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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 220 233 it is the complementary color RGB 109 35 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 220 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 220 233 shade: RGB 151 220 228, RGB 168 238 247, RGB 185 255 255, RGB 202 255 255 and RGB 219 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 220 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 220 233 shade: RGB 146 220 233, RGB 129 202 214, RGB 112 184 195, RGB 95 166 176 and RGB 78 148 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 220 233 shade: RGB 144 219 232, RGB 144 195 232, RGB 144 172 232, RGB 144 148 232 and RGB 164 144 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 220 233 shade: RGB 144 219 232, RGB 144 195 232, RGB 144 172 232, RGB 144 148 232 and RGB 144 144 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 220 233 shade matches the following richer shades: RGB 144 219 232, RGB 134 226 243 and RGB 123 234 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 220 233 shade: RGB 144 219 232, RGB 155 211 221, RGB 166 204 211, RGB 177 196 200 and RGB 187 189 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 220 233 shade: RGB 144 232 197, RGB 144 232 220, RGB 144 220 232, RGB 144 197 232 and RGB 144 174 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 220 233 shade: RGB 76 197 218, RGB 110 208 225, RGB 144 219 232, RGB 179 230 239 and RGB 213 241 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 220 233 shade: RGB 146 220 233, RGB 174 144 232 and RGB 232 209 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 220 233 shade: RGB 146 220 233, RGB 232 144 220 and RGB 220 232 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 220 233 shade: RGB 146 220 233, RGB 174 144 232, RGB 232 156 144 and RGB 203 232 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 220 233 shade: RGB 146 220 233, RGB 200 144 232, RGB 232 156 144 and RGB 177 232 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 6 / 0 / 9

HEX #92DCE9

RGB 146 220 233

HSL 188.97, 0.66%, 0.74%

LAB 83.54, -19.69, -13.64

 

Complementary color

CMYK 0 / 68 / 80 / 57

HEX #6D2316

RGB 109 35 22

HSL 8.97, 0.66%, 0.26%

LAB 25.29, 32.11, 25.98

 

CMYK 34 / 4 / 0 / 11

HEX #97DCE4

RGB 151 220 228

HSL 186.23, 0.59%, 0.74%

LAB 83.64, -19.58, -10.82

 

CMYK 32 / 4 / 0 / 3

HEX #A8EEF7

RGB 168 238 247

HSL 186.84, 0.83%, 0.81%

LAB 89.95, -19.54, -11.32

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 37 / 6 / 0 / 9

HEX #92DCE9

RGB 146 220 233

HSL 188.97, 0.66%, 0.74%

LAB 83.54, -19.69, -13.64

 

CMYK 40 / 6 / 0 / 16

HEX #81CAD6

RGB 129 202 214

HSL 188.47, 0.51%, 0.67%

LAB 77.14, -19.68, -13.16

 

CMYK 43 / 6 / 0 / 24

HEX #70B8C3

RGB 112 184 195

HSL 187.95, 0.41%, 0.6%

LAB 70.64, -19.65, -12.65

 

CMYK 46 / 6 / 0 / 31

HEX #5FA6B0

RGB 95 166 176

HSL 187.41, 0.34%, 0.53%

LAB 64.03, -19.59, -12.12

 

CMYK 50 / 6 / 0 / 38

HEX #4E949D

RGB 78 148 157

HSL 186.84, 0.34%, 0.46%

LAB 57.3, -19.47, -11.56

 

CMYK 38 / 6 / 0 / 9

HEX #90DBE8

RGB 144 219 232

HSL 188.86, 0.66%, 0.74%

LAB 83.14, -19.95, -13.72

 

CMYK 38 / 16 / 0 / 9

HEX #90C3E8

RGB 144 195 232

HSL 205.23, 0.66%, 0.74%

LAB 76.55, -7.55, -23.68

 

CMYK 38 / 26 / 0 / 9

HEX #90ACE8

RGB 144 172 232

HSL 220.91, 0.66%, 0.74%

LAB 70.36, 5, -33.18

 

CMYK 38 / 36 / 0 / 9

HEX #9094E8

RGB 144 148 232

HSL 237.27, 0.66%, 0.74%

LAB 64.11, 18.66, -42.93

 

CMYK 29 / 38 / 0 / 9

HEX #A490E8

RGB 164 144 232

HSL 253.64, 0.66%, 0.74%

LAB 64.7, 26.39, -41.9

 

CMYK 38 / 6 / 0 / 9

HEX #90DBE8

RGB 144 219 232

HSL 188.86, 0.66%, 0.74%

LAB 83.14, -19.95, -13.72

 

CMYK 38 / 16 / 0 / 9

HEX #90C3E8

RGB 144 195 232

HSL 205.23, 0.66%, 0.74%

LAB 76.55, -7.55, -23.68

 

CMYK 38 / 26 / 0 / 9

HEX #90ACE8

RGB 144 172 232

HSL 220.91, 0.66%, 0.74%

LAB 70.36, 5, -33.18

 

CMYK 38 / 36 / 0 / 9

HEX #9094E8

RGB 144 148 232

HSL 237.27, 0.66%, 0.74%

LAB 64.11, 18.66, -42.93

 

CMYK 38 / 38 / 0 / 9

HEX #9090E8

RGB 144 144 232

HSL 240, 0.66%, 0.74%

LAB 63.1, 20.97, -44.52

 

CMYK 38 / 6 / 0 / 9

HEX #90DBE8

RGB 144 219 232

HSL 188.86, 0.66%, 0.74%

LAB 83.14, -19.95, -13.72

 

CMYK 45 / 7 / 0 / 5

HEX #86E2F3

RGB 134 226 243

HSL 189.36, 0.82%, 0.74%

LAB 84.96, -23.11, -16.85

 

CMYK 51 / 8 / 0 / 1

HEX #7BEAFD

RGB 123 234 253

HSL 188.77, 0.97%, 0.74%

LAB 87.07, -26.8, -18.98

 

CMYK 38 / 6 / 0 / 9

HEX #90DBE8

RGB 144 219 232

HSL 188.86, 0.66%, 0.74%

LAB 83.14, -19.95, -13.72

 

CMYK 30 / 5 / 0 / 13

HEX #9BD3DD

RGB 155 211 221

HSL 189.09, 0.49%, 0.74%

LAB 81.17, -15.57, -10.75

RGB 155 211 221

CMYK 21 / 3 / 0 / 17

HEX #A6CCD3

RGB 166 204 211

HSL 189.33, 0.34%, 0.74%

LAB 79.61, -10.99, -7.64

RGB 166 204 211

CMYK 12 / 2 / 0 / 22

HEX #B1C4C8

RGB 177 196 200

HSL 190.43, 0.17%, 0.74%

LAB 77.87, -5.64, -4.21

RGB 177 196 200

CMYK 1 / 0 / 0 / 26

HEX #BBBDBD

RGB 187 189 189

HSL 180, 0.01%, 0.74%

LAB 76.46, -0.69, -0.25

RGB 187 189 189

CMYK 38 / 0 / 15 / 9

HEX #90E8C5

RGB 144 232 197

HSL 156.14, 0.66%, 0.74%

LAB 85.84, -34.18, 8.73

 

CMYK 38 / 0 / 5 / 9

HEX #90E8DC

RGB 144 232 220

HSL 171.82, 0.66%, 0.74%

LAB 86.41, -29.16, -2.53

 

CMYK 38 / 5 / 0 / 9

HEX #90DCE8

RGB 144 220 232

HSL 188.18, 0.66%, 0.74%

LAB 83.41, -20.45, -13.31

 

CMYK 38 / 15 / 0 / 9

HEX #90C5E8

RGB 144 197 232

HSL 203.86, 0.66%, 0.74%

LAB 77.09, -8.61, -22.85

 

CMYK 38 / 25 / 0 / 9

HEX #90AEE8

RGB 144 174 232

HSL 219.55, 0.66%, 0.74%

LAB 70.89, 3.89, -32.36

 

CMYK 65 / 10 / 0 / 15

HEX #4CC5DA

RGB 76 197 218

HSL 188.87, 0.66%, 0.58%

LAB 73.89, -27.03, -20.41

 

CMYK 51 / 8 / 0 / 12

HEX #6ED0E1

RGB 110 208 225

HSL 188.87, 0.66%, 0.66%

LAB 78.38, -24.24, -17.28

 

CMYK 38 / 6 / 0 / 9

HEX #90DBE8

RGB 144 219 232

HSL 188.86, 0.66%, 0.74%

LAB 83.14, -19.95, -13.72

 

CMYK 25 / 4 / 0 / 6

HEX #B3E6EF

RGB 179 230 239

HSL 189, 0.65%, 0.82%

LAB 88.17, -14.27, -9.72

 

CMYK 13 / 2 / 0 / 4

HEX #D5F1F6

RGB 213 241 246

HSL 189.09, 0.65%, 0.9%

LAB 93.32, -8.1, -5.5

 

CMYK 37 / 6 / 0 / 9

HEX #92DCE9

RGB 146 220 233

HSL 188.97, 0.66%, 0.74%

LAB 83.54, -19.69, -13.64

 

CMYK 25 / 38 / 0 / 9

HEX #AE90E8

RGB 174 144 232

HSL 260.45, 0.66%, 0.74%

LAB 65.57, 29.22, -40.46

 

CMYK 0 / 10 / 38 / 9

HEX #E8D190

RGB 232 209 144

HSL 44.32, 0.66%, 0.74%

LAB 84.37, -1.05, 35.18

 

CMYK 37 / 6 / 0 / 9

HEX #92DCE9

RGB 146 220 233

HSL 188.97, 0.66%, 0.74%

LAB 83.54, -19.69, -13.64

 

CMYK 0 / 38 / 5 / 9

HEX #E890DC

RGB 232 144 220

HSL 308.18, 0.66%, 0.74%

LAB 71.06, 44.35, -24.88

 

CMYK 5 / 0 / 38 / 9

HEX #DCE890

RGB 220 232 144

HSL 68.18, 0.66%, 0.74%

LAB 89.37, -17.28, 41.46

 

CMYK 37 / 6 / 0 / 9

HEX #92DCE9

RGB 146 220 233

HSL 188.97, 0.66%, 0.74%

LAB 83.54, -19.69, -13.64

 

CMYK 25 / 38 / 0 / 9

HEX #AE90E8

RGB 174 144 232

HSL 260.45, 0.66%, 0.74%

LAB 65.57, 29.22, -40.46

 

CMYK 0 / 33 / 38 / 9

HEX #E89C90

RGB 232 156 144

HSL 8.18, 0.66%, 0.74%

LAB 71.52, 26.93, 17.88

 

CMYK 13 / 0 / 38 / 9

HEX #CBE890

RGB 203 232 144

HSL 79.77, 0.66%, 0.74%

LAB 88.17, -23.66, 39.69

 

CMYK 37 / 6 / 0 / 9

HEX #92DCE9

RGB 146 220 233

HSL 188.97, 0.66%, 0.74%

LAB 83.54, -19.69, -13.64

 

CMYK 14 / 38 / 0 / 9

HEX #C890E8

RGB 200 144 232

HSL 278.18, 0.66%, 0.74%

LAB 68.06, 36.84, -36.39

 

CMYK 0 / 33 / 38 / 9

HEX #E89C90

RGB 232 156 144

HSL 8.18, 0.66%, 0.74%

LAB 71.52, 26.93, 17.88

 

CMYK 24 / 0 / 38 / 9

HEX #B1E890

RGB 177 232 144

HSL 97.5, 0.66%, 0.74%

LAB 86.54, -32.99, 37.26

 

Description

Color code: RGB 146 220 233 | qconv.com Color code: RGB 146 220 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 220 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 220 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 6 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 6% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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