LAB 54.99, 7.25, 6.92

 

CMYK 0 / 19 / 19 / 42

HEX #957878

RGB 149 120 120

HSL 0, 0.12%, 0.53%

LAB 53.14, 11.27, 4.27

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 1 / 0 / 19 / 42

HEX #949578

RGB 148 149 120

HSL 62.07, 0.12%, 0.53%

LAB 60.91, -5.49, 15.23

 

CMYK 6 / 0 / 19 / 42

HEX #8C9578

RGB 140 149 120

HSL 78.62, 0.12%, 0.53%

LAB 60.27, -8.6, 14.25

 

CMYK 11 / 0 / 19 / 42

HEX #859578

RGB 133 149 120

HSL 93.1, 0.12%, 0.53%

LAB 59.74, -11.28, 13.43

 

CMYK 16 / 0 / 19 / 42

HEX #7D9578

RGB 125 149 120

HSL 109.66, 0.12%, 0.53%

LAB 59.17, -14.27, 12.54

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 0 / 10 / 40 / 34

HEX #A89865

RGB 168 152 101

HSL 45.67, 0.28%, 0.53%

LAB 63.11, -1.61, 28.98

 

CMYK 0 / 14 / 57 / 26

HEX #BCA251

RGB 188 162 81

HSL 45.42, 0.44%, 0.53%

LAB 67.37, -0.49, 45.01

 

CMYK 0 / 17 / 70 / 19

HEX #CFAC3E

RGB 207 172 62

HSL 45.52, 0.6%, 0.53%

LAB 71.64, 1.14, 58.8

 

CMYK 0 / 20 / 81 / 11

HEX #E3B62B

RGB 227 182 43

HSL 45.33, 0.77%, 0.53%

LAB 76.05, 3.74, 70.45

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 7 / 6 / 0 / 45

HEX #82848C

RGB 130 132 140

HSL 228, 0.04%, 0.53%

LAB 55.22, 0.91, -4.56

 

CMYK 31 / 23 / 0 / 38

HEX #6E7A9F

RGB 110 122 159

HSL 225.31, 0.2%, 0.53%

LAB 51.54, 4.52, -21.3

 

CMYK 49 / 37 / 0 / 30

HEX #5B70B2

RGB 91 112 178

HSL 225.52, 0.36%, 0.53%

LAB 48.29, 10.77, -37.51

 

CMYK 64 / 48 / 0 / 22

HEX #4766C6

RGB 71 102 198

HSL 225.35, 0.53%, 0.53%

LAB 45.52, 19.49, -53.57

 

CMYK 0 / 15 / 19 / 42

HEX #957F78

RGB 149 127 120

HSL 14.48, 0.12%, 0.53%

LAB 54.99, 7.25, 6.92

 

CMYK 0 / 10 / 19 / 42

HEX #958678

RGB 149 134 120

HSL 28.97, 0.12%, 0.53%

LAB 56.88, 3.26, 9.59

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 0 / 0 / 19 / 42

HEX #959578

RGB 149 149 120

HSL 60, 0.12%, 0.53%

LAB 60.99, -5.09, 15.36

 

CMYK 5 / 0 / 19 / 42

HEX #8D9578

RGB 141 149 120

HSL 76.55, 0.12%, 0.53%

LAB 60.35, -8.21, 14.37

 

CMYK 0 / 6 / 22 / 59

HEX #696352

RGB 105 99 82

HSL 44.35, 0.12%, 0.37%

LAB 42.06, -0.74, 10.53

 

CMYK 0 / 5 / 22 / 50

HEX #807964

RGB 128 121 100

HSL 45, 0.12%, 0.45%

LAB 50.9, -1.03, 12.5

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 0 / 4 / 14 / 35

HEX #A7A18F

RGB 167 161 143

HSL 45, 0.12%, 0.61%

LAB 66.28, -0.98, 10.15

 

CMYK 0 / 2 / 10 / 27

HEX #B9B5A6

RGB 185 181 166

HSL 47.37, 0.12%, 0.69%

LAB 73.62, -1.23, 8.14

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 18 / 0 / 19 / 42

HEX #7A9578

RGB 122 149 120

HSL 115.86, 0.12%, 0.53%

LAB 58.96, -15.37, 12.23

 

CMYK 13 / 19 / 0 / 42

HEX #827895

RGB 130 120 149

HSL 260.69, 0.12%, 0.53%

LAB 52.23, 9.84, -14.27

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 19 / 0 / 5 / 42

HEX #78958E

RGB 120 149 142

HSL 165.52, 0.12%, 0.53%

LAB 59.38, -11.65, 0.32

 

CMYK 5 / 19 / 0 / 42

HEX #8E7895

RGB 142 120 149

HSL 285.52, 0.12%, 0.53%

LAB 53.33, 14.06, -12.49

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 18 / 0 / 19 / 42

HEX #7A9578

RGB 122 149 120

HSL 115.86, 0.12%, 0.53%

LAB 58.96, -15.37, 12.23

 

CMYK 19 / 15 / 0 / 42

HEX #787F95

RGB 120 127 149

HSL 225.52, 0.12%, 0.53%

LAB 53.32, 2.32, -12.7

 

CMYK 1 / 19 / 0 / 42

HEX #947895

RGB 148 120 149

HSL 297.93, 0.12%, 0.53%

LAB 53.92, 16.2, -11.55

 

CMYK 0 / 5 / 19 / 42

HEX #958E78

RGB 149 142 120

HSL 45.52, 0.12%, 0.53%

LAB 59.06, -1.23, 12.67

 

CMYK 19 / 0 / 15 / 42

HEX #78957F

RGB 120 149 127

HSL 134.48, 0.12%, 0.53%

LAB 58.99, -14.75, 8.29

 

CMYK 19 / 15 / 0 / 42

HEX #787F95

RGB 120 127 149

HSL 225.52, 0.12%, 0.53%

LAB 53.32, 2.32, -12.7

 

CMYK 0 / 19 / 5 / 42

HEX #95788E

RGB 149 120 142

HSL 314.48, 0.12%, 0.53%

LAB 53.79, 15.19, -7.66

 

Description

Color code: RGB 149 142 120 | qconv.com Color code: RGB 149 142 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 142 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 142 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 19 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 19% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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