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Color name
RGB 148 91 189

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 91 189 it is the complementary color RGB 107 164 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 91 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 91 189 shade: RGB 153 91 184, RGB 170 109 203, RGB 187 127 222, RGB 204 145 241 and RGB 221 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 91 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 91 189 shade: RGB 148 91 189, RGB 131 73 170, RGB 114 55 151, RGB 97 37 132 and RGB 80 19 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 91 189 shade: RGB 148 90 189, RGB 174 90 189, RGB 189 90 177, RGB 189 90 151 and RGB 189 90 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 91 189 shade: RGB 148 90 189, RGB 121 90 189, RGB 95 90 189 and RGB 90 90 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 91 189 shade matches the following richer shades: RGB 148 90 189, RGB 151 72 208, RGB 154 53 226 and RGB 157 35 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 91 189 shade: RGB 148 90 189, RGB 145 109 171, RGB 142 128 152, RGB 139 146 133 and RGB 136 165 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 91 189 shade: RGB 94 90 189, RGB 120 90 189, RGB 146 90 189, RGB 173 90 189 and RGB 189 90 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 91 189 shade: RGB 105 56 141, RGB 128 68 171, RGB 148 90 189, RGB 167 120 201 and RGB 186 149 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 91 189 shade: RGB 148 91 189, RGB 189 90 113 and RGB 90 189 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 91 189 shade: RGB 148 91 189, RGB 189 146 90 and RGB 90 189 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 91 189 shade: RGB 148 91 189, RGB 189 90 113, RGB 133 189 90 and RGB 90 189 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 91 189 shade: RGB 148 91 189, RGB 189 97 90, RGB 133 189 90 and RGB 90 183 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 52 / 0 / 26

HEX #945BBD

RGB 148 91 189

HSL 274.9, 0.43%, 0.55%

LAB 48.82, 41.54, -42.73

 

Complementary color

CMYK 35 / 0 / 60 / 36

HEX #6BA442

RGB 107 164 66

HSL 94.9, 0.43%, 0.45%

LAB 61.71, -35.99, 44.1

 

CMYK 17 / 51 / 0 / 28

HEX #995BB8

RGB 153 91 184

HSL 280, 0.4%, 0.54%

LAB 49.15, 41.79, -39.28

 

CMYK 16 / 46 / 0 / 20

HEX #AA6DCB

RGB 170 109 203

HSL 278.94, 0.47%, 0.61%

LAB 55.88, 40.97, -39.45

 

CMYK 16 / 43 / 0 / 13

HEX #BB7FDE

RGB 187 127 222

HSL 277.89, 0.59%, 0.68%

LAB 62.52, 40.15, -39.6

 

CMYK 15 / 40 / 0 / 5

HEX #CC91F1

RGB 204 145 241

HSL 276.88, 0.77%, 0.76%

LAB 69.07, 39.37, -39.73

 

CMYK 13 / 36 / 0 / 0

HEX #DDA3FF

RGB 221 163 255

HSL 277.83, 1%, 0.82%

LAB 75.32, 37.59, -37.49

 

CMYK 22 / 52 / 0 / 26

HEX #945BBD

RGB 148 91 189

HSL 274.9, 0.43%, 0.55%

LAB 48.82, 41.54, -42.73

 

CMYK 23 / 57 / 0 / 33

HEX #8349AA

RGB 131 73 170

HSL 275.88, 0.4%, 0.48%

LAB 41.99, 42.39, -42.59

 

CMYK 25 / 64 / 0 / 41

HEX #723797

RGB 114 55 151

HSL 276.88, 0.47%, 0.4%

LAB 35.09, 43.15, -42.33

 

CMYK 27 / 72 / 0 / 48

HEX #612584

RGB 97 37 132

HSL 277.89, 0.56%, 0.33%

LAB 28.2, 43.61, -41.84

 

CMYK 29 / 83 / 0 / 56

HEX #501371

RGB 80 19 113

HSL 278.94, 0.71%, 0.26%

LAB 21.44, 43.3, -40.82

 

CMYK 22 / 52 / 0 / 26

HEX #945ABD

RGB 148 90 189

HSL 275.15, 0.43%, 0.55%

LAB 48.61, 42.08, -43.06

 

CMYK 8 / 52 / 0 / 26

HEX #AE5ABD

RGB 174 90 189

HSL 290.91, 0.43%, 0.55%

LAB 51.82, 49.22, -37.78

 

CMYK 0 / 52 / 6 / 26

HEX #BD5AB1

RGB 189 90 177

HSL 307.27, 0.43%, 0.55%

LAB 53.28, 51.29, -28.4

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 52 / 34 / 26

HEX #BD5A7C

RGB 189 90 124

HSL 339.39, 0.43%, 0.55%

LAB 51.37, 43.43, -0.06

 

CMYK 22 / 52 / 0 / 26

HEX #945ABD

RGB 148 90 189

HSL 275.15, 0.43%, 0.55%

LAB 48.61, 42.08, -43.06

 

CMYK 36 / 52 / 0 / 26

HEX #795ABD

RGB 121 90 189

HSL 258.79, 0.43%, 0.55%

LAB 45.7, 34.99, -47.87

 

CMYK 50 / 52 / 0 / 26

HEX #5F5ABD

RGB 95 90 189

HSL 243.03, 0.43%, 0.55%

LAB 43.39, 28.79, -51.71

 

CMYK 52 / 52 / 0 / 26

HEX #5A5ABD

RGB 90 90 189

HSL 240, 0.43%, 0.55%

LAB 43, 27.71, -52.35

 

CMYK 22 / 52 / 0 / 26

HEX #945ABD

RGB 148 90 189

HSL 275.15, 0.43%, 0.55%

LAB 48.61, 42.08, -43.06

 

CMYK 27 / 65 / 0 / 18

HEX #9748D0

RGB 151 72 208

HSL 274.85, 0.59%, 0.55%

LAB 46.67, 56.37, -57.12

 

CMYK 32 / 77 / 0 / 11

HEX #9A35E2

RGB 154 53 226

HSL 275.03, 0.75%, 0.55%

LAB 45.51, 68.87, -69.27

 

CMYK 36 / 86 / 0 / 4

HEX #9D23F5

RGB 157 35 245

HSL 274.86, 0.91%, 0.55%

LAB 45.58, 78.68, -79.86

 

CMYK 22 / 52 / 0 / 26

HEX #945ABD

RGB 148 90 189

HSL 275.15, 0.43%, 0.55%

LAB 48.61, 42.08, -43.06

 

CMYK 15 / 36 / 0 / 33

HEX #916DAB

RGB 145 109 171

HSL 274.84, 0.27%, 0.55%

LAB 51.72, 26.29, -27.75

 

CMYK 7 / 16 / 0 / 40

HEX #8E8098

RGB 142 128 152

HSL 275, 0.1%, 0.55%

LAB 55.54, 10.03, -10.92

 

CMYK 5 / 0 / 9 / 43

HEX #8B9285

RGB 139 146 133

HSL 92.31, 0.06%, 0.55%

LAB 59.65, -5.05, 6.01

 

CMYK 18 / 0 / 30 / 35

HEX #88A573

RGB 136 165 115

HSL 94.8, 0.22%, 0.55%

LAB 64.47, -19.38, 22.72

 

CMYK 50 / 52 / 0 / 26

HEX #5E5ABD

RGB 94 90 189

HSL 242.42, 0.43%, 0.55%

LAB 43.31, 28.57, -51.84

 

CMYK 37 / 52 / 0 / 26

HEX #785ABD

RGB 120 90 189

HSL 258.18, 0.43%, 0.55%

LAB 45.61, 34.73, -48.03

 

CMYK 23 / 52 / 0 / 26

HEX #925ABD

RGB 146 90 189

HSL 273.94, 0.43%, 0.55%

LAB 48.38, 41.54, -43.44

 

CMYK 8 / 52 / 0 / 26

HEX #AD5ABD

RGB 173 90 189

HSL 290.3, 0.43%, 0.55%

LAB 51.69, 48.95, -38

 

CMYK 0 / 52 / 5 / 26

HEX #BD5AB3

RGB 189 90 179

HSL 306.06, 0.43%, 0.55%

LAB 53.37, 51.63, -29.43

 

CMYK 26 / 60 / 0 / 45

HEX #69388D

RGB 105 56 141

HSL 274.59, 0.43%, 0.39%

LAB 33.47, 37.95, -38.89

 

CMYK 25 / 60 / 0 / 33

HEX #8044AB

RGB 128 68 171

HSL 274.95, 0.43%, 0.47%

LAB 40.68, 44.53, -45.3

 

CMYK 22 / 52 / 0 / 26

HEX #945ABD

RGB 148 90 189

HSL 275.15, 0.43%, 0.55%

LAB 48.61, 42.08, -43.06

 

CMYK 17 / 40 / 0 / 21

HEX #A778C9

RGB 167 120 201

HSL 274.81, 0.43%, 0.63%

LAB 57.91, 33.54, -35.16

 

CMYK 13 / 30 / 0 / 16

HEX #BA95D5

RGB 186 149 213

HSL 274.69, 0.43%, 0.71%

LAB 67.08, 25.76, -27.52

 

CMYK 22 / 52 / 0 / 26

HEX #945BBD

RGB 148 91 189

HSL 274.9, 0.43%, 0.55%

LAB 48.82, 41.54, -42.73

 

CMYK 0 / 52 / 40 / 26

HEX #BD5A71

RGB 189 90 113

HSL 346.06, 0.43%, 0.55%

LAB 51.06, 42.13, 6.07

 

CMYK 52 / 0 / 43 / 26

HEX #5ABD6B

RGB 90 189 107

HSL 130.3, 0.43%, 0.55%

LAB 69.21, -46.62, 32.77

 

CMYK 22 / 52 / 0 / 26

HEX #945BBD

RGB 148 91 189

HSL 274.9, 0.43%, 0.55%

LAB 48.82, 41.54, -42.73

 

CMYK 0 / 23 / 52 / 26

HEX #BD925A

RGB 189 146 90

HSL 33.94, 0.43%, 0.55%

LAB 63.44, 9.41, 35.71

 

CMYK 52 / 0 / 23 / 26

HEX #5ABD92

RGB 90 189 146

HSL 153.94, 0.43%, 0.55%

LAB 69.93, -39.26, 13.02

 

CMYK 22 / 52 / 0 / 26

HEX #945BBD

RGB 148 91 189

HSL 274.9, 0.43%, 0.55%

LAB 48.82, 41.54, -42.73

 

CMYK 0 / 52 / 40 / 26

HEX #BD5A71

RGB 189 90 113

HSL 346.06, 0.43%, 0.55%

LAB 51.06, 42.13, 6.07

 

CMYK 30 / 0 / 52 / 26

HEX #85BD5A

RGB 133 189 90

HSL 93.94, 0.43%, 0.55%

LAB 70.95, -35.45, 43.86

 

CMYK 52 / 0 / 12 / 26

HEX #5ABDA6

RGB 90 189 166

HSL 166.06, 0.43%, 0.55%

LAB 70.4, -34.67, 2.79

 

CMYK 22 / 52 / 0 / 26

HEX #945BBD

RGB 148 91 189

HSL 274.9, 0.43%, 0.55%

LAB 48.82, 41.54, -42.73

 

CMYK 0 / 49 / 52 / 26

HEX #BD615A

RGB 189 97 90

HSL 4.24, 0.43%, 0.55%

LAB 51.96, 36.2, 20.95

 

CMYK 30 / 0 / 52 / 26

HEX #85BD5A

RGB 133 189 90

HSL 93.94, 0.43%, 0.55%

LAB 70.95, -35.45, 43.86

 

CMYK 52 / 3 / 0 / 26

HEX #5AB7BD

RGB 90 183 189

HSL 183.64, 0.43%, 0.55%

LAB 69.27, -25.83, -11.51

 

Description

Color code: RGB 148 91 189 | qconv.com Color code: RGB 148 91 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 91 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 91 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 52 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 52% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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