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Color name
RGB 147 70 70

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 70 70 it is the complementary color RGB 108 185 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 70 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 147 70 70 shade: RGB 152 70 65, RGB 169 88 84, RGB 186 106 103, RGB 203 124 122 and RGB 220 142 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 70 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 147 70 70 shade: RGB 147 70 70, RGB 130 52 51, RGB 113 34 32, RGB 96 16 13 and RGB 79 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 147 70 70 shade: RGB 148 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 147 70 70 shade: RGB 148 71 71, RGB 148 91 71, RGB 148 112 71, RGB 148 133 71 and RGB 141 148 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 147 70 70 shade matches the following richer shades: RGB 148 71 71, RGB 165 53 53, RGB 183 35 35, RGB 201 18 18 and RGB 218 0 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 147 70 70 shade: RGB 148 71 71, RGB 130 89 89, RGB 112 106 106, RGB 94 124 124 and RGB 77 142 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 147 70 70 shade: RGB 148 71 112, RGB 148 71 91, RGB 148 71 71, RGB 148 91 71 and RGB 148 112 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 147 70 70 shade: RGB 92 44 44, RGB 120 57 57, RGB 148 71 71, RGB 173 86 86 and RGB 187 114 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 147 70 70 shade: RGB 147 70 70, RGB 132 148 71 and RGB 71 101 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 147 70 70 shade: RGB 147 70 70, RGB 71 148 71 and RGB 71 71 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 147 70 70 shade: RGB 147 70 70, RGB 132 148 71, RGB 71 148 148 and RGB 86 71 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 147 70 70 shade: RGB 147 70 70, RGB 109 148 71, RGB 71 148 148 and RGB 109 71 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 52 / 42

HEX #934646

RGB 147 70 70

HSL 0, 0.35%, 0.43%

LAB 39.62, 32.4, 15.35

 

Complementary color

CMYK 42 / 0 / 0 / 27

HEX #6CB9B9

RGB 108 185 185

HSL 180, 0.35%, 0.57%

LAB 70.45, -23.73, -7.47

 

CMYK 0 / 54 / 57 / 40

HEX #984641

RGB 152 70 65

HSL 3.45, 0.4%, 0.43%

LAB 40.31, 33.91, 19.48

 

CMYK 0 / 48 / 50 / 34

HEX #A95854

RGB 169 88 84

HSL 2.82, 0.34%, 0.5%

LAB 47.05, 32.68, 17.41

 

CMYK 0 / 43 / 45 / 27

HEX #BA6A67

RGB 186 106 103

HSL 2.17, 0.38%, 0.57%

LAB 53.74, 31.52, 15.68

 

CMYK 0 / 39 / 40 / 20

HEX #CB7C7A

RGB 203 124 122

HSL 1.48, 0.44%, 0.64%

LAB 60.35, 30.46, 14.19

 

CMYK 0 / 35 / 36 / 14

HEX #DC8E8D

RGB 220 142 141

HSL 0.76, 0.53%, 0.71%

LAB 66.89, 29.5, 12.88

 

CMYK 0 / 52 / 52 / 42

HEX #934646

RGB 147 70 70

HSL 0, 0.35%, 0.43%

LAB 39.62, 32.4, 15.35

 

CMYK 0 / 60 / 61 / 49

HEX #823433

RGB 130 52 51

HSL 0.76, 0.44%, 0.35%

LAB 32.79, 33.59, 17.71

 

CMYK 0 / 70 / 72 / 56

HEX #712220

RGB 113 34 32

HSL 1.48, 0.56%, 0.28%

LAB 26.04, 34.62, 20.76

 

CMYK 0 / 83 / 86 / 62

HEX #60100D

RGB 96 16 13

HSL 2.17, 0.76%, 0.21%

LAB 19.58, 34.99, 24.18

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 39 / 52 / 42

HEX #945B47

RGB 148 91 71

HSL 15.58, 0.35%, 0.43%

LAB 44.57, 21.16, 21.33

 

CMYK 0 / 24 / 52 / 42

HEX #947047

RGB 148 112 71

HSL 31.95, 0.35%, 0.43%

LAB 49.9, 9.02, 28.18

 

CMYK 0 / 10 / 52 / 42

HEX #948547

RGB 148 133 71

HSL 48.31, 0.35%, 0.43%

LAB 55.61, -2.89, 35.21

 

CMYK 5 / 0 / 52 / 42

HEX #8D9447

RGB 141 148 71

HSL 65.45, 0.35%, 0.43%

LAB 59.25, -14.08, 39.4

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 68 / 68 / 35

HEX #A53535

RGB 165 53 53

HSL 0, 0.51%, 0.43%

LAB 39.25, 45.95, 25.93

 

CMYK 0 / 81 / 81 / 28

HEX #B72323

RGB 183 35 35

HSL 0, 0.68%, 0.43%

LAB 40.23, 57.15, 38.54

 

CMYK 0 / 91 / 91 / 21

HEX #C91212

RGB 201 18 18

HSL 0, 0.84%, 0.43%

LAB 42.6, 65.23, 50.33

 

CMYK 0 / 100 / 100 / 15

HEX #DA0000

RGB 218 0 0

HSL 0, 1%, 0.43%

LAB 45.5, 71.17, 59.72

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 32 / 32 / 49

HEX #825959

RGB 130 89 89

HSL 0, 0.19%, 0.43%

LAB 42.17, 16.92, 6.82

 

CMYK 0 / 5 / 5 / 56

HEX #706A6A

RGB 112 106 106

HSL 0, 0.03%, 0.43%

LAB 45.35, 2.34, 0.83

 

CMYK 24 / 0 / 0 / 51

HEX #5E7C7C

RGB 94 124 124

HSL 180, 0.14%, 0.43%

LAB 49.8, -10.67, -3.52

 

CMYK 46 / 0 / 0 / 44

HEX #4D8E8E

RGB 77 142 142

HSL 180, 0.3%, 0.43%

LAB 54.95, -20.72, -6.48

 

CMYK 0 / 52 / 24 / 42

HEX #944770

RGB 148 71 112

HSL 328.05, 0.35%, 0.43%

LAB 41.17, 37.42, -8.54

 

CMYK 0 / 52 / 39 / 42

HEX #94475B

RGB 148 71 91

HSL 344.42, 0.35%, 0.43%

LAB 40.5, 34.55, 3.53

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 39 / 52 / 42

HEX #945B47

RGB 148 91 71

HSL 15.58, 0.35%, 0.43%

LAB 44.57, 21.16, 21.33

 

CMYK 0 / 24 / 52 / 42

HEX #947047

RGB 148 112 71

HSL 31.95, 0.35%, 0.43%

LAB 49.9, 9.02, 28.18

 

CMYK 0 / 52 / 52 / 64

HEX #5C2C2C

RGB 92 44 44

HSL 0, 0.35%, 0.27%

LAB 24.51, 21.89, 10.11

 

CMYK 0 / 53 / 53 / 53

HEX #783939

RGB 120 57 57

HSL 0, 0.36%, 0.35%

LAB 32.29, 27.48, 12.91

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 50 / 50 / 32

HEX #AD5656

RGB 173 86 86

HSL 0, 0.35%, 0.51%

LAB 47.25, 35.48, 16.58

 

CMYK 0 / 39 / 39 / 27

HEX #BB7272

RGB 187 114 114

HSL 0, 0.35%, 0.59%

LAB 55.9, 28.79, 12.29

 

CMYK 0 / 52 / 52 / 42

HEX #934646

RGB 147 70 70

HSL 0, 0.35%, 0.43%

LAB 39.62, 32.4, 15.35

 

CMYK 11 / 0 / 52 / 42

HEX #849447

RGB 132 148 71

HSL 72.47, 0.35%, 0.43%

LAB 58.55, -17.89, 38.4

 

CMYK 52 / 32 / 0 / 42

HEX #476594

RGB 71 101 148

HSL 216.62, 0.35%, 0.43%

LAB 42.44, 3.04, -29.13

 

CMYK 0 / 52 / 52 / 42

HEX #934646

RGB 147 70 70

HSL 0, 0.35%, 0.43%

LAB 39.62, 32.4, 15.35

 

CMYK 52 / 0 / 52 / 42

HEX #479447

RGB 71 148 71

HSL 120, 0.35%, 0.43%

LAB 55.05, -40.14, 33.35

 

CMYK 52 / 52 / 0 / 42

HEX #474794

RGB 71 71 148

HSL 240, 0.35%, 0.43%

LAB 33.95, 22.28, -42.59

 

CMYK 0 / 52 / 52 / 42

HEX #934646

RGB 147 70 70

HSL 0, 0.35%, 0.43%

LAB 39.62, 32.4, 15.35

 

CMYK 11 / 0 / 52 / 42

HEX #849447

RGB 132 148 71

HSL 72.47, 0.35%, 0.43%

LAB 58.55, -17.89, 38.4

 

CMYK 52 / 0 / 0 / 42

HEX #479494

RGB 71 148 148

HSL 180, 0.35%, 0.43%

LAB 56.74, -23.59, -7.28

 

CMYK 42 / 52 / 0 / 42

HEX #564794

RGB 86 71 148

HSL 251.69, 0.35%, 0.43%

LAB 35.25, 25.94, -40.44

 

CMYK 0 / 52 / 52 / 42

HEX #934646

RGB 147 70 70

HSL 0, 0.35%, 0.43%

LAB 39.62, 32.4, 15.35

 

CMYK 26 / 0 / 52 / 42

HEX #6D9447

RGB 109 148 71

HSL 90.39, 0.35%, 0.43%

LAB 56.96, -27.19, 36.13

 

CMYK 52 / 0 / 0 / 42

HEX #479494

RGB 71 148 148

HSL 180, 0.35%, 0.43%

LAB 56.74, -23.59, -7.28

 

CMYK 26 / 52 / 0 / 42

HEX #6D4794

RGB 109 71 148

HSL 269.61, 0.35%, 0.43%

LAB 37.65, 32.19, -36.46

 

Description

Color code: RGB 147 70 70 | qconv.com Color code: RGB 147 70 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 70 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 70 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 52 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 52% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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