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Color name
RGB 146 99 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 99 78 it is the complementary color RGB 109 156 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 99 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 99 78 shade: RGB 151 99 73, RGB 168 117 92, RGB 185 135 111, RGB 202 153 130 and RGB 219 171 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 99 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 99 78 shade: RGB 146 99 78, RGB 129 81 59, RGB 112 63 40, RGB 95 45 21 and RGB 78 27 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 99 78 shade: RGB 145 99 78, RGB 145 81 78 and RGB 145 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 99 78 shade: RGB 145 99 78, RGB 145 117 78, RGB 145 135 78, RGB 137 145 78 and RGB 119 145 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 99 78 shade matches the following richer shades: RGB 145 99 78, RGB 164 92 60, RGB 182 85 42, RGB 200 78 24 and RGB 218 71 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 99 78 shade: RGB 145 99 78, RGB 127 106 96, RGB 109 113 114, RGB 91 120 133 and RGB 73 127 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 99 78 shade: RGB 145 78 94, RGB 145 80 78, RGB 145 98 78, RGB 145 116 78 and RGB 145 134 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 99 78 shade: RGB 92 62 49, RGB 119 81 64, RGB 145 99 78, RGB 169 118 96 and RGB 183 141 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 99 78 shade: RGB 146 99 78, RGB 112 145 78 and RGB 78 85 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 99 78 shade: RGB 146 99 78, RGB 78 145 98 and RGB 98 78 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 99 78 shade: RGB 146 99 78, RGB 112 145 78, RGB 78 125 145 and RGB 112 78 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 99 78 shade: RGB 146 99 78, RGB 92 145 78, RGB 78 125 145 and RGB 132 78 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 47 / 43

HEX #92634E

RGB 146 99 78

HSL 18.53, 0.3%, 0.44%

LAB 46.42, 16.41, 19.6

 

Complementary color

CMYK 38 / 12 / 0 / 31

HEX #6D9CB1

RGB 109 156 177

HSL 198.53, 0.3%, 0.56%

LAB 61.83, -10.35, -15.94

 

CMYK 0 / 34 / 52 / 41

HEX #976349

RGB 151 99 73

HSL 20, 0.35%, 0.44%

LAB 46.95, 18.03, 23.34

 

CMYK 0 / 30 / 45 / 34

HEX #A8755C

RGB 168 117 92

HSL 19.74, 0.3%, 0.51%

LAB 53.84, 16.94, 21.8

 

CMYK 0 / 27 / 40 / 27

HEX #B9876F

RGB 185 135 111

HSL 19.46, 0.35%, 0.58%

LAB 60.6, 16.01, 20.43

 

CMYK 0 / 24 / 36 / 21

HEX #CA9982

RGB 202 153 130

HSL 19.17, 0.4%, 0.65%

LAB 67.24, 15.21, 19.19

 

CMYK 0 / 22 / 32 / 14

HEX #DBAB95

RGB 219 171 149

HSL 18.86, 0.49%, 0.72%

LAB 73.78, 14.5, 18.06

 

CMYK 0 / 32 / 47 / 43

HEX #92634E

RGB 146 99 78

HSL 18.53, 0.3%, 0.44%

LAB 46.42, 16.41, 19.6

 

CMYK 0 / 37 / 54 / 49

HEX #81513B

RGB 129 81 59

HSL 18.86, 0.37%, 0.37%

LAB 39.36, 17.58, 21.24

 

CMYK 0 / 44 / 64 / 56

HEX #703F28

RGB 112 63 40

HSL 19.17, 0.47%, 0.3%

LAB 32.15, 19.01, 23.14

 

CMYK 0 / 53 / 78 / 63

HEX #5F2D15

RGB 95 45 21

HSL 19.46, 0.64%, 0.23%

LAB 24.84, 20.74, 25.34

 

CMYK 0 / 65 / 97 / 69

HEX #4E1B02

RGB 78 27 2

HSL 19.74, 0.95%, 0.16%

LAB 17.5, 22.67, 25.37

 

CMYK 0 / 32 / 46 / 43

HEX #91634E

RGB 145 99 78

HSL 18.81, 0.3%, 0.44%

LAB 46.3, 15.98, 19.42

 

CMYK 0 / 44 / 46 / 43

HEX #91514E

RGB 145 81 78

HSL 2.69, 0.3%, 0.44%

LAB 41.93, 26.35, 13.51

 

CMYK 0 / 46 / 46 / 43

HEX #914E4E

RGB 145 78 78

HSL 0, 0.3%, 0.44%

LAB 41.25, 28.04, 12.57

 

CMYK 0 / 32 / 46 / 43

HEX #91634E

RGB 145 99 78

HSL 18.81, 0.3%, 0.44%

LAB 46.3, 15.98, 19.42

 

CMYK 0 / 19 / 46 / 43

HEX #91754E

RGB 145 117 78

HSL 34.93, 0.3%, 0.44%

LAB 51.03, 5.55, 25.61

 

CMYK 0 / 7 / 46 / 43

HEX #91874E

RGB 145 135 78

HSL 51.04, 0.3%, 0.44%

LAB 55.99, -4.61, 31.89

 

CMYK 6 / 0 / 46 / 43

HEX #89914E

RGB 137 145 78

HSL 67.16, 0.3%, 0.44%

LAB 58.15, -13.47, 34.42

 

CMYK 18 / 0 / 46 / 43

HEX #77914E

RGB 119 145 78

HSL 83.28, 0.3%, 0.44%

LAB 56.8, -20.9, 32.45

 

CMYK 0 / 32 / 46 / 43

HEX #91634E

RGB 145 99 78

HSL 18.81, 0.3%, 0.44%

LAB 46.3, 15.98, 19.42

 

CMYK 0 / 44 / 63 / 36

HEX #A45C3C

RGB 164 92 60

HSL 18.46, 0.46%, 0.44%

LAB 46.81, 26.44, 30.99

 

CMYK 0 / 53 / 77 / 29

HEX #B6552A

RGB 182 85 42

HSL 18.43, 0.63%, 0.44%

LAB 47.76, 36.54, 42.43

 

CMYK 0 / 61 / 88 / 22

HEX #C84E18

RGB 200 78 24

HSL 18.41, 0.79%, 0.44%

LAB 49.25, 46.27, 52.83

 

CMYK 0 / 67 / 98 / 15

HEX #DA4705

RGB 218 71 5

HSL 18.59, 0.96%, 0.44%

LAB 51.18, 55.33, 60.95

 

CMYK 0 / 32 / 46 / 43

HEX #91634E

RGB 145 99 78

HSL 18.81, 0.3%, 0.44%

LAB 46.3, 15.98, 19.42

 

CMYK 0 / 17 / 24 / 50

HEX #7F6A60

RGB 127 106 96

HSL 19.35, 0.14%, 0.44%

LAB 46.53, 6.65, 8.71

 

CMYK 4 / 1 / 0 / 55

HEX #6D7172

RGB 109 113 114

HSL 192, 0.02%, 0.44%

LAB 47.34, -1.31, -1.09

 

CMYK 32 / 10 / 0 / 48

HEX #5B7885

RGB 91 120 133

HSL 198.57, 0.19%, 0.44%

LAB 48.7, -7.09, -10.48

 

CMYK 52 / 16 / 0 / 41

HEX #497F97

RGB 73 127 151

HSL 198.46, 0.35%, 0.44%

LAB 50.49, -10.95, -18.44

 

CMYK 0 / 46 / 35 / 43

HEX #914E5E

RGB 145 78 94

HSL 345.67, 0.3%, 0.44%

LAB 41.65, 29.98, 3.26

 

CMYK 0 / 45 / 46 / 43

HEX #91504E

RGB 145 80 78

HSL 1.79, 0.3%, 0.44%

LAB 41.7, 26.91, 13.2

 

CMYK 0 / 32 / 46 / 43

HEX #91624E

RGB 145 98 78

HSL 17.91, 0.3%, 0.44%

LAB 46.05, 16.56, 19.08

 

CMYK 0 / 20 / 46 / 43

HEX #91744E

RGB 145 116 78

HSL 34.03, 0.3%, 0.44%

LAB 50.76, 6.12, 25.26

 

CMYK 0 / 8 / 46 / 43

HEX #91864E

RGB 145 134 78

HSL 50.15, 0.3%, 0.44%

LAB 55.71, -4.06, 31.54

 

CMYK 0 / 33 / 47 / 64

HEX #5C3E31

RGB 92 62 49

HSL 18.14, 0.3%, 0.28%

LAB 29.27, 11.34, 13.26

 

CMYK 0 / 32 / 46 / 53

HEX #775140

RGB 119 81 64

HSL 18.55, 0.3%, 0.36%

LAB 38.16, 13.68, 16.39

 

CMYK 0 / 32 / 46 / 43

HEX #91634E

RGB 145 99 78

HSL 18.81, 0.3%, 0.44%

LAB 46.3, 15.98, 19.42

 

CMYK 0 / 30 / 43 / 34

HEX #A97660

RGB 169 118 96

HSL 18.08, 0.3%, 0.52%

LAB 54.28, 17.24, 20.12

 

CMYK 0 / 23 / 33 / 28

HEX #B78D7A

RGB 183 141 122

HSL 18.69, 0.3%, 0.6%

LAB 62.1, 13.23, 16.26

 

CMYK 0 / 32 / 47 / 43

HEX #92634E

RGB 146 99 78

HSL 18.53, 0.3%, 0.44%

LAB 46.42, 16.41, 19.6

 

CMYK 23 / 0 / 46 / 43

HEX #70914E

RGB 112 145 78

HSL 89.55, 0.3%, 0.44%

LAB 56.33, -23.68, 31.76

 

CMYK 46 / 41 / 0 / 43

HEX #4E5591

RGB 78 85 145

HSL 233.73, 0.3%, 0.44%

LAB 38.13, 13.99, -34.07

 

CMYK 0 / 32 / 47 / 43

HEX #92634E

RGB 146 99 78

HSL 18.53, 0.3%, 0.44%

LAB 46.42, 16.41, 19.6

 

CMYK 46 / 0 / 32 / 43

HEX #4E9162

RGB 78 145 98

HSL 137.91, 0.3%, 0.44%

LAB 54.82, -32.24, 18.5

 

CMYK 32 / 46 / 0 / 43

HEX #624E91

RGB 98 78 145

HSL 257.91, 0.3%, 0.44%

LAB 38, 24, -34.16

 

CMYK 0 / 32 / 47 / 43

HEX #92634E

RGB 146 99 78

HSL 18.53, 0.3%, 0.44%

LAB 46.42, 16.41, 19.6

 

CMYK 23 / 0 / 46 / 43

HEX #70914E

RGB 112 145 78

HSL 89.55, 0.3%, 0.44%

LAB 56.33, -23.68, 31.76

 

CMYK 46 / 14 / 0 / 43

HEX #4E7D91

RGB 78 125 145

HSL 197.91, 0.3%, 0.44%

LAB 49.9, -10.35, -15.81

 

CMYK 23 / 46 / 0 / 43

HEX #704E91

RGB 112 78 145

HSL 270.45, 0.3%, 0.44%

LAB 39.48, 28.15, -31.74

 

CMYK 0 / 32 / 47 / 43

HEX #92634E

RGB 146 99 78

HSL 18.53, 0.3%, 0.44%

LAB 46.42, 16.41, 19.6

 

CMYK 37 / 0 / 46 / 43

HEX #5C914E

RGB 92 145 78

HSL 107.46, 0.3%, 0.44%

LAB 55.15, -31.1, 30.03

 

CMYK 46 / 14 / 0 / 43

HEX #4E7D91

RGB 78 125 145

HSL 197.91, 0.3%, 0.44%

LAB 49.9, -10.35, -15.81

 

CMYK 9 / 46 / 0 / 43

HEX #844E91

RGB 132 78 145

HSL 288.36, 0.3%, 0.44%

LAB 41.84, 34.32, -27.86

 

Description

Color code: RGB 146 99 78 | qconv.com Color code: RGB 146 99 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 99 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 99 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 47 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 47% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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