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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 122 64 it is the complementary color RGB 106 133 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 122 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 122 64 shade: RGB 154 122 59, RGB 171 140 78, RGB 188 158 97, RGB 205 176 116 and RGB 222 194 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 122 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 122 64 shade: RGB 149 122 64, RGB 132 104 45, RGB 115 86 26, RGB 98 68 7 and RGB 81 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 122 64 shade: RGB 149 122 64, RGB 149 99 64, RGB 149 76 64 and RGB 149 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 122 64 shade: RGB 149 122 64, RGB 149 145 64, RGB 130 149 64, RGB 107 149 64 and RGB 84 149 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 122 64 shade matches the following richer shades: RGB 149 122 64, RGB 167 129 46, RGB 184 135 29 and RGB 201 141 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 122 64 shade: RGB 149 122 64, RGB 132 116 81, RGB 115 110 98, RGB 97 103 116 and RGB 80 97 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 122 64 shade: RGB 149 75 64, RGB 149 98 64, RGB 149 121 64, RGB 149 144 64 and RGB 132 149 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 122 64 shade: RGB 92 75 39, RGB 121 99 51, RGB 149 122 64, RGB 178 146 76 and RGB 191 163 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 122 64 shade: RGB 149 122 64, RGB 75 149 64 and RGB 87 64 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 122 64 shade: RGB 149 122 64, RGB 64 149 121 and RGB 121 64 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 122 64 shade: RGB 149 122 64, RGB 75 149 64, RGB 64 92 149 and RGB 138 64 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 122 64 shade: RGB 149 122 64, RGB 64 149 78, RGB 64 92 149 and RGB 149 64 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

Complementary color

CMYK 45 / 30 / 0 / 25

HEX #6A85BF

RGB 106 133 191

HSL 220.94, 0.4%, 0.58%

LAB 55.69, 5.87, -33.33

 

CMYK 0 / 21 / 62 / 40

HEX #9A7A3B

RGB 154 122 59

HSL 39.79, 0.45%, 0.42%

LAB 53.06, 4.94, 38.57

 

CMYK 0 / 18 / 54 / 33

HEX #AB8C4E

RGB 171 140 78

HSL 40, 0.37%, 0.49%

LAB 59.86, 3.93, 37.21

 

CMYK 0 / 16 / 48 / 26

HEX #BC9E61

RGB 188 158 97

HSL 40.22, 0.4%, 0.56%

LAB 66.53, 3.09, 35.86

 

CMYK 0 / 14 / 43 / 20

HEX #CDB074

RGB 205 176 116

HSL 40.45, 0.47%, 0.63%

LAB 73.08, 2.38, 34.56

 

CMYK 0 / 13 / 39 / 13

HEX #DEC287

RGB 222 194 135

HSL 40.69, 0.57%, 0.7%

LAB 79.54, 1.79, 33.33

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 0 / 21 / 66 / 48

HEX #84682D

RGB 132 104 45

HSL 40.69, 0.49%, 0.35%

LAB 45.63, 4.2, 36.65

 

CMYK 0 / 25 / 77 / 55

HEX #73561A

RGB 115 86 26

HSL 40.45, 0.63%, 0.28%

LAB 38.51, 5.61, 37.73

 

CMYK 0 / 31 / 93 / 62

HEX #624407

RGB 98 68 7

HSL 40.22, 0.87%, 0.21%

LAB 31.22, 7.45, 37.83

 

CMYK 0 / 38 / 100 / 68

HEX #513200

RGB 81 50 0

HSL 37.04, 1%, 0.16%

LAB 23.77, 9.9, 33.28

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 0 / 34 / 57 / 42

HEX #956340

RGB 149 99 64

HSL 24.71, 0.4%, 0.42%

LAB 46.56, 16.33, 27.96

 

CMYK 0 / 49 / 57 / 42

HEX #954C40

RGB 149 76 64

HSL 8.47, 0.4%, 0.42%

LAB 41.1, 29.39, 21.04

 

CMYK 0 / 57 / 57 / 42

HEX #954040

RGB 149 64 64

HSL 0, 0.4%, 0.42%

LAB 38.6, 35.79, 17.75

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 0 / 3 / 57 / 42

HEX #959140

RGB 149 145 64

HSL 57.18, 0.4%, 0.42%

LAB 58.98, -9.63, 42.72

 

CMYK 13 / 0 / 57 / 42

HEX #829540

RGB 130 149 64

HSL 73.41, 0.4%, 0.42%

LAB 58.61, -19.92, 41.89

 

CMYK 28 / 0 / 57 / 42

HEX #6B9540

RGB 107 149 64

HSL 89.65, 0.4%, 0.42%

LAB 57.07, -29.22, 39.7

 

CMYK 44 / 0 / 57 / 42

HEX #549540

RGB 84 149 64

HSL 105.88, 0.4%, 0.42%

LAB 55.84, -37.48, 37.96

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 0 / 23 / 72 / 35

HEX #A7812E

RGB 167 129 46

HSL 41.16, 0.57%, 0.42%

LAB 56.2, 6.04, 48.55

 

CMYK 0 / 27 / 84 / 28

HEX #B8871D

RGB 184 135 29

HSL 41.03, 0.73%, 0.42%

LAB 59.53, 9.69, 58.7

 

CMYK 0 / 30 / 94 / 21

HEX #C98D0C

RGB 201 141 12

HSL 40.95, 0.89%, 0.42%

LAB 62.92, 13.63, 66.16

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 0 / 12 / 39 / 48

HEX #847451

RGB 132 116 81

HSL 41.18, 0.24%, 0.42%

LAB 49.48, 0.81, 21.63

 

CMYK 0 / 4 / 15 / 55

HEX #736E62

RGB 115 110 98

HSL 42.35, 0.08%, 0.42%

LAB 46.55, -0.31, 7.39

 

CMYK 16 / 11 / 0 / 55

HEX #616774

RGB 97 103 116

HSL 221.05, 0.09%, 0.42%

LAB 43.51, 0.65, -8.06

 

CMYK 40 / 27 / 0 / 48

HEX #506185

RGB 80 97 133

HSL 220.75, 0.25%, 0.42%

LAB 41.13, 3.28, -22.09

 

CMYK 0 / 50 / 57 / 42

HEX #954B40

RGB 149 75 64

HSL 7.76, 0.4%, 0.42%

LAB 40.88, 29.94, 20.75

 

CMYK 0 / 34 / 57 / 42

HEX #956240

RGB 149 98 64

HSL 24, 0.4%, 0.42%

LAB 46.3, 16.9, 27.65

 

CMYK 0 / 19 / 57 / 42

HEX #957940

RGB 149 121 64

HSL 40.24, 0.4%, 0.42%

LAB 52.32, 3.67, 34.98

 

CMYK 0 / 3 / 57 / 42

HEX #959040

RGB 149 144 64

HSL 56.47, 0.4%, 0.42%

LAB 58.7, -9.09, 42.4

 

CMYK 11 / 0 / 57 / 42

HEX #849540

RGB 132 149 64

HSL 72, 0.4%, 0.42%

LAB 58.76, -19.07, 42.1

 

CMYK 0 / 18 / 58 / 64

HEX #5C4B27

RGB 92 75 39

HSL 40.75, 0.4%, 0.26%

LAB 32.82, 2.07, 23.94

 

CMYK 0 / 18 / 58 / 53

HEX #796333

RGB 121 99 51

HSL 41.14, 0.41%, 0.34%

LAB 43.1, 2.49, 30.27

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 0 / 18 / 57 / 30

HEX #B2924C

RGB 178 146 76

HSL 41.18, 0.4%, 0.5%

LAB 62.12, 3.49, 41.11

 

CMYK 0 / 15 / 45 / 25

HEX #BFA369

RGB 191 163 105

HSL 40.47, 0.4%, 0.58%

LAB 68.23, 2.44, 33.87

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 50 / 0 / 57 / 42

HEX #4B9540

RGB 75 149 64

HSL 112.24, 0.4%, 0.42%

LAB 55.44, -40.32, 37.39

 

CMYK 42 / 57 / 0 / 42

HEX #574095

RGB 87 64 149

HSL 256.24, 0.4%, 0.42%

LAB 33.7, 30.84, -43.53

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 57 / 0 / 19 / 42

HEX #409579

RGB 64 149 121

HSL 160.24, 0.4%, 0.42%

LAB 56.05, -32.71, 7.13

 

CMYK 19 / 57 / 0 / 42

HEX #794095

RGB 121 64 149

HSL 280.24, 0.4%, 0.42%

LAB 37.67, 39.74, -36.96

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 50 / 0 / 57 / 42

HEX #4B9540

RGB 75 149 64

HSL 112.24, 0.4%, 0.42%

LAB 55.44, -40.32, 37.39

 

CMYK 57 / 38 / 0 / 42

HEX #405C95

RGB 64 92 149

HSL 220.24, 0.4%, 0.42%

LAB 39.44, 7.39, -34.48

 

CMYK 7 / 57 / 0 / 42

HEX #8A4095

RGB 138 64 149

HSL 292.24, 0.4%, 0.42%

LAB 39.98, 44.44, -33.14

 

CMYK 0 / 18 / 57 / 42

HEX #957A40

RGB 149 122 64

HSL 40.94, 0.4%, 0.42%

LAB 52.6, 3.1, 35.3

 

CMYK 57 / 0 / 48 / 42

HEX #40954E

RGB 64 149 78

HSL 129.88, 0.4%, 0.42%

LAB 55.21, -41.4, 29.85

 

CMYK 57 / 38 / 0 / 42

HEX #405C95

RGB 64 92 149

HSL 220.24, 0.4%, 0.42%

LAB 39.44, 7.39, -34.48

 

CMYK 0 / 57 / 9 / 42

HEX #954087

RGB 149 64 135

HSL 309.88, 0.4%, 0.42%

LAB 40.91, 45.01, -23.07

 

Description

Color code: RGB 149 122 64 | qconv.com Color code: RGB 149 122 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 122 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 122 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 57 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 57% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Juslisen | La musiqu...
Link: http://juslisen.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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