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Color name
RGB 148 140 148

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 140 148 it is the complementary color RGB 107 115 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 140 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 140 148 shade: RGB 153 140 143, RGB 170 158 162, RGB 187 176 181, RGB 204 194 200 and RGB 221 212 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 140 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 140 148 shade: RGB 148 140 148, RGB 131 122 129, RGB 114 104 110, RGB 97 86 91 and RGB 80 68 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 140 148 shade: RGB 147 138 147, RGB 147 138 144, RGB 147 138 142, RGB 147 138 140 and RGB 147 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 140 148 shade: RGB 147 138 147, RGB 144 138 147, RGB 142 138 147, RGB 140 138 147 and RGB 138 138 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 140 148 shade matches the following richer shades: RGB 147 138 147, RGB 165 120 165, RGB 183 102 183, RGB 201 83 201 and RGB 219 65 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 140 148 shade: RGB 147 138 147, RGB 129 156 129, RGB 110 174 110, RGB 92 192 92 and RGB 74 210 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 140 148 shade: RGB 142 138 147, RGB 144 138 147, RGB 147 138 147, RGB 147 138 144 and RGB 147 138 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 140 148 shade: RGB 105 97 105, RGB 127 117 127, RGB 147 138 147, RGB 167 159 167 and RGB 186 181 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 140 148 shade: RGB 148 140 148, RGB 147 140 138 and RGB 138 147 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 140 148 shade: RGB 148 140 148, RGB 147 147 138 and RGB 138 147 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 140 148 shade: RGB 148 140 148, RGB 147 140 138, RGB 138 147 138 and RGB 138 145 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 140 148 shade: RGB 148 140 148, RGB 147 142 138, RGB 138 147 138 and RGB 138 142 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 0 / 42

HEX #948C94

RGB 148 140 148

HSL 300, 0.04%, 0.56%

LAB 59.15, 4.5, -3.19

 

Complementary color

CMYK 7 / 0 / 7 / 55

HEX #6B736B

RGB 107 115 107

HSL 120, 0.04%, 0.44%

LAB 47.56, -4.67, 3.38

 

CMYK 0 / 8 / 7 / 40

HEX #998C8F

RGB 153 140 143

HSL 346.15, 0.06%, 0.57%

LAB 59.44, 5.4, 0.15

 

CMYK 0 / 7 / 5 / 33

HEX #AA9EA2

RGB 170 158 162

HSL 340, 0.07%, 0.64%

LAB 66.22, 5.1, -0.51

 

CMYK 0 / 6 / 3 / 27

HEX #BBB0B5

RGB 187 176 181

HSL 332.73, 0.07%, 0.71%

LAB 72.86, 4.82, -1.15

 

CMYK 0 / 5 / 2 / 20

HEX #CCC2C8

RGB 204 194 200

HSL 324, 0.09%, 0.78%

LAB 79.38, 4.57, -1.76

 

CMYK 0 / 4 / 1 / 13

HEX #DDD4DB

RGB 221 212 219

HSL 313.33, 0.12%, 0.85%

LAB 85.79, 4.33, -2.35

 

CMYK 0 / 5 / 0 / 42

HEX #948C94

RGB 148 140 148

HSL 300, 0.04%, 0.56%

LAB 59.15, 4.5, -3.19

 

CMYK 0 / 7 / 2 / 49

HEX #837A81

RGB 131 122 129

HSL 313.33, 0.04%, 0.5%

LAB 52.21, 4.79, -2.58

 

CMYK 0 / 9 / 4 / 55

HEX #72686E

RGB 114 104 110

HSL 324, 0.05%, 0.43%

LAB 45.09, 5.11, -1.94

 

CMYK 0 / 11 / 6 / 62

HEX #61565B

RGB 97 86 91

HSL 332.73, 0.06%, 0.36%

LAB 37.76, 5.48, -1.26

 

CMYK 0 / 15 / 10 / 69

HEX #504448

RGB 80 68 72

HSL 340, 0.08%, 0.29%

LAB 30.18, 5.91, -0.52

 

CMYK 0 / 6 / 0 / 42

HEX #938A93

RGB 147 138 147

HSL 300, 0.04%, 0.56%

LAB 58.5, 5.08, -3.59

 

CMYK 0 / 6 / 2 / 42

HEX #938A90

RGB 147 138 144

HSL 320, 0.04%, 0.56%

LAB 58.41, 4.49, -2

 

CMYK 0 / 6 / 3 / 42

HEX #938A8E

RGB 147 138 142

HSL 333.33, 0.04%, 0.56%

LAB 58.35, 4.11, -0.93

 

CMYK 0 / 6 / 5 / 42

HEX #938A8C

RGB 147 138 140

HSL 346.67, 0.04%, 0.56%

LAB 58.3, 3.73, 0.13

 

CMYK 0 / 6 / 6 / 42

HEX #938A8A

RGB 147 138 138

HSL 0, 0.04%, 0.56%

LAB 58.24, 3.36, 1.2

 

CMYK 0 / 6 / 0 / 42

HEX #938A93

RGB 147 138 147

HSL 300, 0.04%, 0.56%

LAB 58.5, 5.08, -3.59

 

CMYK 2 / 6 / 0 / 42

HEX #908A93

RGB 144 138 147

HSL 280, 0.04%, 0.56%

LAB 58.24, 3.98, -4

 

CMYK 3 / 6 / 0 / 42

HEX #8E8A93

RGB 142 138 147

HSL 266.67, 0.04%, 0.56%

LAB 58.07, 3.26, -4.27

 

CMYK 5 / 6 / 0 / 42

HEX #8C8A93

RGB 140 138 147

HSL 253.33, 0.04%, 0.56%

LAB 57.9, 2.54, -4.53

 

CMYK 6 / 6 / 0 / 42

HEX #8A8A93

RGB 138 138 147

HSL 240, 0.04%, 0.56%

LAB 57.74, 1.82, -4.79

 

CMYK 0 / 6 / 0 / 42

HEX #938A93

RGB 147 138 147

HSL 300, 0.04%, 0.56%

LAB 58.5, 5.08, -3.59

 

CMYK 0 / 27 / 0 / 35

HEX #A578A5

RGB 165 120 165

HSL 300, 0.2%, 0.56%

LAB 56.24, 25.34, -17.16

 

CMYK 0 / 44 / 0 / 28

HEX #B766B7

RGB 183 102 183

HSL 300, 0.36%, 0.56%

LAB 55.06, 44.51, -29.17

 

CMYK 0 / 59 / 0 / 21

HEX #C953C9

RGB 201 83 201

HSL 300, 0.52%, 0.56%

LAB 54.89, 61.9, -39.6

 

CMYK 0 / 70 / 0 / 14

HEX #DB41DB

RGB 219 65 219

HSL 300, 0.68%, 0.56%

LAB 56.04, 75.94, -47.85

 

CMYK 0 / 6 / 0 / 42

HEX #938A93

RGB 147 138 147

HSL 300, 0.04%, 0.56%

LAB 58.5, 5.08, -3.59

 

CMYK 17 / 0 / 17 / 39

HEX #819C81

RGB 129 156 129

HSL 120, 0.12%, 0.56%

LAB 61.68, -14.88, 11.05

 

CMYK 37 / 0 / 37 / 32

HEX #6EAE6E

RGB 110 174 110

HSL 120, 0.28%, 0.56%

LAB 65.52, -33.71, 26.55

 

CMYK 52 / 0 / 52 / 25

HEX #5CC05C

RGB 92 192 92

HSL 120, 0.44%, 0.56%

LAB 70, -49.49, 41.3

 

CMYK 65 / 0 / 65 / 18

HEX #4AD24A

RGB 74 210 74

HSL 120, 0.6%, 0.56%

LAB 74.85, -62.49, 54.93

 

CMYK 3 / 6 / 0 / 42

HEX #8E8A93

RGB 142 138 147

HSL 266.67, 0.04%, 0.56%

LAB 58.07, 3.26, -4.27

 

CMYK 2 / 6 / 0 / 42

HEX #908A93

RGB 144 138 147

HSL 280, 0.04%, 0.56%

LAB 58.24, 3.98, -4

 

CMYK 0 / 6 / 0 / 42

HEX #938A93

RGB 147 138 147

HSL 300, 0.04%, 0.56%

LAB 58.5, 5.08, -3.59

 

CMYK 0 / 6 / 2 / 42

HEX #938A90

RGB 147 138 144

HSL 320, 0.04%, 0.56%

LAB 58.41, 4.49, -2

 

CMYK 0 / 6 / 3 / 42

HEX #938A8E

RGB 147 138 142

HSL 333.33, 0.04%, 0.56%

LAB 58.35, 4.11, -0.93

 

CMYK 0 / 8 / 0 / 59

HEX #696169

RGB 105 97 105

HSL 300, 0.04%, 0.4%

LAB 42.11, 4.8, -3.39

 

CMYK 0 / 8 / 0 / 50

HEX #7F757F

RGB 127 117 127

HSL 300, 0.04%, 0.48%

LAB 50.41, 5.8, -4.09

 

CMYK 0 / 6 / 0 / 42

HEX #938A93

RGB 147 138 147

HSL 300, 0.04%, 0.56%

LAB 58.5, 5.08, -3.59

 

CMYK 0 / 5 / 0 / 35

HEX #A79FA7

RGB 167 159 167

HSL 300, 0.04%, 0.64%

LAB 66.37, 4.4, -3.12

 

CMYK 0 / 3 / 0 / 27

HEX #BAB5BA

RGB 186 181 186

HSL 300, 0.03%, 0.72%

LAB 74.21, 2.69, -1.92

 

CMYK 0 / 5 / 0 / 42

HEX #948C94

RGB 148 140 148

HSL 300, 0.04%, 0.56%

LAB 59.15, 4.5, -3.19

 

CMYK 0 / 5 / 6 / 42

HEX #938C8A

RGB 147 140 138

HSL 13.33, 0.04%, 0.56%

LAB 58.78, 2.23, 1.99

 

CMYK 6 / 0 / 3 / 42

HEX #8A938F

RGB 138 147 143

HSL 153.33, 0.04%, 0.56%

LAB 60.12, -4.05, 0.98

 

CMYK 0 / 5 / 0 / 42

HEX #948C94

RGB 148 140 148

HSL 300, 0.04%, 0.56%

LAB 59.15, 4.5, -3.19

 

CMYK 0 / 0 / 6 / 42

HEX #93938A

RGB 147 147 138

HSL 60, 0.04%, 0.56%

LAB 60.7, -1.69, 4.76

 

CMYK 6 / 0 / 0 / 42

HEX #8A9393

RGB 138 147 147

HSL 180, 0.04%, 0.56%

LAB 60.23, -3.24, -1.13

 

CMYK 0 / 5 / 0 / 42

HEX #948C94

RGB 148 140 148

HSL 300, 0.04%, 0.56%

LAB 59.15, 4.5, -3.19

 

CMYK 0 / 5 / 6 / 42

HEX #938C8A

RGB 147 140 138

HSL 13.33, 0.04%, 0.56%

LAB 58.78, 2.23, 1.99

 

CMYK 6 / 0 / 6 / 42

HEX #8A938A

RGB 138 147 138

HSL 120, 0.04%, 0.56%

LAB 59.98, -5.03, 3.63

 

CMYK 6 / 1 / 0 / 42

HEX #8A9193

RGB 138 145 147

HSL 193.33, 0.04%, 0.56%

LAB 59.67, -2.13, -1.94

 

CMYK 0 / 5 / 0 / 42

HEX #948C94

RGB 148 140 148

HSL 300, 0.04%, 0.56%

LAB 59.15, 4.5, -3.19

 

CMYK 0 / 3 / 6 / 42

HEX #938E8A

RGB 147 142 138

HSL 26.67, 0.04%, 0.56%

LAB 59.33, 1.1, 2.78

 

CMYK 6 / 0 / 6 / 42

HEX #8A938A

RGB 138 147 138

HSL 120, 0.04%, 0.56%

LAB 59.98, -5.03, 3.63

 

CMYK 6 / 3 / 0 / 42

HEX #8A8E93

RGB 138 142 147

HSL 213.33, 0.04%, 0.56%

LAB 58.84, -0.44, -3.17

 

Description

Color code: RGB 148 140 148 | qconv.com Color code: RGB 148 140 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 140 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 140 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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