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Color name
RGB 148 99 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 99 19 it is the complementary color RGB 107 156 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 99 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 99 19 shade: RGB 153 99 14, RGB 170 117 33, RGB 187 135 52, RGB 204 153 71 and RGB 221 171 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 99 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 99 19 shade: RGB 148 99 19, RGB 131 81 0, RGB 114 63 0, RGB 97 45 0 and RGB 80 27 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 99 19 shade: RGB 148 99 19, RGB 148 64 19, RGB 148 29 19 and RGB 148 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 99 19 shade: RGB 148 99 19, RGB 148 134 19, RGB 128 148 19, RGB 93 148 19 and RGB 58 148 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 99 19 shade matches the following richer shades: RGB 148 99 19 and RGB 162 102 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 99 19 shade: RGB 148 99 19, RGB 135 96 32, RGB 121 93 46, RGB 108 89 60 and RGB 94 86 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 99 19 shade: RGB 148 30 19, RGB 148 64 19, RGB 148 99 19, RGB 148 133 19 and RGB 129 148 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 99 19 shade: RGB 75 50 9, RGB 112 75 14, RGB 148 99 19, RGB 185 124 24 and RGB 221 148 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 99 19 shade: RGB 148 99 19, RGB 43 148 19 and RGB 47 19 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 99 19 shade: RGB 148 99 19, RGB 19 148 99 and RGB 99 19 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 99 19 shade: RGB 148 99 19, RGB 43 148 19, RGB 19 69 148 and RGB 125 19 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 99 19 shade: RGB 148 99 19, RGB 19 148 34, RGB 19 69 148 and RGB 148 19 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

Complementary color

CMYK 55 / 34 / 0 / 7

HEX #6B9CEC

RGB 107 156 236

HSL 217.21, 0.77%, 0.67%

LAB 64.13, 6.37, -45.26

 

CMYK 0 / 35 / 91 / 40

HEX #99630E

RGB 153 99 14

HSL 36.69, 0.83%, 0.33%

LAB 46.62, 15.52, 50.97

 

CMYK 0 / 31 / 81 / 33

HEX #AA7521

RGB 170 117 33

HSL 36.79, 0.67%, 0.4%

LAB 53.36, 13.57, 51.26

 

CMYK 0 / 28 / 72 / 27

HEX #BB8734

RGB 187 135 52

HSL 36.89, 0.56%, 0.47%

LAB 60.02, 11.93, 50.52

 

CMYK 0 / 25 / 65 / 20

HEX #CC9947

RGB 204 153 71

HSL 36.99, 0.57%, 0.54%

LAB 66.58, 10.56, 49.36

 

CMYK 0 / 23 / 59 / 13

HEX #DDAB5A

RGB 221 171 90

HSL 37.1, 0.66%, 0.61%

LAB 73.05, 9.38, 48.06

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 0 / 38 / 100 / 49

HEX #835100

RGB 131 81 0

HSL 37.1, 1%, 0.26%

LAB 39.09, 15.47, 47.92

 

CMYK 0 / 45 / 100 / 55

HEX #723F00

RGB 114 63 0

HSL 33.16, 1%, 0.22%

LAB 32.11, 18.13, 42.24

 

CMYK 0 / 54 / 100 / 62

HEX #612D00

RGB 97 45 0

HSL 27.84, 1%, 0.19%

LAB 25.01, 20.86, 35.34

 

CMYK 0 / 66 / 100 / 69

HEX #501B00

RGB 80 27 0

HSL 20.25, 1%, 0.16%

LAB 17.87, 23.47, 26.73

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 0 / 57 / 87 / 42

HEX #944013

RGB 148 64 19

HSL 20.93, 0.77%, 0.33%

LAB 37.86, 32.93, 41.9

 

CMYK 0 / 80 / 87 / 42

HEX #941D13

RGB 148 29 19

HSL 4.65, 0.77%, 0.33%

LAB 32.31, 47.87, 37.15

 

CMYK 0 / 87 / 87 / 42

HEX #941313

RGB 148 19 19

HSL 0, 0.77%, 0.33%

LAB 31.37, 50.53, 36.33

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 0 / 9 / 87 / 42

HEX #948613

RGB 148 134 19

HSL 53.49, 0.77%, 0.33%

LAB 55.47, -6.51, 56.57

 

CMYK 14 / 0 / 87 / 42

HEX #809413

RGB 128 148 19

HSL 69.3, 0.77%, 0.33%

LAB 57.86, -22.92, 57.87

 

CMYK 37 / 0 / 87 / 42

HEX #5D9413

RGB 93 148 19

HSL 85.58, 0.77%, 0.33%

LAB 55.64, -37.26, 55.09

 

CMYK 61 / 0 / 87 / 42

HEX #3A9413

RGB 58 148 19

HSL 101.86, 0.77%, 0.33%

LAB 54.16, -48.47, 53.23

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 0 / 37 / 97 / 36

HEX #A26605

RGB 162 102 5

HSL 37.07, 0.94%, 0.33%

LAB 48.5, 17.76, 54.94

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 0 / 29 / 76 / 47

HEX #876020

RGB 135 96 32

HSL 37.28, 0.62%, 0.33%

LAB 43.68, 9.51, 40.96

 

CMYK 0 / 23 / 62 / 53

HEX #795D2E

RGB 121 93 46

HSL 37.6, 0.45%, 0.33%

LAB 41.36, 5.61, 30.94

 

CMYK 0 / 18 / 44 / 58

HEX #6C593C

RGB 108 89 60

HSL 36.25, 0.29%, 0.33%

LAB 39, 3.39, 19.68

 

CMYK 0 / 9 / 22 / 63

HEX #5E5649

RGB 94 86 73

HSL 37.14, 0.13%, 0.33%

LAB 36.96, 0.85, 8.75

 

CMYK 0 / 80 / 87 / 42

HEX #941E13

RGB 148 30 19

HSL 5.12, 0.77%, 0.33%

LAB 32.42, 47.56, 37.24

 

CMYK 0 / 57 / 87 / 42

HEX #944013

RGB 148 64 19

HSL 20.93, 0.77%, 0.33%

LAB 37.86, 32.93, 41.9

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 0 / 10 / 87 / 42

HEX #948513

RGB 148 133 19

HSL 53.02, 0.77%, 0.33%

LAB 55.19, -5.96, 56.34

 

CMYK 13 / 0 / 87 / 42

HEX #819413

RGB 129 148 19

HSL 68.84, 0.77%, 0.33%

LAB 57.94, -22.49, 57.96

 

CMYK 0 / 33 / 88 / 71

HEX #4B3209

RGB 75 50 9

HSL 37.27, 0.79%, 0.16%

LAB 22.99, 7.18, 28.54

 

CMYK 0 / 33 / 88 / 56

HEX #704B0E

RGB 112 75 14

HSL 37.35, 0.78%, 0.25%

LAB 35.02, 10.3, 39.3

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 0 / 33 / 87 / 27

HEX #B97C18

RGB 185 124 24

HSL 37.27, 0.77%, 0.41%

LAB 56.88, 16.1, 58.03

 

CMYK 0 / 33 / 87 / 13

HEX #DD941C

RGB 221 148 28

HSL 37.31, 0.78%, 0.49%

LAB 67, 18.84, 66.88

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 71 / 0 / 87 / 42

HEX #2B9413

RGB 43 148 19

HSL 108.84, 0.77%, 0.33%

LAB 53.75, -51.9, 52.71

 

CMYK 68 / 87 / 0 / 42

HEX #2F1394

RGB 47 19 148

HSL 253.02, 0.77%, 0.33%

LAB 20.86, 48.19, -64.06

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 87 / 0 / 33 / 42

HEX #139463

RGB 19 148 99

HSL 157.21, 0.77%, 0.33%

LAB 54.26, -44.5, 16.93

 

CMYK 33 / 87 / 0 / 42

HEX #631394

RGB 99 19 148

HSL 277.21, 0.77%, 0.33%

LAB 27.45, 54.31, -52.97

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 71 / 0 / 87 / 42

HEX #2B9413

RGB 43 148 19

HSL 108.84, 0.77%, 0.33%

LAB 53.75, -51.9, 52.71

 

CMYK 87 / 53 / 0 / 42

HEX #134594

RGB 19 69 148

HSL 216.74, 0.77%, 0.33%

LAB 30.72, 15.37, -47.94

 

CMYK 16 / 87 / 0 / 42

HEX #7D1394

RGB 125 19 148

HSL 289.3, 0.77%, 0.33%

LAB 31.72, 58.57, -45.83

 

CMYK 0 / 33 / 87 / 42

HEX #946313

RGB 148 99 19

HSL 37.21, 0.77%, 0.33%

LAB 46, 13.33, 48.73

 

CMYK 87 / 0 / 77 / 42

HEX #139422

RGB 19 148 34

HSL 126.98, 0.77%, 0.33%

LAB 53.42, -54.48, 47.77

 

CMYK 87 / 53 / 0 / 42

HEX #134594

RGB 19 69 148

HSL 216.74, 0.77%, 0.33%

LAB 30.72, 15.37, -47.94

 

CMYK 0 / 87 / 10 / 42

HEX #941385

RGB 148 19 133

HSL 306.98, 0.77%, 0.33%

LAB 34.91, 60.48, -31.23

 

Description

Color code: RGB 148 99 19 | qconv.com Color code: RGB 148 99 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 99 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 99 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 87 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 87% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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