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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 194 163 it is the complementary color RGB 109 61 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 194 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 194 163 shade: RGB 151 194 158, RGB 168 212 177, RGB 185 230 196, RGB 202 248 215 and RGB 219 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 194 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 194 163 shade: RGB 146 194 163, RGB 129 176 144, RGB 112 158 125, RGB 95 140 106 and RGB 78 122 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 194 163 shade: RGB 147 194 163, RGB 147 194 151, RGB 156 194 147, RGB 168 194 147 and RGB 181 194 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 194 163 shade: RGB 147 194 163, RGB 147 194 176, RGB 147 194 189, RGB 147 186 194 and RGB 147 174 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 194 163 shade matches the following richer shades: RGB 147 194 163, RGB 133 208 160, RGB 120 221 156, RGB 106 235 152 and RGB 92 248 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 194 163 shade: RGB 147 194 163, RGB 160 180 167, RGB 174 167 171, RGB 188 153 175 and RGB 201 139 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 194 163 shade: RGB 155 194 147, RGB 147 194 151, RGB 147 194 163, RGB 147 194 176 and RGB 147 194 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 194 163 shade: RGB 94 164 119, RGB 120 179 141, RGB 147 194 163, RGB 173 209 186 and RGB 200 224 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 194 163 shade: RGB 146 194 163, RGB 147 168 194 and RGB 194 147 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 194 163 shade: RGB 146 194 163, RGB 163 147 194 and RGB 194 163 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 194 163 shade: RGB 146 194 163, RGB 147 168 194, RGB 194 147 177 and RGB 194 173 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 194 163 shade: RGB 146 194 163, RGB 147 154 194, RGB 194 147 177 and RGB 194 187 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 16 / 24

HEX #92C2A3

RGB 146 194 163

HSL 141.25, 0.28%, 0.67%

LAB 74.41, -22.13, 10.52

 

Complementary color

CMYK 0 / 44 / 16 / 57

HEX #6D3D5C

RGB 109 61 92

HSL 321.25, 0.28%, 0.33%

LAB 32.62, 25.76, -9.4

 

CMYK 22 / 0 / 19 / 24

HEX #97C29E

RGB 151 194 158

HSL 129.77, 0.26%, 0.68%

LAB 74.59, -21.41, 13.52

 

CMYK 21 / 0 / 17 / 17

HEX #A8D4B1

RGB 168 212 177

HSL 132.27, 0.34%, 0.75%

LAB 81.06, -21.24, 12.65

 

CMYK 20 / 0 / 15 / 10

HEX #B9E6C4

RGB 185 230 196

HSL 134.67, 0.47%, 0.81%

LAB 87.43, -21.08, 11.82

 

CMYK 19 / 0 / 13 / 3

HEX #CAF8D7

RGB 202 248 215

HSL 136.96, 0.77%, 0.88%

LAB 93.71, -20.94, 11.03

 

CMYK 14 / 0 / 8 / 0

HEX #DBFFEA

RGB 219 255 234

HSL 145, 1%, 0.93%

LAB 97.03, -15.47, 6.15

 

CMYK 25 / 0 / 16 / 24

HEX #92C2A3

RGB 146 194 163

HSL 141.25, 0.28%, 0.67%

LAB 74.41, -22.13, 10.52

 

CMYK 27 / 0 / 18 / 31

HEX #81B090

RGB 129 176 144

HSL 139.15, 0.23%, 0.6%

LAB 67.82, -22.34, 11.4

 

CMYK 29 / 0 / 21 / 38

HEX #709E7D

RGB 112 158 125

HSL 136.96, 0.19%, 0.53%

LAB 61.11, -22.58, 12.34

 

CMYK 32 / 0 / 24 / 45

HEX #5F8C6A

RGB 95 140 106

HSL 134.67, 0.19%, 0.46%

LAB 54.27, -22.85, 13.36

 

CMYK 36 / 0 / 29 / 52

HEX #4E7A57

RGB 78 122 87

HSL 132.27, 0.22%, 0.39%

LAB 47.27, -23.13, 14.48

 

CMYK 24 / 0 / 16 / 24

HEX #93C2A3

RGB 147 194 163

HSL 140.43, 0.28%, 0.67%

LAB 74.46, -21.8, 10.61

 

CMYK 24 / 0 / 22 / 24

HEX #93C297

RGB 147 194 151

HSL 125.11, 0.28%, 0.67%

LAB 74.2, -24.02, 16.7

 

CMYK 20 / 0 / 24 / 24

HEX #9CC293

RGB 156 194 147

HSL 108.51, 0.28%, 0.67%

LAB 74.67, -21.62, 19.58

 

CMYK 13 / 0 / 24 / 24

HEX #A8C293

RGB 168 194 147

HSL 93.19, 0.28%, 0.67%

LAB 75.46, -17.34, 20.79

 

CMYK 7 / 0 / 24 / 24

HEX #B5C293

RGB 181 194 147

HSL 76.6, 0.28%, 0.67%

LAB 76.38, -12.55, 22.21

 

CMYK 24 / 0 / 16 / 24

HEX #93C2A3

RGB 147 194 163

HSL 140.43, 0.28%, 0.67%

LAB 74.46, -21.8, 10.61

 

CMYK 24 / 0 / 9 / 24

HEX #93C2B0

RGB 147 194 176

HSL 157.02, 0.28%, 0.67%

LAB 74.78, -19.22, 4.02

 

CMYK 24 / 0 / 3 / 24

HEX #93C2BD

RGB 147 194 189

HSL 173.62, 0.28%, 0.67%

LAB 75.11, -16.46, -2.54

 

CMYK 24 / 4 / 0 / 24

HEX #93BAC2

RGB 147 186 194

HSL 190.21, 0.28%, 0.67%

LAB 73.03, -11.18, -8.33

 

CMYK 24 / 10 / 0 / 24

HEX #93AEC2

RGB 147 174 194

HSL 205.53, 0.28%, 0.67%

LAB 69.73, -4.76, -13.27

 

CMYK 24 / 0 / 16 / 24

HEX #93C2A3

RGB 147 194 163

HSL 140.43, 0.28%, 0.67%

LAB 74.46, -21.8, 10.61

 

CMYK 36 / 0 / 23 / 18

HEX #85D0A0

RGB 133 208 160

HSL 141.6, 0.44%, 0.67%

LAB 77.66, -33.52, 16.61

 

CMYK 46 / 0 / 29 / 13

HEX #78DD9C

RGB 120 221 156

HSL 141.39, 0.6%, 0.67%

LAB 80.8, -43.78, 22.96

 

CMYK 55 / 0 / 35 / 8

HEX #6AEB98

RGB 106 235 152

HSL 141.4, 0.76%, 0.67%

LAB 84.35, -53.79, 29.75

 

CMYK 63 / 0 / 40 / 3

HEX #5CF894

RGB 92 248 148

HSL 141.54, 0.92%, 0.67%

LAB 87.75, -62.4, 36.19

 

CMYK 24 / 0 / 16 / 24

HEX #93C2A3

RGB 147 194 163

HSL 140.43, 0.28%, 0.67%

LAB 74.46, -21.8, 10.61

 

CMYK 11 / 0 / 7 / 29

HEX #A0B4A7

RGB 160 180 167

HSL 141, 0.12%, 0.67%

LAB 71.49, -9.44, 4.28

 

CMYK 0 / 4 / 2 / 32

HEX #AEA7AB

RGB 174 167 171

HSL 325.71, 0.04%, 0.67%

LAB 69.17, 3.25, -1.17

 

CMYK 0 / 19 / 7 / 26

HEX #BC99AF

RGB 188 153 175

HSL 322.29, 0.21%, 0.67%

LAB 66.95, 16.73, -6.52

 

CMYK 0 / 31 / 11 / 21

HEX #C98BB3

RGB 201 139 179

HSL 321.29, 0.36%, 0.67%

LAB 65.07, 29.74, -11.43

 

CMYK 20 / 0 / 24 / 24

HEX #9BC293

RGB 155 194 147

HSL 109.79, 0.28%, 0.67%

LAB 74.61, -21.97, 19.49

 

CMYK 24 / 0 / 22 / 24

HEX #93C297

RGB 147 194 151

HSL 125.11, 0.28%, 0.67%

LAB 74.2, -24.02, 16.7

 

CMYK 24 / 0 / 16 / 24

HEX #93C2A3

RGB 147 194 163

HSL 140.43, 0.28%, 0.67%

LAB 74.46, -21.8, 10.61

 

CMYK 24 / 0 / 9 / 24

HEX #93C2B0

RGB 147 194 176

HSL 157.02, 0.28%, 0.67%

LAB 74.78, -19.22, 4.02

 

CMYK 24 / 0 / 3 / 24

HEX #93C2BC

RGB 147 194 188

HSL 172.34, 0.28%, 0.67%

LAB 75.09, -16.67, -2.03

 

CMYK 43 / 0 / 27 / 36

HEX #5EA477

RGB 94 164 119

HSL 141.43, 0.28%, 0.51%

LAB 61.88, -32.36, 16.61

 

CMYK 33 / 0 / 21 / 30

HEX #78B38D

RGB 120 179 141

HSL 141.36, 0.28%, 0.59%

LAB 68.14, -27.31, 13.41

 

CMYK 24 / 0 / 16 / 24

HEX #93C2A3

RGB 147 194 163

HSL 140.43, 0.28%, 0.67%

LAB 74.46, -21.8, 10.61

 

CMYK 17 / 0 / 11 / 18

HEX #ADD1BA

RGB 173 209 186

HSL 141.67, 0.28%, 0.75%

LAB 80.76, -16.41, 7.46

 

CMYK 11 / 0 / 7 / 12

HEX #C8E0D0

RGB 200 224 208

HSL 140, 0.28%, 0.83%

LAB 87.07, -10.95, 5.13

 

CMYK 25 / 0 / 16 / 24

HEX #92C2A3

RGB 146 194 163

HSL 141.25, 0.28%, 0.67%

LAB 74.41, -22.13, 10.52

 

CMYK 24 / 13 / 0 / 24

HEX #93A8C2

RGB 147 168 194

HSL 213.19, 0.28%, 0.67%

LAB 68.1, -1.48, -15.73

 

CMYK 0 / 24 / 23 / 24

HEX #C29395

RGB 194 147 149

HSL 357.45, 0.28%, 0.67%

LAB 65.36, 17.99, 5.82

 

CMYK 25 / 0 / 16 / 24

HEX #92C2A3

RGB 146 194 163

HSL 141.25, 0.28%, 0.67%

LAB 74.41, -22.13, 10.52

 

CMYK 16 / 24 / 0 / 24

HEX #A393C2

RGB 163 147 194

HSL 260.43, 0.28%, 0.67%

LAB 63.79, 15.38, -22.15

 

CMYK 0 / 16 / 24 / 24

HEX #C2A393

RGB 194 163 147

HSL 20.43, 0.28%, 0.67%

LAB 69.31, 8.9, 12.55

 

CMYK 25 / 0 / 16 / 24

HEX #92C2A3

RGB 146 194 163

HSL 141.25, 0.28%, 0.67%

LAB 74.41, -22.13, 10.52

 

CMYK 24 / 13 / 0 / 24

HEX #93A8C2

RGB 147 168 194

HSL 213.19, 0.28%, 0.67%

LAB 68.1, -1.48, -15.73

 

CMYK 0 / 24 / 9 / 24

HEX #C293B1

RGB 194 147 177

HSL 321.7, 0.28%, 0.67%

LAB 66.14, 22.54, -8.78

 

CMYK 0 / 11 / 24 / 24

HEX #C2AD93

RGB 194 173 147

HSL 33.19, 0.28%, 0.67%

LAB 71.87, 3.48, 16.14

 

CMYK 25 / 0 / 16 / 24

HEX #92C2A3

RGB 146 194 163

HSL 141.25, 0.28%, 0.67%

LAB 74.41, -22.13, 10.52

 

CMYK 24 / 21 / 0 / 24

HEX #939AC2

RGB 147 154 194

HSL 231.06, 0.28%, 0.67%

LAB 64.33, 6.32, -21.45

 

CMYK 0 / 24 / 9 / 24

HEX #C293B1

RGB 194 147 177

HSL 321.7, 0.28%, 0.67%

LAB 66.14, 22.54, -8.78

 

CMYK 0 / 4 / 24 / 24

HEX #C2BB93

RGB 194 187 147

HSL 51.06, 0.28%, 0.67%

LAB 75.52, -3.98, 21.19

 

Description

Color code: RGB 146 194 163 | qconv.com Color code: RGB 146 194 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 194 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 194 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 16 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 16% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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