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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 130 9 it is the complementary color RGB 107 125 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 130 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 130 9 shade: RGB 153 130 4, RGB 170 148 23, RGB 187 166 42, RGB 204 184 61 and RGB 221 202 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 130 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 130 9 shade: RGB 148 130 9, RGB 131 112 0, RGB 114 94 0, RGB 97 76 0 and RGB 80 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 130 9 shade: RGB 149 131 8, RGB 149 93 8, RGB 149 55 8, RGB 149 17 8 and RGB 149 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 130 9 shade: RGB 149 131 8, RGB 129 149 8, RGB 91 149 8, RGB 53 149 8 and RGB 15 149 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 130 9 shade matches the following richer shades: RGB 149 131 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 130 9 shade: RGB 149 131 8, RGB 136 121 21, RGB 123 112 34, RGB 111 102 47 and RGB 98 93 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 130 9 shade: RGB 149 55 8, RGB 149 93 8, RGB 149 130 8, RGB 130 149 8 and RGB 93 149 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 130 9 shade: RGB 71 62 4, RGB 110 96 6, RGB 149 131 8, RGB 188 165 10 and RGB 227 199 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 130 9 shade: RGB 148 130 9, RGB 8 149 18 and RGB 74 8 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 130 9 shade: RGB 148 130 9, RGB 8 149 130 and RGB 130 8 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 130 9 shade: RGB 148 130 9, RGB 8 149 18, RGB 8 27 149 and RGB 149 8 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 130 9 shade: RGB 148 130 9, RGB 8 149 60, RGB 8 27 149 and RGB 149 8 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 94 / 42

HEX #948209

RGB 148 130 9

HSL 52.23, 0.89%, 0.31%

LAB 54.32, -4.52, 57.7

 

Complementary color

CMYK 57 / 49 / 0 / 4

HEX #6B7DF6

RGB 107 125 246

HSL 232.23, 0.89%, 0.69%

LAB 56.53, 27.91, -62.87

 

CMYK 0 / 15 / 97 / 40

HEX #998204

RGB 153 130 4

HSL 50.74, 0.95%, 0.31%

LAB 54.81, -2.27, 59.16

 

CMYK 0 / 13 / 86 / 33

HEX #AA9417

RGB 170 148 23

HSL 51.02, 0.76%, 0.38%

LAB 61.47, -3.94, 61.38

 

CMYK 0 / 11 / 78 / 27

HEX #BBA62A

RGB 187 166 42

HSL 51.31, 0.63%, 0.45%

LAB 68.02, -5.34, 62.14

 

CMYK 0 / 10 / 70 / 20

HEX #CCB83D

RGB 204 184 61

HSL 51.61, 0.58%, 0.52%

LAB 74.48, -6.51, 61.97

 

CMYK 0 / 9 / 64 / 13

HEX #DDCA50

RGB 221 202 80

HSL 51.91, 0.67%, 0.59%

LAB 80.85, -7.49, 61.3

 

CMYK 0 / 12 / 94 / 42

HEX #948209

RGB 148 130 9

HSL 52.23, 0.89%, 0.31%

LAB 54.32, -4.52, 57.7

 

CMYK 0 / 15 / 100 / 49

HEX #837000

RGB 131 112 0

HSL 51.3, 1%, 0.26%

LAB 47.51, -2.64, 53.67

 

CMYK 0 / 18 / 100 / 55

HEX #725E00

RGB 114 94 0

HSL 49.47, 1%, 0.22%

LAB 40.55, -0.5, 47.91

 

CMYK 0 / 22 / 100 / 62

HEX #614C00

RGB 97 76 0

HSL 47.01, 1%, 0.19%

LAB 33.37, 1.78, 41.99

 

CMYK 0 / 28 / 100 / 69

HEX #503A00

RGB 80 58 0

HSL 43.5, 1%, 0.16%

LAB 25.96, 4.24, 35.32

 

CMYK 0 / 12 / 95 / 42

HEX #958308

RGB 149 131 8

HSL 52.34, 0.9%, 0.31%

LAB 54.7, -4.62, 58.21

 

CMYK 0 / 38 / 95 / 42

HEX #955D08

RGB 149 93 8

HSL 36.17, 0.9%, 0.31%

LAB 44.57, 17.02, 50.66

 

CMYK 0 / 63 / 95 / 42

HEX #953708

RGB 149 55 8

HSL 20, 0.9%, 0.31%

LAB 36.25, 37.6, 44.78

 

CMYK 0 / 89 / 95 / 42

HEX #951108

RGB 149 17 8

HSL 3.83, 0.9%, 0.31%

LAB 31.37, 51.04, 41.53

 

CMYK 0 / 95 / 95 / 42

HEX #950808

RGB 149 8 8

HSL 0, 0.9%, 0.31%

LAB 30.83, 52.57, 41.15

 

CMYK 0 / 12 / 95 / 42

HEX #958308

RGB 149 131 8

HSL 52.34, 0.9%, 0.31%

LAB 54.7, -4.62, 58.21

 

CMYK 13 / 0 / 95 / 42

HEX #819508

RGB 129 149 8

HSL 68.51, 0.9%, 0.31%

LAB 58.21, -23.24, 60.17

 

CMYK 39 / 0 / 95 / 42

HEX #5B9508

RGB 91 149 8

HSL 84.68, 0.9%, 0.31%

LAB 55.82, -38.75, 57.26

 

CMYK 64 / 0 / 95 / 42

HEX #359508

RGB 53 149 8

HSL 100.85, 0.9%, 0.31%

LAB 54.31, -50.44, 55.4

 

CMYK 90 / 0 / 95 / 42

HEX #0F9508

RGB 15 149 8

HSL 117.02, 0.9%, 0.31%

LAB 53.62, -56.49, 54.54

 

CMYK 0 / 12 / 95 / 42

HEX #958308

RGB 149 131 8

HSL 52.34, 0.9%, 0.31%

LAB 54.7, -4.62, 58.21

 

CMYK 0 / 12 / 95 / 42

HEX #958308

RGB 149 131 8

HSL 52.34, 0.9%, 0.31%

LAB 54.7, -4.62, 58.21

 

CMYK 0 / 11 / 85 / 47

HEX #887915

RGB 136 121 21

HSL 52.17, 0.73%, 0.31%

LAB 50.64, -4.85, 51.51

 

CMYK 0 / 9 / 72 / 52

HEX #7B7022

RGB 123 112 34

HSL 52.58, 0.57%, 0.31%

LAB 46.86, -5.33, 42.83

 

CMYK 0 / 8 / 58 / 56

HEX #6F662F

RGB 111 102 47

HSL 51.56, 0.41%, 0.31%

LAB 42.89, -4.28, 31.92

 

CMYK 0 / 5 / 40 / 62

HEX #625D3B

RGB 98 93 59

HSL 52.31, 0.25%, 0.31%

LAB 39.14, -3.69, 20.26

 

CMYK 0 / 63 / 95 / 42

HEX #953708

RGB 149 55 8

HSL 20, 0.9%, 0.31%

LAB 36.25, 37.6, 44.78

 

CMYK 0 / 38 / 95 / 42

HEX #955D08

RGB 149 93 8

HSL 36.17, 0.9%, 0.31%

LAB 44.57, 17.02, 50.66

 

CMYK 0 / 13 / 95 / 42

HEX #958208

RGB 149 130 8

HSL 51.91, 0.9%, 0.31%

LAB 54.42, -4.07, 57.99

 

CMYK 13 / 0 / 95 / 42

HEX #829508

RGB 130 149 8

HSL 68.09, 0.9%, 0.31%

LAB 58.28, -22.8, 60.26

 

CMYK 38 / 0 / 95 / 42

HEX #5D9508

RGB 93 149 8

HSL 83.83, 0.9%, 0.31%

LAB 55.93, -38.01, 57.39

 

CMYK 0 / 13 / 94 / 72

HEX #473E04

RGB 71 62 4

HSL 51.94, 0.89%, 0.15%

LAB 26.14, -2.88, 33.46

 

CMYK 0 / 13 / 95 / 57

HEX #6E6006

RGB 110 96 6

HSL 51.92, 0.9%, 0.23%

LAB 40.73, -3.49, 46.22

 

CMYK 0 / 12 / 95 / 42

HEX #958308

RGB 149 131 8

HSL 52.34, 0.9%, 0.31%

LAB 54.7, -4.62, 58.21

 

CMYK 0 / 12 / 95 / 26

HEX #BCA50A

RGB 188 165 10

HSL 52.25, 0.9%, 0.39%

LAB 67.74, -5.16, 69.37

 

CMYK 0 / 12 / 94 / 11

HEX #E3C70D

RGB 227 199 13

HSL 52.15, 0.89%, 0.47%

LAB 80.3, -5.67, 79.97

 

CMYK 0 / 12 / 94 / 42

HEX #948209

RGB 148 130 9

HSL 52.23, 0.89%, 0.31%

LAB 54.32, -4.52, 57.7

 

CMYK 95 / 0 / 88 / 42

HEX #089512

RGB 8 149 18

HSL 124.26, 0.9%, 0.31%

LAB 53.59, -56.61, 52.61

 

CMYK 50 / 95 / 0 / 42

HEX #4A0895

RGB 74 8 149

HSL 268.09, 0.9%, 0.31%

LAB 23, 54.06, -61.04

 

CMYK 0 / 12 / 94 / 42

HEX #948209

RGB 148 130 9

HSL 52.23, 0.89%, 0.31%

LAB 54.32, -4.52, 57.7

 

CMYK 95 / 0 / 13 / 42

HEX #089582

RGB 8 149 130

HSL 171.91, 0.9%, 0.31%

LAB 55.23, -37.59, 0.67

 

CMYK 13 / 95 / 0 / 42

HEX #820895

RGB 130 8 149

HSL 291.91, 0.9%, 0.31%

LAB 32.01, 61.56, -45.94

 

CMYK 0 / 12 / 94 / 42

HEX #948209

RGB 148 130 9

HSL 52.23, 0.89%, 0.31%

LAB 54.32, -4.52, 57.7

 

CMYK 95 / 0 / 88 / 42

HEX #089512

RGB 8 149 18

HSL 124.26, 0.9%, 0.31%

LAB 53.59, -56.61, 52.61

 

CMYK 95 / 82 / 0 / 42

HEX #081B95

RGB 8 27 149

HSL 231.91, 0.9%, 0.31%

LAB 20.07, 42.71, -66.06

 

CMYK 0 / 95 / 6 / 42

HEX #95088C

RGB 149 8 140

HSL 303.83, 0.9%, 0.31%

LAB 34.92, 63.43, -35.55

 

CMYK 0 / 12 / 94 / 42

HEX #948209

RGB 148 130 9

HSL 52.23, 0.89%, 0.31%

LAB 54.32, -4.52, 57.7

 

CMYK 95 / 0 / 60 / 42

HEX #08953C

RGB 8 149 60

HSL 142.13, 0.9%, 0.31%

LAB 53.89, -52.79, 37.15

 

CMYK 95 / 82 / 0 / 42

HEX #081B95

RGB 8 27 149

HSL 231.91, 0.9%, 0.31%

LAB 20.07, 42.71, -66.06

 

CMYK 0 / 95 / 35 / 42

HEX #950861

RGB 149 8 97

HSL 322.13, 0.9%, 0.31%

LAB 32.76, 57.85, -11.75

 

Description

Color code: RGB 148 130 9 | qconv.com Color code: RGB 148 130 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 130 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 130 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 94 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 94% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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