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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 192 78 it is the complementary color RGB 107 63 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 192 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 192 78 shade: RGB 153 192 73, RGB 170 210 92, RGB 187 228 111, RGB 204 246 130 and RGB 221 255 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 192 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 192 78 shade: RGB 148 192 78, RGB 131 174 59, RGB 114 156 40, RGB 97 138 21 and RGB 80 120 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 192 78 shade: RGB 148 192 77, RGB 179 192 77, RGB 192 175 77, RGB 192 144 77 and RGB 192 112 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 192 78 shade: RGB 148 192 77, RGB 117 192 77, RGB 86 192 77, RGB 77 192 100 and RGB 77 192 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 192 78 shade matches the following richer shades: RGB 148 192 77, RGB 152 212 58, RGB 157 231 38 and RGB 161 250 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 192 78 shade: RGB 148 192 77, RGB 143 173 97, RGB 139 153 116, RGB 135 134 135 and RGB 130 115 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 192 78 shade: RGB 192 175 77, RGB 179 192 77, RGB 148 192 77, RGB 117 192 77 and RGB 87 192 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 192 78 shade: RGB 104 138 48, RGB 127 169 59, RGB 148 192 77, RGB 166 203 108 and RGB 185 214 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 192 78 shade: RGB 148 192 78, RGB 77 192 144 and RGB 190 77 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 192 78 shade: RGB 148 192 78, RGB 77 148 192 and RGB 192 77 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 192 78 shade: RGB 148 192 78, RGB 77 192 144, RGB 121 77 192 and RGB 192 77 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 192 78 shade: RGB 148 192 78, RGB 77 192 179, RGB 121 77 192 and RGB 192 77 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 59 / 25

HEX #94C04E

RGB 148 192 78

HSL 83.16, 0.48%, 0.53%

LAB 72.59, -32.45, 51.57

 

Complementary color

CMYK 40 / 64 / 0 / 31

HEX #6B3FB1

RGB 107 63 177

HSL 263.16, 0.48%, 0.47%

LAB 37.58, 43.83, -53.97

 

CMYK 20 / 0 / 62 / 25

HEX #99C049

RGB 153 192 73

HSL 79.66, 0.49%, 0.52%

LAB 72.86, -30.93, 54.15

 

CMYK 19 / 0 / 56 / 18

HEX #AAD25C

RGB 170 210 92

HSL 80.34, 0.57%, 0.59%

LAB 79.28, -31.19, 53.24

 

CMYK 18 / 0 / 51 / 11

HEX #BBE46F

RGB 187 228 111

HSL 81.03, 0.68%, 0.66%

LAB 85.6, -31.37, 52.2

 

CMYK 17 / 0 / 47 / 4

HEX #CCF682

RGB 204 246 130

HSL 81.72, 0.87%, 0.74%

LAB 91.85, -31.49, 51.1

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF95

RGB 221 255 149

HSL 79.25, 1%, 0.79%

LAB 95.61, -27.38, 46.97

 

CMYK 23 / 0 / 59 / 25

HEX #94C04E

RGB 148 192 78

HSL 83.16, 0.48%, 0.53%

LAB 72.59, -32.45, 51.57

 

CMYK 25 / 0 / 66 / 32

HEX #83AE3B

RGB 131 174 59

HSL 82.43, 0.49%, 0.46%

LAB 66.07, -32.17, 52.36

 

CMYK 27 / 0 / 74 / 39

HEX #729C28

RGB 114 156 40

HSL 81.72, 0.59%, 0.38%

LAB 59.44, -31.75, 52.7

 

CMYK 30 / 0 / 85 / 46

HEX #618A15

RGB 97 138 21

HSL 81.03, 0.74%, 0.31%

LAB 52.7, -31.1, 52.11

 

CMYK 33 / 0 / 98 / 53

HEX #507802

RGB 80 120 2

HSL 80.34, 0.97%, 0.24%

LAB 45.83, -30.18, 50.13

 

CMYK 23 / 0 / 60 / 25

HEX #94C04D

RGB 148 192 77

HSL 82.96, 0.48%, 0.53%

LAB 72.58, -32.53, 52

 

CMYK 7 / 0 / 60 / 25

HEX #B3C04D

RGB 179 192 77

HSL 66.78, 0.48%, 0.53%

LAB 74.71, -20.15, 54.96

 

CMYK 0 / 9 / 60 / 25

HEX #C0AF4D

RGB 192 175 77

HSL 51.13, 0.48%, 0.53%

LAB 71.15, -5.98, 51.32

 

CMYK 0 / 25 / 60 / 25

HEX #C0904D

RGB 192 144 77

HSL 34.96, 0.48%, 0.53%

LAB 63.08, 10.72, 42.1

 

CMYK 0 / 42 / 60 / 25

HEX #C0704D

RGB 192 112 77

HSL 18.26, 0.48%, 0.53%

LAB 55.41, 28.3, 32.88

 

CMYK 23 / 0 / 60 / 25

HEX #94C04D

RGB 148 192 77

HSL 82.96, 0.48%, 0.53%

LAB 72.58, -32.53, 52

 

CMYK 39 / 0 / 60 / 25

HEX #75C04D

RGB 117 192 77

HSL 99.13, 0.48%, 0.53%

LAB 70.88, -43.69, 49.63

 

CMYK 55 / 0 / 60 / 25

HEX #56C04D

RGB 86 192 77

HSL 115.3, 0.48%, 0.53%

LAB 69.62, -52.91, 47.85

 

CMYK 60 / 0 / 48 / 25

HEX #4DC064

RGB 77 192 100

HSL 132, 0.48%, 0.53%

LAB 69.61, -52.06, 36.75

 

CMYK 60 / 0 / 32 / 25

HEX #4DC083

RGB 77 192 131

HSL 148.17, 0.48%, 0.53%

LAB 70.12, -46.59, 21.29

 

CMYK 23 / 0 / 60 / 25

HEX #94C04D

RGB 148 192 77

HSL 82.96, 0.48%, 0.53%

LAB 72.58, -32.53, 52

 

CMYK 28 / 0 / 73 / 17

HEX #98D43A

RGB 152 212 58

HSL 83.38, 0.64%, 0.53%

LAB 78.5, -41.41, 65.79

 

CMYK 32 / 0 / 84 / 9

HEX #9DE726

RGB 157 231 38

HSL 83.01, 0.8%, 0.53%

LAB 84.2, -48.58, 76.83

 

CMYK 36 / 0 / 92 / 2

HEX #A1FA13

RGB 161 250 19

HSL 83.12, 0.96%, 0.53%

LAB 89.86, -55.36, 84.79

 

CMYK 23 / 0 / 60 / 25

HEX #94C04D

RGB 148 192 77

HSL 82.96, 0.48%, 0.53%

LAB 72.58, -32.53, 52

 

CMYK 17 / 0 / 44 / 32

HEX #8FAD61

RGB 143 173 97

HSL 83.68, 0.32%, 0.53%

LAB 66.97, -23.24, 35.62

 

CMYK 9 / 0 / 24 / 40

HEX #8B9974

RGB 139 153 116

HSL 82.7, 0.15%, 0.53%

LAB 61.25, -11.79, 17.83

 

CMYK 0 / 1 / 0 / 47

HEX #878687

RGB 135 134 135

HSL 300, 0%, 0.53%

LAB 56.04, 0.57, -0.41

 

CMYK 16 / 26 / 0 / 39

HEX #82739B

RGB 130 115 155

HSL 262.5, 0.17%, 0.53%

LAB 51.12, 14.16, -19.46

 

CMYK 0 / 9 / 60 / 25

HEX #C0AF4D

RGB 192 175 77

HSL 51.13, 0.48%, 0.53%

LAB 71.15, -5.98, 51.32

 

CMYK 7 / 0 / 60 / 25

HEX #B3C04D

RGB 179 192 77

HSL 66.78, 0.48%, 0.53%

LAB 74.71, -20.15, 54.96

 

CMYK 23 / 0 / 60 / 25

HEX #94C04D

RGB 148 192 77

HSL 82.96, 0.48%, 0.53%

LAB 72.58, -32.53, 52

 

CMYK 39 / 0 / 60 / 25

HEX #75C04D

RGB 117 192 77

HSL 99.13, 0.48%, 0.53%

LAB 70.88, -43.69, 49.63

 

CMYK 55 / 0 / 60 / 25

HEX #57C04D

RGB 87 192 77

HSL 114.78, 0.48%, 0.53%

LAB 69.66, -52.65, 47.9

 

CMYK 25 / 0 / 65 / 46

HEX #688A30

RGB 104 138 48

HSL 82.67, 0.48%, 0.36%

LAB 53.31, -26.59, 42.95

 

CMYK 25 / 0 / 65 / 34

HEX #7FA93B

RGB 127 169 59

HSL 82.91, 0.48%, 0.45%

LAB 64.33, -31.39, 50.43

 

CMYK 23 / 0 / 60 / 25

HEX #94C04D

RGB 148 192 77

HSL 82.96, 0.48%, 0.53%

LAB 72.58, -32.53, 52

 

CMYK 18 / 0 / 47 / 20

HEX #A6CB6C

RGB 166 203 108

HSL 83.37, 0.48%, 0.61%

LAB 77.22, -27.79, 43.18

 

CMYK 14 / 0 / 36 / 16

HEX #B9D68A

RGB 185 214 138

HSL 82.89, 0.48%, 0.69%

LAB 81.97, -22.35, 34.42

 

CMYK 23 / 0 / 59 / 25

HEX #94C04E

RGB 148 192 78

HSL 83.16, 0.48%, 0.53%

LAB 72.59, -32.45, 51.57

 

CMYK 60 / 0 / 25 / 25

HEX #4DC090

RGB 77 192 144

HSL 154.96, 0.48%, 0.53%

LAB 70.38, -43.87, 14.67

 

CMYK 1 / 60 / 0 / 25

HEX #BE4DC0

RGB 190 77 192

HSL 298.96, 0.48%, 0.53%

LAB 51.91, 60.15, -39.23

 

CMYK 23 / 0 / 59 / 25

HEX #94C04E

RGB 148 192 78

HSL 83.16, 0.48%, 0.53%

LAB 72.59, -32.45, 51.57

 

CMYK 60 / 23 / 0 / 25

HEX #4D94C0

RGB 77 148 192

HSL 202.96, 0.48%, 0.53%

LAB 58.57, -9.09, -29.52

 

CMYK 0 / 60 / 23 / 25

HEX #C04D94

RGB 192 77 148

HSL 322.96, 0.48%, 0.53%

LAB 50.28, 53.76, -15.94

 

CMYK 23 / 0 / 59 / 25

HEX #94C04E

RGB 148 192 78

HSL 83.16, 0.48%, 0.53%

LAB 72.59, -32.45, 51.57

 

CMYK 60 / 0 / 25 / 25

HEX #4DC090

RGB 77 192 144

HSL 154.96, 0.48%, 0.53%

LAB 70.38, -43.87, 14.67

 

CMYK 37 / 60 / 0 / 25

HEX #794DC0

RGB 121 77 192

HSL 262.96, 0.48%, 0.53%

LAB 43.03, 43.22, -53.91

 

CMYK 0 / 60 / 35 / 25

HEX #C04D7D

RGB 192 77 125

HSL 334.96, 0.48%, 0.53%

LAB 49.49, 50.78, -3.36

 

CMYK 23 / 0 / 59 / 25

HEX #94C04E

RGB 148 192 78

HSL 83.16, 0.48%, 0.53%

LAB 72.59, -32.45, 51.57

 

CMYK 60 / 0 / 7 / 25

HEX #4DC0B3

RGB 77 192 179

HSL 173.22, 0.48%, 0.53%

LAB 71.24, -35.41, -3.14

 

CMYK 37 / 60 / 0 / 25

HEX #794DC0

RGB 121 77 192

HSL 262.96, 0.48%, 0.53%

LAB 43.03, 43.22, -53.91

 

CMYK 0 / 60 / 53 / 25

HEX #C04D5B

RGB 192 77 91

HSL 352.7, 0.48%, 0.53%

LAB 48.6, 47.3, 15.9

 

Description

Color code: RGB 148 192 78 | qconv.com Color code: RGB 148 192 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 192 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 192 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 59 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 59% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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