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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 21 73 it is the complementary color RGB 109 234 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 21 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 21 73 shade: RGB 151 21 68, RGB 168 39 87, RGB 185 57 106, RGB 202 75 125 and RGB 219 93 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 21 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 21 73 shade: RGB 146 21 73, RGB 129 3 54, RGB 112 0 35, RGB 95 0 16 and RGB 78 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 21 73 shade: RGB 147 21 73, RGB 147 21 39 and RGB 147 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 21 73 shade: RGB 147 21 73, RGB 147 21 107, RGB 147 21 141, RGB 118 21 147 and RGB 84 21 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 21 73 shade matches the following richer shades: RGB 147 21 73 and RGB 160 7 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 21 73 shade: RGB 147 21 73, RGB 133 34 75, RGB 120 48 78, RGB 106 61 80 and RGB 92 75 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 21 73 shade: RGB 147 21 140, RGB 147 21 107, RGB 147 21 73, RGB 147 21 39 and RGB 147 35 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 21 73 shade: RGB 75 10 37, RGB 111 15 55, RGB 147 21 73, RGB 183 26 91 and RGB 219 31 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 21 73 shade: RGB 146 21 73, RGB 147 119 21 and RGB 21 124 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 21 73 shade: RGB 146 21 73, RGB 73 147 21 and RGB 21 73 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 21 73 shade: RGB 146 21 73, RGB 147 119 21, RGB 21 147 94 and RGB 21 48 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 21 73 shade: RGB 146 21 73, RGB 136 147 21, RGB 21 147 94 and RGB 31 21 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 50 / 43

HEX #921549

RGB 146 21 73

HSL 335.04, 0.75%, 0.33%

LAB 32.1, 52.43, 2.89

 

Complementary color

CMYK 53 / 0 / 22 / 8

HEX #6DEAB6

RGB 109 234 182

HSL 155.04, 0.75%, 0.67%

LAB 84.73, -46.87, 14.81

 

CMYK 0 / 86 / 55 / 41

HEX #971544

RGB 151 21 68

HSL 338.31, 0.76%, 0.34%

LAB 32.99, 53.36, 7.6

 

CMYK 0 / 77 / 48 / 34

HEX #A82757

RGB 168 39 87

HSL 337.67, 0.62%, 0.41%

LAB 38.66, 54.64, 3.84

 

CMYK 0 / 69 / 43 / 27

HEX #B9396A

RGB 185 57 106

HSL 337.03, 0.53%, 0.47%

LAB 44.63, 55, 0.96

 

CMYK 0 / 63 / 38 / 21

HEX #CA4B7D

RGB 202 75 125

HSL 336.38, 0.55%, 0.54%

LAB 50.77, 54.8, -1.29

 

CMYK 0 / 58 / 34 / 14

HEX #DB5D90

RGB 219 93 144

HSL 335.71, 0.64%, 0.61%

LAB 56.98, 54.29, -3.12

 

CMYK 0 / 86 / 50 / 43

HEX #921549

RGB 146 21 73

HSL 335.04, 0.75%, 0.33%

LAB 32.1, 52.43, 2.89

 

CMYK 0 / 98 / 58 / 49

HEX #810336

RGB 129 3 54

HSL 335.71, 0.95%, 0.26%

LAB 26.73, 49.89, 7.52

 

CMYK 0 / 100 / 69 / 56

HEX #700023

RGB 112 0 35

HSL 341.25, 1%, 0.22%

LAB 22.18, 44.86, 13.86

 

CMYK 0 / 100 / 83 / 63

HEX #5F0010

RGB 95 0 16

HSL 349.89, 1%, 0.19%

LAB 17.78, 39.36, 20.46

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 86 / 50 / 42

HEX #931549

RGB 147 21 73

HSL 335.24, 0.75%, 0.33%

LAB 32.3, 52.69, 3.22

 

CMYK 0 / 86 / 73 / 42

HEX #931527

RGB 147 21 39

HSL 351.43, 0.75%, 0.33%

LAB 31.55, 50.46, 24.52

 

CMYK 0 / 86 / 86 / 42

HEX #931515

RGB 147 21 21

HSL 0, 0.75%, 0.33%

LAB 31.33, 49.82, 35.14

 

CMYK 0 / 86 / 50 / 42

HEX #931549

RGB 147 21 73

HSL 335.24, 0.75%, 0.33%

LAB 32.3, 52.69, 3.22

 

CMYK 0 / 86 / 27 / 42

HEX #93156B

RGB 147 21 107

HSL 319.05, 0.75%, 0.33%

LAB 33.56, 56.29, -16.97

 

CMYK 0 / 86 / 4 / 42

HEX #93158D

RGB 147 21 141

HSL 302.86, 0.75%, 0.33%

LAB 35.33, 61.08, -35.54

 

CMYK 20 / 86 / 0 / 42

HEX #761593

RGB 118 21 147

HSL 286.19, 0.75%, 0.33%

LAB 30.63, 56.67, -47.05

 

CMYK 43 / 86 / 0 / 42

HEX #541593

RGB 84 21 147

HSL 270, 0.75%, 0.33%

LAB 25.34, 51.29, -55.89

 

CMYK 0 / 86 / 50 / 42

HEX #931549

RGB 147 21 73

HSL 335.24, 0.75%, 0.33%

LAB 32.3, 52.69, 3.22

 

CMYK 0 / 96 / 56 / 37

HEX #A00747

RGB 160 7 71

HSL 334.9, 0.92%, 0.33%

LAB 34.15, 58.24, 7.53

 

CMYK 0 / 86 / 50 / 42

HEX #931549

RGB 147 21 73

HSL 335.24, 0.75%, 0.33%

LAB 32.3, 52.69, 3.22

 

CMYK 0 / 74 / 44 / 48

HEX #85224B

RGB 133 34 75

HSL 335.15, 0.59%, 0.33%

LAB 30.97, 44.95, -0.38

 

CMYK 0 / 60 / 35 / 53

HEX #78304E

RGB 120 48 78

HSL 335, 0.43%, 0.33%

LAB 31.01, 34.79, -2.56

 

CMYK 0 / 42 / 25 / 58

HEX #6A3D50

RGB 106 61 80

HSL 334.67, 0.27%, 0.33%

LAB 31.76, 22.53, -2.99

 

CMYK 0 / 18 / 11 / 64

HEX #5C4B52

RGB 92 75 82

HSL 335.29, 0.1%, 0.33%

LAB 33.81, 8.49, -1.45

 

CMYK 0 / 86 / 5 / 42

HEX #93158C

RGB 147 21 140

HSL 303.33, 0.75%, 0.33%

LAB 35.27, 60.92, -35.01

 

CMYK 0 / 86 / 27 / 42

HEX #93156B

RGB 147 21 107

HSL 319.05, 0.75%, 0.33%

LAB 33.56, 56.29, -16.97

 

CMYK 0 / 86 / 50 / 42

HEX #931549

RGB 147 21 73

HSL 335.24, 0.75%, 0.33%

LAB 32.3, 52.69, 3.22

 

CMYK 0 / 86 / 73 / 42

HEX #931527

RGB 147 21 39

HSL 351.43, 0.75%, 0.33%

LAB 31.55, 50.46, 24.52

 

CMYK 0 / 76 / 86 / 42

HEX #932315

RGB 147 35 21

HSL 6.67, 0.75%, 0.33%

LAB 32.83, 45.6, 36.5

 

CMYK 0 / 87 / 51 / 71

HEX #4B0A25

RGB 75 10 37

HSL 335.08, 0.76%, 0.17%

LAB 14.66, 31.68, 0.71

 

CMYK 0 / 86 / 50 / 56

HEX #6F0F37

RGB 111 15 55

HSL 335, 0.76%, 0.25%

LAB 23.66, 42.7, 1.92

 

CMYK 0 / 86 / 50 / 42

HEX #931549

RGB 147 21 73

HSL 335.24, 0.75%, 0.33%

LAB 32.3, 52.69, 3.22

 

CMYK 0 / 86 / 50 / 28

HEX #B71A5B

RGB 183 26 91

HSL 335.16, 0.75%, 0.41%

LAB 40.51, 62.42, 4.34

 

CMYK 0 / 86 / 50 / 14

HEX #DB1F6D

RGB 219 31 109

HSL 335.11, 0.75%, 0.49%

LAB 48.44, 71.74, 5.42

 

CMYK 0 / 86 / 50 / 43

HEX #921549

RGB 146 21 73

HSL 335.04, 0.75%, 0.33%

LAB 32.1, 52.43, 2.89

 

CMYK 0 / 19 / 86 / 42

HEX #937715

RGB 147 119 21

HSL 46.67, 0.75%, 0.33%

LAB 51.21, 1.44, 52.44

 

CMYK 86 / 16 / 0 / 42

HEX #157C93

RGB 21 124 147

HSL 190.95, 0.75%, 0.33%

LAB 47.86, -19.06, -20.26

 

CMYK 0 / 86 / 50 / 43

HEX #921549

RGB 146 21 73

HSL 335.04, 0.75%, 0.33%

LAB 32.1, 52.43, 2.89

 

CMYK 50 / 0 / 86 / 42

HEX #499315

RGB 73 147 21

HSL 95.24, 0.75%, 0.33%

LAB 54.38, -43.69, 53.14

 

CMYK 86 / 50 / 0 / 42

HEX #154993

RGB 21 73 147

HSL 215.24, 0.75%, 0.33%

LAB 31.88, 12.37, -45.45

 

CMYK 0 / 86 / 50 / 43

HEX #921549

RGB 146 21 73

HSL 335.04, 0.75%, 0.33%

LAB 32.1, 52.43, 2.89

 

CMYK 0 / 19 / 86 / 42

HEX #937715

RGB 147 119 21

HSL 46.67, 0.75%, 0.33%

LAB 51.21, 1.44, 52.44

 

CMYK 86 / 0 / 36 / 42

HEX #15935E

RGB 21 147 94

HSL 154.76, 0.75%, 0.33%

LAB 53.85, -45.04, 19.17

 

CMYK 86 / 67 / 0 / 42

HEX #153093

RGB 21 48 147

HSL 227.14, 0.75%, 0.33%

LAB 24.89, 29.6, -56.83

 

CMYK 0 / 86 / 50 / 43

HEX #921549

RGB 146 21 73

HSL 335.04, 0.75%, 0.33%

LAB 32.1, 52.43, 2.89

 

CMYK 7 / 0 / 86 / 42

HEX #889315

RGB 136 147 21

HSL 65.24, 0.75%, 0.33%

LAB 58.18, -18.83, 57.92

 

CMYK 86 / 0 / 36 / 42

HEX #15935E

RGB 21 147 94

HSL 154.76, 0.75%, 0.33%

LAB 53.85, -45.04, 19.17

 

CMYK 79 / 86 / 0 / 42

HEX #1F1593

RGB 31 21 147

HSL 244.76, 0.75%, 0.33%

LAB 19.78, 45.97, -65.27

 

Description

Color code: RGB 146 21 73 | qconv.com Color code: RGB 146 21 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 21 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 21 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 50 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 50% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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