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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 196 71 it is the complementary color RGB 108 59 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 196 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 147 196 71 shade: RGB 152 196 66, RGB 169 214 85, RGB 186 232 104, RGB 203 250 123 and RGB 220 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 196 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 147 196 71 shade: RGB 147 196 71, RGB 130 178 52, RGB 113 160 33, RGB 96 142 14 and RGB 79 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 147 196 71 shade: RGB 146 195 70, RGB 179 195 70, RGB 195 176 70, RGB 195 142 70 and RGB 195 109 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 147 196 71 shade: RGB 146 195 70, RGB 112 195 70, RGB 78 195 70, RGB 70 195 95 and RGB 70 195 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 147 196 71 shade matches the following richer shades: RGB 146 195 70, RGB 150 214 50, RGB 154 234 30 and RGB 158 254 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 147 196 71 shade: RGB 146 195 70, RGB 141 175 89, RGB 137 155 109, RGB 133 135 129 and RGB 128 115 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 147 196 71 shade: RGB 195 176 70, RGB 180 195 70, RGB 147 195 70, RGB 113 195 70 and RGB 80 195 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 147 196 71 shade: RGB 101 137 44, RGB 124 169 54, RGB 146 195 70, RGB 164 205 101 and RGB 182 215 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 147 196 71 shade: RGB 147 196 71, RGB 70 195 143 and RGB 192 70 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 147 196 71 shade: RGB 147 196 71, RGB 70 147 195 and RGB 195 70 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 147 196 71 shade: RGB 147 196 71, RGB 70 195 143, RGB 118 70 195 and RGB 195 70 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 147 196 71 shade: RGB 147 196 71, RGB 70 195 180, RGB 118 70 195 and RGB 195 70 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 64 / 23

HEX #93C447

RGB 147 196 71

HSL 83.52, 0.51%, 0.52%

LAB 73.63, -35.26, 55.73

 

Complementary color

CMYK 41 / 68 / 0 / 28

HEX #6C3BB8

RGB 108 59 184

HSL 263.52, 0.51%, 0.48%

LAB 37.44, 48.02, -58.34

 

CMYK 22 / 0 / 66 / 23

HEX #98C442

RGB 152 196 66

HSL 80.31, 0.52%, 0.51%

LAB 73.9, -33.71, 58.15

 

CMYK 21 / 0 / 60 / 16

HEX #A9D655

RGB 169 214 85

HSL 80.93, 0.61%, 0.59%

LAB 80.28, -34.03, 57.44

 

CMYK 20 / 0 / 55 / 9

HEX #BAE868

RGB 186 232 104

HSL 81.56, 0.74%, 0.66%

LAB 86.58, -34.25, 56.51

 

CMYK 19 / 0 / 51 / 2

HEX #CBFA7B

RGB 203 250 123

HSL 82.2, 0.93%, 0.73%

LAB 92.79, -34.4, 55.48

 

CMYK 14 / 0 / 44 / 0

HEX #DCFF8E

RGB 220 255 142

HSL 78.58, 1%, 0.78%

LAB 95.45, -28.52, 50.1

 

CMYK 25 / 0 / 64 / 23

HEX #93C447

RGB 147 196 71

HSL 83.52, 0.51%, 0.52%

LAB 73.63, -35.26, 55.73

 

CMYK 27 / 0 / 71 / 30

HEX #82B234

RGB 130 178 52

HSL 82.86, 0.55%, 0.45%

LAB 67.15, -34.9, 56.24

 

CMYK 29 / 0 / 79 / 37

HEX #71A021

RGB 113 160 33

HSL 82.2, 0.66%, 0.38%

LAB 60.57, -34.37, 56.1

 

CMYK 32 / 0 / 90 / 44

HEX #608E0E

RGB 96 142 14

HSL 81.56, 0.82%, 0.31%

LAB 53.88, -33.59, 54.74

 

CMYK 36 / 0 / 100 / 51

HEX #4F7C00

RGB 79 124 0

HSL 81.77, 1%, 0.24%

LAB 47.08, -32.49, 51.5

 

CMYK 25 / 0 / 64 / 24

HEX #92C346

RGB 146 195 70

HSL 83.52, 0.51%, 0.52%

LAB 73.27, -35.26, 55.74

 

CMYK 8 / 0 / 64 / 24

HEX #B3C346

RGB 179 195 70

HSL 67.68, 0.51%, 0.52%

LAB 75.49, -22.12, 58.76

 

CMYK 0 / 10 / 64 / 24

HEX #C3B046

RGB 195 176 70

HSL 50.88, 0.51%, 0.52%

LAB 71.62, -5.69, 55.05

 

CMYK 0 / 27 / 64 / 24

HEX #C38E46

RGB 195 142 70

HSL 34.56, 0.51%, 0.52%

LAB 62.84, 12.62, 45.39

 

CMYK 0 / 44 / 64 / 24

HEX #C36D46

RGB 195 109 70

HSL 18.72, 0.51%, 0.52%

LAB 55.05, 30.65, 36.37

 

CMYK 25 / 0 / 64 / 24

HEX #92C346

RGB 146 195 70

HSL 83.52, 0.51%, 0.52%

LAB 73.27, -35.26, 55.74

 

CMYK 43 / 0 / 64 / 24

HEX #70C346

RGB 112 195 70

HSL 99.84, 0.51%, 0.52%

LAB 71.5, -47.24, 53.3

 

CMYK 60 / 0 / 64 / 24

HEX #4EC346

RGB 78 195 70

HSL 116.16, 0.51%, 0.52%

LAB 70.24, -56.74, 51.56

 

CMYK 64 / 0 / 51 / 24

HEX #46C35F

RGB 70 195 95

HSL 132, 0.51%, 0.52%

LAB 70.29, -55.43, 40.03

 

CMYK 64 / 0 / 34 / 24

HEX #46C380

RGB 70 195 128

HSL 147.84, 0.51%, 0.52%

LAB 70.8, -49.81, 23.78

 

CMYK 25 / 0 / 64 / 24

HEX #92C346

RGB 146 195 70

HSL 83.52, 0.51%, 0.52%

LAB 73.27, -35.26, 55.74

 

CMYK 30 / 0 / 77 / 16

HEX #96D632

RGB 150 214 50

HSL 83.41, 0.67%, 0.52%

LAB 78.93, -43.44, 68.76

 

CMYK 34 / 0 / 87 / 8

HEX #9AEA1E

RGB 154 234 30

HSL 83.53, 0.83%, 0.52%

LAB 84.9, -51.12, 78.97

 

CMYK 38 / 0 / 96 / 0

HEX #9EFE0A

RGB 158 254 10

HSL 83.61, 0.99%, 0.52%

LAB 90.86, -58.06, 86.36

 

CMYK 25 / 0 / 64 / 24

HEX #92C346

RGB 146 195 70

HSL 83.52, 0.51%, 0.52%

LAB 73.27, -35.26, 55.74

 

CMYK 19 / 0 / 49 / 31

HEX #8DAF59

RGB 141 175 89

HSL 83.72, 0.35%, 0.52%

LAB 67.31, -25.94, 40.07

 

CMYK 12 / 0 / 30 / 39

HEX #899B6D

RGB 137 155 109

HSL 83.48, 0.19%, 0.52%

LAB 61.54, -14.72, 22.07

 

CMYK 1 / 0 / 4 / 47

HEX #858781

RGB 133 135 129

HSL 80, 0.02%, 0.52%

LAB 55.99, -1.91, 2.96

 

CMYK 14 / 23 / 0 / 42

HEX #807395

RGB 128 115 149

HSL 262.94, 0.14%, 0.52%

LAB 50.71, 12.1, -16.59

 

CMYK 0 / 10 / 64 / 24

HEX #C3B046

RGB 195 176 70

HSL 50.88, 0.51%, 0.52%

LAB 71.62, -5.69, 55.05

 

CMYK 8 / 0 / 64 / 24

HEX #B4C346

RGB 180 195 70

HSL 67.2, 0.51%, 0.52%

LAB 75.56, -21.71, 58.86

 

CMYK 25 / 0 / 64 / 24

HEX #93C346

RGB 147 195 70

HSL 83.04, 0.51%, 0.52%

LAB 73.33, -34.88, 55.82

 

CMYK 42 / 0 / 64 / 24

HEX #71C346

RGB 113 195 70

HSL 99.36, 0.51%, 0.52%

LAB 71.54, -46.92, 53.36

 

CMYK 59 / 0 / 64 / 24

HEX #50C346

RGB 80 195 70

HSL 115.2, 0.51%, 0.52%

LAB 70.3, -56.27, 51.64

 

CMYK 26 / 0 / 68 / 46

HEX #65892C

RGB 101 137 44

HSL 83.23, 0.51%, 0.35%

LAB 52.77, -27.64, 44.08

 

CMYK 27 / 0 / 68 / 34

HEX #7CA936

RGB 124 169 54

HSL 83.48, 0.52%, 0.44%

LAB 64.1, -32.94, 52.21

 

CMYK 25 / 0 / 64 / 24

HEX #92C346

RGB 146 195 70

HSL 83.52, 0.51%, 0.52%

LAB 73.27, -35.26, 55.74

 

CMYK 20 / 0 / 51 / 20

HEX #A4CD65

RGB 164 205 101

HSL 83.65, 0.51%, 0.6%

LAB 77.58, -30.25, 46.96

 

CMYK 15 / 0 / 39 / 16

HEX #B6D784

RGB 182 215 132

HSL 83.86, 0.51%, 0.68%

LAB 81.95, -24.71, 37.41

 

CMYK 25 / 0 / 64 / 23

HEX #93C447

RGB 147 196 71

HSL 83.52, 0.51%, 0.52%

LAB 73.63, -35.26, 55.73

 

CMYK 64 / 0 / 27 / 24

HEX #46C38F

RGB 70 195 143

HSL 155.04, 0.51%, 0.52%

LAB 71.09, -46.7, 16.17

 

CMYK 2 / 64 / 0 / 24

HEX #C046C3

RGB 192 70 195

HSL 298.56, 0.51%, 0.52%

LAB 51.3, 64.09, -41.9

 

CMYK 25 / 0 / 64 / 23

HEX #93C447

RGB 147 196 71

HSL 83.52, 0.51%, 0.52%

LAB 73.63, -35.26, 55.73

 

CMYK 64 / 25 / 0 / 24

HEX #4693C3

RGB 70 147 195

HSL 203.04, 0.51%, 0.52%

LAB 58.14, -8.86, -31.9

 

CMYK 0 / 64 / 25 / 24

HEX #C34693

RGB 195 70 147

HSL 323.04, 0.51%, 0.52%

LAB 49.6, 57.51, -16.33

 

CMYK 25 / 0 / 64 / 23

HEX #93C447

RGB 147 196 71

HSL 83.52, 0.51%, 0.52%

LAB 73.63, -35.26, 55.73

 

CMYK 64 / 0 / 27 / 24

HEX #46C38F

RGB 70 195 143

HSL 155.04, 0.51%, 0.52%

LAB 71.09, -46.7, 16.17

 

CMYK 39 / 64 / 0 / 24

HEX #7646C3

RGB 118 70 195

HSL 263.04, 0.51%, 0.52%

LAB 41.49, 47.16, -58.16

 

CMYK 0 / 64 / 37 / 24

HEX #C3467A

RGB 195 70 122

HSL 335.04, 0.51%, 0.52%

LAB 48.74, 54.45, -2.59

 

CMYK 25 / 0 / 64 / 23

HEX #93C447

RGB 147 196 71

HSL 83.52, 0.51%, 0.52%

LAB 73.63, -35.26, 55.73

 

CMYK 64 / 0 / 8 / 24

HEX #46C3B4

RGB 70 195 180

HSL 172.8, 0.51%, 0.52%

LAB 71.98, -37.73, -2.62

 

CMYK 39 / 64 / 0 / 24

HEX #7646C3

RGB 118 70 195

HSL 263.04, 0.51%, 0.52%

LAB 41.49, 47.16, -58.16

 

CMYK 0 / 64 / 57 / 24

HEX #C34654

RGB 195 70 84

HSL 353.28, 0.51%, 0.52%

LAB 47.78, 50.88, 19.1

 

Description

Color code: RGB 147 196 71 | qconv.com Color code: RGB 147 196 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 196 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 196 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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