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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 197 21 it is the complementary color RGB 109 58 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 197 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 197 21 shade: RGB 151 197 16, RGB 168 215 35, RGB 185 233 54, RGB 202 251 73 and RGB 219 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 197 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 197 21 shade: RGB 146 197 21, RGB 129 179 2, RGB 112 161 0, RGB 95 143 0 and RGB 78 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 197 21 shade: RGB 146 198 20, RGB 194 198 20, RGB 198 154 20, RGB 198 106 20 and RGB 198 58 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 197 21 shade: RGB 146 198 20, RGB 99 198 20, RGB 51 198 20, RGB 20 198 38 and RGB 20 198 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 197 21 shade matches the following richer shades: RGB 146 198 20 and RGB 154 216 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 197 21 shade: RGB 146 198 20, RGB 139 180 38, RGB 132 162 56, RGB 124 145 74 and RGB 117 127 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 197 21 shade: RGB 198 154 20, RGB 195 198 20, RGB 148 198 20, RGB 100 198 20 and RGB 53 198 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 197 21 shade: RGB 91 123 12, RGB 119 161 16, RGB 146 198 20, RGB 172 231 29 and RGB 186 235 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 197 21 shade: RGB 146 197 21, RGB 20 198 106 and RGB 177 20 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 197 21 shade: RGB 146 197 21, RGB 20 148 198 and RGB 198 20 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 197 21 shade: RGB 146 197 21, RGB 20 198 106, RGB 71 20 198 and RGB 198 20 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 197 21 shade: RGB 146 197 21, RGB 20 198 159, RGB 71 20 198 and RGB 198 20 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 89 / 23

HEX #92C515

RGB 146 197 21

HSL 77.39, 0.81%, 0.43%

LAB 73.61, -38.57, 71

 

Complementary color

CMYK 53 / 75 / 0 / 8

HEX #6D3AEA

RGB 109 58 234

HSL 257.39, 0.81%, 0.57%

LAB 41.56, 61.98, -80.48

 

CMYK 23 / 0 / 92 / 23

HEX #97C510

RGB 151 197 16

HSL 75.25, 0.85%, 0.42%

LAB 73.9, -36.71, 72.13

 

CMYK 22 / 0 / 84 / 16

HEX #A8D723

RGB 168 215 35

HSL 75.67, 0.72%, 0.49%

LAB 80.21, -37.65, 74.29

 

CMYK 21 / 0 / 77 / 9

HEX #B9E936

RGB 185 233 54

HSL 76.09, 0.8%, 0.56%

LAB 86.43, -38.4, 75.29

 

CMYK 20 / 0 / 71 / 2

HEX #CAFB49

RGB 202 251 73

HSL 76.52, 0.96%, 0.64%

LAB 92.59, -39, 75.52

 

CMYK 14 / 0 / 64 / 0

HEX #DBFF5C

RGB 219 255 92

HSL 73.25, 1%, 0.68%

LAB 94.89, -33.19, 71.29

 

CMYK 26 / 0 / 89 / 23

HEX #92C515

RGB 146 197 21

HSL 77.39, 0.81%, 0.43%

LAB 73.61, -38.57, 71

 

CMYK 28 / 0 / 99 / 30

HEX #81B302

RGB 129 179 2

HSL 76.95, 0.98%, 0.35%

LAB 67.21, -37.52, 67.98

 

CMYK 30 / 0 / 100 / 37

HEX #70A100

RGB 112 161 0

HSL 78.26, 1%, 0.32%

LAB 60.72, -36.18, 62.82

 

CMYK 34 / 0 / 100 / 44

HEX #5F8F00

RGB 95 143 0

HSL 80.14, 1%, 0.28%

LAB 54.11, -34.77, 57.32

 

CMYK 38 / 0 / 100 / 51

HEX #4E7D00

RGB 78 125 0

HSL 82.56, 1%, 0.25%

LAB 47.35, -33.33, 51.69

 

CMYK 26 / 0 / 90 / 22

HEX #92C614

RGB 146 198 20

HSL 77.53, 0.82%, 0.43%

LAB 73.9, -39.04, 71.41

 

CMYK 2 / 0 / 90 / 22

HEX #C2C614

RGB 194 198 20

HSL 61.35, 0.82%, 0.43%

LAB 77.23, -19.29, 75.47

 

CMYK 0 / 22 / 90 / 22

HEX #C69A14

RGB 198 154 20

HSL 45.17, 0.82%, 0.43%

LAB 65.88, 5.36, 66.76

 

CMYK 0 / 46 / 90 / 22

HEX #C66A14

RGB 198 106 20

HSL 28.99, 0.82%, 0.43%

LAB 54.41, 31.43, 57.97

 

CMYK 0 / 71 / 90 / 22

HEX #C63A14

RGB 198 58 20

HSL 12.81, 0.82%, 0.43%

LAB 45.75, 53.9, 51.5

 

CMYK 26 / 0 / 90 / 22

HEX #92C614

RGB 146 198 20

HSL 77.53, 0.82%, 0.43%

LAB 73.9, -39.04, 71.41

 

CMYK 50 / 0 / 90 / 22

HEX #63C614

RGB 99 198 20

HSL 93.37, 0.82%, 0.43%

LAB 71.62, -55.32, 68.58

 

CMYK 74 / 0 / 90 / 22

HEX #33C614

RGB 51 198 20

HSL 109.55, 0.82%, 0.43%

LAB 70.28, -66.35, 66.91

 

CMYK 90 / 0 / 81 / 22

HEX #14C626

RGB 20 198 38

HSL 126.07, 0.82%, 0.43%

LAB 69.95, -69, 62.42

 

CMYK 90 / 0 / 57 / 22

HEX #14C656

RGB 20 198 86

HSL 142.25, 0.82%, 0.43%

LAB 70.32, -64.33, 44.2

 

CMYK 26 / 0 / 90 / 22

HEX #92C614

RGB 146 198 20

HSL 77.53, 0.82%, 0.43%

LAB 73.9, -39.04, 71.41

 

CMYK 29 / 0 / 99 / 15

HEX #9AD803

RGB 154 216 3

HSL 77.46, 0.97%, 0.43%

LAB 79.61, -44.08, 78.06

 

CMYK 26 / 0 / 90 / 22

HEX #92C614

RGB 146 198 20

HSL 77.53, 0.82%, 0.43%

LAB 73.9, -39.04, 71.41

 

CMYK 23 / 0 / 79 / 29

HEX #8BB426

RGB 139 180 38

HSL 77.32, 0.65%, 0.43%

LAB 68.22, -33.05, 62.21

 

CMYK 19 / 0 / 65 / 36

HEX #84A238

RGB 132 162 56

HSL 76.98, 0.49%, 0.43%

LAB 62.53, -26.26, 49.89

 

CMYK 14 / 0 / 49 / 43

HEX #7C914A

RGB 124 145 74

HSL 77.75, 0.32%, 0.43%

LAB 57.1, -19.34, 34.99

 

CMYK 8 / 0 / 28 / 50

HEX #757F5B

RGB 117 127 91

HSL 76.67, 0.17%, 0.43%

LAB 51.51, -10.33, 18.39

 

CMYK 0 / 22 / 90 / 22

HEX #C69A14

RGB 198 154 20

HSL 45.17, 0.82%, 0.43%

LAB 65.88, 5.36, 66.76

 

CMYK 2 / 0 / 90 / 22

HEX #C3C614

RGB 195 198 20

HSL 61.01, 0.82%, 0.43%

LAB 77.31, -18.86, 75.56

 

CMYK 25 / 0 / 90 / 22

HEX #94C614

RGB 148 198 20

HSL 76.85, 0.82%, 0.43%

LAB 74.02, -38.26, 71.55

 

CMYK 49 / 0 / 90 / 22

HEX #64C614

RGB 100 198 20

HSL 93.03, 0.82%, 0.43%

LAB 71.66, -55.02, 68.63

 

CMYK 73 / 0 / 90 / 22

HEX #35C614

RGB 53 198 20

HSL 108.88, 0.82%, 0.43%

LAB 70.31, -66.03, 66.96

 

CMYK 26 / 0 / 90 / 52

HEX #5B7B0C

RGB 91 123 12

HSL 77.3, 0.82%, 0.26%

LAB 47.52, -26.74, 49.7

 

CMYK 26 / 0 / 90 / 37

HEX #77A110

RGB 119 161 16

HSL 77.38, 0.82%, 0.35%

LAB 61.18, -33.06, 60.98

 

CMYK 26 / 0 / 90 / 22

HEX #92C614

RGB 146 198 20

HSL 77.53, 0.82%, 0.43%

LAB 73.9, -39.04, 71.41

 

CMYK 26 / 0 / 87 / 9

HEX #ACE71D

RGB 172 231 29

HSL 77.52, 0.81%, 0.51%

LAB 85, -43.33, 79.63

 

CMYK 21 / 0 / 72 / 8

HEX #BAEB42

RGB 186 235 66

HSL 77.4, 0.81%, 0.59%

LAB 87.12, -38.33, 72.19

 

CMYK 26 / 0 / 89 / 23

HEX #92C515

RGB 146 197 21

HSL 77.39, 0.81%, 0.43%

LAB 73.61, -38.57, 71

 

CMYK 90 / 0 / 46 / 22

HEX #14C66A

RGB 20 198 106

HSL 148.99, 0.82%, 0.43%

LAB 70.58, -61.23, 34.75

 

CMYK 11 / 90 / 0 / 22

HEX #B114C6

RGB 177 20 198

HSL 292.92, 0.82%, 0.43%

LAB 44.12, 75.8, -55.24

 

CMYK 26 / 0 / 89 / 23

HEX #92C515

RGB 146 197 21

HSL 77.39, 0.81%, 0.43%

LAB 73.61, -38.57, 71

 

CMYK 90 / 25 / 0 / 22

HEX #1494C6

RGB 20 148 198

HSL 196.85, 0.82%, 0.43%

LAB 57.47, -14.06, -34.73

 

CMYK 0 / 90 / 25 / 22

HEX #C61494

RGB 198 20 148

HSL 316.85, 0.82%, 0.43%

LAB 45.14, 72.61, -23.73

 

CMYK 26 / 0 / 89 / 23

HEX #92C515

RGB 146 197 21

HSL 77.39, 0.81%, 0.43%

LAB 73.61, -38.57, 71

 

CMYK 90 / 0 / 46 / 22

HEX #14C66A

RGB 20 198 106

HSL 148.99, 0.82%, 0.43%

LAB 70.58, -61.23, 34.75

 

CMYK 64 / 90 / 0 / 22

HEX #4714C6

RGB 71 20 198

HSL 257.19, 0.82%, 0.43%

LAB 29.2, 63.05, -80.26

 

CMYK 0 / 90 / 43 / 22

HEX #C61470

RGB 198 20 112

HSL 328.99, 0.82%, 0.43%

LAB 43.76, 68.89, -3.75

 

CMYK 26 / 0 / 89 / 23

HEX #92C515

RGB 146 197 21

HSL 77.39, 0.81%, 0.43%

LAB 73.61, -38.57, 71

 

CMYK 90 / 0 / 20 / 22

HEX #14C69F

RGB 20 198 159

HSL 166.85, 0.82%, 0.43%

LAB 71.58, -49.88, 8.12

 

CMYK 64 / 90 / 0 / 22

HEX #4714C6

RGB 71 20 198

HSL 257.19, 0.82%, 0.43%

LAB 29.2, 63.05, -80.26

 

CMYK 0 / 90 / 70 / 22

HEX #C6143B

RGB 198 20 59

HSL 346.85, 0.82%, 0.43%

LAB 42.49, 65.34, 27.69

 

Description

Color code: RGB 146 197 21 | qconv.com Color code: RGB 146 197 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 197 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 197 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 89% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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