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Color name
RGB 146 16 37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 16 37 it is the complementary color RGB 109 239 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 16 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 16 37 shade: RGB 151 16 32, RGB 168 34 51, RGB 185 52 70, RGB 202 70 89 and RGB 219 88 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 16 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 16 37 shade: RGB 146 16 37, RGB 129 0 18, RGB 112 0 0, RGB 95 0 0 and RGB 78 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 16 37 shade: RGB 146 16 37 and RGB 146 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 16 37 shade: RGB 146 16 37, RGB 146 16 72, RGB 146 16 107, RGB 146 16 143 and RGB 115 16 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 16 37 shade matches the following richer shades: RGB 146 16 37 and RGB 160 3 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 16 37 shade: RGB 146 16 37, RGB 133 29 46, RGB 120 42 55, RGB 107 55 64 and RGB 94 69 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 16 37 shade: RGB 146 16 107, RGB 146 16 72, RGB 146 16 38, RGB 146 29 16 and RGB 146 64 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 16 37 shade: RGB 72 8 18, RGB 109 12 27, RGB 146 16 37, RGB 184 20 46 and RGB 221 24 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 16 37 shade: RGB 146 16 37, RGB 142 146 16 and RGB 16 90 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 16 37 shade: RGB 146 16 37, RGB 38 146 16 and RGB 16 38 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 16 37 shade: RGB 146 16 37, RGB 142 146 16, RGB 16 146 125 and RGB 20 16 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 16 37 shade: RGB 146 16 37, RGB 103 146 16, RGB 16 146 125 and RGB 59 16 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

Complementary color

CMYK 54 / 0 / 9 / 6

HEX #6DEFDA

RGB 109 239 218

HSL 170.31, 0.8%, 0.68%

LAB 87.02, -40.89, -0.74

 

CMYK 0 / 89 / 79 / 41

HEX #971020

RGB 151 16 32

HSL 352.89, 0.81%, 0.33%

LAB 31.93, 52.39, 29.59

 

CMYK 0 / 80 / 70 / 34

HEX #A82233

RGB 168 34 51

HSL 352.39, 0.66%, 0.4%

LAB 37.31, 53.66, 24.92

 

CMYK 0 / 72 / 62 / 27

HEX #B93446

RGB 185 52 70

HSL 351.88, 0.56%, 0.46%

LAB 43.08, 53.91, 21.11

 

CMYK 0 / 65 / 56 / 21

HEX #CA4659

RGB 202 70 89

HSL 351.36, 0.55%, 0.53%

LAB 49.08, 53.56, 18.04

 

CMYK 0 / 60 / 51 / 14

HEX #DB586C

RGB 219 88 108

HSL 350.84, 0.65%, 0.6%

LAB 55.2, 52.89, 15.52

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 0 / 100 / 86 / 49

HEX #810012

RGB 129 0 18

HSL 351.63, 1%, 0.25%

LAB 25.89, 48.68, 30.37

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95 0 0

HSL 0, 1%, 0.19%

LAB 17.61, 38.89, 27.21

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 0 / 89 / 89 / 43

HEX #921010

RGB 146 16 16

HSL 0, 0.8%, 0.32%

LAB 30.69, 50.52, 37.14

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 0 / 89 / 51 / 43

HEX #921048

RGB 146 16 72

HSL 334.15, 0.8%, 0.32%

LAB 31.69, 53.42, 2.97

 

CMYK 0 / 89 / 27 / 43

HEX #92106B

RGB 146 16 107

HSL 318, 0.8%, 0.32%

LAB 33.01, 57.09, -17.84

 

CMYK 0 / 89 / 2 / 43

HEX #92108F

RGB 146 16 143

HSL 301.38, 0.8%, 0.32%

LAB 34.93, 62.16, -37.41

 

CMYK 21 / 89 / 0 / 43

HEX #731092

RGB 115 16 146

HSL 285.69, 0.8%, 0.32%

LAB 29.64, 57.16, -48.06

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 0 / 98 / 83 / 37

HEX #A0031C

RGB 160 3 28

HSL 350.45, 0.96%, 0.32%

LAB 33.18, 56.63, 33.92

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 0 / 78 / 65 / 48

HEX #851D2E

RGB 133 29 46

HSL 350.19, 0.64%, 0.32%

LAB 29.57, 44.29, 16.87

 

CMYK 0 / 65 / 54 / 53

HEX #782A37

RGB 120 42 55

HSL 350, 0.48%, 0.32%

LAB 29.22, 35.18, 10.02

 

CMYK 0 / 49 / 40 / 58

HEX #6B3740

RGB 107 55 64

HSL 349.62, 0.32%, 0.32%

LAB 29.98, 24.12, 4.85

 

CMYK 0 / 27 / 22 / 63

HEX #5E4549

RGB 94 69 73

HSL 350.4, 0.15%, 0.32%

LAB 32.07, 11.43, 1.79

 

CMYK 0 / 89 / 27 / 43

HEX #92106B

RGB 146 16 107

HSL 318, 0.8%, 0.32%

LAB 33.01, 57.09, -17.84

 

CMYK 0 / 89 / 51 / 43

HEX #921048

RGB 146 16 72

HSL 334.15, 0.8%, 0.32%

LAB 31.69, 53.42, 2.97

 

CMYK 0 / 89 / 74 / 43

HEX #921026

RGB 146 16 38

HSL 349.85, 0.8%, 0.32%

LAB 30.93, 51.23, 24.38

 

CMYK 0 / 80 / 89 / 43

HEX #921D10

RGB 146 29 16

HSL 6, 0.8%, 0.32%

LAB 31.87, 47.17, 38.1

 

CMYK 0 / 56 / 89 / 43

HEX #924010

RGB 146 64 16

HSL 22.15, 0.8%, 0.32%

LAB 37.51, 32.03, 42.68

 

CMYK 0 / 89 / 75 / 72

HEX #480812

RGB 72 8 18

HSL 350.63, 0.8%, 0.16%

LAB 13.2, 29.81, 12.33

 

CMYK 0 / 89 / 75 / 57

HEX #6D0C1B

RGB 109 12 27

HSL 350.72, 0.8%, 0.24%

LAB 22.28, 40.89, 19.36

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 0 / 89 / 75 / 28

HEX #B8142E

RGB 184 20 46

HSL 350.49, 0.8%, 0.4%

LAB 39.39, 61.15, 31.28

 

CMYK 0 / 89 / 75 / 13

HEX #DD1838

RGB 221 24 56

HSL 350.25, 0.8%, 0.48%

LAB 47.38, 70.46, 36.42

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 3 / 0 / 89 / 43

HEX #8E9210

RGB 142 146 16

HSL 61.85, 0.8%, 0.32%

LAB 58.36, -15.75, 59.37

 

CMYK 89 / 38 / 0 / 43

HEX #105A92

RGB 16 90 146

HSL 205.85, 0.8%, 0.32%

LAB 36.93, 0.26, -36.76

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 74 / 0 / 89 / 43

HEX #269210

RGB 38 146 16

HSL 109.85, 0.8%, 0.32%

LAB 52.96, -52.31, 52.65

 

CMYK 89 / 74 / 0 / 43

HEX #102692

RGB 16 38 146

HSL 229.85, 0.8%, 0.32%

LAB 22.2, 35.47, -60.65

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 3 / 0 / 89 / 43

HEX #8E9210

RGB 142 146 16

HSL 61.85, 0.8%, 0.32%

LAB 58.36, -15.75, 59.37

 

CMYK 89 / 0 / 14 / 43

HEX #10927D

RGB 16 146 125

HSL 170.31, 0.8%, 0.32%

LAB 54.18, -37.24, 2.02

 

CMYK 86 / 89 / 0 / 43

HEX #141092

RGB 20 16 146

HSL 241.85, 0.8%, 0.32%

LAB 18.34, 47.25, -67.05

 

CMYK 0 / 89 / 75 / 43

HEX #921025

RGB 146 16 37

HSL 350.31, 0.8%, 0.32%

LAB 30.91, 51.19, 25.01

 

CMYK 29 / 0 / 89 / 43

HEX #679210

RGB 103 146 16

HSL 79.85, 0.8%, 0.32%

LAB 55.56, -32.58, 55.91

 

CMYK 89 / 0 / 14 / 43

HEX #10927D

RGB 16 146 125

HSL 170.31, 0.8%, 0.32%

LAB 54.18, -37.24, 2.02

 

CMYK 60 / 89 / 0 / 43

HEX #3B1092

RGB 59 16 146

HSL 259.85, 0.8%, 0.32%

LAB 21.49, 49.74, -61.73

 

Description

Color code: RGB 146 16 37 | qconv.com Color code: RGB 146 16 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 16 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 16 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 75 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 75% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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