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Color name
RGB 148 24 82

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 24 82 it is the complementary color RGB 107 231 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 24 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 24 82 shade: RGB 153 24 77, RGB 170 42 96, RGB 187 60 115, RGB 204 78 134 and RGB 221 96 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 24 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 24 82 shade: RGB 148 24 82, RGB 131 6 63, RGB 114 0 44, RGB 97 0 25 and RGB 80 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 24 82 shade: RGB 149 24 82, RGB 149 24 48 and RGB 149 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 24 82 shade: RGB 149 24 82, RGB 149 24 116, RGB 148 24 149, RGB 114 24 149 and RGB 80 24 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 24 82 shade matches the following richer shades: RGB 149 24 82 and RGB 163 10 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 24 82 shade: RGB 149 24 82, RGB 135 38 83, RGB 121 52 84, RGB 107 66 85 and RGB 93 80 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 24 82 shade: RGB 147 24 149, RGB 149 24 117, RGB 149 24 84, RGB 149 24 51 and RGB 149 30 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 24 82 shade: RGB 78 12 43, RGB 113 18 62, RGB 149 24 82, RGB 184 30 102 and RGB 219 36 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 24 82 shade: RGB 148 24 82, RGB 149 113 24 and RGB 24 134 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 24 82 shade: RGB 148 24 82, RGB 84 149 24 and RGB 24 84 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 24 82 shade: RGB 148 24 82, RGB 149 113 24, RGB 24 149 88 and RGB 24 59 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 24 82 shade: RGB 148 24 82, RGB 147 149 24, RGB 24 149 88 and RGB 26 24 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 45 / 42

HEX #941852

RGB 148 24 82

HSL 331.94, 0.72%, 0.34%

LAB 33.05, 53.05, -1.58

 

Complementary color

CMYK 54 / 0 / 25 / 9

HEX #6BE7AD

RGB 107 231 173

HSL 151.94, 0.72%, 0.66%

LAB 83.6, -47.91, 17.91

 

CMYK 0 / 84 / 50 / 40

HEX #99184D

RGB 153 24 77

HSL 335.35, 0.73%, 0.35%

LAB 33.9, 53.92, 3.05

 

CMYK 0 / 75 / 44 / 33

HEX #AA2A60

RGB 170 42 96

HSL 334.69, 0.6%, 0.42%

LAB 39.66, 55.07, -0.38

 

CMYK 0 / 68 / 39 / 27

HEX #BB3C73

RGB 187 60 115

HSL 334.02, 0.51%, 0.48%

LAB 45.68, 55.36, -3

 

CMYK 0 / 62 / 34 / 20

HEX #CC4E86

RGB 204 78 134

HSL 333.33, 0.55%, 0.55%

LAB 51.85, 55.14, -5.06

 

CMYK 0 / 57 / 31 / 13

HEX #DD6099

RGB 221 96 153

HSL 332.64, 0.65%, 0.62%

LAB 58.07, 54.64, -6.72

 

CMYK 0 / 84 / 45 / 42

HEX #941852

RGB 148 24 82

HSL 331.94, 0.72%, 0.34%

LAB 33.05, 53.05, -1.58

 

CMYK 0 / 95 / 52 / 49

HEX #83063F

RGB 131 6 63

HSL 332.64, 0.91%, 0.27%

LAB 27.61, 50.57, 2.7

 

CMYK 0 / 100 / 61 / 55

HEX #72002C

RGB 114 0 44

HSL 336.84, 1%, 0.22%

LAB 22.86, 45.95, 8.54

 

CMYK 0 / 100 / 74 / 62

HEX #610019

RGB 97 0 25

HSL 344.54, 1%, 0.19%

LAB 18.42, 40.31, 15.4

 

CMYK 0 / 100 / 93 / 69

HEX #500006

RGB 80 0 6

HSL 355.5, 1%, 0.16%

LAB 13.94, 34.76, 19.34

 

CMYK 0 / 84 / 45 / 42

HEX #951852

RGB 149 24 82

HSL 332.16, 0.72%, 0.34%

LAB 33.25, 53.31, -1.26

 

CMYK 0 / 84 / 68 / 42

HEX #951830

RGB 149 24 48

HSL 348.48, 0.72%, 0.34%

LAB 32.38, 50.74, 19.84

 

CMYK 0 / 84 / 84 / 42

HEX #951818

RGB 149 24 24

HSL 0, 0.72%, 0.34%

LAB 32.05, 49.73, 34.3

 

CMYK 0 / 84 / 45 / 42

HEX #951852

RGB 149 24 82

HSL 332.16, 0.72%, 0.34%

LAB 33.25, 53.31, -1.26

 

CMYK 0 / 84 / 22 / 42

HEX #951874

RGB 149 24 116

HSL 315.84, 0.72%, 0.34%

LAB 34.61, 57.21, -21.05

 

CMYK 1 / 84 / 0 / 42

HEX #941895

RGB 148 24 149

HSL 299.52, 0.72%, 0.34%

LAB 36.21, 61.89, -39.02

 

CMYK 23 / 84 / 0 / 42

HEX #721895

RGB 114 24 149

HSL 283.2, 0.72%, 0.34%

LAB 30.4, 55.55, -48.68

 

CMYK 46 / 84 / 0 / 42

HEX #501895

RGB 80 24 149

HSL 266.88, 0.72%, 0.34%

LAB 25.35, 50.18, -57.14

 

CMYK 0 / 84 / 45 / 42

HEX #951852

RGB 149 24 82

HSL 332.16, 0.72%, 0.34%

LAB 33.25, 53.31, -1.26

 

CMYK 0 / 94 / 50 / 36

HEX #A30A51

RGB 163 10 81

HSL 332.16, 0.88%, 0.34%

LAB 35.2, 59.35, 2.58

 

CMYK 0 / 84 / 45 / 42

HEX #951852

RGB 149 24 82

HSL 332.16, 0.72%, 0.34%

LAB 33.25, 53.31, -1.26

 

CMYK 0 / 72 / 39 / 47

HEX #872653

RGB 135 38 83

HSL 332.16, 0.56%, 0.34%

LAB 32.17, 44.9, -3.81

 

CMYK 0 / 57 / 31 / 53

HEX #793454

RGB 121 52 84

HSL 332.17, 0.4%, 0.34%

LAB 32.17, 33.89, -4.73

 

CMYK 0 / 38 / 21 / 58

HEX #6B4255

RGB 107 66 85

HSL 332.2, 0.24%, 0.34%

LAB 33.3, 20.75, -3.91

 

CMYK 0 / 14 / 8 / 64

HEX #5D5056

RGB 93 80 86

HSL 332.31, 0.08%, 0.34%

LAB 35.47, 6.56, -1.53

 

CMYK 1 / 84 / 0 / 42

HEX #931895

RGB 147 24 149

HSL 299.04, 0.72%, 0.34%

LAB 36.03, 61.69, -39.32

 

CMYK 0 / 84 / 21 / 42

HEX #951875

RGB 149 24 117

HSL 315.36, 0.72%, 0.34%

LAB 34.66, 57.34, -21.6

 

CMYK 0 / 84 / 44 / 42

HEX #951854

RGB 149 24 84

HSL 331.2, 0.72%, 0.34%

LAB 33.31, 53.5, -2.47

 

CMYK 0 / 84 / 66 / 42

HEX #951833

RGB 149 24 51

HSL 347.04, 0.72%, 0.34%

LAB 32.44, 50.91, 17.96

 

CMYK 0 / 80 / 84 / 42

HEX #951E18

RGB 149 30 24

HSL 2.88, 0.72%, 0.34%

LAB 32.67, 48, 34.89

 

CMYK 0 / 85 / 45 / 69

HEX #4E0C2B

RGB 78 12 43

HSL 331.82, 0.73%, 0.18%

LAB 15.78, 32.6, -1.95

 

CMYK 0 / 84 / 45 / 56

HEX #71123E

RGB 113 18 62

HSL 332.21, 0.73%, 0.26%

LAB 24.61, 43.12, -1.45

 

CMYK 0 / 84 / 45 / 42

HEX #951852

RGB 149 24 82

HSL 332.16, 0.72%, 0.34%

LAB 33.25, 53.31, -1.26

 

CMYK 0 / 84 / 45 / 28

HEX #B81E66

RGB 184 30 102

HSL 331.95, 0.72%, 0.42%

LAB 41.34, 62.74, -1.38

 

CMYK 0 / 84 / 44 / 14

HEX #DB247A

RGB 219 36 122

HSL 331.8, 0.72%, 0.5%

LAB 49.16, 71.81, -1.48

 

CMYK 0 / 84 / 45 / 42

HEX #941852

RGB 148 24 82

HSL 331.94, 0.72%, 0.34%

LAB 33.05, 53.05, -1.58

 

CMYK 0 / 24 / 84 / 42

HEX #957118

RGB 149 113 24

HSL 42.72, 0.72%, 0.34%

LAB 49.82, 5.89, 50.39

 

CMYK 84 / 10 / 0 / 42

HEX #188695

RGB 24 134 149

HSL 187.2, 0.72%, 0.34%

LAB 51.17, -23.42, -16.36

 

CMYK 0 / 84 / 45 / 42

HEX #941852

RGB 148 24 82

HSL 331.94, 0.72%, 0.34%

LAB 33.05, 53.05, -1.58

 

CMYK 44 / 0 / 84 / 42

HEX #549518

RGB 84 149 24

HSL 91.2, 0.72%, 0.34%

LAB 55.53, -40.73, 53.56

 

CMYK 84 / 44 / 0 / 42

HEX #185495

RGB 24 84 149

HSL 211.2, 0.72%, 0.34%

LAB 35.41, 6.07, -40.98

 

CMYK 0 / 84 / 45 / 42

HEX #941852

RGB 148 24 82

HSL 331.94, 0.72%, 0.34%

LAB 33.05, 53.05, -1.58

 

CMYK 0 / 24 / 84 / 42

HEX #957118

RGB 149 113 24

HSL 42.72, 0.72%, 0.34%

LAB 49.82, 5.89, 50.39

 

CMYK 84 / 0 / 41 / 42

HEX #189558

RGB 24 149 88

HSL 150.72, 0.72%, 0.34%

LAB 54.44, -46.77, 23.28

 

CMYK 84 / 60 / 0 / 42

HEX #183B95

RGB 24 59 149

HSL 223.2, 0.72%, 0.34%

LAB 28.09, 23.11, -52.81

 

CMYK 0 / 84 / 45 / 42

HEX #941852

RGB 148 24 82

HSL 331.94, 0.72%, 0.34%

LAB 33.05, 53.05, -1.58

 

CMYK 1 / 0 / 84 / 42

HEX #939518

RGB 147 149 24

HSL 60.96, 0.72%, 0.34%

LAB 59.67, -14.86, 58.79

 

CMYK 84 / 0 / 41 / 42

HEX #189558

RGB 24 149 88

HSL 150.72, 0.72%, 0.34%

LAB 54.44, -46.77, 23.28

 

CMYK 83 / 84 / 0 / 42

HEX #1A1895

RGB 26 24 149

HSL 240.96, 0.72%, 0.34%

LAB 20.21, 44.93, -65.79

 

Description

Color code: RGB 148 24 82 | qconv.com Color code: RGB 148 24 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 24 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 24 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 45 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 45% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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