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Color name
RGB 146 252 197

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 252 197 it is the complementary color RGB 109 3 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 252 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 252 197 shade: RGB 151 252 192, RGB 168 255 211, RGB 185 255 230, RGB 202 255 249 and RGB 219 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 252 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 252 197 shade: RGB 146 252 197, RGB 129 234 178, RGB 112 216 159, RGB 95 198 140 and RGB 78 180 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 252 197 shade: RGB 145 252 196, RGB 145 252 168, RGB 151 252 145, RGB 180 252 145 and RGB 209 252 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 252 197 shade: RGB 145 252 196, RGB 145 252 225, RGB 145 250 252, RGB 145 221 252 and RGB 145 192 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 252 197 shade matches the following richer shades: RGB 145 252 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 252 197 shade: RGB 145 252 196, RGB 154 243 197, RGB 163 234 197, RGB 172 224 197 and RGB 181 215 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 252 197 shade: RGB 152 252 145, RGB 145 252 166, RGB 145 252 195, RGB 145 252 223 and RGB 145 252 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 252 197 shade: RGB 65 250 154, RGB 105 251 175, RGB 145 252 196, RGB 185 253 218 and RGB 226 254 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 252 197 shade: RGB 146 252 197, RGB 145 181 252 and RGB 252 152 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 252 197 shade: RGB 146 252 197, RGB 195 145 252 and RGB 252 195 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 252 197 shade: RGB 146 252 197, RGB 145 181 252, RGB 252 145 202 and RGB 252 216 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 252 197 shade: RGB 146 252 197, RGB 145 149 252, RGB 252 145 202 and RGB 252 248 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 22 / 1

HEX #92FCC5

RGB 146 252 197

HSL 148.87, 0.95%, 0.78%

LAB 91.58, -42.69, 16.88

 

Complementary color

CMYK 0 / 97 / 47 / 57

HEX #6D033A

RGB 109 3 58

HSL 328.87, 0.95%, 0.22%

LAB 22.38, 45.18, -2.08

 

CMYK 40 / 0 / 24 / 1

HEX #97FCC0

RGB 151 252 192

HSL 144.36, 0.94%, 0.79%

LAB 91.69, -42.31, 19.63

 

CMYK 34 / 0 / 17 / 0

HEX #A8FFD3

RGB 168 255 211

HSL 149.66, 1%, 0.83%

LAB 93.69, -35.31, 12.81

 

CMYK 27 / 0 / 10 / 0

HEX #B9FFE6

RGB 185 255 230

HSL 158.57, 1%, 0.86%

LAB 94.97, -26.68, 4.98

 

CMYK 21 / 0 / 2 / 0

HEX #CAFFF9

RGB 202 255 249

HSL 173.21, 1%, 0.9%

LAB 96.38, -17.83, -2.64

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 42 / 0 / 22 / 1

HEX #92FCC5

RGB 146 252 197

HSL 148.87, 0.95%, 0.78%

LAB 91.58, -42.69, 16.88

 

CMYK 45 / 0 / 24 / 8

HEX #81EAB2

RGB 129 234 178

HSL 148, 0.71%, 0.71%

LAB 85.37, -42.91, 17.89

 

CMYK 48 / 0 / 26 / 15

HEX #70D89F

RGB 112 216 159

HSL 147.12, 0.57%, 0.64%

LAB 79.08, -43.1, 18.97

 

CMYK 52 / 0 / 29 / 22

HEX #5FC68C

RGB 95 198 140

HSL 146.21, 0.47%, 0.57%

LAB 72.7, -43.25, 20.13

 

CMYK 57 / 0 / 33 / 29

HEX #4EB479

RGB 78 180 121

HSL 145.29, 0.4%, 0.51%

LAB 66.25, -43.32, 21.39

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC4

RGB 145 252 196

HSL 148.6, 0.95%, 0.78%

LAB 91.52, -43.15, 17.3

 

CMYK 42 / 0 / 33 / 1

HEX #91FCA8

RGB 145 252 168

HSL 132.9, 0.95%, 0.78%

LAB 90.99, -48.2, 30.82

 

CMYK 40 / 0 / 42 / 1

HEX #97FC91

RGB 151 252 145

HSL 116.64, 0.95%, 0.78%

LAB 90.89, -50.02, 42.12

 

CMYK 29 / 0 / 42 / 1

HEX #B4FC91

RGB 180 252 145

HSL 100.37, 0.95%, 0.78%

LAB 92.3, -40.89, 44.2

 

CMYK 17 / 0 / 42 / 1

HEX #D1FC91

RGB 209 252 145

HSL 84.11, 0.95%, 0.78%

LAB 93.98, -30.8, 46.68

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC4

RGB 145 252 196

HSL 148.6, 0.95%, 0.78%

LAB 91.52, -43.15, 17.3

 

CMYK 42 / 0 / 11 / 1

HEX #91FCE1

RGB 145 252 225

HSL 164.86, 0.95%, 0.78%

LAB 92.17, -37.13, 3.27

 

CMYK 42 / 1 / 0 / 1

HEX #91FAFC

RGB 145 250 252

HSL 181.12, 0.95%, 0.78%

LAB 92.32, -29.94, -10.5

 

CMYK 42 / 12 / 0 / 1

HEX #91DDFC

RGB 145 221 252

HSL 197.38, 0.95%, 0.78%

LAB 84.36, -15.67, -22.46

 

CMYK 42 / 24 / 0 / 1

HEX #91C0FC

RGB 145 192 252

HSL 213.64, 0.95%, 0.78%

LAB 76.53, -0.38, -34.46

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC4

RGB 145 252 196

HSL 148.6, 0.95%, 0.78%

LAB 91.52, -43.15, 17.3

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC4

RGB 145 252 196

HSL 148.6, 0.95%, 0.78%

LAB 91.52, -43.15, 17.3

 

CMYK 37 / 0 / 19 / 5

HEX #9AF3C5

RGB 154 243 197

HSL 148.99, 0.79%, 0.78%

LAB 89.39, -36.48, 13.85

 

CMYK 30 / 0 / 16 / 8

HEX #A3EAC5

RGB 163 234 197

HSL 148.73, 0.63%, 0.78%

LAB 87.32, -29.69, 10.97

 

CMYK 23 / 0 / 12 / 12

HEX #ACE0C5

RGB 172 224 197

HSL 148.85, 0.46%, 0.78%

LAB 85.05, -22.11, 7.79

 

CMYK 16 / 0 / 8 / 16

HEX #B5D7C6

RGB 181 215 198

HSL 150, 0.3%, 0.78%

LAB 83.18, -14.54, 4.64

 

CMYK 40 / 0 / 42 / 1

HEX #98FC91

RGB 152 252 145

HSL 116.07, 0.95%, 0.78%

LAB 90.94, -49.72, 42.19

 

CMYK 42 / 0 / 34 / 1

HEX #91FCA6

RGB 145 252 166

HSL 131.78, 0.95%, 0.78%

LAB 90.96, -48.53, 31.78

 

CMYK 42 / 0 / 23 / 1

HEX #91FCC3

RGB 145 252 195

HSL 148.04, 0.95%, 0.78%

LAB 91.5, -43.34, 17.79

 

CMYK 42 / 0 / 12 / 1

HEX #91FCDF

RGB 145 252 223

HSL 163.74, 0.95%, 0.78%

LAB 92.12, -37.57, 4.23

 

CMYK 42 / 0 / 0 / 1

HEX #91FCFC

RGB 145 252 252

HSL 180, 0.95%, 0.78%

LAB 92.87, -30.89, -9.68

 

CMYK 74 / 0 / 38 / 2

HEX #41FA9A

RGB 65 250 154

HSL 148.86, 0.95%, 0.62%

LAB 87.89, -66.35, 33.28

 

CMYK 58 / 0 / 30 / 2

HEX #69FBAF

RGB 105 251 175

HSL 148.77, 0.95%, 0.7%

LAB 89.44, -56.13, 24.94

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC4

RGB 145 252 196

HSL 148.6, 0.95%, 0.78%

LAB 91.52, -43.15, 17.3

 

CMYK 27 / 0 / 14 / 1

HEX #B9FDDA

RGB 185 253 218

HSL 149.12, 0.94%, 0.86%

LAB 94.15, -28.07, 9.99

 

CMYK 11 / 0 / 6 / 0

HEX #E2FEEF

RGB 226 254 239

HSL 147.86, 0.93%, 0.94%

LAB 97.34, -11.81, 4.09

 

CMYK 42 / 0 / 22 / 1

HEX #92FCC5

RGB 146 252 197

HSL 148.87, 0.95%, 0.78%

LAB 91.58, -42.69, 16.88

 

CMYK 42 / 28 / 0 / 1

HEX #91B5FC

RGB 145 181 252

HSL 219.81, 0.95%, 0.78%

LAB 73.61, 5.67, -38.99

 

CMYK 0 / 40 / 42 / 1

HEX #FC9891

RGB 252 152 145

HSL 3.93, 0.95%, 0.78%

LAB 73.02, 36.66, 19.78

 

CMYK 42 / 0 / 22 / 1

HEX #92FCC5

RGB 146 252 197

HSL 148.87, 0.95%, 0.78%

LAB 91.58, -42.69, 16.88

 

CMYK 23 / 42 / 0 / 1

HEX #C391FC

RGB 195 145 252

HSL 268.04, 0.95%, 0.78%

LAB 68.67, 39.23, -46.44

 

CMYK 0 / 23 / 42 / 1

HEX #FCC391

RGB 252 195 145

HSL 28.04, 0.95%, 0.78%

LAB 82.79, 14.17, 32.94

 

CMYK 42 / 0 / 22 / 1

HEX #92FCC5

RGB 146 252 197

HSL 148.87, 0.95%, 0.78%

LAB 91.58, -42.69, 16.88

 

CMYK 42 / 28 / 0 / 1

HEX #91B5FC

RGB 145 181 252

HSL 219.81, 0.95%, 0.78%

LAB 73.61, 5.67, -38.99

 

CMYK 0 / 42 / 20 / 1

HEX #FC91CA

RGB 252 145 202

HSL 328.04, 0.95%, 0.78%

LAB 73.03, 47.37, -11.73

 

CMYK 0 / 14 / 42 / 1

HEX #FCD891

RGB 252 216 145

HSL 39.81, 0.95%, 0.78%

LAB 87.9, 3.3, 39.6

 

CMYK 42 / 0 / 22 / 1

HEX #92FCC5

RGB 146 252 197

HSL 148.87, 0.95%, 0.78%

LAB 91.58, -42.69, 16.88

 

CMYK 42 / 41 / 0 / 1

HEX #9195FC

RGB 145 149 252

HSL 237.76, 0.95%, 0.78%

LAB 65.39, 23.86, -51.88

 

CMYK 0 / 42 / 20 / 1

HEX #FC91CA

RGB 252 145 202

HSL 328.04, 0.95%, 0.78%

LAB 73.03, 47.37, -11.73

 

CMYK 0 / 2 / 42 / 1

HEX #FCF891

RGB 252 248 145

HSL 57.76, 0.95%, 0.78%

LAB 95.94, -12.76, 49.79

 

Description

Color code: RGB 146 252 197 | qconv.com Color code: RGB 146 252 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 252 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 252 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 22 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 22% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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