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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 139 69 it is the complementary color RGB 107 116 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 139 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 139 69 shade: RGB 153 139 64, RGB 170 157 83, RGB 187 175 102, RGB 204 193 121 and RGB 221 211 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 139 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 139 69 shade: RGB 148 139 69, RGB 131 121 50, RGB 114 103 31, RGB 97 85 12 and RGB 80 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 139 69 shade: RGB 149 140 70, RGB 149 118 70, RGB 149 97 70, RGB 149 76 70 and RGB 149 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 139 69 shade: RGB 149 140 70, RGB 136 149 70, RGB 115 149 70, RGB 94 149 70 and RGB 72 149 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 139 69 shade matches the following richer shades: RGB 149 140 70, RGB 166 153 52, RGB 184 167 34 and RGB 202 181 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 139 69 shade: RGB 149 140 70, RGB 131 126 87, RGB 113 112 105, RGB 95 99 123 and RGB 78 85 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 139 69 shade: RGB 149 97 70, RGB 149 118 70, RGB 149 139 70, RGB 137 149 70 and RGB 116 149 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 139 69 shade: RGB 93 87 43, RGB 121 113 56, RGB 149 140 70, RGB 175 164 85 and RGB 188 179 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 139 69 shade: RGB 148 139 69, RGB 70 149 76 and RGB 108 70 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 139 69 shade: RGB 148 139 69, RGB 70 149 139 and RGB 139 70 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 139 69 shade: RGB 148 139 69, RGB 70 149 76, RGB 70 79 149 and RGB 149 70 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 139 69 shade: RGB 148 139 69, RGB 70 149 100, RGB 70 79 149 and RGB 149 70 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 53 / 42

HEX #948B45

RGB 148 139 69

HSL 53.16, 0.36%, 0.43%

LAB 57.26, -6.39, 38.22

 

Complementary color

CMYK 42 / 38 / 0 / 27

HEX #6B74BA

RGB 107 116 186

HSL 233.16, 0.36%, 0.57%

LAB 50.88, 14.83, -38

 

CMYK 0 / 9 / 58 / 40

HEX #998B40

RGB 153 139 64

HSL 50.56, 0.41%, 0.43%

LAB 57.66, -4.61, 41.31

 

CMYK 0 / 8 / 51 / 33

HEX #AA9D53

RGB 170 157 83

HSL 51.03, 0.34%, 0.5%

LAB 64.39, -5.34, 40.08

 

CMYK 0 / 6 / 45 / 27

HEX #BBAF66

RGB 187 175 102

HSL 51.53, 0.38%, 0.57%

LAB 71, -5.93, 38.83

 

CMYK 0 / 5 / 41 / 20

HEX #CCC179

RGB 204 193 121

HSL 52.05, 0.45%, 0.64%

LAB 77.49, -6.42, 37.6

 

CMYK 0 / 5 / 37 / 13

HEX #DDD38C

RGB 221 211 140

HSL 52.59, 0.54%, 0.71%

LAB 83.89, -6.84, 36.42

 

CMYK 0 / 6 / 53 / 42

HEX #948B45

RGB 148 139 69

HSL 53.16, 0.36%, 0.43%

LAB 57.26, -6.39, 38.22

 

CMYK 0 / 8 / 62 / 49

HEX #837932

RGB 131 121 50

HSL 52.59, 0.45%, 0.35%

LAB 50.37, -5.62, 39.4

 

CMYK 0 / 10 / 73 / 55

HEX #72671F

RGB 114 103 31

HSL 52.05, 0.57%, 0.28%

LAB 43.33, -4.62, 40.28

 

CMYK 0 / 12 / 88 / 62

HEX #61550C

RGB 97 85 12

HSL 51.53, 0.78%, 0.21%

LAB 36.11, -3.27, 40.22

 

CMYK 0 / 16 / 100 / 69

HEX #504300

RGB 80 67 0

HSL 50.25, 1%, 0.16%

LAB 28.69, -1.44, 37.69

 

CMYK 0 / 6 / 53 / 42

HEX #958C46

RGB 149 140 70

HSL 53.16, 0.36%, 0.43%

LAB 57.64, -6.4, 38.18

 

CMYK 0 / 21 / 53 / 42

HEX #957646

RGB 149 118 70

HSL 36.46, 0.36%, 0.43%

LAB 51.6, 5.92, 30.87

 

CMYK 0 / 35 / 53 / 42

HEX #956146

RGB 149 97 70

HSL 20.51, 0.36%, 0.43%

LAB 46.15, 18.03, 24

 

CMYK 0 / 49 / 53 / 42

HEX #954C46

RGB 149 76 70

HSL 4.56, 0.36%, 0.43%

LAB 41.22, 29.94, 17.54

 

CMYK 0 / 53 / 53 / 42

HEX #954646

RGB 149 70 70

HSL 0, 0.36%, 0.43%

LAB 39.94, 33.18, 15.82

 

CMYK 0 / 6 / 53 / 42

HEX #958C46

RGB 149 140 70

HSL 53.16, 0.36%, 0.43%

LAB 57.64, -6.4, 38.18

 

CMYK 9 / 0 / 53 / 42

HEX #889546

RGB 136 149 70

HSL 69.87, 0.36%, 0.43%

LAB 59.13, -16.82, 39.67

 

CMYK 23 / 0 / 53 / 42

HEX #739546

RGB 115 149 70

HSL 85.82, 0.36%, 0.43%

LAB 57.64, -25.45, 37.53

 

CMYK 37 / 0 / 53 / 42

HEX #5E9546

RGB 94 149 70

HSL 101.77, 0.36%, 0.43%

LAB 56.4, -33.34, 35.76

 

CMYK 52 / 0 / 53 / 42

HEX #489546

RGB 72 149 70

HSL 118.48, 0.36%, 0.43%

LAB 55.4, -40.42, 34.3

 

CMYK 0 / 6 / 53 / 42

HEX #958C46

RGB 149 140 70

HSL 53.16, 0.36%, 0.43%

LAB 57.64, -6.4, 38.18

 

CMYK 0 / 8 / 69 / 35

HEX #A69934

RGB 166 153 52

HSL 53.16, 0.52%, 0.43%

LAB 62.62, -7.25, 52.51

 

CMYK 0 / 9 / 82 / 28

HEX #B8A722

RGB 184 167 34

HSL 53.2, 0.69%, 0.43%

LAB 67.98, -7.48, 64.47

 

CMYK 0 / 10 / 92 / 21

HEX #CAB510

RGB 202 181 16

HSL 53.23, 0.85%, 0.43%

LAB 73.31, -7.25, 73.33

 

CMYK 0 / 6 / 53 / 42

HEX #958C46

RGB 149 140 70

HSL 53.16, 0.36%, 0.43%

LAB 57.64, -6.4, 38.18

 

CMYK 0 / 4 / 34 / 49

HEX #837E57

RGB 131 126 87

HSL 53.18, 0.2%, 0.43%

LAB 52.33, -4.53, 21.96

 

CMYK 0 / 1 / 7 / 56

HEX #717069

RGB 113 112 105

HSL 52.5, 0.04%, 0.43%

LAB 47.13, -0.99, 4.02

 

CMYK 23 / 20 / 0 / 52

HEX #5F637B

RGB 95 99 123

HSL 231.43, 0.13%, 0.43%

LAB 42.44, 4.1, -13.93

 

CMYK 45 / 40 / 0 / 45

HEX #4E558D

RGB 78 85 141

HSL 233.33, 0.29%, 0.43%

LAB 37.91, 12.73, -31.99

 

CMYK 0 / 35 / 53 / 42

HEX #956146

RGB 149 97 70

HSL 20.51, 0.36%, 0.43%

LAB 46.15, 18.03, 24

 

CMYK 0 / 21 / 53 / 42

HEX #957646

RGB 149 118 70

HSL 36.46, 0.36%, 0.43%

LAB 51.6, 5.92, 30.87

 

CMYK 0 / 7 / 53 / 42

HEX #958B46

RGB 149 139 70

HSL 52.41, 0.36%, 0.43%

LAB 57.36, -5.86, 37.85

 

CMYK 8 / 0 / 53 / 42

HEX #899546

RGB 137 149 70

HSL 69.11, 0.36%, 0.43%

LAB 59.21, -16.4, 39.78

 

CMYK 22 / 0 / 53 / 42

HEX #749546

RGB 116 149 70

HSL 85.06, 0.36%, 0.43%

LAB 57.7, -25.05, 37.63

 

CMYK 0 / 6 / 54 / 64

HEX #5D572B

RGB 93 87 43

HSL 52.8, 0.37%, 0.27%

LAB 36.59, -4.33, 26.22

 

CMYK 0 / 7 / 54 / 53

HEX #797138

RGB 121 113 56

HSL 52.62, 0.37%, 0.35%

LAB 47.18, -5.16, 32.43

 

CMYK 0 / 6 / 53 / 42

HEX #958C46

RGB 149 140 70

HSL 53.16, 0.36%, 0.43%

LAB 57.64, -6.4, 38.18

 

CMYK 0 / 6 / 51 / 31

HEX #AFA455

RGB 175 164 85

HSL 52.67, 0.36%, 0.51%

LAB 66.76, -6.77, 42.02

 

CMYK 0 / 5 / 40 / 26

HEX #BCB371

RGB 188 179 113

HSL 52.8, 0.36%, 0.59%

LAB 72.31, -6.46, 34.83

 

CMYK 0 / 6 / 53 / 42

HEX #948B45

RGB 148 139 69

HSL 53.16, 0.36%, 0.43%

LAB 57.26, -6.39, 38.22

 

CMYK 53 / 0 / 49 / 42

HEX #46954C

RGB 70 149 76

HSL 124.56, 0.36%, 0.43%

LAB 55.4, -40.11, 31.18

 

CMYK 28 / 53 / 0 / 42

HEX #6C4695

RGB 108 70 149

HSL 268.86, 0.36%, 0.43%

LAB 37.37, 32.75, -37.53

 

CMYK 0 / 6 / 53 / 42

HEX #948B45

RGB 148 139 69

HSL 53.16, 0.36%, 0.43%

LAB 57.26, -6.39, 38.22

 

CMYK 53 / 0 / 7 / 42

HEX #46958B

RGB 70 149 139

HSL 172.41, 0.36%, 0.43%

LAB 56.74, -26.77, -2.13

 

CMYK 7 / 53 / 0 / 42

HEX #8B4695

RGB 139 70 149

HSL 292.41, 0.36%, 0.43%

LAB 41.28, 41.63, -31.09

 

CMYK 0 / 6 / 53 / 42

HEX #948B45

RGB 148 139 69

HSL 53.16, 0.36%, 0.43%

LAB 57.26, -6.39, 38.22

 

CMYK 53 / 0 / 49 / 42

HEX #46954C

RGB 70 149 76

HSL 124.56, 0.36%, 0.43%

LAB 55.4, -40.11, 31.18

 

CMYK 53 / 47 / 0 / 42

HEX #464F95

RGB 70 79 149

HSL 233.16, 0.36%, 0.43%

LAB 36.11, 17.18, -39.75

 

CMYK 0 / 53 / 5 / 42

HEX #95468E

RGB 149 70 142

HSL 305.32, 0.36%, 0.43%

LAB 42.34, 43.25, -25.09

 

CMYK 0 / 6 / 53 / 42

HEX #948B45

RGB 148 139 69

HSL 53.16, 0.36%, 0.43%

LAB 57.26, -6.39, 38.22

 

CMYK 53 / 0 / 33 / 42

HEX #469564

RGB 70 149 100

HSL 142.78, 0.36%, 0.43%

LAB 55.8, -35.9, 18.67

 

CMYK 53 / 47 / 0 / 42

HEX #464F95

RGB 70 79 149

HSL 233.16, 0.36%, 0.43%

LAB 36.11, 17.18, -39.75

 

CMYK 0 / 53 / 21 / 42

HEX #954676

RGB 149 70 118

HSL 323.54, 0.36%, 0.43%

LAB 41.34, 39.2, -11.97

 

Description

Color code: RGB 148 139 69 | qconv.com Color code: RGB 148 139 69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 139 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 139 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 53 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 53% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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