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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 88 145 it is the complementary color RGB 109 167 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 88 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 88 145 shade: RGB 151 88 140, RGB 168 106 159, RGB 185 124 178, RGB 202 142 197 and RGB 219 160 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 88 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 88 145 shade: RGB 146 88 145, RGB 129 70 126, RGB 112 52 107, RGB 95 34 88 and RGB 78 16 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 88 145 shade: RGB 146 87 145, RGB 146 87 129, RGB 146 87 113, RGB 146 87 98 and RGB 146 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 88 145 shade: RGB 146 87 145, RGB 131 87 146, RGB 115 87 146, RGB 100 87 146 and RGB 87 87 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 88 145 shade matches the following richer shades: RGB 146 87 145, RGB 165 68 163, RGB 184 50 182, RGB 203 31 200 and RGB 222 12 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 88 145 shade: RGB 146 87 145, RGB 127 106 127, RGB 108 125 108, RGB 89 144 90 and RGB 70 163 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 88 145 shade: RGB 116 87 146, RGB 131 87 146, RGB 146 87 145, RGB 146 87 130 and RGB 146 87 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 88 145 shade: RGB 95 57 94, RGB 120 72 120, RGB 146 87 145, RGB 167 108 166 and RGB 182 134 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 88 145 shade: RGB 146 88 145, RGB 146 100 87 and RGB 87 146 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 88 145 shade: RGB 146 88 145, RGB 145 146 87 and RGB 87 145 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 88 145 shade: RGB 146 88 145, RGB 146 100 87, RGB 87 146 88 and RGB 87 133 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 88 145 shade: RGB 146 88 145, RGB 146 118 87, RGB 87 146 88 and RGB 87 116 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 1 / 43

HEX #925891

RGB 146 88 145

HSL 301.03, 0.25%, 0.46%

LAB 45.82, 33.17, -21.55

 

Complementary color

CMYK 35 / 0 / 34 / 35

HEX #6DA76E

RGB 109 167 110

HSL 121.03, 0.25%, 0.54%

LAB 63.35, -30.74, 23.66

 

CMYK 0 / 42 / 7 / 41

HEX #97588C

RGB 151 88 140

HSL 310.48, 0.26%, 0.47%

LAB 46.25, 33.9, -17.84

 

CMYK 0 / 37 / 5 / 34

HEX #A86A9F

RGB 168 106 159

HSL 308.71, 0.26%, 0.54%

LAB 53.1, 33.11, -18.43

 

CMYK 0 / 33 / 4 / 27

HEX #B97CB2

RGB 185 124 178

HSL 306.89, 0.3%, 0.61%

LAB 59.84, 32.35, -18.94

 

CMYK 0 / 30 / 2 / 21

HEX #CA8EC5

RGB 202 142 197

HSL 305, 0.36%, 0.67%

LAB 66.47, 31.64, -19.41

 

CMYK 0 / 27 / 1 / 14

HEX #DBA0D8

RGB 219 160 216

HSL 303.05, 0.45%, 0.74%

LAB 73, 30.97, -19.85

 

CMYK 0 / 40 / 1 / 43

HEX #925891

RGB 146 88 145

HSL 301.03, 0.25%, 0.46%

LAB 45.82, 33.17, -21.55

 

CMYK 0 / 46 / 2 / 49

HEX #81467E

RGB 129 70 126

HSL 303.05, 0.3%, 0.39%

LAB 38.82, 33.97, -21.01

 

CMYK 0 / 54 / 4 / 56

HEX #70346B

RGB 112 52 107

HSL 305, 0.37%, 0.32%

LAB 31.72, 34.71, -20.32

 

CMYK 0 / 64 / 7 / 63

HEX #5F2258

RGB 95 34 88

HSL 306.89, 0.47%, 0.25%

LAB 24.58, 35.19, -19.32

 

CMYK 0 / 79 / 12 / 69

HEX #4E1045

RGB 78 16 69

HSL 308.71, 0.66%, 0.18%

LAB 17.55, 34.93, -17.68

 

CMYK 0 / 40 / 1 / 43

HEX #925791

RGB 146 87 145

HSL 301.02, 0.25%, 0.46%

LAB 45.6, 33.74, -21.89

 

CMYK 0 / 40 / 12 / 43

HEX #925781

RGB 146 87 129

HSL 317.29, 0.25%, 0.46%

LAB 44.96, 30.75, -13.24

 

CMYK 0 / 40 / 23 / 43

HEX #925771

RGB 146 87 113

HSL 333.56, 0.25%, 0.46%

LAB 44.4, 28.06, -4.36

 

CMYK 0 / 40 / 33 / 43

HEX #925762

RGB 146 87 98

HSL 348.81, 0.25%, 0.46%

LAB 43.96, 25.83, 4.14

 

CMYK 0 / 40 / 40 / 43

HEX #925757

RGB 146 87 87

HSL 0, 0.25%, 0.46%

LAB 43.68, 24.39, 10.45

 

CMYK 0 / 40 / 1 / 43

HEX #925791

RGB 146 87 145

HSL 301.02, 0.25%, 0.46%

LAB 45.6, 33.74, -21.89

 

CMYK 10 / 40 / 0 / 43

HEX #835792

RGB 131 87 146

HSL 284.75, 0.25%, 0.46%

LAB 43.82, 29.04, -25.38

 

CMYK 21 / 40 / 0 / 43

HEX #735792

RGB 115 87 146

HSL 268.47, 0.25%, 0.46%

LAB 42.06, 23.9, -28.27

 

CMYK 32 / 40 / 0 / 43

HEX #645792

RGB 100 87 146

HSL 253.22, 0.25%, 0.46%

LAB 40.57, 19.27, -30.7

 

CMYK 40 / 40 / 0 / 43

HEX #575792

RGB 87 87 146

HSL 240, 0.25%, 0.46%

LAB 39.44, 15.48, -32.56

 

CMYK 0 / 40 / 1 / 43

HEX #925791

RGB 146 87 145

HSL 301.02, 0.25%, 0.46%

LAB 45.6, 33.74, -21.89

 

CMYK 0 / 59 / 1 / 35

HEX #A544A3

RGB 165 68 163

HSL 301.24, 0.42%, 0.46%

LAB 45.33, 52.54, -32.85

 

CMYK 0 / 73 / 1 / 28

HEX #B832B6

RGB 184 50 182

HSL 300.9, 0.57%, 0.46%

LAB 46.78, 67.38, -41.58

 

CMYK 0 / 85 / 1 / 20

HEX #CB1FC8

RGB 203 31 200

HSL 301.05, 0.74%, 0.46%

LAB 49.31, 78.72, -47.84

 

CMYK 0 / 95 / 2 / 13

HEX #DE0CDA

RGB 222 12 218

HSL 301.14, 0.9%, 0.46%

LAB 52.79, 87.06, -52.43

 

CMYK 0 / 40 / 1 / 43

HEX #925791

RGB 146 87 145

HSL 301.02, 0.25%, 0.46%

LAB 45.6, 33.74, -21.89

 

CMYK 0 / 17 / 0 / 50

HEX #7F6A7F

RGB 127 106 127

HSL 300, 0.09%, 0.46%

LAB 47.43, 12.31, -8.52

 

CMYK 14 / 0 / 14 / 51

HEX #6C7D6C

RGB 108 125 108

HSL 120, 0.07%, 0.46%

LAB 50.61, -9.77, 7.18

 

CMYK 38 / 0 / 38 / 44

HEX #59905A

RGB 89 144 90

HSL 121.09, 0.24%, 0.46%

LAB 54.87, -29.77, 23.12

 

CMYK 57 / 0 / 56 / 36

HEX #46A348

RGB 70 163 72

HSL 121.29, 0.4%, 0.46%

LAB 59.86, -46.4, 38.66

 

CMYK 21 / 40 / 0 / 43

HEX #745792

RGB 116 87 146

HSL 269.49, 0.25%, 0.46%

LAB 42.16, 24.22, -28.1

 

CMYK 10 / 40 / 0 / 43

HEX #835792

RGB 131 87 146

HSL 284.75, 0.25%, 0.46%

LAB 43.82, 29.04, -25.38

 

CMYK 0 / 40 / 1 / 43

HEX #925791

RGB 146 87 145

HSL 301.02, 0.25%, 0.46%

LAB 45.6, 33.74, -21.89

 

CMYK 0 / 40 / 11 / 43

HEX #925782

RGB 146 87 130

HSL 316.27, 0.25%, 0.46%

LAB 45, 30.93, -13.79

 

CMYK 0 / 40 / 22 / 43

HEX #925772

RGB 146 87 114

HSL 332.54, 0.25%, 0.46%

LAB 44.44, 28.21, -4.92

 

CMYK 0 / 40 / 1 / 63

HEX #5F395E

RGB 95 57 94

HSL 301.58, 0.25%, 0.3%

LAB 29.83, 23.41, -15.1

 

CMYK 0 / 40 / 0 / 53

HEX #784878

RGB 120 72 120

HSL 300, 0.25%, 0.38%

LAB 37.81, 28.62, -18.96

 

CMYK 0 / 40 / 1 / 43

HEX #925791

RGB 146 87 145

HSL 301.02, 0.25%, 0.46%

LAB 45.6, 33.74, -21.89

 

CMYK 0 / 35 / 1 / 35

HEX #A76CA6

RGB 167 108 166

HSL 301.02, 0.25%, 0.54%

LAB 53.7, 32.98, -21.59

 

CMYK 0 / 26 / 1 / 29

HEX #B686B5

RGB 182 134 181

HSL 301.25, 0.25%, 0.62%

LAB 61.94, 26.34, -17.48

 

CMYK 0 / 40 / 1 / 43

HEX #925891

RGB 146 88 145

HSL 301.03, 0.25%, 0.46%

LAB 45.82, 33.17, -21.55

 

CMYK 0 / 32 / 40 / 43

HEX #926457

RGB 146 100 87

HSL 13.22, 0.25%, 0.46%

LAB 46.86, 16.88, 14.86

 

CMYK 40 / 0 / 15 / 43

HEX #57927C

RGB 87 146 124

HSL 157.63, 0.25%, 0.46%

LAB 56.13, -24.57, 5.65

 

CMYK 0 / 40 / 1 / 43

HEX #925891

RGB 146 88 145

HSL 301.03, 0.25%, 0.46%

LAB 45.82, 33.17, -21.55

 

CMYK 1 / 0 / 40 / 43

HEX #919257

RGB 145 146 87

HSL 61.02, 0.25%, 0.46%

LAB 59.22, -9.62, 31.13

 

CMYK 40 / 1 / 0 / 43

HEX #579192

RGB 87 145 146

HSL 181.02, 0.25%, 0.46%

LAB 56.44, -18.64, -6.51

 

CMYK 0 / 40 / 1 / 43

HEX #925891

RGB 146 88 145

HSL 301.03, 0.25%, 0.46%

LAB 45.82, 33.17, -21.55

 

CMYK 0 / 32 / 40 / 43

HEX #926457

RGB 146 100 87

HSL 13.22, 0.25%, 0.46%

LAB 46.86, 16.88, 14.86

 

CMYK 40 / 0 / 40 / 43

HEX #579258

RGB 87 146 88

HSL 121.02, 0.25%, 0.46%

LAB 55.37, -31.71, 24.86

 

CMYK 40 / 9 / 0 / 43

HEX #578592

RGB 87 133 146

HSL 193.22, 0.25%, 0.46%

LAB 52.81, -12.13, -11.93

 

CMYK 0 / 40 / 1 / 43

HEX #925891

RGB 146 88 145

HSL 301.03, 0.25%, 0.46%

LAB 45.82, 33.17, -21.55

 

CMYK 0 / 19 / 40 / 43

HEX #927657

RGB 146 118 87

HSL 31.53, 0.25%, 0.46%

LAB 51.56, 6.45, 21.2

 

CMYK 40 / 0 / 40 / 43

HEX #579258

RGB 87 146 88

HSL 121.02, 0.25%, 0.46%

LAB 55.37, -31.71, 24.86

 

CMYK 40 / 21 / 0 / 43

HEX #577492

RGB 87 116 146

HSL 210.51, 0.25%, 0.46%

LAB 47.74, -2.38, -19.64

 

Description

Color code: RGB 146 88 145 | qconv.com Color code: RGB 146 88 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 88 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 88 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 1 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 1% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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