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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 74 129 it is the complementary color RGB 107 181 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 74 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 74 129 shade: RGB 153 74 124, RGB 170 92 143, RGB 187 110 162, RGB 204 128 181 and RGB 221 146 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 74 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 74 129 shade: RGB 148 74 129, RGB 131 56 110, RGB 114 38 91, RGB 97 20 72 and RGB 80 2 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 74 129 shade: RGB 149 75 130, RGB 149 75 110, RGB 149 75 90 and RGB 149 75 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 74 129 shade: RGB 149 75 130, RGB 148 75 149, RGB 128 75 149, RGB 108 75 149 and RGB 88 75 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 74 129 shade matches the following richer shades: RGB 149 75 130, RGB 167 57 139, RGB 185 38 147, RGB 203 20 156 and RGB 221 2 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 74 129 shade: RGB 149 75 130, RGB 131 93 121, RGB 112 111 112, RGB 94 129 103 and RGB 76 147 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 74 129 shade: RGB 128 75 149, RGB 147 75 149, RGB 149 75 130, RGB 149 75 110 and RGB 149 75 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 74 129 shade: RGB 94 47 82, RGB 121 61 106, RGB 149 75 130, RGB 173 92 152 and RGB 186 119 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 74 129 shade: RGB 148 74 129, RGB 149 108 75 and RGB 75 149 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 74 129 shade: RGB 148 74 129, RGB 130 149 75 and RGB 75 130 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 74 129 shade: RGB 148 74 129, RGB 149 108 75, RGB 75 149 93 and RGB 75 115 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 74 129 shade: RGB 148 74 129, RGB 149 130 75, RGB 75 149 93 and RGB 75 93 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 13 / 42

HEX #944A81

RGB 148 74 129

HSL 315.41, 0.33%, 0.44%

LAB 42.43, 38.57, -17.07

 

Complementary color

CMYK 41 / 0 / 30 / 29

HEX #6BB57E

RGB 107 181 126

HSL 135.41, 0.33%, 0.56%

LAB 67.78, -35.1, 20.98

 

CMYK 0 / 52 / 19 / 40

HEX #994A7C

RGB 153 74 124

HSL 322.03, 0.35%, 0.45%

LAB 42.95, 39.4, -13.15

 

CMYK 0 / 46 / 16 / 33

HEX #AA5C8F

RGB 170 92 143

HSL 320.77, 0.31%, 0.51%

LAB 49.72, 38.63, -14.12

 

CMYK 0 / 41 / 13 / 27

HEX #BB6EA2

RGB 187 110 162

HSL 319.48, 0.36%, 0.58%

LAB 56.41, 37.84, -14.92

 

CMYK 0 / 37 / 11 / 20

HEX #CC80B5

RGB 204 128 181

HSL 318.16, 0.43%, 0.65%

LAB 63.02, 37.07, -15.61

 

CMYK 0 / 34 / 10 / 13

HEX #DD92C8

RGB 221 146 200

HSL 316.8, 0.52%, 0.72%

LAB 69.54, 36.32, -16.23

 

CMYK 0 / 50 / 13 / 42

HEX #944A81

RGB 148 74 129

HSL 315.41, 0.33%, 0.44%

LAB 42.43, 38.57, -17.07

 

CMYK 0 / 57 / 16 / 49

HEX #83386E

RGB 131 56 110

HSL 316.8, 0.4%, 0.37%

LAB 35.56, 39.22, -16.05

 

CMYK 0 / 67 / 20 / 55

HEX #72265B

RGB 114 38 91

HSL 318.16, 0.5%, 0.3%

LAB 28.69, 39.57, -14.66

 

CMYK 0 / 79 / 26 / 62

HEX #611448

RGB 97 20 72

HSL 319.48, 0.66%, 0.23%

LAB 21.98, 39.18, -12.58

 

CMYK 0 / 98 / 34 / 69

HEX #500235

RGB 80 2 53

HSL 320.77, 0.95%, 0.16%

LAB 15.52, 37.66, -9.53

 

CMYK 0 / 50 / 13 / 42

HEX #954B82

RGB 149 75 130

HSL 315.41, 0.33%, 0.44%

LAB 42.81, 38.54, -17.08

 

CMYK 0 / 50 / 26 / 42

HEX #954B6E

RGB 149 75 110

HSL 331.62, 0.33%, 0.44%

LAB 42.07, 35.35, -5.94

 

CMYK 0 / 50 / 40 / 42

HEX #954B5A

RGB 149 75 90

HSL 347.84, 0.33%, 0.44%

LAB 41.47, 32.65, 5.55

 

CMYK 0 / 50 / 50 / 42

HEX #954B4B

RGB 149 75 75

HSL 0, 0.33%, 0.44%

LAB 41.1, 30.97, 14.32

 

CMYK 0 / 50 / 13 / 42

HEX #954B82

RGB 149 75 130

HSL 315.41, 0.33%, 0.44%

LAB 42.81, 38.54, -17.08

 

CMYK 1 / 50 / 0 / 42

HEX #944B95

RGB 148 75 149

HSL 299.19, 0.33%, 0.44%

LAB 43.5, 41.67, -27.52

 

CMYK 14 / 50 / 0 / 42

HEX #804B95

RGB 128 75 149

HSL 282.97, 0.33%, 0.44%

LAB 40.88, 35.66, -31.81

 

CMYK 28 / 50 / 0 / 42

HEX #6C4B95

RGB 108 75 149

HSL 266.76, 0.33%, 0.44%

LAB 38.53, 29.78, -35.68

 

CMYK 41 / 50 / 0 / 42

HEX #584B95

RGB 88 75 149

HSL 250.54, 0.33%, 0.44%

LAB 36.51, 24.25, -39.01

 

CMYK 0 / 50 / 13 / 42

HEX #954B82

RGB 149 75 130

HSL 315.41, 0.33%, 0.44%

LAB 42.81, 38.54, -17.08

 

CMYK 0 / 66 / 17 / 35

HEX #A7398B

RGB 167 57 139

HSL 315.27, 0.49%, 0.44%

LAB 42.77, 53.94, -22.39

 

CMYK 0 / 79 / 21 / 27

HEX #B92693

RGB 185 38 147

HSL 315.51, 0.66%, 0.44%

LAB 43.96, 66.01, -25.16

 

CMYK 0 / 90 / 23 / 20

HEX #CB149C

RGB 203 20 156

HSL 315.41, 0.82%, 0.44%

LAB 46.44, 74.58, -26.46

 

CMYK 0 / 99 / 25 / 13

HEX #DD02A5

RGB 221 2 165

HSL 315.34, 0.98%, 0.44%

LAB 49.66, 80.87, -26.57

 

CMYK 0 / 50 / 13 / 42

HEX #954B82

RGB 149 75 130

HSL 315.41, 0.33%, 0.44%

LAB 42.81, 38.54, -17.08

 

CMYK 0 / 29 / 8 / 49

HEX #835D79

RGB 131 93 121

HSL 315.79, 0.17%, 0.44%

LAB 44.28, 20.35, -9.6

 

CMYK 0 / 1 / 0 / 56

HEX #706F70

RGB 112 111 112

HSL 300, 0%, 0.44%

LAB 46.95, 0.59, -0.42

 

CMYK 27 / 0 / 20 / 49

HEX #5E8167

RGB 94 129 103

HSL 135.43, 0.16%, 0.44%

LAB 50.76, -18.06, 10.17

 

CMYK 48 / 0 / 36 / 42

HEX #4C935E

RGB 76 147 94

HSL 135.21, 0.32%, 0.44%

LAB 55.29, -34.5, 21.36

 

CMYK 14 / 50 / 0 / 42

HEX #804B95

RGB 128 75 149

HSL 282.97, 0.33%, 0.44%

LAB 40.88, 35.66, -31.81

 

CMYK 1 / 50 / 0 / 42

HEX #934B95

RGB 147 75 149

HSL 298.38, 0.33%, 0.44%

LAB 43.37, 41.37, -27.74

 

CMYK 0 / 50 / 13 / 42

HEX #954B82

RGB 149 75 130

HSL 315.41, 0.33%, 0.44%

LAB 42.81, 38.54, -17.08

 

CMYK 0 / 50 / 26 / 42

HEX #954B6E

RGB 149 75 110

HSL 331.62, 0.33%, 0.44%

LAB 42.07, 35.35, -5.94

 

CMYK 0 / 50 / 39 / 42

HEX #954B5B

RGB 149 75 91

HSL 347.03, 0.33%, 0.44%

LAB 41.5, 32.77, 4.97

 

CMYK 0 / 50 / 13 / 63

HEX #5E2F52

RGB 94 47 82

HSL 315.32, 0.33%, 0.28%

LAB 26.8, 26.65, -11.94

 

CMYK 0 / 50 / 12 / 53

HEX #793D6A

RGB 121 61 106

HSL 315, 0.33%, 0.36%

LAB 34.89, 32.56, -14.69

 

CMYK 0 / 50 / 13 / 42

HEX #954B82

RGB 149 75 130

HSL 315.41, 0.33%, 0.44%

LAB 42.81, 38.54, -17.08

 

CMYK 0 / 47 / 12 / 32

HEX #AD5C98

RGB 173 92 152

HSL 315.56, 0.33%, 0.52%

LAB 50.46, 41.12, -18.29

 

CMYK 0 / 36 / 9 / 27

HEX #BA77A9

RGB 186 119 169

HSL 315.22, 0.33%, 0.6%

LAB 58.51, 33.82, -15.8

 

CMYK 0 / 50 / 13 / 42

HEX #944A81

RGB 148 74 129

HSL 315.41, 0.33%, 0.44%

LAB 42.43, 38.57, -17.07

 

CMYK 0 / 28 / 50 / 42

HEX #956C4B

RGB 149 108 75

HSL 26.76, 0.33%, 0.44%

LAB 49.04, 12.17, 24.83

 

CMYK 50 / 0 / 7 / 42

HEX #4B958A

RGB 75 149 138

HSL 171.08, 0.33%, 0.44%

LAB 56.91, -25.86, -1.3

 

CMYK 0 / 50 / 13 / 42

HEX #944A81

RGB 148 74 129

HSL 315.41, 0.33%, 0.44%

LAB 42.43, 38.57, -17.07

 

CMYK 13 / 0 / 50 / 42

HEX #82954B

RGB 130 149 75

HSL 75.41, 0.33%, 0.44%

LAB 58.74, -18.82, 36.57

 

CMYK 50 / 13 / 0 / 42

HEX #4B8295

RGB 75 130 149

HSL 195.41, 0.33%, 0.44%

LAB 51.42, -12.75, -15.85

 

CMYK 0 / 50 / 13 / 42

HEX #944A81

RGB 148 74 129

HSL 315.41, 0.33%, 0.44%

LAB 42.43, 38.57, -17.07

 

CMYK 0 / 28 / 50 / 42

HEX #956C4B

RGB 149 108 75

HSL 26.76, 0.33%, 0.44%

LAB 49.04, 12.17, 24.83

 

CMYK 50 / 0 / 38 / 42

HEX #4B955D

RGB 75 149 93

HSL 134.59, 0.33%, 0.44%

LAB 55.87, -35.87, 22.67

 

CMYK 50 / 23 / 0 / 42

HEX #4B7395

RGB 75 115 149

HSL 207.57, 0.33%, 0.44%

LAB 46.88, -4.13, -22.8

 

CMYK 0 / 50 / 13 / 42

HEX #944A81

RGB 148 74 129

HSL 315.41, 0.33%, 0.44%

LAB 42.43, 38.57, -17.07

 

CMYK 0 / 13 / 50 / 42

HEX #95824B

RGB 149 130 75

HSL 44.59, 0.33%, 0.44%

LAB 54.93, -0.39, 32.27

 

CMYK 50 / 0 / 38 / 42

HEX #4B955D

RGB 75 149 93

HSL 134.59, 0.33%, 0.44%

LAB 55.87, -35.87, 22.67

 

CMYK 50 / 38 / 0 / 42

HEX #4B5D95

RGB 75 93 149

HSL 225.41, 0.33%, 0.44%

LAB 40.4, 9.39, -32.91

 

Description

Color code: RGB 148 74 129 | qconv.com Color code: RGB 148 74 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 74 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 74 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 13 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 13% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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