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Color name
RGB 146 42 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 42 111 it is the complementary color RGB 109 213 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 42 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 42 111 shade: RGB 151 42 106, RGB 168 60 125, RGB 185 78 144, RGB 202 96 163 and RGB 219 114 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 42 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 42 111 shade: RGB 146 42 111, RGB 129 24 92, RGB 112 6 73, RGB 95 0 54 and RGB 78 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 42 111 shade: RGB 146 42 111, RGB 146 42 83, RGB 146 42 55 and RGB 146 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 42 111 shade: RGB 146 42 111, RGB 146 42 139, RGB 125 42 146, RGB 97 42 146 and RGB 69 42 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 42 111 shade matches the following richer shades: RGB 146 42 111, RGB 161 27 116 and RGB 176 11 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 42 111 shade: RGB 146 42 111, RGB 130 57 106, RGB 115 72 101, RGB 100 88 96 and RGB 85 103 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 42 111 shade: RGB 125 42 146, RGB 146 42 139, RGB 146 42 111, RGB 146 42 83 and RGB 146 42 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 42 111 shade: RGB 82 23 62, RGB 114 33 86, RGB 146 42 111, RGB 178 51 135 and RGB 201 69 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 42 111 shade: RGB 146 42 111, RGB 146 97 42 and RGB 42 146 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 42 111 shade: RGB 146 42 111, RGB 111 146 42 and RGB 42 111 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 42 111 shade: RGB 146 42 111, RGB 146 97 42, RGB 42 146 77 and RGB 42 90 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 42 111 shade: RGB 146 42 111, RGB 146 128 42, RGB 42 146 77 and RGB 42 59 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

Complementary color

CMYK 49 / 0 / 32 / 16

HEX #6DD590

RGB 109 213 144

HSL 140.19, 0.55%, 0.63%

LAB 77.79, -45.42, 25.05

 

CMYK 0 / 72 / 30 / 41

HEX #972A6A

RGB 151 42 106

HSL 324.77, 0.56%, 0.38%

LAB 36.51, 50.84, -11.77

 

CMYK 0 / 64 / 26 / 34

HEX #A83C7D

RGB 168 60 125

HSL 323.89, 0.47%, 0.45%

LAB 42.82, 50.96, -13.75

 

CMYK 0 / 58 / 22 / 27

HEX #B94E90

RGB 185 78 144

HSL 322.99, 0.43%, 0.52%

LAB 49.22, 50.62, -15.26

 

CMYK 0 / 52 / 19 / 21

HEX #CA60A3

RGB 202 96 163

HSL 322.08, 0.5%, 0.58%

LAB 55.65, 50.05, -16.46

 

CMYK 0 / 48 / 17 / 14

HEX #DB72B6

RGB 219 114 182

HSL 321.14, 0.59%, 0.65%

LAB 62.06, 49.37, -17.46

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 81 / 29 / 49

HEX #81185C

RGB 129 24 92

HSL 321.14, 0.69%, 0.3%

LAB 29.65, 49.19, -13.61

 

CMYK 0 / 95 / 35 / 56

HEX #700649

RGB 112 6 73

HSL 322.08, 0.9%, 0.23%

LAB 23.86, 46.87, -10.11

 

CMYK 0 / 100 / 43 / 63

HEX #5F0036

RGB 95 0 54

HSL 325.89, 1%, 0.19%

LAB 18.8, 42.05, -4.94

 

CMYK 0 / 100 / 55 / 69

HEX #4E0023

RGB 78 0 35

HSL 333.08, 1%, 0.15%

LAB 14.07, 35.88, 1.42

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 71 / 43 / 43

HEX #922A53

RGB 146 42 83

HSL 336.35, 0.55%, 0.37%

LAB 34.79, 46.68, 0.27

 

CMYK 0 / 71 / 62 / 43

HEX #922A37

RGB 146 42 55

HSL 352.5, 0.55%, 0.37%

LAB 34.07, 44.22, 17.38

 

CMYK 0 / 71 / 71 / 43

HEX #922A2A

RGB 146 42 42

HSL 0, 0.55%, 0.37%

LAB 33.85, 43.42, 25.32

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 71 / 5 / 43

HEX #922A8B

RGB 146 42 139

HSL 304.04, 0.55%, 0.37%

LAB 37.17, 54.4, -31.4

 

CMYK 14 / 71 / 0 / 43

HEX #7D2A92

RGB 125 42 146

HSL 287.88, 0.55%, 0.37%

LAB 34.17, 50.74, -40.67

 

CMYK 34 / 71 / 0 / 43

HEX #612A92

RGB 97 42 146

HSL 271.73, 0.55%, 0.37%

LAB 30.09, 44.6, -47.46

 

CMYK 53 / 71 / 0 / 43

HEX #452A92

RGB 69 42 146

HSL 255.58, 0.55%, 0.37%

LAB 26.72, 39.18, -53.08

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 83 / 28 / 37

HEX #A11B74

RGB 161 27 116

HSL 320.15, 0.71%, 0.37%

LAB 37.16, 59.3, -16.92

 

CMYK 0 / 94 / 31 / 31

HEX #B00B79

RGB 176 11 121

HSL 320, 0.88%, 0.37%

LAB 39.33, 66.06, -16.47

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 56 / 18 / 49

HEX #82396A

RGB 130 57 106

HSL 319.73, 0.39%, 0.37%

LAB 35.43, 37.73, -13.75

 

CMYK 0 / 37 / 12 / 55

HEX #734865

RGB 115 72 101

HSL 319.53, 0.23%, 0.37%

LAB 36.4, 23.11, -9.31

 

CMYK 0 / 12 / 4 / 61

HEX #645860

RGB 100 88 96

HSL 320, 0.06%, 0.37%

LAB 38.78, 6.46, -2.82

 

CMYK 17 / 0 / 12 / 60

HEX #55675B

RGB 85 103 91

HSL 140, 0.1%, 0.37%

LAB 41.82, -9.45, 4.52

 

CMYK 14 / 71 / 0 / 43

HEX #7D2A92

RGB 125 42 146

HSL 287.88, 0.55%, 0.37%

LAB 34.17, 50.74, -40.67

 

CMYK 0 / 71 / 5 / 43

HEX #922A8B

RGB 146 42 139

HSL 304.04, 0.55%, 0.37%

LAB 37.17, 54.4, -31.4

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 71 / 43 / 43

HEX #922A53

RGB 146 42 83

HSL 336.35, 0.55%, 0.37%

LAB 34.79, 46.68, 0.27

 

CMYK 0 / 71 / 62 / 43

HEX #922A38

RGB 146 42 56

HSL 351.92, 0.55%, 0.37%

LAB 34.09, 44.29, 16.76

 

CMYK 0 / 72 / 24 / 68

HEX #52173E

RGB 82 23 62

HSL 320.34, 0.56%, 0.21%

LAB 19.03, 31.94, -10.47

 

CMYK 0 / 71 / 25 / 55

HEX #722156

RGB 114 33 86

HSL 320.74, 0.55%, 0.29%

LAB 27.67, 41.01, -12.94

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 71 / 24 / 30

HEX #B23387

RGB 178 51 135

HSL 320.31, 0.55%, 0.45%

LAB 43.63, 58.65, -18.48

 

CMYK 0 / 66 / 22 / 21

HEX #C9459D

RGB 201 69 157

HSL 320, 0.55%, 0.53%

LAB 50.81, 60.94, -20.34

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 34 / 71 / 43

HEX #92612A

RGB 146 97 42

HSL 31.73, 0.55%, 0.37%

LAB 45.4, 14.54, 38.39

 

CMYK 71 / 0 / 5 / 43

HEX #2A928B

RGB 42 146 139

HSL 175.96, 0.55%, 0.37%

LAB 54.98, -30.5, -4.81

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 24 / 0 / 71 / 43

HEX #6F922A

RGB 111 146 42

HSL 80.19, 0.55%, 0.37%

LAB 56.19, -28.07, 48.64

 

CMYK 71 / 24 / 0 / 43

HEX #2A6F92

RGB 42 111 146

HSL 200.19, 0.55%, 0.37%

LAB 44.14, -9.61, -25.37

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 34 / 71 / 43

HEX #92612A

RGB 146 97 42

HSL 31.73, 0.55%, 0.37%

LAB 45.4, 14.54, 38.39

 

CMYK 71 / 0 / 47 / 43

HEX #2A924D

RGB 42 146 77

HSL 140.19, 0.55%, 0.37%

LAB 53.58, -45.17, 28.19

 

CMYK 71 / 38 / 0 / 43

HEX #2A5A92

RGB 42 90 146

HSL 212.31, 0.55%, 0.37%

LAB 37.63, 3.31, -35.6

 

CMYK 0 / 71 / 24 / 43

HEX #922A6F

RGB 146 42 111

HSL 320.19, 0.55%, 0.37%

LAB 35.82, 50.11, -16.06

 

CMYK 0 / 12 / 71 / 43

HEX #92802A

RGB 146 128 42

HSL 49.62, 0.55%, 0.37%

LAB 53.72, -3.19, 47.06

 

CMYK 71 / 0 / 47 / 43

HEX #2A924D

RGB 42 146 77

HSL 140.19, 0.55%, 0.37%

LAB 53.58, -45.17, 28.19

 

CMYK 71 / 60 / 0 / 43

HEX #2A3B92

RGB 42 59 146

HSL 230.19, 0.55%, 0.37%

LAB 28.63, 24.04, -50.06

 

Description

Color code: RGB 146 42 111 | qconv.com Color code: RGB 146 42 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 42 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 42 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 24 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 24% 43% C M Y K

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Provide designers and agencies with accurate color values.

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