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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 130 71 it is the complementary color RGB 108 125 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 130 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 147 130 71 shade: RGB 152 130 66, RGB 169 148 85, RGB 186 166 104, RGB 203 184 123 and RGB 220 202 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 130 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 147 130 71 shade: RGB 147 130 71, RGB 130 112 52, RGB 113 94 33, RGB 96 76 14 and RGB 79 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 147 130 71 shade: RGB 148 130 71, RGB 148 110 71, RGB 148 89 71 and RGB 148 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 147 130 71 shade: RGB 148 130 71, RGB 144 148 71, RGB 123 148 71, RGB 103 148 71 and RGB 82 148 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 147 130 71 shade matches the following richer shades: RGB 148 130 71, RGB 165 140 53, RGB 183 150 35, RGB 201 160 18 and RGB 218 170 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 147 130 71 shade: RGB 148 130 71, RGB 130 121 89, RGB 112 111 106, RGB 94 101 124 and RGB 77 91 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 147 130 71 shade: RGB 148 89 71, RGB 148 109 71, RGB 148 130 71, RGB 145 148 71 and RGB 125 148 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 147 130 71 shade: RGB 92 81 44, RGB 120 106 57, RGB 148 130 71, RGB 173 154 86 and RGB 187 171 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 147 130 71 shade: RGB 147 130 71, RGB 73 148 71 and RGB 99 71 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 147 130 71 shade: RGB 147 130 71, RGB 71 148 130 and RGB 130 71 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 147 130 71 shade: RGB 147 130 71, RGB 73 148 71, RGB 71 89 148 and RGB 145 71 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 147 130 71 shade: RGB 147 130 71, RGB 71 148 91, RGB 71 89 148 and RGB 148 71 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 52 / 42

HEX #938247

RGB 147 130 71

HSL 46.58, 0.35%, 0.43%

LAB 54.68, -1.66, 34.06

 

Complementary color

CMYK 41 / 32 / 0 / 28

HEX #6C7DB8

RGB 108 125 184

HSL 226.58, 0.35%, 0.57%

LAB 53.29, 9.1, -33.05

 

CMYK 0 / 14 / 57 / 40

HEX #988242

RGB 152 130 66

HSL 44.65, 0.39%, 0.43%

LAB 55.11, 0.1, 37.31

 

CMYK 0 / 12 / 50 / 34

HEX #A99455

RGB 169 148 85

HSL 45, 0.33%, 0.5%

LAB 61.89, -0.7, 35.98

 

CMYK 0 / 11 / 44 / 27

HEX #BAA668

RGB 186 166 104

HSL 45.37, 0.37%, 0.57%

LAB 68.54, -1.36, 34.69

 

CMYK 0 / 9 / 39 / 20

HEX #CBB87B

RGB 203 184 123

HSL 45.75, 0.43%, 0.64%

LAB 75.08, -1.9, 33.45

 

CMYK 0 / 8 / 35 / 14

HEX #DCCA8E

RGB 220 202 142

HSL 46.15, 0.53%, 0.71%

LAB 81.52, -2.37, 32.27

 

CMYK 0 / 12 / 52 / 42

HEX #938247

RGB 147 130 71

HSL 46.58, 0.35%, 0.43%

LAB 54.68, -1.66, 34.06

 

CMYK 0 / 14 / 60 / 49

HEX #827034

RGB 130 112 52

HSL 46.15, 0.43%, 0.36%

LAB 47.73, -0.82, 35.38

 

CMYK 0 / 17 / 71 / 56

HEX #715E21

RGB 113 94 33

HSL 45.75, 0.55%, 0.29%

LAB 40.62, 0.27, 36.55

 

CMYK 0 / 21 / 85 / 62

HEX #604C0E

RGB 96 76 14

HSL 45.37, 0.75%, 0.22%

LAB 33.32, 1.74, 37.05

 

CMYK 0 / 27 / 100 / 69

HEX #4F3A00

RGB 79 58 0

HSL 44.05, 1%, 0.15%

LAB 25.83, 3.72, 35.16

 

CMYK 0 / 12 / 52 / 42

HEX #948247

RGB 148 130 71

HSL 45.97, 0.35%, 0.43%

LAB 54.78, -1.22, 34.2

 

CMYK 0 / 26 / 52 / 42

HEX #946E47

RGB 148 110 71

HSL 30.39, 0.35%, 0.43%

LAB 49.38, 10.17, 27.51

 

CMYK 0 / 40 / 52 / 42

HEX #945947

RGB 148 89 71

HSL 14.03, 0.35%, 0.43%

LAB 44.08, 22.31, 20.7

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 12 / 52 / 42

HEX #948247

RGB 148 130 71

HSL 45.97, 0.35%, 0.43%

LAB 54.78, -1.22, 34.2

 

CMYK 3 / 0 / 52 / 42

HEX #909447

RGB 144 148 71

HSL 63.12, 0.35%, 0.43%

LAB 59.49, -12.79, 39.75

 

CMYK 17 / 0 / 52 / 42

HEX #7B9447

RGB 123 148 71

HSL 79.48, 0.35%, 0.43%

LAB 57.89, -21.62, 37.46

 

CMYK 30 / 0 / 52 / 42

HEX #679447

RGB 103 148 71

HSL 95.06, 0.35%, 0.43%

LAB 56.6, -29.47, 35.61

 

CMYK 45 / 0 / 52 / 42

HEX #529447

RGB 82 148 71

HSL 111.43, 0.35%, 0.43%

LAB 55.51, -36.8, 34.03

 

CMYK 0 / 12 / 52 / 42

HEX #948247

RGB 148 130 71

HSL 45.97, 0.35%, 0.43%

LAB 54.78, -1.22, 34.2

 

CMYK 0 / 15 / 68 / 35

HEX #A58C35

RGB 165 140 53

HSL 46.61, 0.51%, 0.43%

LAB 58.99, -0.58, 48.27

 

CMYK 0 / 18 / 81 / 28

HEX #B79623

RGB 183 150 35

HSL 46.62, 0.68%, 0.43%

LAB 63.34, 1.2, 60.08

 

CMYK 0 / 20 / 91 / 21

HEX #C9A012

RGB 201 160 18

HSL 46.56, 0.84%, 0.43%

LAB 67.73, 3.42, 68.71

 

CMYK 0 / 12 / 52 / 42

HEX #948247

RGB 148 130 71

HSL 45.97, 0.35%, 0.43%

LAB 54.78, -1.22, 34.2

 

CMYK 0 / 7 / 32 / 49

HEX #827959

RGB 130 121 89

HSL 46.83, 0.19%, 0.43%

LAB 50.85, -1.85, 18.83

 

CMYK 0 / 1 / 5 / 56

HEX #706F6A

RGB 112 111 106

HSL 50, 0.03%, 0.43%

LAB 46.78, -0.61, 2.91

 

CMYK 24 / 19 / 0 / 51

HEX #5E657C

RGB 94 101 124

HSL 226, 0.14%, 0.43%

LAB 42.98, 2.79, -13.73

 

CMYK 46 / 36 / 0 / 44

HEX #4D5B8E

RGB 77 91 142

HSL 227.08, 0.3%, 0.43%

LAB 39.6, 8.95, -29.94

 

CMYK 0 / 40 / 52 / 42

HEX #945947

RGB 148 89 71

HSL 14.03, 0.35%, 0.43%

LAB 44.08, 22.31, 20.7

 

CMYK 0 / 26 / 52 / 42

HEX #946D47

RGB 148 109 71

HSL 29.61, 0.35%, 0.43%

LAB 49.12, 10.75, 27.18

 

CMYK 0 / 12 / 52 / 42

HEX #948247

RGB 148 130 71

HSL 45.97, 0.35%, 0.43%

LAB 54.78, -1.22, 34.2

 

CMYK 2 / 0 / 52 / 42

HEX #919447

RGB 145 148 71

HSL 62.34, 0.35%, 0.43%

LAB 59.58, -12.36, 39.87

 

CMYK 16 / 0 / 52 / 42

HEX #7D9447

RGB 125 148 71

HSL 77.92, 0.35%, 0.43%

LAB 58.03, -20.8, 37.66

 

CMYK 0 / 12 / 52 / 64

HEX #5C512C

RGB 92 81 44

HSL 46.25, 0.35%, 0.27%

LAB 34.69, -1.09, 23.31

 

CMYK 0 / 12 / 53 / 53

HEX #786A39

RGB 120 106 57

HSL 46.67, 0.36%, 0.35%

LAB 45.08, -1.5, 29.33

 

CMYK 0 / 12 / 52 / 42

HEX #948247

RGB 148 130 71

HSL 45.97, 0.35%, 0.43%

LAB 54.78, -1.22, 34.2

 

CMYK 0 / 11 / 50 / 32

HEX #AD9A56

RGB 173 154 86

HSL 46.9, 0.35%, 0.51%

LAB 63.89, -2.16, 38

 

CMYK 0 / 9 / 39 / 27

HEX #BBAB72

RGB 187 171 114

HSL 46.85, 0.35%, 0.59%

LAB 70.11, -2.52, 31.45

 

CMYK 0 / 12 / 52 / 42

HEX #938247

RGB 147 130 71

HSL 46.58, 0.35%, 0.43%

LAB 54.68, -1.66, 34.06

 

CMYK 51 / 0 / 52 / 42

HEX #499447

RGB 73 148 71

HSL 118.44, 0.35%, 0.43%

LAB 55.13, -39.56, 33.47

 

CMYK 33 / 52 / 0 / 42

HEX #634794

RGB 99 71 148

HSL 261.82, 0.35%, 0.43%

LAB 36.55, 29.4, -38.28

 

CMYK 0 / 12 / 52 / 42

HEX #938247

RGB 147 130 71

HSL 46.58, 0.35%, 0.43%

LAB 54.68, -1.66, 34.06

 

CMYK 52 / 0 / 12 / 42

HEX #479482

RGB 71 148 130

HSL 165.97, 0.35%, 0.43%

LAB 56.22, -28.38, 2.26

 

CMYK 12 / 52 / 0 / 42

HEX #824794

RGB 130 71 148

HSL 285.97, 0.35%, 0.43%

LAB 40.23, 38.26, -32.22

 

CMYK 0 / 12 / 52 / 42

HEX #938247

RGB 147 130 71

HSL 46.58, 0.35%, 0.43%

LAB 54.68, -1.66, 34.06

 

CMYK 51 / 0 / 52 / 42

HEX #499447

RGB 73 148 71

HSL 118.44, 0.35%, 0.43%

LAB 55.13, -39.56, 33.47

 

CMYK 52 / 40 / 0 / 42

HEX #475994

RGB 71 89 148

HSL 225.97, 0.35%, 0.43%

LAB 38.94, 10.62, -34.64

 

CMYK 2 / 52 / 0 / 42

HEX #914794

RGB 145 71 148

HSL 297.66, 0.35%, 0.43%

LAB 42.25, 42.67, -28.9

 

CMYK 0 / 12 / 52 / 42

HEX #938247

RGB 147 130 71

HSL 46.58, 0.35%, 0.43%

LAB 54.68, -1.66, 34.06

 

CMYK 52 / 0 / 39 / 42

HEX #47945B

RGB 71 148 91

HSL 135.58, 0.35%, 0.43%

LAB 55.35, -36.9, 23.06

 

CMYK 52 / 40 / 0 / 42

HEX #475994

RGB 71 89 148

HSL 225.97, 0.35%, 0.43%

LAB 38.94, 10.62, -34.64

 

CMYK 0 / 52 / 14 / 42

HEX #94477F

RGB 148 71 127

HSL 316.36, 0.35%, 0.43%

LAB 41.74, 39.81, -16.9

 

Description

Color code: RGB 147 130 71 | qconv.com Color code: RGB 147 130 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 130 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 130 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 52 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 52% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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