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Color name
RGB 149 126 60

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 126 60 it is the complementary color RGB 106 129 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 126 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 126 60 shade: RGB 154 126 55, RGB 171 144 74, RGB 188 162 93, RGB 205 180 112 and RGB 222 198 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 126 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 126 60 shade: RGB 149 126 60, RGB 132 108 41, RGB 115 90 22, RGB 98 72 3 and RGB 81 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 126 60 shade: RGB 149 126 59, RGB 149 102 59, RGB 149 77 59 and RGB 149 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 126 60 shade: RGB 149 126 59, RGB 148 149 59, RGB 124 149 59, RGB 100 149 59 and RGB 75 149 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 126 60 shade matches the following richer shades: RGB 149 126 59, RGB 166 134 42, RGB 183 142 25 and RGB 200 150 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 126 60 shade: RGB 149 126 59, RGB 132 118 76, RGB 115 109 93, RGB 98 101 110 and RGB 81 93 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 126 60 shade: RGB 149 77 59, RGB 149 101 59, RGB 149 125 59, RGB 149 149 59 and RGB 125 149 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 126 60 shade: RGB 90 76 36, RGB 120 101 47, RGB 149 126 59, RGB 179 151 71 and RGB 192 168 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 126 60 shade: RGB 149 126 60, RGB 65 149 59 and RGB 89 59 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 126 60 shade: RGB 149 126 60, RGB 59 149 125 and RGB 125 59 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 126 60 shade: RGB 149 126 60, RGB 65 149 59, RGB 59 83 149 and RGB 143 59 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 126 60 shade: RGB 149 126 60, RGB 59 149 80, RGB 59 83 149 and RGB 149 59 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 60 / 42

HEX #957E3C

RGB 149 126 60

HSL 44.49, 0.43%, 0.41%

LAB 53.64, 0.51, 38.59

 

Complementary color

CMYK 46 / 34 / 0 / 24

HEX #6A81C3

RGB 106 129 195

HSL 224.49, 0.43%, 0.59%

LAB 54.77, 9.43, -37.04

 

CMYK 0 / 18 / 64 / 40

HEX #9A7E37

RGB 154 126 55

HSL 43.03, 0.47%, 0.41%

LAB 54.1, 2.39, 41.74

 

CMYK 0 / 16 / 57 / 33

HEX #AB904A

RGB 171 144 74

HSL 43.3, 0.4%, 0.48%

LAB 60.87, 1.38, 40.47

 

CMYK 0 / 14 / 51 / 26

HEX #BCA25D

RGB 188 162 93

HSL 43.58, 0.41%, 0.55%

LAB 67.52, 0.55, 39.16

 

CMYK 0 / 12 / 45 / 20

HEX #CDB470

RGB 205 180 112

HSL 43.87, 0.48%, 0.62%

LAB 74.06, -0.15, 37.88

 

CMYK 0 / 11 / 41 / 13

HEX #DEC683

RGB 222 198 131

HSL 44.18, 0.58%, 0.69%

LAB 80.49, -0.74, 36.64

 

CMYK 0 / 15 / 60 / 42

HEX #957E3C

RGB 149 126 60

HSL 44.49, 0.43%, 0.41%

LAB 53.64, 0.51, 38.59

 

CMYK 0 / 18 / 69 / 48

HEX #846C29

RGB 132 108 41

HSL 44.18, 0.53%, 0.34%

LAB 46.7, 1.61, 39.78

 

CMYK 0 / 22 / 81 / 55

HEX #735A16

RGB 115 90 22

HSL 43.87, 0.68%, 0.27%

LAB 39.61, 3.03, 40.49

 

CMYK 0 / 27 / 97 / 62

HEX #624803

RGB 98 72 3

HSL 43.58, 0.94%, 0.2%

LAB 32.34, 4.85, 40.18

 

CMYK 0 / 33 / 100 / 68

HEX #513600

RGB 81 54 0

HSL 40, 1%, 0.16%

LAB 24.91, 7.33, 34.39

 

CMYK 0 / 15 / 60 / 42

HEX #957E3B

RGB 149 126 59

HSL 44.67, 0.43%, 0.41%

LAB 53.63, 0.43, 39.08

 

CMYK 0 / 32 / 60 / 42

HEX #95663B

RGB 149 102 59

HSL 28.67, 0.43%, 0.41%

LAB 47.25, 14.17, 31.6

 

CMYK 0 / 48 / 60 / 42

HEX #954D3B

RGB 149 77 59

HSL 12, 0.43%, 0.41%

LAB 41.24, 28.43, 24.21

 

CMYK 0 / 60 / 60 / 42

HEX #953B3B

RGB 149 59 59

HSL 0, 0.43%, 0.41%

LAB 37.54, 37.9, 19.48

 

CMYK 0 / 15 / 60 / 42

HEX #957E3B

RGB 149 126 59

HSL 44.67, 0.43%, 0.41%

LAB 53.63, 0.43, 39.08

 

CMYK 1 / 0 / 60 / 42

HEX #94953B

RGB 148 149 59

HSL 60.67, 0.43%, 0.41%

LAB 59.98, -12.59, 46.17

 

CMYK 17 / 0 / 60 / 42

HEX #7C953B

RGB 124 149 59

HSL 76.67, 0.43%, 0.41%

LAB 58.13, -22.87, 43.59

 

CMYK 33 / 0 / 60 / 42

HEX #64953B

RGB 100 149 59

HSL 92.67, 0.43%, 0.41%

LAB 56.6, -32.39, 41.46

 

CMYK 50 / 0 / 60 / 42

HEX #4B953B

RGB 75 149 59

HSL 109.33, 0.43%, 0.41%

LAB 55.39, -40.91, 39.75

 

CMYK 0 / 15 / 60 / 42

HEX #957E3B

RGB 149 126 59

HSL 44.67, 0.43%, 0.41%

LAB 53.63, 0.43, 39.08

 

CMYK 0 / 19 / 75 / 35

HEX #A6862A

RGB 166 134 42

HSL 44.52, 0.6%, 0.41%

LAB 57.39, 2.6, 51.38

 

CMYK 0 / 22 / 86 / 28

HEX #B78E19

RGB 183 142 25

HSL 44.43, 0.76%, 0.41%

LAB 61.21, 5.27, 61.2

 

CMYK 0 / 25 / 96 / 22

HEX #C89608

RGB 200 150 8

HSL 44.38, 0.92%, 0.41%

LAB 65.05, 8.24, 68.21

 

CMYK 0 / 15 / 60 / 42

HEX #957E3B

RGB 149 126 59

HSL 44.67, 0.43%, 0.41%

LAB 53.63, 0.43, 39.08

 

CMYK 0 / 11 / 42 / 48

HEX #84764C

RGB 132 118 76

HSL 45, 0.27%, 0.41%

LAB 49.96, -0.95, 25.1

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 11 / 8 / 0 / 57

HEX #62656E

RGB 98 101 110

HSL 225, 0.06%, 0.41%

LAB 42.81, 0.82, -5.47

 

CMYK 36 / 27 / 0 / 50

HEX #515D7F

RGB 81 93 127

HSL 224.35, 0.22%, 0.41%

LAB 39.77, 4.31, -20.56

 

CMYK 0 / 48 / 60 / 42

HEX #954D3B

RGB 149 77 59

HSL 12, 0.43%, 0.41%

LAB 41.24, 28.43, 24.21

 

CMYK 0 / 32 / 60 / 42

HEX #95653B

RGB 149 101 59

HSL 28, 0.43%, 0.41%

LAB 46.99, 14.75, 31.3

 

CMYK 0 / 16 / 60 / 42

HEX #957D3B

RGB 149 125 59

HSL 44, 0.43%, 0.41%

LAB 53.35, 0.99, 38.77

 

CMYK 0 / 0 / 60 / 42

HEX #95953B

RGB 149 149 59

HSL 60, 0.43%, 0.41%

LAB 60.07, -12.16, 46.29

 

CMYK 16 / 0 / 60 / 42

HEX #7D953B

RGB 125 149 59

HSL 76, 0.43%, 0.41%

LAB 58.2, -22.45, 43.69

 

CMYK 0 / 16 / 60 / 65

HEX #5A4C24

RGB 90 76 36

HSL 44.44, 0.43%, 0.25%

LAB 32.85, 0.19, 25.65

 

CMYK 0 / 16 / 61 / 53

HEX #78652F

RGB 120 101 47

HSL 44.38, 0.44%, 0.33%

LAB 43.52, 0.5, 32.88

 

CMYK 0 / 15 / 60 / 42

HEX #957E3B

RGB 149 126 59

HSL 44.67, 0.43%, 0.41%

LAB 53.63, 0.43, 39.08

 

CMYK 0 / 16 / 60 / 30

HEX #B39747

RGB 179 151 71

HSL 44.44, 0.43%, 0.49%

LAB 63.48, 0.8, 45.19

 

CMYK 0 / 13 / 49 / 25

HEX #C0A862

RGB 192 168 98

HSL 44.68, 0.43%, 0.57%

LAB 69.54, -0.52, 39.16

 

CMYK 0 / 15 / 60 / 42

HEX #957E3C

RGB 149 126 60

HSL 44.49, 0.43%, 0.41%

LAB 53.64, 0.51, 38.59

 

CMYK 56 / 0 / 60 / 42

HEX #41953B

RGB 65 149 59

HSL 116, 0.43%, 0.41%

LAB 55, -43.79, 39.21

 

CMYK 40 / 60 / 0 / 42

HEX #593B95

RGB 89 59 149

HSL 260, 0.43%, 0.41%

LAB 32.75, 34.34, -45.04

 

CMYK 0 / 15 / 60 / 42

HEX #957E3C

RGB 149 126 60

HSL 44.49, 0.43%, 0.41%

LAB 53.64, 0.51, 38.59

 

CMYK 60 / 0 / 16 / 42

HEX #3B957D

RGB 59 149 125

HSL 164, 0.43%, 0.41%

LAB 55.99, -32.79, 4.74

 

CMYK 16 / 60 / 0 / 42

HEX #7D3B95

RGB 125 59 149

HSL 284, 0.43%, 0.41%

LAB 37.22, 43.45, -37.63

 

CMYK 0 / 15 / 60 / 42

HEX #957E3C

RGB 149 126 60

HSL 44.49, 0.43%, 0.41%

LAB 53.64, 0.51, 38.59

 

CMYK 56 / 0 / 60 / 42

HEX #41953B

RGB 65 149 59

HSL 116, 0.43%, 0.41%

LAB 55, -43.79, 39.21

 

CMYK 60 / 44 / 0 / 42

HEX #3B5395

RGB 59 83 149

HSL 224, 0.43%, 0.41%

LAB 36.53, 12.13, -39.11

 

CMYK 4 / 60 / 0 / 42

HEX #8F3B95

RGB 143 59 149

HSL 296, 0.43%, 0.41%

LAB 39.81, 48.24, -33.36

 

CMYK 0 / 15 / 60 / 42

HEX #957E3C

RGB 149 126 60

HSL 44.49, 0.43%, 0.41%

LAB 53.64, 0.51, 38.59

 

CMYK 60 / 0 / 46 / 42

HEX #3B9550

RGB 59 149 80

HSL 134, 0.43%, 0.41%

LAB 55.08, -42.31, 28.58

 

CMYK 60 / 44 / 0 / 42

HEX #3B5395

RGB 59 83 149

HSL 224, 0.43%, 0.41%

LAB 36.53, 12.13, -39.11

 

CMYK 0 / 60 / 14 / 42

HEX #953B80

RGB 149 59 128

HSL 314, 0.43%, 0.41%

LAB 39.71, 46.24, -20.63

 

Description

Color code: RGB 149 126 60 | qconv.com Color code: RGB 149 126 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 126 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 126 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 60 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 60% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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